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Auction House:Sotheby'sNumber of lots recorded:331
Sale Title:Fine Asian, Australian & European Arts & DesignLots with images:328
Auction Location:SydneyPrices available:167
Date:21-Jun-2017
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An Edwardian silver swing-handle fruit basket, William Comyns & Son Ltd, London, 1907, retailed by Hardy Bros., the flared sides and foot composed of twelve faceted sections with and cast scroll and shell borders, a plain tapering handle, 1140 gms, 39 cm to top of handle
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A pair George IV silver open salts, Paul Storr, London, 1826, scalloped gadrooned rims, gilded interiors, engraved crest to side, raised on acanthus leaf scroll feet, 280 gms, 9 cm diameter
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A William IV silver teapot, Paul Storr, London, 1830, hexagonal with branch and leaf final, hexagonal, acanthus leaf spout and naturalistic branch handle, engraved with a bull to each side, retailed by Storr and Mortimer, 810 gms, 16.5 cm high
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A George III silver mazarin, Paul Storr, London, 1810, oval with a plain border surrounding the pierced decorative surface, centrally engraved with a crest below a coronet, raised on four ball feet, 1215 gms, 40.5 cm wide, 29 cm deep
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A George III silver sugar bowl, Paul Storr, London, 1810, circular with a narrow egg and dart rim, gadrooned shoulders, twisted serpent handles, gilded interior, lobed banding to lower body and circular foot, 636 gms, 21 cm wide over handles
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A Regency silver swing-handle basket, Paul Storr, London, 1817, oblong with gadrooned rim and acanthus-capped reeded handle, the sides chased with band of flutes, the interior centrally engraved with a coat-of-arms, inscribed 'Virtus Presidium Decusque', raised on waisted oblong foot, 1335 gms, 32.5 cm wide. Provenance: The Charles Lloyd Jones Collection, Sotheby's Australia, Sydney, 19 July 1992, lot 163
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A George III pair of silver open salts, Paul Storr, London, 1811, gadrooned rims interspersed with shells and foliage, gilded interiors, engraved crest to side, acanthus and scroll headed lion paw feet, 410 gms, 10 cm diameter
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A Regency silver teapot and a cream jug, Paul Storr, London, 1813, both of oblong form with gadrooned and shell rims, leaf capped spouts, engraved crest and coat of arms to sides, the teapot with ivory finial and handle with serpent terminals, 1294 gms total weight, teapot 28.5 cm wide
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A George III silver covered sauce tureen, John Schofield, London 1795, two George III casters, one Peter, Ann and William Bateman, London. 1804, the other Robert Peaston, London, 1770, a George III mug, London, 1793, a George III porringer, Edinburgh, 1819, a pair of sugar nips, Hester Bateman, London, 1776 and a pair of sugar nips by Peter, Ann and William Bateman, London, 1801
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A George III silver teapot, C. Fuller, London 1804, a George III silver creamer, William Burwash, London 1813, a George III oval bowl, Aldridge and Green, London 1777, and a William IV open salts, John Emes, London 1836
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A pair of Victorian sterling silver pillar candlesticks, Charles Boyton, London, 1888, the fluted column with Corinthian capitols, raised on stepped square bases with leaf capped corners and gadrooned border, removable sconces (loaded, 33 cm high (each)
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A composite silver flatware service by various makers, dates and patterns, comprising: six each Victoria Fiddle pattern dessert spoons and table forks, six each Fiddle and Thread pattern table forks, dessert forks and teaspoons, six later table knives, five various serving spoons, two large ladles, fish serving spoon and fork, another serving fork, two sauce ladles and a small sifting spoon, a large George III trowel, a marrow scoop and twelve assorted silver teaspoons, approximate weighable silver 3810 gms
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A George IV silver teapot, Edward, John & William Barnard, London, 1829, a Victorian silver coffee pot, John Edward Bingham and Charles Henry Bingham, Sheffield 1876, a William IV jug, Barnard Bros, London 1837, and a Victorian jug, Roberts and Slater, Sheffield, 1850
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A George III three piece tea service, Samuel Hennell, London, 1812-1814, of compressed oval form, gadrooned, cast shell and foliate rims, lobed band to lower bodies, gilded interiors, scroll handles and raised on oval platform bases, sugar basin by Samuel Hennell & John Terry, 1895 gms (total weight), teapot 29 cm long, 18 cm high. Provenance: Simon Kaye Ltd, Albemarle Street, London. Private Collection, Sydney
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A Royal Worcester covered two-handled vase by Charles Baldwyn, circa 1900, the ovoid sky blue body painted with a flock of white swans in flight against a background of gold sedges and reeds, a moulded band of acanthus leaves to lower body, scroll handles, domed cover, raised on circular lobed foot, signed, green printed factory mark, registration no. 203564, shape no. 1818, 25.5 cm high
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A Royal Worcester porcelain two-handled covered vase by Harry Davis, circa 1931, of slender pear form, painted with sheep in landscape, slightly domed cover and raised on circular gilt foot, signed H. Davis, printed puce factory mark, registration no. 669183, shape number '2713', (label to underside ex-Hammond collection, circa 1931 and exhibited Victoria & Albert Museum 1964), 24.5 cm high
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A Royal Worcester porcelain reticulated two-handled vase by George Owen, circa 1906, of baluster form, the sides pierced with honeycomb sections above a band of moulded vertical leaves, square base, the shoulders and slender neck pierced and supporting scroll handles, heightened overall with gilt outlines, gold printed factory mark, shape number 946 above 'G, 16 cm high
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A pair of Royal Worcester porcelain covered vases by John Stinton, circa 1913, the sides painted with scenes of highland cattle in clouded landscape, moulded beaded borders, classical bound drape handles, gilt neck and foot, the cover leaf capped lids with turban finials, printed puce factory mark, registration no.442799, shape number '2336', 37 cm high
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A Royal Worcester porcelain pot pourri by J. Stinton, circa 1916, the ovoid body painted with a scene of highland Cattle, beneath and above bronzed and gilt foliate bands, the pierced gilt bronzed turban shaped cover enclosing an inner lid, printed brown factory mark, no. '2048', 34.5 cm high
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A Royal Worcester porcelain two handled vase by John Stinton Jnr, circa 1910, of campana form, painted with a herd of highland cattle grazing in a misty mountainous landscape, scroll handles, beaded borders, raised on square chamfered base, signed John Stinton, printed puce factory mark, number '1969', 41.5 cm high
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A Royal Worcester porcelain lidded two-handled vase by John Stinton Jnr, circa 1909, the baluster body painted with highland cattle in misty landscape, shouldered by leaf shaped handles, gilt and peach bloom neck and circular foot, domed leaf capped finial, printed puce factory mark, registration no. 489537, shape no. '2425'., 36 cm high
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Two First period Worcester dishes and a teapot stand, circa 1770, one blue scale ground with birds of paradise and butterflies, underglaze blue square seal mark, one has blue scale ground with flowers, script mark and the hexagonal teapot stand painted with polychrome flowers, underglaze square seal mark
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Two Wedgwood 'Portland' vases, first quarter 20th century, depicting classical figures moulded in white relief against black jasper dip ground and depicting the myth of Peleus and Thetis, one impressed to underside of base, 'Wedgwood', 'Etruria', 'England', the other marked 'Wedgwood, Made in England, 19.5 cm high
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A Sevres style gilt metal mounted porcelain lidded urn, late 19th century, the high-shouldered ovoid body painted with a scene depicting a courting couple in a garden, a landscape scene to the obverse side, interspersed with Classical trophies in raised gilt, on a pale blue ground, rising to a domed cover, 58 cm high
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A Sevres style porcelain and gilt bronze mounted Napoleonic vase with cover, late 19th century, signed 'H. Desprez', in the Louis XVI style, of slender ovoid form with cobalt blue and gilt narrow neck and domed cover, raised on spreading foot and canted corner square base, the sides painted with a continuous scene of advancing cavalry officers, standard bearers and foot soldiers at the battlefields, 80 cm high
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A Sevres style porcelain and gilt bronze mounted vase and cover, late 19th century, in the Louis XVI style, of urn shape, the domed cover with acorn finial, the scrolling foliate handles surmounted by winged female busts to a pierced fretwork frieze, the front panel depicting a young gentleman with three young women in an idyllic pastoral setting, the reverse with a cottage in landscape within cobalt blue surround, raised on a ringed, spreading socle, above a gilt bronze circular base supported by scroll…
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A Sevres style porcelain and gilt bronze covered vase, late 19th century, in the Louis XVI manner, of ovoid form in cobalt blue and gilt with the domed cover, scrolling foliate handles, the reserve to the front depicting a young maiden, possibly Venus, frolicking with cherubs and the reverse with a classical building in landscape, raised on a slim flared support, resting on a gilt bronze shaped base, signed Poilevin, pseudo Sevres marks
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