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Articles on this Sale

Auction House:Gibson's Auctioneers & ValuersNumber of lots recorded:556
Sale Title:The Spring Auction Series, Part ILots with images:556
Auction Location:MelbournePrices available:365
Date:27-Nov-2022
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A Japanese bronze group of turtles, Meiji period, realistically modelled with eight young climbing over the larger turtle's back, their heads raised, signed in a rectangular panel Seimin chu (cast by Seimin), 22 cm long. Provenance: The private collection of the late Stanley J. Seeger. Sotheby's London, 5 March 2014, lot 30
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Japanese Maples, by Padma, the two silvered silk ground panels painted in colours with pendant branches of autumn maple leaves, signed and with one seal, framed, 145 cm x 98 cm overall. Provenance: Qdos Arts, Lorne Victoria, 3 March 2004
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Reiko Kanzaki, Sunset, ink and colour on paper, inscribed and with one seal, framed, 44 cm x 49.5 cm. Provenance: Westpac gallery, Melbourne, 4 June 1994
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Imao Keinen (1845-1924), Bird on an oak Branch, shin-hanga coloured woodblock print, two character signature; together with two other prints, one of a fruiting branch and one of a maiden, framed, 34 cm x 24 cm; 21 cm x 18 cm, Note, noted for his lively depictions of birds and plants, Keinen produced a four volume bird and, Flower picture album, one for each season. This is probably an image from that series.
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A mother of pearl and hardstone inlaid wood box and cover, 19th/20th century, of hexagonal form, the cover applied with a long tailed bird among flowering plants and the sides with panels of flowering branches, 19 cm diameter
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A yellow-ground painted enamel dish, Qing dynasty, of shallow saucer shape, the interior painted in famille rose palette with floral sprays; together with a turquouise overlay white glass leys jar, the dish 15 cm diameter
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A hardstone magnolia tree, 20th century, the branches bearing numerous white blooms among green foliage, growing from a blue ground cloisonne enamel floral decorated jardiniere, 50 cm high
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A hardstone finger citron tree, 20th century, bearing different coloured hard stone fruit and foliage, growing from a floral decorated cloisonne enamel jardiniere; together with a cloisonne enamel ewer and cover of cylindrical form, Qianlong mark, 35 cm and 21 cm high
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A gilt bronze figure of Sadaksari, seated on a double lotus base, with four arms, the forward pair of hands joined in anjali mudra, the other pair raised to either side, wearing a dhoti, trailing shawl and jewellery, the face with benevolent smile and surmounted by a tiara, the face and hair with traces of coloured pigments, 16.5 cm high
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A carved wood figure of Guanyin, standing on a high rockwork base, with right arm raised holding a foliate spray, the left lowered, and wearing long flowing robes, 90 cm high
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A gilt bronze figure of Vajradhara, seated on a double lotus throne in dhyanasana, holding a vajra in each crossed hand, wearing loosely draped robes and celestial scarf, the head encircled with a five-leaf diadem, the face and hair with traces of coloured pigments, 18.5 cm high
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A cast iron figure of a temple guardian, standing on a rockwork base, the muscular body clad in a dhoti and trailing scarf, the face with ferocious expression, traces of coloured pigments, 53 cm high
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An unusual painted enamel archer's ring, 19th/20th century, decorated with a maiden attending two young boys, one playing a flute, in a continuous lakeside scene, two-character Qianlong mark, wood stand with jade inset cover, 2.6 cm high
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An unusual jade inset ivory snuff bottle, 19th/20th century, the sides inlaid with jade plaques of the ho ho Erh Hsien, one boy holding lotus stems, the other releasing bats from a box, either side with a tiger, all finely carved in relief on the incised diaper grounds, stopper, 6 cm high
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A red pottery figure of a horse, Tang dynasty or later, standing foursquare on a rectangular base with head held slightly to one side, with ears pricked and hogged mane, the saddle over a saddle cloth, covered overall with a white slip, fitted box, 30 cm high. Provenance: Moorabool antique Galleries, Geelong, Victoria, 30 August 1998. sold with their certificate of authenticity
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A Tang-style pottery figure of a lady, wearing a long wide sleeved robe falling in folds to the base, her thick hair drawn into a high chignon, traces of white slip and coloured pigments, 60 cm high
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A Ming style blue and white bowl, the rounded sides tapering to the waisted lipped mouth, painted with a continuous composite floral scroll above a band of upright petals, Xuande mark, 20.5 cm wide
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A Yueh-type jar, the squat body applied with three animal head handles, covered with an olive green glaze, 15 cm diameter
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A large underglaze blue and copper-red hu form vase, late Qing dynasty, 19th century, painted with figures besides pavilions and stilted dwellings set among trees and rocks in a continuous lakeside scene with distant mountains, 35.5 cm high
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A copper-red vase, 20th century, set on the shoulders with three animal head handles, covered with a rich crimson glaze thinning over the handles and below the pale buff rim, Qianlong seal mark, 28 cm high
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A 'Ge'-type quatrefoil jardiniere, with fluted sides and barbed everted rim supported on four bracket feet, covered overall with a faintly crackled grey-blue glaze, thinning to brown around the rim edge, 24.5 cm long
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A liver-red glazed vase, 20th century, the pear shaped body tapering to a waisted neck and flared mouth, covered with a rich crimson glaze of even tone, the rim and interior in white, Qianlong seal mark, 30 cm high
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A crackle glazed vase, fanghu, subtly moulded with a raised panel on each side and set on the neck with a pair of rectangular handles, applied overall with a brown crackled pale glaze falling evenly around the brown washed footrim, Daoguang seal mark, 32.5 cm high
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A celadon jade figure of a recumbent horse, 19th/20th century, with head raised and ears pricked in alert attitude, the pale stone with some fine russet striations and dark suffusions, 15 cm long
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A celadon jade buckle, 19th/20th century, the two sections of double gourd form, each carved on the upper surface with a bat hovering above a fruiting peach branch, the underside with a flat button, 14 cm long
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A celadon jade reticulated plaque, 19th/20th century, of oval form, carved with a fisherman and two boy attendants carrying their catch with a crane and Buddhist lion among the foliate scrolls, the pale stone with areas of russet suffusions, 11.5 cm long
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A jade 'Mountain' brushrest, in the form of a range of mountain peaks, the pale whitish stone with russet striations, wood stand, 14.3 cm long
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A Chinese ancestor portrait, late Qing Dynasty, ink and colour on paper, depicting an official in formal court attire, image 160 x 77 cm, frame 200 x 102 cm
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Chinese School, Mountain view in Autumn, ink and colour on paper, framed, bearing the signature Zhouming, inscribed and dated 1993 with one seal, 98 cm x 53 cm, 130 cm x 76 cm overall
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Chinese School, Mountains and Sampan, ink and colour on paper, hanging scroll, inscribed with a poem and bearing the signature song Shi dated 1948 and with one seal, together with, Landscape with Figures, ink and colour on paper, hanging scroll, bearing an inscription and one seal, 67 x 42 cm and 92 x 48.5 cm
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A collection of Japanese gilt lacquered wood figures of Buddha and stands, comprising twelve figures in various sizes, together with six rectangular lacquered wood stands, 23 cm to 39 cm high
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A Japanese black and gold lacquered shrine, Butsudan, late Meiji period, of rectangular form, the upper section with two hinged bi-fold panel doors opening to reveal two inner bi-fold doors, the inner shrine with a series of shelves and plinths, all above three small drawers, the upper section with vertical cylindrical pillars below intricately carved decorative elements, housing a gilt figure of Buddha within a carved gilt wood gallery with bell pendants to either side, the lower section with three small…
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A carved and lacquered hard wood cabinet, the front with a pair of central doors and two side doors, decorated with black lacquer panels carved with plants and trees and a central frieze of carved figural panels, the doors opening to reveal four drawers below an upper shelf, all above three further drawers at the base, set with metal lock plates and basket-shaped pull handles, 188 cm high, 140 cm wide, 65.5 cm deep
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An impressive profusely carved hardwood cabinet, possibly zitan and hardwood, the upright rectangular frame containing three large upper compartments each fronted with a pull down panel door above two drawers at the base, the three panels and two drawer fronts profusely carved in relief with pairs of dragons confronted on flaming pearls on an overall ground of dense cloud scrolls, all within borders of similarly carved dragons pursuing pearls among clouds, supported on short square section legs joined by…
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A coromandel black lacquer six fold screen, Qing dynasty, late 19th/20th century, decorated with a continuous scene of cranes and ducks beside peonies and rockwork, an inscription to one side, the reverse with birds and bamboo, each panel 183 cm x 40 cm
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A bone inlaid mahogany centre table, early 20th century, the waisted surface inlaid with figural narratives within garden and pavilion settings and enclosed by a wide border decorated with clouds, bats and shou medallions, the pedestal with three profusely carved wings above a round base and petite feet, 75 cm high, 84 cm diameter
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A pair of Chinese red lacquer studded metal doors, late Qing Dynasty, reputedly from a from a demolished Beijing Hutong, with bat form iron ring handles, 210 x 60 cm (each)
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A set of four famille rose porcelain panels of flowers and insects, 20th century, each rectangular plaque painted with different flowering and fruiting plants, including chrysanthemum and pomegranate, and bearing the signature Li Mingliang with one seal and dated 1948, framed, each panel 73 cm x 20.5 cm
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A pair of yellow-ground bowls, 19th/20th century, each decorated in famille rose enamels with bats, peach sprigs and shou medallions, Tongzhi marks, 7.5 cm diameter
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A blue-ground famille rose vase, 20th century, painted with panels of birds among blossoming trees and plants, reserved on the blue sgraffiato ground decorated with scattered flower sprays, iron-red Qianlong seal mark, 35.5 cm high
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An ormolu mounted Canton famille rose bowl, Qing dynasty, 19th century, the bowl with French ormolu mounts encircling the rim and set with double foliate loop handles joined to the high pedestal base, 35 cm diameter
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A yellow-ground famille rose ritual vessel, Dou, 20th century, of characteristic form, decorated with nine dragons pursuing flaming pearls among cloud scrolls above a band of waves, all reserved on the lemon-yellow ground, the domed cover with matching decoration, Daoguang seal mark, 29 cm high
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A pair of turquoise ground garden seats, 20th century, each of hexagonal form, painted with famille verte figure scene panels reserved on the pale turquoise seeded ground decorated with butterflies and flowers, between formal borders and raised bosses, and pierced with cash motifs, four character marks, 48 cm high
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A famille rose porcelain table screen, 20th century, the rectangular plaque painted with three sages offering gifts, standing beneath a pine tree, a kylin supported on clouds nearby below, an inscription in black with two red seals, wood frame and stand, the plaque 45 cm x 64 cm, overall 78 cm x 79 cm
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A lime-green ground famille rose waterpot, 20th century, of beehive form, the sides painted with pairs of phoenix among lotus scrolls and ribboned emblems between formal borders, the base and interior in turquoise, Qianlong seal mark, fitted box, 9.6 cm diameter
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A turquoise ground famille rose dish, 19th/20th century, with shallow lobed sides, decorated on the interior with flower and peach sprigs and two pink bats, Daoguang seal mark, fitted box, 15 cm wide
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A turquoise ground Dayazhai-style 'Dragons' bowl, late 19th/20th century, the incurved sides decorated in famille rose enamels with iron-red dragons and flowering peonies between lappet and cloud collar borders, the base with a four-character Yong Qing Chang Chun mark, 25 cm diameter
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A collection of thirty-seven Sotheby's international auction catalogues, of Japanese ceramics, works of Art, netsuke, prints and books
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Three Sotheby's international hard back auction catalogues of the Edward T. Chow Collection, comprising part I, Ming and Qing porcelain, Hong Kong, 25 November 1980, part II, early Chinese ceramics and ancient Bronzes, London, 16 December 1980, and part III, Ming and Qing porcelain and works of Art, Hong Kong, 19 May 1981
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Sotheby's Hong Kong catalogues of the T.Y. Chao private and family Trust Collections and the British rail Pension Fund, comprising three Sotheby's Hong Kong hard back auction catalogues of Chinese porcelain, enamels and jade carvings from the works of Art collection of the British rail Pension Fund, 16 May 1989; and the T.Y. Chao private and family Trust Collections of Imperial Chinese ceramics and jade carvings part I, 18 November 1986, and part II, 19 May 1987
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