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Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:334
Sale Title:International Design & Applied ArtsLots with images:333
Auction Location:MelbournePrices available:153
Date:12-Oct-2017
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A German silver bon bon dish Hanau, circa 1900, the oval bowl with pierced scroll work, decorated in the neo- classical style with garland and ribbon motifs, flanked by ram head lugs, supported by scroll feet, approximately 444 gms silver, 15 cm total height, 19 cm wide
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A German silver two handled silver bon bon dish Hanau, circa 1900, oval in form with pierced lattice work, with garland motifs and portrait plaques to each side, flanked by stirrup handles, raised on four pad feet, approximately 444 gms silver, 10.5 cm high, 25 cm total width
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A German silver boat shaped salt (Nef) George Roth & Company / Hanau, late 19th century, highly embossed with a repeating tavern scene, approximately 204 gms silver, 17.5 cm total height, 12 cm total width
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A pair of Dutch export gilt wash figural serving spoons Imported by Samuel Boyce Landeck / London /, circa 1892, total weight approximately 134 gms silver, 19 cm in length
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A Dutch export silver spice container (Besamim) Amsterdam / 18th century, modelled in the form of a parrot, the head once removed reveals the spice chamber, approximately 128 gms silver, 9 cm high, 13 cm total width
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A Dutch export silver spice container (Besamim) 20th century, modelled as a small bird perched on a branch with glass eyes, the hinged head reveals the spice chamber, approximately 70gms silver, 6 cm high, 13 cm total width
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A Bohemian overlaid glass lamp base, the green glass body richly decorated overall with gilded foliate motifs, hand painted and overlaid floral swags with brass mounts, 66 cm total height
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A pair of Bohemian flashed and overlaid glass decanters, the first bottle with a whisky labelled stopper, the other with a gin labelled stopper, each bottle with Arabesque inspired motif to lower body, 36 cm high each
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A pair of Bohemian portrait vases, each baluster in form with a finely decorated gilded design overall, each overlaid with an oval hand painted female portrait, 34.5 cm high
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A lovely pair of Moser gilded cranberry glass altar vases, tapering in form, each with a finely painted aesthetic style foliate design terminating in a wide circular base, finely etched 'Moser' to base on one vase, 39 cm high
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A pair of graduated Moser lidded ewers, each faceted in form with an elegant elongated handle, both richly enamelled with decorative designs, factory stamp to underside of smaller ewer, 45.5 and 34 cm high respectively
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A Murano glass figure of a satyr, Alessandro Barbaro, mid 20th century, modelled in a seated pose, mounted on a spherical base
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A Rene Lalique Chrysis glass figure model Introduced 1931, the classically styled maiden kneeling upon a dais with her arms out stretched arms held behind her, incised R.Lalique France,16 cm wide., reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 1183, (illustrated).
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A Rene Lalique Acacia no 3 pattern grey patinated glass bowl model Introduced 1928, circular, with a notched splayed rim, moulded with stylised leafy vines towards the rim, moulded R.Lalique France and incised no.3250, 16.8 cm diameter., reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 3250, (illustrated).
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A Rene Lalique Acacia no 2 pattern opalescent glass bowl model Introduced 1928, circular, with a notched splayed rim, moulded with stylised leafy vines towards the rim, moulded R.Lalique France and incised no.3249, 22 cm diameter., reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 3249, (illustrated).
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A Rene Lalique Pinsons pattern sepia patinated bowl model Introduced 1933, circular, moulded with a lattice pattern of fronds with sparrows, incised Lalique France to base, 23.7 cm diameter., reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 386, (illustrated).
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A Rene Lalique Moissac pattern opalescent glass vase model Introduced 1927, conical, moulded with columns of triangular leaves in an overlapping formation, no factory mark, 13 cm high., reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 992, (illustrated).
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A pair of lead crystal 'Ramses' obelisks Baccarat, 20th century, and smaller pair by Baccarat, each signed and dated, tallest 46 cm, (4). Provenance: The collection of a curator and collector, New South Wales
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A Delft five piece blue and white garniture 18th century, Consisting of three baluster shaped vases and covers and two beakers, decorated with a floral scenes, the covers with dog finials, marked de Porceleyne Bijl to underside, the jars 31.5 cm high
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A large Grace Seccombe kookaburra, modelled perched on a wooden log, incised G.S Aus to underside, 19.5 cm high
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A hand painted Worcester Hadley Ware pot and cover, circa 1905, ovoid in form, hand painted with an aquatic scene, covered with a pierced lid, unsigned but probably painted by Mary Eaton, factory marks to base18.5 cm high in total
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A hand painted Worcester vase, Laugharne Castle G. Johnson, circa 1911, ovoid in form with a fluted neck and splayed circular foot, the body hand painted with a castle landscape, titled 'Laugharne castle' to base, signed G.Johnson, 25 cm high
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A hand painted Worcester Hadley Ware jardiniere J. Lander, circa 1909, bulbous in form, the whole hand painted with yellow and pale red cabbage roses, signed J.Lander, factory marks to base, 16 cm high, approximately 16 cm diameter
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A hand painted Royal Worcester vase C. V. White, circa 1907, baluster in form, hand painted with red & yellow cabbage roses, signed C.V. White, factory marks to base, 26 cm high
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A pair of large hand painted Villeroy & Boch chargers K. Schaster, circa 1922, circular in form, each hand painted with a landscape scene
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A pair of Wedgwood Jasper Ware Canopic jars, circa 1866, ovoid in form, the body applied white bands of hieroglyphs and zodiac symbols, above a figural lid, 26 cm high
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A Beswick porcelain figure, H.R.H Queen Elizabeth, modelled by Doris Lindner, circa 1947, modelled in the side saddle on her horse 'Tommy', the whole mounted on a fitted wooden plinth, the underside reading 'HRH Queen Elizabeth, Colonel Grenadier guards', on the occasion of the trooping the colour in honour of the King's birthday, June 12,1947, number one hundred, modelled by Doris Lindner
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A Royal Worcester two handled vase Charles Baldwyn, circa 1906, tapering in form, hand painted with swans in flight on a celeste blue ground, 19 cm high
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A pair of hand painted Royal Worcester vases E. Salter, circa 1887, ovoid in form with an elongated neck, flanked by pierced and gilded handles, hand painted with moonlight water bird motifs, signed E.Salter, 35 cm high
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A pair of English porcelain allegorical figures, Winter & Summer, 19th century, each bearing a prominent gold anchor mark to base, approximately 14 cm high each
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A Worcester turquoise porcelain sugar dish & cover James Giles, circa 1780, richly glazed in turquoise blue ground, with gilded highlights to rim and foot, a gilded flower finial to lid. 14.5 cm high
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A first period Worcester sauce tureen, cover and Underplate, circa 1770, oval in form, each piece decorated with floral motifs in underglazed blue, the tureen and underplate both bearing the crescent mark in underglazed blue, the tureen 8 cm high & 13 cm wide, approximately 9 cm deep. The underplate, 2.5 cm high, 18 cm wide & 13 cm deep
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A Worcester porcelain teapot, circa 1770, of globular form with flower finial, painted with on one side with the 'Boy at the window' pattern, the reverse with a Chinese trading scene within scrolling iron red foliate borders, 14 cm high
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A first period Worcester coffee cup & saucer, circa 1755-75, decorated in the 'Dragon in compartments' pattern, each base bearing the square fretted mark handpainted in underglazed blue, the cup 7.5 cm high, the saucer 13.5 cm diameter
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A pair of Sevres style porcelain urns & covers France, 19th century, tapering in form, each modelled in a blue ground, each jewelled with a hand painted scene to the body, flanked by entwining double serpent handles, all above a square pedestal base, 41.5 cm high
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A fine double ended cedar settee 19th century, elaborately carved Thomas Hope back & scrolling arms with floral motifs, resting on turned feet, finely upholstered in pale green silk brocade, 90 x 243 x 65 cm
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An Italian antique painted wrought iron standard lamp, four branches, applied with gilded foliate decoration, 177 cm high (not including shade)
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A pair of Dutch/ Portuguese Colonial chairs, each with pinned embossed leather seat and arched back, the cabriole legs joined by H stretchers, 138 cm high, 52 cm wide, 48 cm deep
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A fine Turkish 100% pure silk Hereke rug, signed 'Tree of life' 20th century, with tree of life and vase design featuring birds and a variety of flowers, in harmonious colours, high quality hand-knotted, approx 1000000 knots per square meter
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A French Empire style mahogany secretaire a Abbattant, early 19th century, the upper section with a fall front door opening to a fitted architectural interior above four drawers. The lower body with two doors opening to four drawers, 149.5 cm high, 91.5 cm wide, 52.5 cm deep
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A set of four wrought iron and iridescent glass Arts & Crafts lamps, each hand beaten with iridescent glass panel shades, 60 H x 43 W x 43 D cm
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An Art Deco style pedestal desk, the rectangular parquetry top raised on a double pedestal base, with three drawers and two doors, 82 cm high, 160 cm wide, 90 cm deep
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A Louis XV walnut Lyonaise three drawer commode, the rectangular top with serpentine moulded edge above four drawers, above a shaped apron, and raised on scroll feet, the whole with original hardware, 96 cm high, 122.5 cm wide, 57 cm diameter
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A Louis XV style canape, upholstered in a floral fabric, with matching scatter cushions and two bolsters, the exposed frame with foliated reliefs. 89 cm high, 207 cm wide, 76 cm deep
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An antique Flemish inlaid Sidetable, the marquetry top with foliate and floral design, fleur delis at corner to a chevron patterned ebony and bone edge, over a single frieze drawer with a pair of petite handles, on four Solomonic turned legs joined by a crinoline stretcher with matching chevron patterned ebony and bone edge, 74 cm high, 92 cm wide, 61 cm deep
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An antique four fold pressed leather screen in the Chinoiserie style, each of the four leaves in gilt, red and black decoration divided into three cartouche panels with figures, pagodas and garden settings, 231 cm high, each panel 61.5 cm wide
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A French Chinoiserie bronze mounted & carved hall table, attributed Gabriel Viardot (1830-1906), circa 1880, in the 'Japonisme style', the rectangular top inset with ivory and mother of pearl aesthetic designs, the pierced frieze centred by gilt bronze mask heads, supported on four shaped legs with lion mask head surmounts and terminating in paw feet, all united by a pierced cross stretcher, 73.5 cm high, 107 cm wide, 72 cm deep
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An extremely important 19th century plum mahogany Architects Bureauplat, signed G. Durand, in the manner of Jean-Henri Riesener (1734-1806), an outstanding example of the neo-classical style, the hinged top with sloping sides, incorporating a finely tooled black leather writing surface and broad border to moulded edge with indented corners, each long frieze of feigned drawers with central long and two flanking short drawers, each, with bead banded panel, the central with foliate mount, the flanking with…
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A Fortuny style glass ceiling light 20th century, comprising five glass shades, each suspended by a central handing system, each glass shade modelled in spiral form with Arabesque inspired designs
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A fine Louis XVI style burr walnut inlaid table, featuring a burr walnut inlaid top, its outer rim mounted with gilded metal, set on fluted legs also applied with gilded metal and a cross stretcher base., 78 H x 132 L x 77 D cm
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A Victorian walnut credenza with ormolu Trims & satinwood banding, the shaped rectangular top above two bowed glazed doors and a central panelled door, the whole with marquetry inlay and ormolu trimmings, raised on a plinth base, 102 cm high, 154 cm wide, 42 cm deep
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A William IV mahogany sofa table, rectangular in form with drop sides, raised on a marquetry inlaid platform base with scrolled feet
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A set of eight Regency mahogany dining chairs, each covered in a pink satin upholstery, on fluted front legs, 89 cm high, 50 cm wide, 45 cm diameter
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A Dutch hand painted Flip top side table 18th century, the shaped oval table top hand painted with provincial floral motifs, the top lifts to reveal a secondary landscape scene, all above three tapering legs
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