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Auction House:Art+ObjectNumber of lots recorded:225
Sale Title:New Collectors Art, Applied Arts, Modern DesignLots with images:223
Auction Location:AucklandPrices available:210
Date:11-May-2021
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Anneke Borren, ashtray and small flower sphere, stoneware with painted floral decoration, the ashtray with painted mark to base, the ashtray, diameter 9 cm
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Elizabeth Lissaman, earthenware glazed bowl, raised on base decorated with geometric motifs, the exterior glazed with chocolate hue, the interior with concentric circles in deep cyan blue, potter's signature incised to base, height 7 cm, diameter 25 cm
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Elizabeth Lissaman, earthenware hand-painted plate, decorated with a colourful bird, along with a booklet on the artist '70 years Pottery for Pleasure', potter's signature incised to base, diameter 13.5 cm
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Elizabeth Lissaman, pie funnel and vase, ceramic bird-shaped head funnel and small vase, both with deep mottled blue-grey glaze, together with a small unmarked white-glazed duck, potter's marks to the base of the pie funnel and of the vase, tallest height 8.5 cm
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Briar Gardner, duo of trough vases, glazed ceramics, one large basket-shaped trough with the exterior glazed in mint-pink and unmarked, the other one small curved trough in a gradation of browns and potter's signature to the base, largest height 7 cm, width 26 cm
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Olive Jones & Elizabeth Matheson, duo of vases, glazed ceramics, olive Jones squat vase, green glaze with pink highlights, potter's signature to the base & Elizabeth Matheson vase with trefoil spout, grey-purple glaze, Paka Potteries's mark to the base, height 7 cm, and height 10 cm
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Attributed to Luke Adams Pottery, trough vase, early white glazed ceramic trough, of rectangular shape with a stoneware-type body and spiral motifs on the side, unmarked, height 7.5 cm, width 14 cm
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Attributed to Thomas N. Lovatt for NZ Potteries, early drip glaze vase, 1930s ceramic, of hourglass shape, with brown drip glaze, NZ Potteries stamp to the base, height 24.5 cm
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Timaru Potteries Stour Ware and Ab brick & Stahlton, small rotund vase and ashtray, the vase dated from late-1930s, ceramic of spherical shape, the exterior surface textured in yellow and brown contrasting with the cream glazed interior, maker's stamp to base. The ashtray dated from the late-1920s, salt-glazed pottery in a gradation of orange-browns, marked Ab brick & Stahlton. Vase height 6.5 cm, width 10 cm, ashtray height 4.5 cm, width 14 cm
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O.C. Stephens, selection of four small vessels, glazed ceramics, yellow-glazed ovoid vase, white trough with pink-glazed interior, white squat vase with green-glazed interior, white small pot with pink-glazed interior, potter's signature to the bases trough, width 23.5 cm
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Crown Lynn Potteries, unique hand-potted 'Louie Dean' vase, white glazed ceramic, printed 'Hand Potted' and tiki factory marks, inscribed in gold 'Louie Dean' and impressed no. 1951 to the base, height 16.5 cm, note: this vase appears to be a personalised gift to Louie Dean. There are no Cl shapes recorded in the 1900s, therefore '1951' likely refers to the year it was made. Moreover, this shape doesn't match up with any known hand-potted vase shapes, therefore it appears to be unique and lathed in the…
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Frank Carpay for Crown Lynn, large hand-potted platter, hand-painted ceramic with stylised floral and geometrical design, C.1950's, signed Werk, inscribed W.P.-4 and with printed factory mark to the base, diameter 36 cm
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Ian Firth, Doris Dutch & John Lawrence, tea pots & oil bottle, glazed ceramics, the Ian Firth of organic form decorated with blue aquatic motifs on grey background, the Doris Dutch with granular texture in chocolate hue, the John Lawrence presenting an interesting textural contrast between the granular mottled grey upper body and the smooth blue lower body., all with potter's mark to bases, tallest height 20 cm
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Barry Brickell, duo of wine flasks, stoneware, one incised with 'Villa Maria Wines' stamp and the body unglazed, the other incised with 'San Marino Wines' stamp and iridescent Burgundy glaze, potter's mark to bases, height 21 cm, (each)
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Mirek Smisek, salt glazed teapot, stoneware with original cane handle (partially undone), width 21 cm. Provenance: purchased directly from the potter in the 1960s.
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Mirek Smisek, a shaped footed bowl and a vase, celadon glazed porcelain and glazed stoneware with painted decoration, the bowl with impressed 'Sun' mark; the vase impressed with 'Ms' mark, the bowl, width 14.5 cm; the vase, height 15 cm
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Len Castle, stoneware sedge vase, unglazed, textured surface decorated with incised chevrons and ridges, five apertures, impressed potter's mark, height 10 cm, width 16 cm
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Len Castle, large 'Sea Hawk' bowl, earthenware bowl, the interior with alkaline blue glaze and impressed rope decoration, silica rubbed exterior, impressed potter's mark, width 44 cm, illustrated: Len Castle potter, p. 220. Other Notes: see also: Len Castle potter, p. 112-113, 215; and Len Castle Making the Molecules dance, p. 76. Provenance: Ron sang collection.
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Len Castle, an oversized blossom vase, stoneware slab vase in tenmoku glaze with speckled jun highlights, impressed potter's mark, height 53.5 cm, width 43 cm, for similar examples see: Len Castle potter, p. 124, 158, 210-212; and Len Castle Making the Molecules dance, p. 98. Provenance: Ron sang collection
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Len Castle, lava lake bowl, earthenware, the interior with vibrant swirling lava red glaze, the textured exterior in anthracite grey with sculpted rim, impressed potter's mark, diameter 47.5 cm, for a similar example see: Len Castle Making the Molecules dance, p. 16. Provenance: Ron sang collection
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Len Castle, shino bowl, large ceramic bowl with shino glaze and starry crackled interior, impressed potter's mark, diameter 39 cm. Provenance: Ron sang collection
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Raewyn Atkinson, untitled & Diversions, glazed stoneware on wooden bases, the first signed and inscribed '809' to the base; the second signed, titled and inscribed '812' to the base, largest, height 17 cm, (excl. the base)
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Peter Collis, two red glazed vessels, comprising a squat vase and a dish, impressed mark to the bases, diameter 20 cm, and diameter 23.5 cm
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Unknown potter, large jug, glazed ceramic with ribbed body in a deep olive hue, decorated with a strip of abstract brown-purple motifs in the centre, unclear potter's mark to the base, height 30 cm
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Peter Collis, collection of five vases, glazed ceramic, most with gold leaf and painted brushstroke decoration, three signed and dated '93, '96 and '98 near to the foot, tallest height 38 cm
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Peter Collis, collection of five vases, glazed ceramic, three with gold leaf decoration, two with lustre glaze, four signed to the base, one also dated '96, tallest height 25.5 cm
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Royce McGlashen, Messages in the sun, painted low fired porcelain, signed to the side; original label attached to the base, diameter 30 cm
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Te Ariki (Onehunga Woollen Mills), travel rug, decorated with a tukutuku panel pattern in red, black, beige and white, original Woolmark label with Maori chief head, 196 x 146 cm
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Te Ariki (Onehunga Woollen Mills), travel rug, with a tukutuku panel pattern in red, pink and black, original Woolmark label with Maori chief head attached, 142 x 157 cm
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Te Ariki (Onehunga Woollen Mills), travel rug, with a tukutuku panel pattern in green, brown and white, original Woolmark label with Maori chief head attached, 148 x 188 cm
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Kaiapoi Petone group textiles, early 'Huia' travel rug, in bright orange, brown, green, black and white tartar design, original huia label attached, 187 x 1450
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Kaiapoi Petone group textiles, 'Clan' travel rug, with a Buchanan tartan pattern in blue, green, yellow, red and white, original Woolmark label attached, 159 x 134 cm
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Kaiapoi Petone group textiles, 'Clan' travel rug, with a Princess Margaret tartan pattern in red, green, black and white, original Woolmark label attached, 180 x 136 cm
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Manatunga (Mosgiel Woollens, Dunedin), travel rug, decorated with a tukutuku panel pattern in black, brown, turquoise and white, original Woolmark label attached, 197 x 150 cm
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Manatunga (Roslyn Dunedin textiles), early travel rug, decorated with a tukutuku panel pattern in pink, blue, white and black, original label 'Maori for Keepsake' with Maori wahine attached, 147 x 177 cm
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Onehunga Woollen Mills, travel rug, with a tartan pattern in mustard, terracotta, brown and green, original Woolmark tiki label attached, 190 x 140 cm
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Manatunga (U.E.B. Textiles, Dunedin), travel rug, with a tukutuku panel pattern in bright yellow, magenta, black and white, original Woolmark label attached, 200 x 150 cm
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Manatunga (Roslyn Dunedin textiles), early travel rug, decorated with a tukutuku panel pattern in red, white, black and brown, original label 'Maori for Keepsake' with Maori wahine attached, 149 x 193 cm
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Te Ariki (Onehunga Woollen Mills), travel rug, decorated with a tukutuku panel pattern in red, black, beige and white, original Woolmark label with Maori chief head attached, 163 x 147 cm
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Te Ariki (Onehunga Woollen Mills), travel rug, decorated with a tukutuku panel pattern in green, brown, beige, orange and white, original Woolmark 'Maori chief head' label attached, 174 x 148 cm
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Te Ariki (Onehunga Woollen Mills), travel rug, decorated with a tukutuku panel pattern in orange, beige, brown, black and red, original Woolmark label with Maori chief head, 138 x 133 cm
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Te Ariki (Onehunga Woollens Ltd), woollen travel rug, decorated with stylised tukutuku patterns in grey, red and yellow ochres, original Woolmark label attached, 163 x 128 cm
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Onehunga Woollen Mills, early travel rug, waffle pattern weave in pastel yellow, blue, pink and purple, original smaller tiki label attached, 172 x 127 cm
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Levi Borgstrom, a collection of three wooden spoons, all with original label affixed to the base in various condition, one with the signature, the second inscribed '50/3', the third is only partial with hardly legible numbers '639'., the largest, 20 x 100 x 6 cm
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Tapio Wirkkala for Rosenthal, a 'Secunda Grau' six-place dinner service, 1960's, including dinner and lunch plates, side dishes, cups and saucers, a teapot, an oval platter, two lidded tureens, and a gravy jug and saucer; together with four Rosenthal white dessert bowls, two plates and a purple bowl, manufacturer marks to the bases
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Poole Pottery, three small platters, glazed ceramic, one with original box, all with printed factory marks the base, two signed, width 18 cm, max
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Lin Utzon for Royal Copenhagen, a short cylindrical vase, porcelain, printed signature and manufacturer mark to the base, diameter 18.5 cm
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Orrefors crystal, ice bucket, with stainless steel handle and stand, original manufacturer label, height 13.5 cm
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Per Lutken for Holmegaard, four assorted pieces of studio art glass, one larger bowl in blue together with a smaller grey bowl and two blue biomorphic ashtrays, each etched 'Holmegaard' to underside
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Per Lutken for Holmegaard, two small glass 'Beak' vases, designed in 1954, both in light blue, each marked Holmegaard to the base, 20 cm, height: eacHeight
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Five pieces of vintage Scandinavian art glass likely designed by Michael Bang for Holmegaard, four vases together with a compote, one bears Holmegaard label
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Holstein ceramics of Copenhagen, a 1960s ceramic table lamp, with original cloth shade, circular base with raised, striped tonal blue glaze, original label to the base, height 45 cm
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Jens Quistgaard (Denmark, 1919 - 2008) for Dansk, a Danish teak lidded ice bucket, lined with plastic, stamped Dansk to underside, 30 x 18 x 18 cm
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Two 'Ericofon' one-piece plastic telephones, in red and green, originally designed in the 1940s, this was the first commercially marketed telephone to incorporate the dial and handset into a single unit.
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Arne Jacobsen (Denmark, 1902 - 1971) for Stelton, two 'Cylinda Line' ashtrays, originally designed in 1964 - 1967, one large and one small
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Arne Jacobsen (Denmark, 1902 - 1971) for Stelton, 'Cylinda Line' ice bucket and tongs, originally designed in 1967; together with salt and pepper
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Picquot ware, six-piece aluminium and timber tea and coffee set, including plastic laminate tray, manufacturer marks to the bases, the coffee pot, height 19 cm
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Birgit Krogh for Woodline of Denmark, a small Brazilian rosewood lidded ice bucket, designed and manufactured in the 1950s and with impressed mark to base; together with a pair of Danish candle stick holders in teak
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Birgit Krogh for Woodline of Denmark, a Brazilian rosewood salt and pepper grinder set, designed and manufactured in the 1950s, impressed mark to base
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