| *** | Henry short, (1807-1865), still life oil painting of fruit, original Isaac Whitehead gilt frame, signed and dated lower right, 'Henry short Senr, 1863' | *** |  |
| *** | Edward H. Fahey, (1844 - 1907), late Victorian scene of a woman with two dogs, oil painting in gilt frame, signed lower left. 59 x 80 cm | *** |  |
| *** | Australian school, 'The buffalo Ranges'. 19th century oil on canvas, dated 1893. In gilt slip mount. 39 x 59 cm | *** |  |
| *** | George Lacy (1817- 1878), (attributed). 'Corroboree'. 19th century watercolour depicting a large gathering of aborigines with weapons, dancing by a fire. Women and children in foreground. 46 x 65 cm | *** |  |
| *** | Brett Whiteley, lithograph. 'Towards Sculpture 3'.37/50, pencil signature lower right and monogrammed | *** |  |
| *** | Pro Hart. Oil painting 'Race Day' in gilt frame. 51 x 59 cm | *** |  |
| *** | Isaac Whitehead (1819-1891)' River Scene with Rowboats', oil painting on canvas, signed to the lower right and dated 1859 | *** |  |
| *** | 19th century maritime watercolour, 'Cumberland Bay, Town of Juan Fernandez'. Monogrammed lower left, 'Ccw, 1834' | *** |  |
| *** | John Molvig, Aboriginal woman and child, oil on board, signed lower right, dated '58 | *** |  |
| *** | Thomas Clark (attributed) 'Red Bluff Coastline, Point Ormond' watercolour, inscribed on reverse, 'Red Bluff'. An early view from St Kilda beach looking towards present day Elwood. The Red Bluff coastline was flattened for urban development in the 1880's.… | *** |  |
| *** | Melbourne International Exhibition 1880. Lloyd Tayler, F.R.I.B.A. second prize design award. Watercolour mounted on board. A rare and important historical piece showing the Exhibition Building that Melbourne almost got. Tayler was a very prominent… | *** |  |
| *** | Norman Alfred Lindsay (1879-1969) oil painting on canvas, laid on board, titled 'Rose' and signed to the lower right. This nude portrait is of the artist's second wife | *** |  |
| *** | Ernest Buckmaster, 'The Yarra near Healesville', oil painting, signed lower right, pencilled title on reverse | *** |  |
| *** | Pro Hart. Oil painting. Roller Blading. 27 x 37 cm | *** |  |
| *** | N. Chevalier, South American town street scene with citadel in background, signed lower right | *** |  |
| *** | Ethel Louise Spowers (189-1947) 'I shot a peacock dancing by a pomegranate tree, and the kingdoms of the sun are forever lost to me'. Watercolour and pen. Signed lower right, dated 1918. 27 x 25 cm | *** |  |
| *** | Abram Louis Buvelot, Attributed. 'Lower Fall of the Wannon, 1867'. Study for 'One Of The Falls Of The Wannon', as held by the Art Gallery of Ballarat. Pencil drawing, 34.5 x 46 cm | *** |  |
| *** | Dorothy Braund. 'Boys Climbing'. Oil painting on board. Label verso, 'Trustees prize 1972' oil on board. Signed upper right | *** |  |
| *** | Eric Stewart, Uluru and Aborigines, oil painting on canvas, an iconic Australian scene showing indigenous Australians making shields and baskets, signed on reverse, dated 1959. 86 x 129 cm | *** |  |
| *** | Watercolour, relief and cut-out painting of a 19th century view of the town and harbour of New Plymouth showing soldiers, townspeople, a church, flagstaff and sailing ships, titled '40th Regiment, Taranaki, New Plymouth', by an unknown artist | *** |  |
| *** | W. Forster (184-1891). Racing Sloops on harbour, watercolour, signed lower left, dated 1886. In bird's eye maple figured frame. 44 x 63 cm | *** |  |
| *** | Charles Wheeler, (1881 - 1977), farm scene of a wood cutter, oil on board, signed lower left. 29 x 35 cm | *** |  |
| *** | Daryl Lindsay, (1889-1976), racehorse, jockey, trainer and owner, in period costume, oil painting on canvas, original decorative gilt frame, signed lower right | *** |  |
| *** | Hugh Paterson, watercolour poster. '119th Smoke Concert, Melbourne Savage Club, April 27th 1912?. 44.5 x 29 cm. On oak mount. | *** |  |
| *** | Antique European oil painting, rural scene of people at picnic under tree | *** |  |
| *** | Rubery Bennett. Oil painting landscape in Gil frame | *** |  |
| *** | Marguerite Mahood (1901-1989) oil on masonite titled 'Construction Workers', monogrammed to the lower left and labeled verso 'Royal Adelaide Exhibition, Identification Sticker', a typed name and Kew address is also stated | *** |  |
| *** | John Russell still life oil painting on canvas, laid on board, titled 'Game and Fruits of the Sea', signed to the lower right | *** |  |
| *** | Marguerite Mahood (1901 - 1989) still life watercolour of flowers, titled 'Primary', monogrammed to the lower left and dated 1930 | *** |  |
| *** | Mary Cockburn Mercer (1882 - 1963), female portrait oil painting on canvas, signed lower right, the reverse with related newspaper clippings, one dated October 1975. 49 x 34 cm | *** |  |
| *** | John Varley (187-1933), 'The Bab El-Gief, Tetuan, Morocco', oil on canvas, signed lower left, signed and titled on reverse, with stock number label and Sotheby's old lot number. 43 x 59 cm | *** |  |
| *** | 'Glenereicht', four-masted sailing ship, antique oil painting on canvas. Notation on reverse, 'Jack Cheong, picture Framers, Hong Kong '. 21 x 29 cm | *** |  |
| *** | A. B. Kennington, seaside town between two cliffs, oil on board, signed lower right, dated 1912. 26 x 34 cm | *** |  |
| *** | T. S. Wallis, English hunt scene, oil on canvas, signed lower right, dated 1870 | *** |  |
| *** | Marguerite Mahood (1901-1989) hand coloured linocut print, titled 'Black Cat', and monogrammed to the lower left | *** |  |
| *** | Raymond Lindsay. Oil painting the Taming of the Shrew. In gilt frame. 110 x 130 cm | *** |  |
| *** | Arthur Burrington (1856 - 1924), 'On the Way to the spring, Barmouth, Wales', watercolour, signed lower left, title label verso. 32 x 21 cm | *** |  |
| *** | European school, Adriatic coastal town, oil painting, unsigned | *** |  |
| *** | Antique colour lithograph, 'The city and harbour of Sydney, from near Vaucluse'. G. F. Angas, artist, Thomas Boys, lithographer | *** |  |
| *** | John Llewellyn Jones (1870-1924) 'Cheltenham', oil on board with 'J. L. Jones' pencilled to the lower right | *** |  |
| *** | Antique Chinese Art book, a collection of 11 original watercolour paintings on rice paper with silk mounts. A series of scenes following the stages of production and drinking of tea. Bright colouring. Bound in purple silk boards. Label attached, 'L J… | *** |  |
| *** | Victorian portrait oil painting, young girl in red dress, oval portrait in mahogany frame, unsigned. 50 x 39 cm | *** |  |
| *** | Esther Paterson (1892 - 1971), self portrait set in garden landscape, oil on board, signed lower left, dated 1935. 31 x 23 cm | *** |  |
| *** | European school, three Cupids, 19th century romantic scene oil painting in ornate gilt frame. 98 x 68 cm | *** |  |
| *** | Impressionist scene of European bridge and river, oil on canvas, unsigned | *** |  |
| *** | Tom Garrett. Blue door, watercolour, signed lower right | *** |  |
| *** | Melbourne Savage Club. Esther Paterson, watercolour poster. 'Melbourne Savage Club, 118th Smoke Concert, 23rd Sept. 1911. Ladies Not Permitted'. 36.5 x 27 cm | *** |  |
| *** | Arthur Wakefield Bassett, (1869 -), 'Freshwater Bay' (Claremont, W.A.), watercolour on board, signed lower right, original gilt frame and mount. 12.5 x 17.5 cm | *** |  |
| *** | P. J. Lysaght 'View on the Campaspe' oil on canvas, inscribed on the reverse 'From the N. E. of Piper Street Bridge', signed to the lower left and dated 1871 | *** |  |
| *** | Unsigned Australian school, 'Melbourne From the South-East', oil painting on canvas with an ornate gilt frame, many tall-ships at anchor in the harbour, the skyline showing many spires and local landmark buildings including Government House and the… | *** |  |
| *** | Pair of 19th century 3-panel ornithological studies, watercolour with applied feather decoration, each bird shown in natural habitat. Original gilt framing. 95 x 45 cm | *** |  |
| *** | 19th century Maori scene lithograph. 'Interior of a Native village or 'Pa', in New Zealand ', antique cedar frame. 56 x 69 cm | *** |  |
| *** | Edward H. Fahey. (1844 - 1907), English county town scene, oil painting on board, in gilt frame, signed lower left. 21 x 40 cm | *** |  |
| *** | Edith wall (New Zealand) two ladies knitting. Ink and watercolour, signed lower right. 35 x 25 cm | *** |  |
| *** | E. Gigante, mount Stromboli and yachts under moonlight. 19th century, oil on board, signed lower right. 26 x 20 cm | *** |  |
| *** | Montague Brown, 'Lords of the flats', oil painting on canvas, signed to the lower right and in an ornate gilt frame | *** |  |
| *** | George Frederick Gregory, (attributed) tall ships with Pilot vessel, watercolour, laid on board. 58 x 85 cm | *** |  |
| *** | Alan Robert Sumner (1911 - 1994), 'Cabbage Patch' colour screen-print, signed and titled in the lower margin. 37 x 43 cm | *** |  |
| *** | Henri Tebbitt (1852 - 1926), Seascape, watercolour in original gilt frame and mount, signed and dated lower right. 26 x 75 cm | *** |  |
| *** | Marjorie North (George Bell school). Female nude study. Gouache, signed lower right. 56 x 45 cm | *** |  |
| *** | John Hall (Hal) Thorpe, (1837 - 1947), 'The Chinese Vase', woodblock print, signed lower right, titled lower left. 46 x 30 cm | *** |  |
| *** | European farmhouse scene, oil painting on canvas. Impressive antique gilt frame, signed lower right, illegible | *** |  |
| *** | French pastel drawing of a tree lined avenue and town scene, pencilled signature lower right, illegible, dated 1912 | *** |  |
| *** | Melbourne Savage Club. Hugh Paterson, watercolour poster. 'Melbourne Savage Club, Programme, 81st Smoke Night, 14th Oct. 1905. 49.5 x 36.5 cm | *** |  |
| *** | Pablo Picasso. 'Faune Aux Branchages' ('faun with leaves') lithograph, titled lower left, signed lower right in pencil, 39 x 28 cm | *** |  |
| *** | Henri Tebbitt, (1852 - 1926), 'Mount Yarrahapinni, NSW', watercolour on paper, signed lower right, Victorian gilt framing. 78 x 55 cm | *** |  |
| *** | J. H. Caws. Scottish school, highland landscape with figures, oil painting on canvas, signed lower right. Original gilt frame. 34 x 54 cm | *** |  |
| *** | George Frederick Gregory, 'The Steamer Sorata and the Tugboat Albatross', watercolour, signed lower left, dated (18)87. 36 x 53 cm | *** |  |
| *** | B. E. Minns, watercolour, figures in landscape, signed and dated 1924 | *** |  |
| *** | Unknown artist, Coastal landscape with female figure Oil painting on canvas, unsigned 30 x 45 cm | *** |  |
| *** | George Frederick Gregory (c1815 - c1885), 'The garden's golden Hour', watercolour, signed lower left, dated (18)80. 50 x 68 cm | *** |  |
| *** | Melbourne Savage Club, Hugh Paterson, watercolour poster. 'Savage Club, 76th Smoke Concert, Saturday April 1st, 1905'. 36 x 26 cm. On mount board. | *** |  |
| *** | Frank Mutsaers oil painting titled Australian Summer. 59 x 90 cm | *** |  |
| *** | Victorian oil painting, romantic scene of a woman at a window, canvas laid on board, unsigned | *** |  |
| *** | Abram Louis Buvelot. (Attributed) 3 water colour paintings. (1) Country church & graveyard. 18 x 25 cm. Noted on reverse, 'Sketch from nature'. (2) Water colour, 'Near Oakleigh, 30 6 84??on reverse. (3) Church. Water colour. Signed on reverse, 'Ls Buvelot | *** |  |
| *** | Henry P. riviere, R.W.C.S. 'The Wounded Brigand'. 19th century watercolour in original gilt frame, with title plaque. 47 x 72 cm | *** |  |
| *** | Henri Tebbitt (1852 - 1926), 'South head from little Manly', watercolour in original gilt frame and mount, signed and titled lower right. 21 x 55 cm | *** |  |
| *** | J. O. Long. 'In the Kyles of Bute', watercolour, signed lower right, dated (18)74, artist's label and title verso. 30 x 59 cm | *** |  |
| *** | Australian school, farm scene, oil painting on canvas, original ornate gilt frame, signed lower right, illegible | *** |  |
| *** | Melbourne Savage Club. Hugh Paterson, watercolour poster. 'Concert 56, Saturday 28.9.01'. 41 x 23 cm. On mounting board. | *** |  |
| *** | Antique folk-art shield of the Australian coat of arms, hand painted on shaped kerosene tins. 63 tall x 54 wide | *** |  |
| *** | Eric Stewart. 'Aborigines On The Walkabout'. Oil painting on canvas. Signed lower right, dated 1961. 92 x 72 cm | *** |  |
| *** | Harold Frederick 'Hal' Gye (1888 - 1967) Winter park scene with seated figure. Oil on canvas. Signed lower left. 23 x 33 cm | *** |  |
| *** | Eric Stewart (1903 - 1970), 'Decorating Myself for the dance Tonight', oil on canvas, signed lower right, dated 1964. 60 x 78 cm | *** |  |
| *** | W G Baker (1864-1929). 'Head Of Lake Te Anau'. (New Zealand) Oil painting on canvas. Original oak frame. Signed lower left | *** |  |
| *** | Eric Kennington, attributed, rural scene of a hay cart and stacks, oil on canvas. Plus magazine on British artist Eric Kennington, with provenance | *** |  |
| *** | Gilt framed floral still life oil painting | *** |  |
| *** | Charles Wheeler (1881-1977), 'Still Life with Apples', oil painting on canvas in a gilt slip frame and signed to the top right | *** |  |
| *** | Edward Bonaventure Heffernan (1912-1992) still life oil on board titled, 'Camelias and Jug', signed to the lower right and with its original cream finished frame | *** |  |
| *** | Dora Meeson, (1869 - 1955), Bathing boxes in port Philip Bay, watercolour, signed lower right, dated 1921. 25 x 39 cm | *** |  |
| *** | Australian school, 'Watson's Bay, Wilsons Promintory'.19th century seascape, ornate gilt frame, unsigned. 29 x 44 cm | *** |  |
| *** | Allan C. Green 'Sophocles', watercolour, signed lower left, titled lower right. Notation on reverse with artist and ship details. Provenance: E B bell, ex-president of the Ship lovers Society of Victoria. 41 x 57 cm | *** |  |
| *** | Abram Louis Buvelot. Farm House. Watercolour, signed lower right, dated 1871. 13 x 22.5 cm. Paper mounted on board. | *** |  |
| *** | Abram Louis Buvelot. (Attributed) 2 paintings. (1) Rural scene with River & Bridge. Ink & water colour. 11.5 x 18.5 cm. (2) Rural house and cow. Water colour. Penciled on reverse, 'July 18, 1874?. | *** |  |
| *** | Samuel Thomas Gill. (Attributed) Water colour. Drover on horseback with dog. 22 x 14.5 cm | *** |  |
| *** | Joseph Luke Fleury (1872 - ?), 'Wet Evening, Swanston Street, Melbourne', oil painting on canvas, signed to the lower right and dated 1910 | *** |  |