Full details of each lot are displayed, except the lot number, estimate and price. You must be a subscriber to view lot numbers, estimates and prices.
Ceramics — Japanese - Oriental - Leonard Joel Pty. Ltd.
Auction House:
| Leonard Joel Pty. Ltd. | |
|---|---|
| Number of lots recorded: | 96 |
| Lots with images: | 96 |
| Prices available: | 96 |
Category:
Ceramics - Japanese
| Lot | Description | Price | Image |
|---|---|---|---|
| *** | A collection of six Imari plates, comprising five Japanese and one Chinese plate, the largest 39.5 cm diameter | *** |  |
| *** | A 19th century Japanese Satsuma lidded jar, Meiji period, the four sided jar featuring various flora, butterflies and entertainment scenes, signed, 6 x 6 x 9 cm. | *** |  |
| *** | A Japanese studio blue and white vase, by Takahashi Dohachi III (1811-1879), of baluster form in late Ming style, with two mask and ring handles to the neck, and landscape decoration to one side with calligraphic inscription to the reverse. Six character… | *** |  |
| *** | A Japanese Ai Kakiemon 'Van Frijtom' dish, Edo period (1603-1868), 1690-1710, of barbed floriate form, finely decorated in underglaze blue with figures, pagoda and fishing boats within a lakeside landscape, the rim dressed with iron enamel 'Fuchi beni'… | *** |  |
| *** | A Japanese studio celadon vase by Miyanaga Tozan I (1868-1941), Taisho period (1912-1926), decorated with scrolling peonies in moulded applique and slip, covered in a rich even celadon glaze. Four character incised mark for Tozan underneath. Together with… | *** |  |
| *** | A Japanese studio celadon bowl by Seifu Yohei III (1851-1914), Meiji period (1868-1912), covered in a sea green celadon glaze with an unglazed ring within the foot rim. Two character incised mark 'Seifu' to the base. Together with an old Japanese wooden… | *** |  |
| *** | A Japanese studio blue and white dragon vase, by Koransha, Meiji period (1868-1912), very finely decorated in underglaze blue with a writhing dragon amidst clouds. Koransha orchid mark to the base, 24 cm high, 21 cm diameter. | *** |  |
| *** | A Japanese Kyoyaki okimono of a crane, by Rokubei V (1875-1959), Taisho period (1912-1926) or Showa period (1926-1989), modelled as a recumbent crane in enamelled earthenware. Together with a signed tomobako, 7.5 cm high, 19 cm wide. | *** |  |
| *** | A Japanese studio celadon bowl by Suwa Sozan I (1851-1922), Meiji period (1868-1912), in a lotus form with twin moulded fish to the center together with tomobako. 7 cm high, 24 diameter, condition: no visible faults or damages | *** |  |
| *** | A Japanese Shigaraki vessel by Kitazawa Rakuten, 20th century, ovoid shape with a flared neck, contemporary Shigaraki glaze with green glazed applique frog to the shoulder with Tomobako presentation box featuring further design by Rakuten of pampas… | *** |  |
| *** | Fuyushiba Fumihiro bowl, original box, signed by artist, Japan, c 1970s, 20 cm high, 46 cm deep | *** |  |
| *** | A large Japanese studio celadon vase, by Suwa Sozan II (1890-1977), circa 1930S, the large baluster vase decorated in low relief and inlaid slips with phoenixes in flight and peonies. Impressed two character mark to the base, together with the original… | *** |  |
| *** | A pair of Japanese Koransha porcelain floor vases, Meiji period (1868-1912), 19th century, decorated with the seven scholars in the bamboo grove, in underglaze and overglazed enamels and gilding, against an iron red ground, with later wooden lids,… | *** |  |
| *** | A Japanese 'Gassaku' bowl by Seifu Yohei III (1851-1914) and Suzuki Kason (1860-1919), Meiji period (1868-1912), of stoneware covered in a beige crackled glaze by Seifu III, decorated in iron brown with maple leaves floating down a stream, signed 'Kason… | *** |  |
| *** | A large Japanese Arita Koro, Meiji period (1868-1912), the exceptionally large censer with a high pierced foot, twin handles and a pierced cover surmounted by two playing guardian lions, the whole decorated in polychrome enamels, with two shaped reserves… | *** |  |
| *** | A pair of Imari bottle vases, circa 1900. Height 46 cm | *** |  |
| *** | A large pair of Japanese double gourd vases, 20th century, of classic double gourd shaped, the large pair depicting traditional design of fish amongst waves, each 85 cm high. Provenance: The collection of a Curator & Collector, New South Wales. Other… | *** |  |
| *** | Two similar Chinese Kraak ware dishes, 32 cm diameter | *** |  |
| *** | A Japanese Kakejiku (scroll) signed Maruyama Okyo, Edo period, 18th century Maruyama school scroll dated Tenmei 7 (1787) in sumi and colours on silk, depicting a flower cart brimming with peonies, sunflowers and blossom with lively Karako (Tang style… | *** |  |
| *** | A pair of Japanese Imari vases Meiji period decorated in iron red, cobalt blue and gilt tapestry patterns 40 cm high | *** |  |
| *** | A Satsuma reticulated Censor and cover globular the upper section and lid both finely reticulated below a hand painted procession of figures gilded signature to base. Height 11 cm. | *** |  |
| *** | A gilt-metal mounted Japanese Imari porcelain jar, the porcelain 18th century, decorated in underglaze blue and iron red with panels of chrysanthemums on a ground of stylised peonies, the mounts with scroll and mask handles on an acanthus and entrelac… | *** |  |
| *** | A Japanese Satsuma vase and a covered jar late Meiji period, the vase of squat form with tall everted neck painted and gilt with panels of women and children on a deep blue ground with mon decoration, 13 cm high; the baluster jar ornately painted and gilt… | *** |  |
| *** | A large Japanese blue and white vase Meiji period converted in lamp. Height 48 cm | *** |  |
| *** | A Japanese Satsuma vase Meiji period, signed of tapering cylindrical form, the lower section painted and gilt with a profusion of flowers and birds, the upper section decorated with temples and bridges in a mountainous landscape setting, within ornate… | *** |  |
| *** | A pair of Japanese Satsuma vases signed, Meiji period, each of square baluster form, painted and gilt with panels of figures and birds in landscape settings, within trellis borders on a deep blue ground. Height 30 cm | *** |  |
| *** | A pair of Japanese Satsuma vases late Meiji period baluster, each ornately decorated with panels showing court scenes and an opposing landscape scene, within foliate and geometric borders. Height 24 cm | *** |  |
| *** | A Japanese Celadon Koro and Cover Incised mark Banko, Late Edo/Meiji Period Modelled as a standing Shi shi with curled tail and fierce expression, pale green celadon glaze, 15 cm high | *** |  |
| *** | An 18th century Kraak ware charger, 34 cm diameter | *** |  |
| *** | A large Japanese Kinkozan Kyoto-Satsuma double gourd vase, Meiji period (1868-1912), circa 1890, decorated naturalistically with enamels and gilding depicting swallows flying through autumnal grape vines and bush clover amongst clouds of gold. Seven… | *** |  |
| *** | A Japanese Seto blue and white double gourd vase, Kawamoto Masukichi I (1831-1907), decorated in underglaze blue with a design of two phoenixes amongst scrolling tendrils and paulownia blossom. Signed to the base 'Dai Nihon Seto Kawamoto Masukichi Sei'.… | *** |  |
| *** | A Japanese Kakiemon style 'Shishi and Peony' dish, Edo period (1603-1868), 1670-1690, with lobed, foliate rim, decorated with a shishi on one side and a peony on the other in Kakiemon enamels, 2.75 cm high, 18.5 cm diameter. | *** |  |
| *** | A fine pair of Japanese floor vases, Taisho period, signed Komura, possibly early Noritake ware, profusely painted with cartouche of birds and blossoms in pale blue and grey on a geometric patterned ground, marked to base, 78 cm high (2) | *** |  |
| *** | A Japanese enamelled porcelain vase, with a lobed body beneath a flared neck painted in enamel and under glazed blue with a scene depicting samurai and attendants in a garden setting, painted marks to base, 55 cm high. | *** |  |
| *** | A scallop edged Imari charger, 19th century, with a self ridged radiating surface and four fan shaped cartouches, on a white ground, 46. 5 cm wide. | *** |  |
| *** | A pair of Satsuma vases, Ogawa Yozan, first half 20th century, of compressed ovoid form with a short waisted neck, decorated all round with scenes of women engaged in various activities in a landsape with village houses, each signed underside, 21 cm high | *** |  |
| *** | A Japanese studio rabbit okimono by Miyanaga Tozan I (1868-1941), Taisho period (1912-1926), modelled as a rabbit leaping over waves, the rabbit in pure white porcelain with underglaze 'Shoenji' pink details, the wave in sea green celadon. Impressed mark… | *** |  |
| *** | A pair of Japanese porcelain plaques by Kato Zenji (1848-1918); Meiji period (1868-1912); finely painted in overglaze enamels with a continuous scene running across the two panels of flying and nesting quails within a lakeside landscape with distant… | *** |  |
| *** | A Japanese Ai-Kutani dish, Edo period (1603-1868), 1660-1690, decorated with a central singing 'Uguisi' (bush warbler) sitting on the branch of a plum, the rim decorated with three spiderwebs and snowflakes. The reverse decorated with scrolling flowers… | *** |  |
| *** | A small Japanese Satsuma vase, Meiji period (1868-1912), late 19TH/Early 20th century, finely painted scene in gilt and enamels of village life as peasant farmers set off on a trip, the shoulders decorated in floral millefleurs and the foot with repeating… | *** |  |
| *** | A Japanese Satsuma vase Meiji, circa 1890, a slender ovoid vase with scenes of a Heian period spring gathering amongst blossoms, cobalt blue band on the side with tortoise shell decoration, wisteria and family 'kamon' symbol. Kinkozan workshop impressed… | *** |  |
| *** | A Japanese Arita Shoki Imari plate, early 17th century, finely painted in underglaze blue with curved foot and broad shallow rim, diameter 28.5 cm diameter. Kintsugi gold repair to rim chip | *** |  |
| *** | A, Japanese Satsuma vase signed, Meiji period of lobed baluster form with a flared neck flanked by loop handle, the whole painted and gilt with of peony and chrysanthemum within trellis borders, the neck painted with dragon and phoenix medallions. Height… | *** |  |
| *** | A Japanese studio bowl, by Miyagawa Kozan, Meiji period (1868-1912), the deep bowl with rippled rim, decorated in underglaze blue, enamels and gilding with fruiting branches in Chinese style, 9.5 cm high, 18 cm diameter. | *** |  |
| *** | A Japanese Seto tea storage jar, 'Cha-Tsubo'; Edo period (1603-1868), circa 17th/18th century; of ovoid form decorated with incised horizontal lines around the shoulder and iron glazed vertical drips from the neck down the body, the whole with an aged… | *** |  |
| *** | A Japanese studio celadon vase by Miyanaga Tozan I (1868-1941), Taisho period (1912-1926), of Chinese 'Twin phoenix' Longquan mallet vase form, with phoenix-form handles, covered in a rich even celadon glaze. Impressed mark for Tozan. Together with the… | *** |  |
| *** | A Japanese Kyoyaki tea bowl painted by Tomioka Tessai (1837-1924), Meiji period (1868-1912), with enamel decoration of a scouling Daruma to one side and signature of Tomioka Tessai. Together with an old wooden and a purple silk 'Shifuku'. 8 cm high, 13 cm… | *** |  |
| *** | A Japanese carved and enamelled bowl by Takahashi Dohachi IV (1845-1897); Meiji period (1868-1912); with piped slip and enamelled decoration of a frolicking Buddhist lion in Ming Chinese 'Fahua' style to the interior and carved basketweave decoration to… | *** |  |
| *** | A Japanese Hirado dragon vase; Edo period (1603-1867), circa 1850; finely decorated in relief with carving of a dragon flying above waves against a blue enamel ground. 34 cm high, 16 cm diameter | *** |  |
| *** | A rare Japanese Shoki Imari dish, Edo period (1603-1868), 1640-1650, shallow circular 'Namagake' (non-biscuit fired) porcelain dish sitting on a typically small footring, painted with a scene of a pavillion on a rocky island in the foreground, and a… | *** |  |
| *** | A Japanese blue and white bowl, by Kawamoto Hansuke IV, Edo period (1603-1868) or Meiji period (1868-1912), circa 1850s, decorated with medallions of diaper patterns overlapping to the sides, six character mark to the base, 11 cm high, 23.5 cm diameter. | *** |  |
| *** | A Japanese blue and white censer, by Takahashi Dohachi IV (1845-1897), Meiji period (1868-1912), the rectangular censer resting on four cabriole legs, decorated with landscape scenes to the front and rear, with shishi handles and finial to the lid. Marked… | *** |  |
| *** | A pair of Imperial Japanese blue and white tea bowls, Meiji period (1868-1912), the finely potted porcelain teabowls of graduated size, decorated with the sixteen petal Imperial 'Kikumon' interspersed with butterflies and bamboo leaves. Manufactured by… | *** |  |
| *** | A Japanese porcelain panel, 20th century, square porcelain panel with striking painting in red and gold enamels of a three clawed dragon in the clouds above storming waves and repeating foliate, brocade on the outer edges, signed Zuiho to the right side.… | *** |  |
| *** | A rare Japanese Mizutsugi by Kiyomizu Rokubei III (1820-1883), Edo period (1603-1868), circa mid 19th century, potted in porcelain in the form of a double gourd, and decorated with a scene of the sixteen Rakan (Arhats) in iron red and gilding. Signed in… | *** |  |
| *** | A Japanese studio wall-vase by Seifu Yohei I (1803-1861), Edo period (1603-1868), circa mid 19th century, modelled as a segment of bamboo, decorated with an iron-brown glaze to the exterior, the interior painted in iron red with autumnal maple leaves. A… | *** |  |
| *** | A pair of Japanese Ko-Imari flasks, Edo period (1603-1868), 1700-1720, of rectangular cuboid-form, strongly decorated in Imari colours with chrysanthemums and peonies, the bases flat and unglazed. 14.5 cm high, 8 cm diameter. Provenance: Stockspring… | *** |  |
| *** | A Japanese Kakiemon-Type Enamel-Decorated bowl, Edo period (1603-1868), 1690-1710, decorated very finely to the interior in Kakiemon palette enamels and gilding with three landscape vignettes separated by abstracted clouds containing diaper motifs, the… | *** |  |
| *** | A Japanese Kakiemon bowl, Edo period (1603-1868), 18th/19th century, moulded with a flower-petal form rim and cavetto, decorated in underglaze blue and overglaze enamels with a bird amongst bamboo and plum blossom. Kakiemon fuku mark to the base. 3.5 cm… | *** |  |
| *** | A Japanese Kyoyaki studio ceramic vase, Kiyomizu Rokubei V (1875-1959), circa 1940s, the square vase covered in an iron brown glaze with large abstracted phosphatic splashes down the sides, referencing Chinese Lushan phosphatic wares. Impressed Rokubei… | *** |  |
| *** | A Japanese Kyoyaki celadon vase by Seifu Yohei VI (1872-1946), Taisho period (1912-1926), covered in an even blue-green celadon glaze. Carved two character mark to the base reading 'Seifu'. Together with tomobako (original signed wooden box). 27 cm high,… | *** |  |
| *** | A Japanese Kyoyaki modernist vase by Teraike Tosshu II (1933-), Showa period (1926-1989), 1962-1963, decorated with abstracted mountains in underglaze copper red. Marked 'Tosshu zo' to the base in underglaze blue. Together with tomobako (original signed… | *** |  |
| *** | A Japanese Shigaraki Ko Tsubo, Edo period (1603-1868), circa 17th century, the ovoid stoneware jar with beautiful wabi kiln affects including feldspathic white spots, bubbling and blow-outs, the jar slightly uneven with concreted kiln waste to one part of… | *** |  |
| *** | A Japanese Ko Tamba Tsubo, Edo period (1603-1868), early 17th century, potted in elegant ovoid form, with a Keishiki scenery (splash of ash glaze) to one side, and a good selection of other desirable scenic features appreciated in wabi tea aesthetic… | *** |  |
| *** | Japanese celadon garden seat, Edo period, 19th century, square shaped garden seat, raised relief design of bamboo in celadon porcelain, the top with a pattern of blue and white floral roundels, unsigned, 50 cm high | *** |  |
| *** | An impressive Japanese gilt and enamel floor vase signed Arita-Yaki, 20th century, of baluster shape, the central cartouche theme of Botan-shishi or peony and Shishi (Foo dog), a traditional decorative theme in Japanese Art seen as symbolic of nobility… | *** |  |
| *** | A Japanese ceramic vase, gourd shaped, signed Kutani Akiyoshi, Showa period, ribbed double gourd shaped vase in overall overglaze enamels of plum blossoms. Signed Kutani Akiyoshi, 38 cm high. Provenance: The collection of a Curator & Collector, New South… | *** |  |
| *** | A Japanese Imari lamp base with coordinating pleated shade porcelain with iron red, blue, gilt | *** |  |
| *** | A Japanese vase Meiji period / signed Kawaguri Zo Tranquil pagoda scene cartouche, to verso geisha performing musical entertainment gilt signature to base 18.5 cm high | *** |  |
| *** | A Japanese Kutani Bowl 19th century, signed Circular, the interior decorated with figures in a wooded landscape, the exterior painted and gilt with fans, blossom and | *** |  |
| *** | A Japanese Satsuma bowl Meiji period, the interior ornately painted and gilt with a continuous panel of multi- coloured butterflies, centred by a circular cartouche of flowering chrysanthemum within a trellis border, the exterior decorated with a… | *** |  |
| *** | A pair of Japanese Satsuma vases late Meiji period, each of tapering cylindrical form, painted and gilt with an exotic garden scene, 18 cm high | *** |  |
| *** | A pair of Imari style or Arita ware lidded baluster vases, with dry iron red enamel decoration and gilt highlights on a heavy underglaze blue and white porcelain. Japanese, Meiji period (1868-1912) circa 1890. 18 x 3.5 cm | *** |  |
| *** | Three Japanese Satsuma pottery plates, in heavy stoneware with polychrome enamel decoration depicting courtiers in gardens within elaborate and finely gilded borders over a dark ground. Marks to underside. Late Meiji period (1868-1912) circa 1900. 22 x 3… | *** |  |
| *** | An impressive Japanese gilt and enamel floor vase, 20th century, signed Arita-Yaki, of baluster shape, the central cartouche theme of Botan-shishi or peony and Shishi (Foo dog), a traditional decorative theme in Japanese Art seen as symbolic of nobility… | *** |  |
| *** | A large, Japanese ceramic Studio vase signed, 20th century of flattened ovoid form with a stylised circular recess, decorated in colours of brown, rust and green. Height 51 cm | *** |  |
| *** | A, Japanese Satsuma vase and cover Meiji period of tapering baluster form, the shoulders decorated with a continuous band of gilt peony and trellis, the body depicting two large figural narrative groups within gilded borders, separated by geometric… | *** |  |
| *** | A Japanese set of five Kutani Meimeizara dishes, Meiji period (1868-1912), each decorated with overglaze enamels and gilding with different flowers/foliage including narcissus, camelia, bamboo, pine and banana leaf. Together with an old wooden box with… | *** |  |
| *** | A fine Hirado okimono of a Playful puppy, late Edo (1603-1868) or Meiji period (1868-1912), 19th century, delicately modelled as a puppy in refined white porcelain, with exceptionally fine incised fur throughout, the pupils painted with iron spots.… | *** |  |
| *** | A rare Japanese Arita Ware Imari ship bowl, Edo period (1603-1868), circa 18th century, decorated in underglaze blue and enamels with a group of ships with large characters on the sails sailing in wavy water, the outside of the bowl decorated with… | *** |  |
| *** | A Japanese vase, by Nishiura Enji (1856-1914), of tall form with charming underglaze green base and ukiage (raised decoration) of Irises in full bloom. Signed Nishiura Sei to underside. Further Information: Nishiura Enji (1856-1914) established a system… | *** |  |
| *** | A large Japanese Koransha porcelain vase, Meiji period, of baluster form decorated in enamels with cranes and young pine trees, with brocade design borders, iron red Koransha mark to base, height 40.5 cm, diameter 20 cm | *** |  |
| *** | A Japanese Satsuma bowl, Meiji period (1868-1912), of circular conical form, the interior painted and gilt with young women practising their elegant pursuits in front of a tokonoma, within a radiating border of iris, wisteria, chrysanthemum and other… | *** |  |
| *** | A Japanese Seto vase, monkey theme, Meiji period, 20th century, signed, of baluster shaped and painted with monkeys amongst spring flowers, signed Machimoto Owari-ya Seizo, 35 cm high | *** |  |
| *** | A Japanese Koransha vase; Meiji period (1868-1912); of baluster form with two integral ring handles to the shoulder, very finely and softly decorated with a scene of mount Fuji and trees and a lake in the foreground in underglaze blue and enamels,… | *** |  |
| *** | A Japanese blue and white Imari Tokkuri, Edo period (1603-1868), circa 18th century, the tokkuri of generous bottle form decorated with a gnarled pine tree and bamboo, 21 cm high, 15 cm diameter | *** |  |
| *** | A Japanese studio vase by Ito Tozan I (1846-1920); Meiji (1868-1912) or Taisho period (1912-1926); the square section vase with two ear handles in archaistic Chinese style, covered in a cobalt and iron glaze, by Imperial Household artist (teishitsu… | *** |  |
| *** | A pair of Japanese Imari vases, circa 1900, both fluted in form, decorated with dragons on a colourful floral ground. 36.5 cm high, 19.5 cm wide | *** |  |
| *** | A Japanese Kyoyaki okimono of a Shishi, Hayashi Mokuu (1901-1991), Showa period (1926-1989), circa 1950S, modelled in porcelain covered in a mustard yellow glaze, depicting an angry shishi ready to pounce. With an impressed mark to the base reading… | *** |  |
| *** | An impressive Japanese blue & white charger, Jinemon, late 20th century, the main design of a dynamic hawk atop pine branch with lapettes of peonies and traditional wave design. Signed Jinemon Tsukuri - made by Jinemon, diameter 94 cm. Provenance: The … | *** |  |
| *** | A scallop edge Imari plate, 19th century, the central trapezoid faunal motif, surrounded by a deep cobalt blue reserve with floral inclusions, 34 cm wide. | *** |  |
| *** | A large Japanese Satsuma dish, signed Dozan, Meiji period (1868-1912), with two inset rectangular cartouches, one with sansui (mountains and waterfalls) theme, the other with summer flowers (chrysanthemums and daisies) and mandarin duck by a meandering… | *** |  |
| *** | A Japanese Satsuma vase, Meiji period (1868-1912), of baluster form, with sparse decoration of Heian figures amongst clouds and shoulder decoration of geometric lappet design, tortoise shell motifs and diamonds, unsigned, 47 cm high | *** |  |
| *** | A Japanese Kyoyaki Mizusashi by Takahashi Dohachi, Meiji period (1868-1912), of stoneware decorated in underglaze blue and iron brown to one side with a flowering hydrangea branch, with signature of Dohachi. 12 cm high, 14 cm diameter | *** |  |
| *** | A Japanese Kutani lidded box in the form of Hotei, Meiji period (1868-1912), potted in the form of Hotei resting on his sack of treasures, the sack decorated with rich textile patterns in iron red enamel and gilding. Kutani mark within the lid. 12.5 cm… | *** |  |
| *** | A Japanese porcelain vase, by Kanzan Denshichi (1821-1890), of squat ovoid form with underglaze pink design of egrets, their beaks and eyes in overglaze green. Signed Kato Kanzan. Further information: Denshichi Kanzan was born in 1821 in the… | *** |  |