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Fine & Decorative Arts — Philips Auctions Australia

Auction House:Philips Auctions AustraliaNumber of lots recorded:368
Sale Title:Fine & Decorative ArtsLots with images:368
Auction Location:MelbournePrices available:215
Date:22-Feb-2021
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A Georg Jensen sterling silver covered pedestal Bonbonniere, post 1945 stamp, marked Denmark, sterling, design 180C issued 1918, with a faintly hammered domed lid with a stylised vegetal knop, the bowl with an applied notched border supported on a flared leaf and berry stem to a ringed and stepped base, hallmarked underside, silver weight 527 gr, height 17 cm, diameter 14.5 cm.
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A petite sterling silver reticulated comport, 19th to early century, marked sterling, also stamped 750 - probably design number, the comport with an applied undulating scroll rim embellished with delicate arabesque and floral motifs with engraved enrichments, the domed foot also with applied scrollwork, hallmarked to underside of dish, silver weight 180gr, height 8 cm, diameter 13 cm.
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A rare Georgian Scottish point sterling silver basting spoon, 1792 Edinburgh, with maker's mark for probably Alexander Spence, the old Scottish pattern spoon initialled to the terminal & Hallmarked underside, silver weight 82gr, length 30.5 cm.
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A fine fluted bowl soup ladle with armorial, 1772 London, with maker's mark for possibly John Bayley, the Old English ladle with an engraved armorial to the terminal, the bowl of fluted shell form; hallmarked underside to throat, silver weight 131gr, length 33 cm.
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A German Jugendstil silver bon bon basket, early 20th century, with faint crown and crescent mark, 800 standard, other, the small gilt washed reticulated basket embossed with sinuous foliage and nodding snowdrop flowers, the integrated entwined handle of conforming design, hallmarked underside, silver weight 78gr, height 11.5 cm, length 11.5 cm, width 9 cm.
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A novelty sterling silver cow creamer, 1972 London, with maker's mark for William Comyns & Sons Ltd, a model of a milking cow with a floral hinged saddle decorated with a bee, hallmarked underside, silver weight 147gr, height 9.5 cm, width 15 cm.
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A Hanau silver Etrog box, late 19th to early 20th century, with unidentified Hanau maker, apparently Agp in shield and three additional pseudo-marks, the casket with bracket feet, decorated with bright cut patterns to the face and applied floral motifs, an applied chain link and star border to the edge, an applied floral and scroll motif to the domed lid with, hallmarked underside, silver weight 488gr, height 9.5 cm, length 14.5 cm, width 9.5 cm.
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A Victorian sterling silver four egg breakfast cruet, 1888 London, with maker's mark for James Garrard, featuring a lobed wire work stand and a conforming dome and ring handle, housing four egg cups each with a central rib, thread edged bases and engraved crests, silver weight 337gr, height 13 cm, length 19.5 cm, width 15.5 cm.
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An Australian sterling silver travelling communion cup set, 20th century, marked Stg silver, a small gilt washed cup upon a turned and stepped base with a removable container with cover for wafers and a water tight seal to the base, total weight 134gr, height 11 cm.
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An antique Indian silver creamer, circa 1880-90, Madras (Chennai), typically unmarked, a footed baluster shaped creamer with an elegant cobra scroll handle decorated with tooled borders and plain bands, a frieze decorated in the characteristic Madras style comprising chased and repousse swami figures in circular cartouches. Provenance: Kozminsky Galleries, Melbourne, 1981, silver weight 163gr height 13.5 cm.
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A sterling silver clad biscuit bowl or preserve pot, 1902 Sheffield, with maker's mark for James Dixon, Ellipse shaped with a low domed lid, the body comprising a series of vertical wire worked loops of graduating size to a shaped border, gadroons to the rims, the heavy clear glass liner with a starburst base; crisply hallmarked to the lid and base, also with registration mark, silver weight 299gr (without liner) height 10 cm (pot rim).
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A fine George II sterling silver sugar caster with armorial, 1742 London, with maker's mark for Samuel wood, a baluster caster with a decorative pierced dome lid, engraved armorial to the body, hallmarked to lid and underside, silver weight 246gr, height 18.5 cm.
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A trio of reticulated bon bon dishes plus one similar, 1914 and 1916 Birmingham, with maker's mark for Mappin & Webb Ltd (three), 1912 Chester, with maker's mark for Synyer & Beddoes, a trio of lobed dishes of trellis design with applied rims raised on three feet, and a circular dish of similar design, hallmarked to all, silver weight 206gr, height 4.5 cm, diameter 9.5 cm.
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A George III sterling silver teapot, 1786 London, with maker's mark for Hester Bateman, the refined oil can shape pot with a fine bead edges and delicate bright cut borders and bands, a vegetal sprig to the spout and a vacant cartouche with ribbon festoon to the body, a fruit wood scroll handle with thumbspur and a wooden finial; crisply hallmarked underside and to lid, total weight 439gr height 15.5 cm, width 28 cm.
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A pair of German .800 silver mounted claret jugs, post 1886, with crown and crescent mark, maker's mark for Netter, spiral fluted baluster jugs with rococo style fluted and chased mounts, the scroll handle with scrolling leaves, the domed lid with vegetal finial, hallmarked to neck, height 25.5 cm.
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A refined Victorian sterling silver creamer, 1872 London, with maker's mark for Martin, Hall & Co, a bead edge helmet creamer with Renaissance revival and neoclassical elements having an acanthus leaf scroll handle, embossed and engraved to the body with floral and ribbon festoons and applied mask heads above acanthus borders, gilt washed to the interior; hallmarked beneath spout, silver weight 244gr height 16.5 cm.
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A set of eight 'Rose of Hildesheim' .835 silver coffee spoons, and two Dutch sugar scoops, the spoons with cast stems and finials in the form of full blown roses, stems and foliage, stamped .835 to stems verso, and two silver plated sugar scoops with windmill terminals and Teniers designs to the bowls, silver weight 76gr (rose spoons only), length 12.5 cm and 11 cm.
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A pair of antique sterling silver lady and gentleman figures, 1969 London, with mark for Israel Freeman & Son Ltd, London import stamp, an elegantly posed pair of figures in 18th century attire and raised on socles with vegetal borders in relief studded with semi-precious cabochons, the heads of both figures in carved ivory; hallmarked to bases, height 17.5 cm and smaller
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A German sterling silver and Vermeil knight, 20th century, marked .925 sterling Germany, the small Renaissance court figure in battle dress holding a heraldic shield and a standard, raised on a pierced square base with glass cabochon jewels, hallmarked to reverse, silver weight 143gr height 15.5 cm.
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An Italian .800 silver box, mid 20th century, Milan with lozenge and fascio mark, of rectangular bombe and cushion form with a low domed lid and a lapis lazuli cabochon, profusely engraved with arabesque foliage on a finely textured matt ground, four shaped feet and gilt washed to the interior; hallmarked underside, total weight 301gr, height 6.5 cm, length 13.5 cm, width 11.5 cm.
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A sterling silver tazza, 1892 London, with maker's mark for Martin, Hall & Co, richly embossed and chased with floral, fruit and formal designs enclosed by a scallop and barbed rim and raised on an ornate knopped and floriform lappet stem to a similarly embellished foot; hallmarked to tray, silver weight 478gr, height 12 cm, diameter 19.5 cm.
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A George III sterling silver hot water jug, 1785 London, with maker's mark for Hester Bateman, with rare incused head duty mark, of neoclassical turn form with a waisted neck and domed lid with urn finial and a high scroll fruitwood handle with an acanthus mount, simply adorned with double bead decoration, crisply hallmarked underside and to lid, total weight 767gr height 33 cm.
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A Magdalen College Oxford sterling silver Rowing cup, 1913 Chester, with maker's mark for George Nathan & Ridley Hayes, the heavy gauge baluster cup with twin ring handles, engraved with the college crest and presentation inscription of Magdalen College first Torpid 1914; crisply hallmarked underside, silver weight 390gr, height 10 cm.
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A large sterling silver salt & two sterling condiment spoons, 1813 London, no maker's mark (salt); 1837 London, probably Paul Storr, a boldly cast heavy gauge cauldron salt with three applied cartouches encrusted with a variety of sea shells and three high relief lion head mounts above paw feet; the two condiment spoons with shell form bowls to both ends united by wire twist stems, hallmarked to all, silver weight 272gr height 6 cm (salt).
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A German silver reticulated cake basket, circa 1920-30, with 800 standard and mark for Adolf Mugler (Heilbronn), the circular basket with a flaring rim with pierced foliate reserves, an applied scalloped rim in the form of a vine branch further embellished with bunches of grapes, hallmarked underside, silver weight 342gr, height 6 cm, diameter 24.5 cm.
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A Victorian sterling silver Egg-Shaped mustard pot, 1862 Birmingham, with maker's mark for Henry Hyde Aston, the heavy gauge pot with a cast eagle and leaf finial, neoclassical engraved medallions and decorations to the body and raised on three robust ball and claw feet with acanthus mounts, twice hallmarked, silver weight 194gr, height 13 cm.
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A pair of Georgian sterling silver neoclassical candlesticks, 1759 London, with maker's mark WA, fluted columns surmounted by Corinthian columns and detachable sconces, raised on a square dome base with engraved crests, stiff leaf motifs in relief to the edges and gadroon and patterned borders, with timber bases, partially hallmarked to lower edge, hallmarked also to sconces, total weight 1648 gr height 30 cm.
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A sterling silver William IV cast platter in the rococo style, 1836 London, with maker's mark for William Bateman II, the heavy gauge oval platter finely chased and moulded with gadroons, shell and acanthus forms, with four engraved crests to the rims, crisply hallmarked underside and also marked Rundell bridge et Co, Aurifices Regis Londini, silver weight 1712 gr, length 42 cm, width 31 cm.
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An Egyptian style .800 silver tray with six stem cups and a bowl, 20th century, tray marked with .800 standard in Arabic, cursive script stamp and an unidentified figural mark, cups and bowl marked .800 only, the round tray, cups and covered bowl profusely engraved with borders and cartouches of ancient Egyptian figures, scenes, and emblems, marked to tray and underside of other elements, silver weight 624gr, diameter 30.5 cm (tray).
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A cased Art Nouveau sterling silver cruet set, 1904 and 1910 Birmingham, with maker's mark for Levi & Salaman, a pair of oval salts and a pair of cylindrical pepper pots in green glass cased in sinuous whiplash vegetal motifs and each raised on four feet, with two condiment spoons, hallmarked to all, silver weight 87gr (cruet only), height 8.5 cm and smaller
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Four vintage glassware items: two scent bottles, a vase and a paperweight, 1930s-1970s, a blue facet cut Art Deco Czech bottle with an acid etched bubble design to the spear form stopper, a 1970s Czech frosted scent bottle featuring a lady in a crinoline; a Bohemian style iridescent vase with a scalloped rim, and a Murano glass green horse head paperweight, height 17.5 cm and smaller
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A fine set of twelve Moser hock glasses, 1960 design first released, in lady Hamilton design featuring panel cuts to the bowls and long faceted stems, stencil marks to each underside, height 18.5 cm.
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A cameo glass Solifleur vase by Emile Galle, post 1904, signed in cameo 'Galle' with posthumous star mark, a globular base decorated with a loose arrangement of mauve, green and white flowers over a cream base with amber inflections, with a similar trailing design to the slender neck, with a polished pontil, height 31.5 cm.
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A Lalique Ceylan vase, pre -1945, model 905 introduced circa 1924, an opalescent moulded vase featuring pairs of budgerigars amidst foliage, acid etched to base R. Lalique France', retains paper decal label 'Hardy Bros Ltd, Australia'. Provenance: Private Collection by descent, 24.5 cm.
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An Art Deco opalescent glass vase by Verlys, circa 1930s, the tapering vase with twin faceted 'C' scroll handles, decorated with flowers in relief to the body; Verlys France mark in relief to interior base, height 20 cm.
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A suite of stemware by Waterford and Richardson, eleven sherry and port glasses in two sizes of conical design with hobnail lappets and palm motifs upon short knopped stems, and a suite of six Richardson crystal sherbet or champagne coupes with lens and diagonal cuts, one as found, stencil marks underside, height 11 cm and smaller
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A set of fifteen wine glasses in two Sizes, 1980s, purchased London, eight white wine and seven red wine glasses of large goblet form with long cuts and an arched border of star cuts raised on faceted stems to a star cut base, unmarked, height 21.5 cm and 20 cm.
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Four pieces of cranberry and amethyst coloured art glass, 20th century, all unmarked, a heavy gauge cased baluster vase with bands and spiral designs, a small cased glass vase with trailing threads and two broad sliced planes, a heavy cranberry coloured square bowl with a broad petrol blue rim, and a free form rounded bowl with an inverted rim, height 25.5 cm (vase).
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Two Danish porcelain figures: Royal Copenhagen and Dahl Jensen, 1949 design 528 (Royal Copenhagen) and similar date, 1106 (Dahl Jensen), a Royal Copenhagen figure of a peasant woman herding a goose, green backstamps and blue wavy lines, decorator's marks underside, and a charming Dahl Jensen figure, girl with doll, green backstamps underside, height 19 cm.
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A Continental porcelain gentleman & a Dresden figural group, late 19th to 20th century, an 18th century gentleman in a frock coat and breeches supported by a tree trunk above a circular plinth, repair to hand, unmarked but with partial paper label, and rococo lovers, he in an emerald frock coat and she in a flower sprigged porcelain lace dress, small losses, raised on a moulded base; backstamps underside, height 22 cm and smaller
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A Dresden porcelain lace ballerina group and two complementary figures, 20th century, a duo of ballerinas striking a pose in flower encrusted porcelain lace ruffled skirts and raised upon an oval base, a seated lady in a pale blue crinoline and a ballerina in a pink trimmed ruffled skirt; backstamps to all, height 20 cm, length 18 cm, width 11 cm.
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Two Bing & Grondahl porcelain baby figures and three Royal Copenhagen angels, 20th century, two S V Lindhart 'Ache Baby' figures and a trio of 'Heavenly Music' angel figures designed by Sven Vestergaard, all with white glaze, backstamps and impressed marks underside, height 12 cm and smaller
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Three porcelain bird ornaments by Metzler & Ortloff (Germany), Bing & Grondhal, and Royal Copenhagen (Denmark), 1920s and after, a refined Metzler and Ortloff heron in a muted washed grey and green palette, a small squawking bird with spread wings by Bing & Grondahl, 1852A, and a petite Royal Copenhagen Robin, number 2238, backstamps underside, label also to Robin, height 20.5 cm and smaller
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A group of three Lladro figurines, second half 20th century, comprising a girl holding a lamb and two identical figures of girls holding piglets, all decorated in the characteristic muted taupe, blue and cream palette, backstamps underside, height 22 cm and smaller
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A Wedgwood 'Candlelight' dinner service for eight plus extras, 1983-2006, period of manufacture, the sixty eight piece all white service with a swirled rim and scalloped edge comprising: dinner, entree, side plates, dessert bowls, soup coupes with associated saucers, cups and saucers, a serving platter, serving bowl, creamer and covered sugar bowl, most items never used; backstamps underside, length 39 cm, width 30 cm.
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A Victorian Royal Worcester swan handled 'Decanter', 1888, pattern 1048, registration mark, of elegant spreading dome shape with a slender pouring spout, the handle in the form of a finely moulded spread winged swan, decorated with sprays of gilt and iron red chrysanthemums and touches of shot colours; puce backstamp underside, pattern and registration marks, height 11 cm.
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A Meissen-Type porcelain vendor figure, 19th to 20th century, with crossed feather batons mark, a female vendor figure in 18th century costume with a pink bonnet, amber jacket, yellow pinafore and blue striped dress, holding a basket over her left arm, with tree trunk support to rear and raised on a rococo style moulded base picked out in gilt, with slip moulded base and faint crossed batons mark verso, height 18.5 cm.
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A small flower encrusted sweet meat dish attributed to Samuel Alcock, circa 1830s, fractional pattern number 1/2442, the porcelain pierced basket encrusted with various flowers and two yellow birds, with an arching handle and decorated to the centre with a fine bouquet of summer flowers and fruits; unmarked, height 4 cm, length 12 cm, width 10.5 cm.
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A set of four trios by various English makers, and a creamer, early 20th century to 1950, a phoenix ware trio with iron red transferware patterns, a Royal Doulton willow pattern trio, a Crown Staffordshire trio in a white and gold floral design on maroon, a 'Garland' pattern trio by Roslyn, and a small unmarked Deltware type creamer with a Royal Copenhagen style design, diameter 18 cm and smaller height 6.5 cm (jug).
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A Meissen porcelain figural group, late 19th century, model E66, decorator 56, a romantic idyll featuring a man in a yellow frock coat seated upon rockwork and holding a pot plant, with an attentive female companion in an orange and mint green skirt and apron, after the 1774 model by Michel Victor Acier, impressed model number underside, blue crossed sword marks, decorator's painted number, other impressed cipher, height 16 cm.
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A small Sevres porcelain lamp base, 19th century and later, a petite baluster vase enamel decorated with floral and ribboned festoons above a bleu celeste base, with gilt enrichments, later mounted into a metal mount with electric sconce; painted cross L marks and letters to the drilled base, height 19.5 cm.
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A Vienna porcelain Motto figure, circa 1900-1920, a polychrome decorated cupid shooting an arrow from a fluffy cloud, upon a triangular base with cartouche marked 'Coup sur Coup' (back to back); underglaze shield or beehive mark underside; after a similar Meissen model, height 13.5 cm.
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A Royal Worcester ewer by Charles Henry Clifford Baldwyn, 1903, design 1309, signed C. Baldwyn to image, the finely moulded ewer with a bold triform spout, a lavish high set vegetal handle and moulded collar in gold and colours, the body featuring swans in flight above bulrushes and relief gilded sedges upon an azure blue ground, a swallow to the reverse, raised on a moulded socle with stiff leaf borders, backstamps underside; with staple repair, height 27 cm.
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Two porcelain floral ornaments by Coalport and Crown Staffordshire, and a Royal Doulton Series Ware vase, 1930s to 1940s, Royal Doulton number D 6123, a finely moulded, encrusted and decorated floral basket by Crown Staffordshire, a similar small item by Coalport, and a small tapering violet vase, 'The Gleaners', from Royal Doulton's series, Old English scenes; backstamps underside to all, height 8 cm (vase).
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A Rosenthal Versace 'Medusa' head plate, series launched 1993, in brick red, ochre and near black colours, in the original box, backstamp underside, diameter 18 cm.
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A Continental Majolica plate and a Majolica vase, 20th century, a baluster vase with high set handles decorated with an imaginary crest upon a crackleware ground (as found), painted marks to base and a large dish featuring an Italian scene and centred with a portrait of Leonard da Vinci, signed, unmarked to base but with spur marks, Diameter34 cm (plate) height 22 cm (vase).
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A Nao (Lladro) figurine of resting cranes and a Grafenthal bisque figure of an Eighteenth century gentleman, early to late 20th century, the cranes in a typical Lladro blue grey palette with pastel tones, impressed marks to base (professional repair), and a gentleman in a floral frock coat and striped breeches carrying a posy, supported by a tree trunk and raised on a circular waisted base, double struck blue G mark underside, height 25 cm and smaller
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A set of six Royal Crown Derby 'Derby Roses' napkin rings and a set of six fruit knives and forks in the same design, 1978, date ciphers to napkin rings, shaped oval rings, together with pistol grip fruit knives and forks; stamps to rings; repair to one knife handle, length 18 cm (knife).
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A Czechoslovakia amphora vase, post 1918 mark, the large moulded baluster vase with an applied cherub, festoons of roses and a pair of lion's head and ring handles above an acanthus leaf embellished base with scrolling feet, in a soft mottled blue grey, taupe, olive and dusky pink palette, backstamp underside, impressed mark of amphora, painted and impressed numerals, height 45 cm.
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A large Pierrefonds Promsy earthenware vase with applied decoration, circa 1920s, the large bold tapering vase with a carinate collar in shades of mottled blue and decorated with applied pewter roses, apparently signed 'Prom' to body, indistinct impressed marks underside, label to collar, height 45 cm.
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A large blue and white covered Oud Delft vase, mid 20th century, an octagonal ribbed baluster vase with a conforming domed lid with rope twist edging and surmounted by a lion, decorated throughout with myriad flowers between a lappet and scrolling floral collar, under glaze marks underside, height 52 cm.
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A large W & R Carlton Ware vase, 1894-1927 stamp, pattern 3027 post 1923, the temple pattern baluster vase with trumpet neck featuring Chinoiserie scenes of figures in pavilion and lakeside pleasure gardens in enamel colours upon an ivory ground, with matt black brocaded borders, cracked ice bands and designs to the collar, neck and base, backstamp underside, height 48.5 cm.
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A fine pair of hand painted Sevres style vases, later 19th century, elegant spiral fluted and stiff leaf moulded urns with waisted necks and domed covers with bronze pineapple finials, exquisitely and individually hand-painted with posies, sprigs and garlands of summer blooms enclosed by finely gilded rococo borders upon a white and pale olive ground, Sevres marks to bases and lids, height 38.5 cm.
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An Art Deco Pottery group: a pair of cream ware lady bust vases, a milk jug, a teapot with matching covered sugar basin, 1930s, vases unmarked, possibly Australian; a J Wilkinson Ltd; Sadler, stylised vases featuring ladies with bonnets and ringlets above plinths, pockets to the reverse; a cream oval jug on tubular feet decorated with briar roses in an autumnal palette; a blue and buff banded globular teapot and basin, height 20.5 cm and smaller
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A group of four Miscellaneous vintage porcelain wares: a plaque, novelty napkin ring and bottle stopper, and a light pull, circa 1930-1950S, a studio pottery moulded wall plaque with a light painted glaze featuring a boy in a yellow hat with his spotted dog, unmarked; a Japanese 'Mum' napkin ring, a figural cork stopper/pourer featuring a smiling man with blue glasses, probably German, and an old Tupton ware tube-lined hibiscus light pull, length 13 cm, width 15 cm (plaque) and smaller
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A pair of ceramic Conta & Boehme Pug dogs, and a pair of Plasterware Ndebele women wall plaques, late 19th century, mid 20th century, a pair of cropped ear seated pug dogs with bells and bows to their collars, one bearing incised numerals, 35, and a pair of bronze and copper painted stylised busts with decoratively coiffed hair and neck rings, length 19 cm and smaller
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A set of twelve German Fraureuth reticulated dessert plates and a matching serving plate, second half 20th century, rococo moulded plates with lattice rims picked out in gilt, each individually hand decorated with loose arrangements of polychrome posies to the centre, three cartouches to the rim each with sprigs, green and red backstamps to all, diameter 28 cm and 21 cm.
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Three pieces of olive-green earthenware by Copeland Spode and Adams: a teapot and sugar basin, and a bowl, after 1891 to early 20th century, a teapot in buff and olive high glaze sprigged with fox hunting scenes, the covered sugar basin of conforming design, and a two tone green glazed straight-sided bowl by Adam sprigged with an identical pattern, backstamps and impressed marks underside, height 15 cm and smaller
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Three West German ceramic wall masks, 1950s, Cortendorf (two) and Goldscheider, in biscuit terracotta and glazed colours comprising a young woman with a ponytail in a light blue headscarf, and a mother and child group wrapped in a blue shawl, pattern 491, both Cortendorf, marks to one, partial to the other, and a Goldscheider girl with scarf, pattern 8810, backstamp, incised marks 264/11, height 17 cm, width 14 cm and smaller
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A Copeland Spode 'Italian' teapot, mid 19th century, the hexagonal ovoid pot with Auld Lang Syne motto, decorated in the blue and white Italian transferware design, oval backstamp underside and impressed Copeland mark; repair to spout, height 10.5 cm, width 18 cm.
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A group of five blue and white transfer Pottery wares, early to mid 19th century, a pair of small rectangular dishes with integral handles with country scenes and primrose borders; a J. Meir & Son Staffordshire willow pattern pap boat and a similar fan shaped dish, and a partitioned tray with cell, scroll and floral borders, length 16 cm, width 9 cm and smaller
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A pair of Czechoslovakian porcelain cabinet plates, 1940s, made at Fischern, Karlsbad, with stamp of Epiag, an association of porcelain companies, ink blue plates with formal neoclassical gilded borders, a brown cavetto centred with allegorical scenes; backstamps underside, diameter 19.5 cm.
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A set of six Victorian Mintons side plates and one other, probably Coalport, 19th century, (Coalport plate) and 1902-1912 period, pattern 3084, an unmarked moulded plate with gilt scroll edges, a cobalt border and a handpainted posy, and Mintons plates in 'Cuckoo' design with a bird perched in an oriental style flowering branch enclosed by grey scroll work and teal patterned borders, backstamp underside, diameter 22.5 cm and 15 cm.
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A Swansea style pedestal urn vase, circa 1815, unmarked but a known Swansea design, the ovoid vase with high set volute handles with rosette terminals, a flaring neck and square base, exquisitely decorated to the body with various floral examples growing in a garden, cartouches with posies to the neck and lower register, the pedestal and base with pink roses, further decorated with formal gilt borders, unmarked, height 21.5 cm.
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A hand decorated French porcelain box and a pair of Bavarian cups and saucers, early to mid 20th century, a moulded box in teal colours enriched with gilt, featuring a Roman maiden feeding white swans in an antique setting, sprigs to the interior, faux painted Sevres marks underside and label; a pair of teal and gold decorated cups and saucers by Alka Bavaria (Alboth & Kaiser) with foliate and tooled designs, backstamps underside, diameter 12.5 cm (saucer) height 5 cm (cup).
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A Charles field Haviland (Limoges) bottle vase and cover, late 19th century, an oriental inspired vase in deep Prussian blue with a moulded frieze of chrysanthemum and vegetal motifs amidst a loose arrangement of trailing gilded foliage, the cover of conforming design, stamp of Cfh/Gdm underside, height 33 cm.
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A Copeland glazed covered dish and a similar Jasperware jar, 19th to 20th century, in teal sage green, the shallow dish with plated lid sprigged with fox hunting scenes and the 'Kill', with a covered jar depicting identical designs, the dish marked Copeland, the other marked 3096 with cipher Bpc, height 13 cm and smaller
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Two Royal Worcester vases decorated by Kitty Blake, 1931, design 2491, and 1939, design 2847, a small globular vase and a trumpet vase both decorated with autumnal foliage and harvest fruits and berries upon a suffused lemon and cream ground, signed K. Blake to both, backstamps underside, height 11.5 cm and smaller
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A ten piece Dresden and Sitzendorf porcelain monkey band, mid 20th century, in different sizes and comprising well dressed 18th century style monkeys playing a variety of instruments, including: a trumpet, hunting horn, cello, double bass, mandolin, pipe, and drum, with two animated conductors and a music stand, mark of Dresden and Neapolitan marks with S underside, height 19 cm and smaller
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A pair of porcelain gentleman and lady Companion figurines, early 20th century, probably German, slip moulded figures featuring figures against small bocages and dressed in 18th century attire, as found and unmarked, height 15.5 cm.
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A Staffordshire religious model of Elijah and the Raven, circa 1820, an Obadiah Sherratt type pearl ware figure in sponged and thin glazed colours and supported by bocage, raised on a waisted green, yellow and puce base, height 26 cm.
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A David and Hermia Boyd stoneware vase, 1955, a slender tapering form with irregular glazed and crimped vertical stripes in pale celadon colours upon a matte brown ground, incised David & Hermia Boyd, Australia 1955 to the flat base, height 32 cm.
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A Spode urn vase with landscape view, circa 1805, the vase with gilded festoons and decorations to the carinate collar and pedestal base, a broad continuous scenic frieze above a border of pink roses, unmarked, without cover and repair to one handle, height 25.5 cm.
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A 87 piece Royal Doulton 'Hampton Court' dinner service, 1965-1979 period of manufacture, the complete setting for twelve with white and grey leaves on a pale blue band comprising dinner, entree and side plates, dessert bowls, tea cups and associated saucers, a serving platter, a gravy boat with stand, and a set of six demi-tasse cups and saucers, backstamps underside, length 40.5 cm, width 31 cm (platter).
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A Copeland Japan pattern coffee can and saucer, mid 19th century, unmarked, the bute shaped can and saucer decorated with Imari fan shapes and a profusion of gilded arabesques and palm fronds, a variant of Worcester's 1760 fan pattern; unmarked, diameter 13.5 cm (saucer) height 6 cm (cup).
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A finely decorated cup and saucer by Rockingham, 1830-42, pattern 1383, gilt with scrolls and decoration in soft grey colours and centred to both elements with finely handpainted floral posies in bright colours, puce griffin mark underside to saucer, pattern numbers to both, height 5 cm (cup) diameter 14.5 cm (saucer).
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An exceptional Royal Worcester mask head jug, mid to late 1880s, registration mark for 1889, the ivory moulded jug exquisitely decorated with zygo cactus and refined gilding, with a bold gilded mask head spout and leafy handle with zoomorphic mount, puce marks underside, slightly rubbed date cipher, height 22 cm.
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An old Paris Porcelain polychrome scent bottle and two small painted glass vases, 19th century and after, rectangular scent bottle with shallow cushion form stopper decorated with floral reserves embellished with gilt enrichments on a maroon ground, inscription in French to the base with numerals and letters, repair; and a pair of a enamel painted carafe style vases, unmarked, height 11.5 cm and smaller
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A large Indian weave wool rug, the rug featuring an allover design of lotus and other flower heads with tendrils in tan, soft blue grey and cream colours upon a dark chocolate near black field, surrounded by a contrasting wide main border in straw colours with formal floral designs and narrow bands, length 357 cm, width 270 cm.
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A Qum Persian silk rug, in sage, green, tan, muted pink and brown colours with a central medallion and profusely decorated with vegetal motifs upon a cream field, meandering spandrels and surrounded by a main border and narrow bands of vegetal design, length 152 cm, width 92 cm.
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A signed Persian Qum silk rug, with three decorative octagonal lozenges and various hooked, star and stylised floral forms in rust, tan, olive and black colours upon a wheat coloured field, a wide border of flower heads and narrow patterned bands, signed to the short end, length 147 cm, width 103 cm.
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A Persian Tabriz wool carpet, featuring a blue and white shaped medallion upon a bright red field populated with a geometric arrangement of floral, cross, tree of life and other motifs, serrated edges to white spandrels and enclosed by a dark blue main border and twin narrow bands, length 292 cm, width 210 cm.
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A Persian Mashad wool carpet, with a central lobed medallion in sky blue, orange and navy upon a red field populated with meandering flowers, with shaped spandrels and enclosed by a main border of formal lotus motifs and narrow floral bands, length 294 cm, width 200 cm.
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An Indian weave wool rug, the rug featuring an allover design of lotus and other flower heads with tendrils in tan, olive, grey and cream colours upon a chocolate field, surrounded by a contrasting wide main border with repeat floral designs and narrow bands, length 305 cm, width 245 cm.
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An antique water gilded and distressed mantle mirror, 19th century, a moulded and channel grooved frame with a floral engraved cushion profile border, beading to the interior frame, the original glass with aged related distress, length 99 cm, width 72 cm.
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A giltwood rococo revival hanging mirror, 20th century, the oval mirror with a dentil moulded surround and highly decorative leaf and scroll embellishments throughout, length 97 cm, width 65 cm.
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A refined brass framed mirror in the Louis XVI style, an elegant circular hanging mirror with simple unadorned frame with copper hues housing a bevelled glass and surmounted by a cast and pierced ribbon, length 55 cm, width 48 cm.
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An oval wall mirror, 19th to early 20th century, the oval bevelled glass housed within a moulded and stepped frame encrusted with vegetal motifs, a floral and fruiting arrangement to the crest, and bead details to the outer edge of cavetto, length 74 cm, width 60 cm.
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A rococo style gilt mirror, 20th century, a waisted wall mirror in a moulded frame, length 88 cm, width 52 cm.
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A refined neoclassical inlaid rosewood mantle mirror, 19th to early 20th century, rectangular with bevelled glass, having an extended pediment embellished with a pastoral scene, similar to the lower frame and having intricate trailing foliage to the sides, with boxwood stringing and edges, length 156 cm, width 104 cm.
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