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Auction House:Cordy'sNumber of lots recorded:816
Sale Title:November Antique & Art AuctionLots with images:159
Auction Location:AucklandPrices available:604
Date:4-Nov-2014
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A Royal Worcester James Stinton painted trumpet form vase, finely decorated with a pair of pheasants within a natural setting, richly gilded rims, flared foot and top rim, printed marks and date code for 1930, shape #G323, signed Jas Stinton. Height 19 cm
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A Royal Worcester decorative cabinet plate, the centre painted with cattle under trees on the river bank, the outer border decorated with gilded grape vines, signed J. Stinton. Date mark for 1921. Diameter 23 cm
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A Royal Worcester decorative cabinet plate, the centre hand painted with Highland cattle in a stream, the outer border with gilded grapevines, signed J. Stinton, date mark for 1929. Diameter 23 cm
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A Royal Worcester cabinet dish painted by Albert Shuck, square shape with serpentine rim, fluted walls, decorated in dusky pink, bright yellow and with gilt jewelling, the centre painted with fruit. Puce mark, c.1924. Provenance: Ex. the Arthur Barnett family, Dunedin. Width 24 cm
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An impressive and large Royal Worcester potpourri vase and cover, the body entirely hand painted by Terry Nutt with fruit and blossom, model 1428, squat spherical shape with pierced neck moulded with swags and ribbons. The neck, twin loop handles, cover and foot embellished with burnished gilding. Signed T. Nutt, black mark. Height 31 cm
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A Victorian Copeland Spode Parian figurine, Princess Alexandra in fancy dress as Mary Queen of Scots, modelled by L.A. Malempre, marked to the base with Ceramic and Crystal Palace Art Union and Copeland. Height 37 cm
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A pair of Victorian Copeland parian figurines, Evangeline and Marguerite, both figures modelled with their heads downcast, Evangeline holding a water pitcher and Marguerite a prayer book, on titled round bases, impressed marks to reverse for S. Terry and Copeland. Evangeline 1860 and Marguerite dated 1868. Height 54 cm
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A Victorian Parian bust, 'Mother and Child' modelled by Raffaele Monti, a veiled mother cradling her baby, mounted on a waisted circular socle, impressed marks to the reverse for Ceramic and Crystal Palace Art Union and Copeland, inscribed signature and date of 1871 to back of bust. (This is a companion piece to 'The Veiled Bride'). 26 cm x 36 cm
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A Victorian Copeland Parian figurine, a semi-naked young woman mending a fishing net, no marks but possibly modelled by J.T. Bevington, minor damage to mending shuttle. Height 32 cm
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A Victorian Parian figurine, a semi-naked young Greek woman sits atop a tree-trunk, impressed mark W. Boyton Kirk to base, stamped mark for W.H. Kerr & Co. to the underside of base. Damage to one finger. 20 cm x 36 cm
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A Victorian Copeland Parian wall bracket, with a central figure of a winged angel, acanthus leaf and floral decoration with gilt trim to the curved shelf. Impressed plaque to the back, Ceramic and Crystal Palace Art Union, Copeland, chip to corner under shelf. 20 cm x 13 cm x 23 cm
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A Victorian Copeland Parian bust, 'Alice', after an original work by Mary Thornycroft, on socle base, impressed marks to reverse, Art Union of London 1879 and Copeland (Princess Alice was the daughter of Queen Victoria and mother of Alex, the last Tsarina of Russia). 22 cm x 38 cm
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A Victorian Minton Parian figure, 'Dorothea', a young woman dressed in boys clothes resting atop a rock bathing her feet, modelled by John Bell, with moulded Summersley's art manufacturer, mark and registration diamond to the side, the Minton impressed stamp under the base. Some chipping around the base. 17 cm x 18 cm x 38 cm
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A late Victorian Parian bust, 'Patti', made in honour of Adelina Patti (1843-1919), a highly acclaimed 19th century opera singer. In her prime she was paid £5000 in gold per performance. 13 cm x 23 cm
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A Victorian Parian figure, 'Highland Mary', impressed marks to base, Art Union of Great Britain, Turner & Co. 15 cm x 38 cm
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A late Victorian Parian figurine, the Three Graces after Antonio Canova, on a Parian column base decorated with bows and wreaths, minor damage. 18 cm x 40 cm
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A late Victorian Copeland Parian bust, 'Viola' (Viola is a Shakespeare character from 'Twelfth Night'), impressed marks to base F.M. Miller, March 1882, Copeland. 15 cm x 26 cm
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A Victorian Parian figurine, a cloaked woman wearing a diadem in her hair, holding a knife, possibly Lady Macbeth or the biblical character Judith. Height 35 cm
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A pair of early 1900s Minton & Hollins vases, of 'egg' form with small neck, decorated in the 'Astra' wear glaze in tones of brown-red, stamped marks to base. Height 14 cm
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A 1950s Denby jug, painted and designed by Glyn Colledge, decorated with leaves in purple, green and brown tones on a cream ground, relief decoration to handle. Height 18 cm
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A Moorcroft green monochrome glazed vase, ovoid form, matt finish, rolled rim, impressed full signature. Height 16.5 cm
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An early 1900s Bretby vase, simulated bronze glaze, with hand beaten effect, small handle to each shoulder, with ribbed decoration to centre, stamped 'Clanta' mark to base. Height 22 cm
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A late 19th century Lambeth Pottery type mug, with incised geometric decoration in browns and blues on a light caramel ground, incised marks for T. Smith & Co. (This company was later taken over by Doulton and marked pieces are rare). Height 11 cm
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A Susie Cooper jug, incised decoration of florals on a light mushroom ground, script signature and mark to base. 12 cm x 14 cm
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An early 1900s Upchurch vase, tapering cylindrical form with two side handles to the top, in a teal matt glaze, impressed marks to base. Height 19 cm
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An early 1900s Wilkinson's Oriflame vase, spherical form with narrow neck, decorated in marbled red glaze with gilt embellishment to neck by John Butler. Printed marks to base. Height 15 cm
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An early 1900s Wilkinson's Oriflame vase, inverted ovoid form on a round spreading foot, red and orange marbled effect on a light purple lustre ground, by John Butler, stamped marks to base. Height 18 cm
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An early 1900s Wilkinson's Oriflame vase, baluster form, decorated in a red marbled effect on a light green glaze, highlighted with swimming fish, painted by John Butler, printed marks to base. Height 21 cm
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Two Ruskin Pottery vases, in traditional lustre glaze in yellow tones, one with trailing vine decoration to base. Stamped and impressed marks to base. Height 9 cm and 16 cm
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An early 1900s Ruskin Pottery vase, tapering cylindrical form with trumpet mouth, traditional lustre glaze in a lavender tone, impressed marks to base. Height 24 cm
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A Victorian Spode's 'Camilla' Copeland blue and white dinner service, 17 pieces including two lidded tureens, ashet and assorted plates and other ashet.
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An 18th century Worcester tea bowl, hand painted in blue and white, crescent marked; along with two early 19th century blue printed tea bowls.
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A 20th century Quimper 26 piece luncheon set comprising cups, saucers, plates, etc., traditional figure and floral decoration in red and green dominant on yellow. Painted marks, some damage.
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A c.1940s Japanese carved ivory cribbage board, the central panel finely inlaid in relief with mother-of-pearl, florals and gourd highlighted with red coral and horn, a swivelling panel to each end enclosing markers, in original named packing box stating 'This ivory carving is guaranteed made out of genuine elephant tusk'. 17.8 cm x 4.8 cm x 7.
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An old Japanese carved ivory figure of a geisha, she stands in traditional dress with fan, her left hand raised supporting a parasol, shaft absent. Height 11.5 cm
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Two old Japanese carved ivory female musician figures, both seated, one with a stringed instrument, the other with drumsticks, formal dress. Heights 6.3 cm and 6 cm.
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An old Japanese gold lacquered five section inro, raised coastal landscape design, top and base section absent, the cord with ojimi bead and old marine ivory netsuke, formed as a thatched roofed house.
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A Japanese Wakizashi sword, with black lacquered scabbard with associated kodzuka; the ray skin grip with braid binding, dragon menuki and fuchi-kashira depicting birds and waves, the tsuba decorated with a dragon conforming to the circular shape of the guard. Blade length 54 cm
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Tomomi Matsunaga (contemporary Japanese art jeweller) bamboo letter knife, silver applied mount to the ring handle. Length 18.7 cm
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A rare and fine quality Japanese ukiyo-e woodblock print, triptych by Utagawa Kuniyoshi (1768-1861), depicting the legend 'The Lonely House at Asajigahara'. Each leaf 37 cm x 25 cm
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An old Japanese woodblock print of a standing geisha, her long robe decorated with crashing waves, etc., restrained palette of soft red, gold and black, various calligraphic inscriptions and printed marks. 59 cm x 32 cm, some distress, framed under glass.
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A large Kutani porcelain vase, baluster shape with fluted walls and two handles to the tall neck, painted in enamels with cranes, temples and boats at Lake Diwa. Height 45.5 cm
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Two Japanese ukiyo-e by Utagawa Kuniyoshi, of chuban size; depicting geishas, one preparing a tobacco pipe, the other playing a shamisen. Each 21 cm x 18.5 cm, unframed.
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