*** | Chinese School (19th century). Three Ladies in the Garden, oil on canvas, 65.5 x 110.5 cm | *** | |
*** | Chinese School (19th century). Three Ladies Playing Cards, oil on canvas, 65.5 x 110.5 cm | *** | |
*** | G. Hickoy Portrait of middle-aged gentleman, oil on canvas, signed and dated G. Hickoy 1762 lower right, labelled to verso, 'Edward Drummond Hay’s G. Uncle. Gerard de V*' with another label recording details of the de Visines family history in… | *** | |
*** | J. Gaut, 'Ratima Te Rongo, Chief Wairarapa. NZ' and 'Miroa the Captive maiden', one, signed and dated 1904, pair of oils on canvas, 65 x 50 cm | *** | |
*** | Five impressive Chinese, watercolours on silk, 235 x 122, each depicting different scenes of birds in flowering shrubs | *** | |
*** | Italian school, Vanitas painting, skull and precious objects on a table, 17th century, oil on board, original frame, 29 cm high, 23 cm wide | *** | |
*** | E.Calard, French School, 19th century, Portrait of a Black and White Rabbit, oil on oak panel, signed and dated lower left, 39.5 x 58 cm | *** | |
*** | Italian School Tobias and the Angel, circa 1800 oil on canvas 62.5 x 47 cm | *** | |
*** | Figure with animals, oil on canvas, 63 x 50 cm Spanish school, 18th century | *** | |
*** | Pearl of the Overflow, 2007, photomontage, mixed media, Yeldham, Joshua 105 x 70 cm edition 12/12- medium size | *** | |
*** | Sepia print Print Smart, Jeffrey 19 x 80 cm No 77/90 | *** | |
*** | Italian School (18th/19th century), Portrait of a young raven-haired girl in a red dress, oil on canvas, 60 x 49 cm | *** | |
*** | Norman Alfred Williams Lindsay (1879-1969), Three Maidens, pencil, initialled 'Nl' lower left, titled on certificate of authenticity by Lin Bloomfield verso, 29.5 x 25 cm | *** | |
*** | After Gustav Klimt, Danaë photolithograph printed signature to margin 27 x 29 cm | *** | |
*** | French School, circa 1900, Still Life - Vase of Summer Flowers on a Table, oil on canvas, signed lower left, 59 cm high, 48.5 cm wide | *** | |
*** | Dora Wilson Piazza Firenze oil on board signed 'Dora L Wilson' lower right 39 x 32 cm | *** | |
*** | W J Lowry, View of Melbourne, Port Phillip, dedicated by permission to the honourable Governor La Trobe, engraving. 17 x 50.5 cm | *** | |
*** | A large and impressive triptych showing part of the 'Procession of the Magi' from the Chapel of the Magi, Florence, oil on canvas, 333 x 230 cm | *** | |
*** | Italian School, 17th century (After Christofano Aliori), St Catherine at prayer, oil on canvas. 130 cm high, 110 cm wide | *** | |
*** | Hobart Town 1956, watercolour 24 x 34 cm. Colonial School, titled and dated 1856 in image, huon pine frame | *** | |
*** | Attributed to Simone Pignoni, 17th century Florentine. Study of a female figure. Oil on canvas. 60 x 47 cm. In a fine carved wood frame | *** | |
*** | A Collection of Vintage Programmes, Prints, Book Plates and Posters. French, German and Russian. In a black folder with ties | *** | |
*** | European School (late 18th century). Portrait of a Nobleman, oil on canvas, 75 x 62 cm | *** | |
*** | Willy Kirkirk, German, early 20th century, a pair of Impressionist Landscapes, oil on canvas, approx. 40 cm high, 60 cm wide | *** | |
*** | A set of 4 decorated portrait etchings in matching set of huon pine frames, circa 1850, Frames 38 x 33 cm each | *** | |
*** | Spanish School, 18th/19th century, portrait of a figure full length with a dog, oil on canvas. 40 cm high, 30 cm wide | *** | |
*** | Untitled, Child and flowers, Oil on paper, 18 x 13 cm, signed lower left | *** | |
*** | M. Dertz. Rabbits and Rooster in a Farmyard, Continental, 19th century. Oil on canvas. 91 x 134 cm. Signed and dated 1898 lower right | *** | |
*** | ANDRIS JANSONS, (BORN 1939), Reflecting Reef, near Warrnambool, Victoria, oil on canvas, signed lower right, 75 x 100 cm | *** | |
*** | The Socialite, oil on canvas, Lazzolo, Vasco 89 x 69.5 cm, signed lower right V.Lazzolo | *** | |
*** | Mother and Child, oil on canvas on board, Holmes, Edith, signed lower right 76 x 58 cm. Provenance: The Estate of the late Ian Alstergren, Tasmania | *** | |
*** | Geese at Sunset, oil on canvas on board, Holmes, Edith, signed lower right 47 x 39.5 cm. Provenance: The Estate of the late Ian Alstergren, Tasmania | *** | |
*** | Benko Katalan (1934) Still Life with Vase of Blue Flowers, circa 1920 oil on canvas signed lower right with figuative study to verso 59 cm x 79 cm | *** | |
*** | William Beckwith McInnes (Australian 1889-1939), Sam, Arunta Man, oil on canvas on board, Signed and inscribed verso, 39 x 31 cm. Provenance: Leonard Joel Pty Ltd. 25 June 1953 | *** | |
*** | Monochrome etching, Williams, Fred 29 x 40 cm @ No. 26/30 | *** | |
*** | Bridport River, Tasmania 1930, oil on canvas on board, Holmes, Edith, signed lower left 75 x 62 cm. Provenance: The Estate of the late Ian Alstergren, Tasmania | *** | |
*** | 'The Main Event', by Matthew James MacNally (Aust/Britain 1874-1943), watercolour, signed and dated '1925' lower left, 46 x 34 cm, window mounted, framed & glazed, overall 78 x 71 cm | *** | |
*** | Robert Doble (Born 1961), Exotic Figure, watercolour and gold leaf, signed lower left, 60 x 42 cm | *** | |
*** | Architect's rendering of the 'Victorian Artist's Society' building which still stands at 430 Albert St East Melbourne. 42 x 42 cm. | *** | |
*** | Pro Hart (1928 - 2006) : Bush scene, 81, Melbourne to Hobart Yacht Race Trophy, 2.950kg silver ingot, 17.3 cm x 7.5 cm. | *** | |
*** | WINIFRED HUMPHERY (BRITISH, 1895-1975), Still Life with Chinoiserie Bowl and Vase, oil on canvas, signed upper left, 75 x 59 cm, Exhibited, Treasures from the East, Royal Academy, London 1922, cat. no. 508 | *** | |
*** | John Barr Clarke Hoyte, New Zealand (1835-1913), mount Egmont, Taranaki NZ, watercolour, signed lower right, 26 x 47 cm. Provenance: lady Massy-Greene, NSW | *** | |
*** | C1920s advertising poster 'Don't Argue Hutton's Hams Are the Best. Pineapple Trade Mark Brand'. Printed by J.J.Miller Ptg. Co. Melbourne. Art work by Fred Miller, linen backed 6 leaf poster. 220 cm x 200 cm. Condition B. Impressive and extremely rare | *** | |
*** | Max Middleton (1922-2013), 'Bringing The Cattle From The High Country (East Gippsland), Oil on canvas signed lower right, 75 x 50 cm | *** | |
*** | Italian school, portrait of a young lady in a Plumed hat, 17th century, oil on canvas, original gilt frame, 63 cm high, 45 cm wide | *** | |
*** | Collard, Anna Sarah Rachel (nee Wauch) [1824-1904], (A young horse with Aboriginal strapper), Watercolour on paper, signed and dated 'A.S.R.Collard 1863' at lower right, 20 x 25 cm. Provenance: Removed from the Eliott Family scrapbook which had originally… | *** | |
*** | Arie Smit, Dutch/Indonesian. Balinese Temple Courtyard, signed and dated 'Aire Smit, Bali 77' lower left, oil on canvas. in original hand-carved frame 30.7 x 38.8 cm. Acquired directly from the artist in Bali, 1977 | *** | |
*** | Yachting on Frederick Henry Bay Carlton, Tasmania 1945, oil on canvas on board, Holmes, Edith, unsigned 57 x 44 cm. Provenance: The Estate of the late Ian Alstergren, Tasmania | *** | |
*** | Blue Lagoon, Red Ochre Beach, Frederick, Henry Bay, Tasmania, oil on board, Holmes, Edith, signed lower left 56 x 45 cm. Provenance: The Estate of the late Ian Alstergren, Tasmania | *** | |
*** | Mt Wellington from Hobart, oil on canvas, Murphy, Blanche, signed lower right 39 x 64 cm. Provenance: The Estate of the late Ian Alstergren, Tasmania | *** | |
*** | After Peter Lely, Portrait of Henrietta Maria, oil on canvas, bears artist's name, title and cat. no. 109 on label verso, 75 x 62 cm. Provenance: The Estate of the Late Annie Coogan | *** | |
*** | A set of 18 mezzotints by John Faber after G. Kneller of members of the Kit-Kat Club, circa 1735, 34 x 25 cm, together with another engraving | *** | |
*** | AUSTRALIAN SCHOOL, Masted sailing vessels (pair), watercolour, 10.5 x 14 cm | *** | |
*** | English School, late 18th / early 19th century, Study of an English country house, oil on canvas, signed verso: DG 92, 44 x 60 cm | *** | |
*** | AFTER G. ROMNEY, Portrait of a young lady, oil on canvas, 52 x 43 cm. Provenance: The property of the late Lord Michelham at 20, Arlington Street, London S.W. (label to verso) | *** | |
*** | GASTON ALBERT LAVRILLIER, AMERICAN, CIRCA 1930 Young female oil on canvas 75 x 58 cm | *** | |
*** | School Of John Frederick Herring (English Circa 1820-1907), Farmyard Scene 1860 oil on canvas signed and dated 62 x 74 cm | *** | |
*** | European School After Rachel Rhuys, Dutch, 19th century Floral Still Life oil on canvas 116 x 86 cm | *** | |
*** | Fank Crozier (1883-1974): World War I battlefield scene, oil on board. Crozier enlisted in the A.I.F in 1915 & served at both Gallipoli & the Western front most notably at Pozieres. Later he was appointed an official war Artist along with the likes of… | *** | |
*** | Fishing Rods Collide, oil on board, Johnson, Robert, signed lower right 54 x 44 cm. Provenance: The Estate of the late Ian Alstergren, Tasmania | *** | |
*** | L. Danamiel (French School), Boats at Harbour, circa 1920, oil on canvas, signed lower left, 60 cm x 48.5 cm | *** | |
*** | Arthur Johann Severin Nikutovski (German, 1830-1888). Horse and Sled 1882, oil on canvas, signed and dated lower left: NIKUTOWSKI 1882, 34.5 x 53.5 cm | *** | |
*** | Otto Pareoultja (1914-1973), Hermannsburg School Landscape, watercolour on paper, signed lower centre, 35 x 52. Provenance: Collection of The Late Geoffrey Maxwell Worthington | *** | |
*** | Justin Maurice O'Brien (Australian 1917-1996), Native flowers in a blue vase, watercolour, Signed indistinctly lower left, 46 x 32 cm | *** | |
*** | Mirka Mora (Australian b. 1928), Two figures, Charcoal and pastel, Signed and dated 'Mirka 1963' lower right, 53 x 37 cm | *** | |
*** | Adam Gustavus Ball (1821-1882), South Australian Aboriginal Hunters, pencil, initialled lower right: A.G.B, 34 x 24 cm | *** | |
*** | Haughton Forrest (1826-1925), On The Lydd, oil on board, initialed lower left with hand written title verso, (the Lydd River is now known as the Prosser River near Orford in Tasmania), 15 x 30 cm | *** | |
*** | 'Resurrection tree' screen print with gold leaf, signed, titled, and dated '78, John Coburn' and numbered '24/50' in pencil to the margin | *** | |
*** | Signed and dated 'Silver Phoenix' silkscreen with silver leaf, by John Coburn, '40/40' in pencil to the margin | *** | |
*** | George Ward Tjungurrayi Untitled, Australia 2005 synthetic polymer paint on canvas 91 x 91 cm. Provenance: Utopia Art, Sydney | *** | |
*** | James Ranalph Jackson (1882-1975): Mount Dandenong from Mount Waverley 1956, oil on canvas, signed and dated 'James R Jackson 56' lower left, bears Seddon Galleries label verso, 60.5 x 91 cm. Provenance: Seddon Galleries Melbourne, Commercial Union… | *** | |
*** | Norman Alfred Williams Lindsay (1879-1969), Two Studies, pencil, initialled 'Nl' lower right, titled on certificate of authenticity by Lin Bloomfield verso, 48.5 x 27 cm | *** | |
*** | c1950s Qantas travel poster, 'Opening the Way to easier world travel/ Qantas/ Australia's Overseas Airline', colour lithograph, printed by Posters Pty Ltd, size 102 x 77 cm, linen-backed. Rare proof before trimming. | *** | |
*** | Harold Septimus Power (1878-1951), Sunlight and Shadow, oil on canvas laid on board, signed 'H.S Power' lower right, 36 x 45 cm | *** | |
*** | The fishing port, 1958, gouache and ink on paper, Audette, Yvonne, 18 x 22.5 cm, initialled and dated lower right | *** | |
*** | Still life with white roses Watercolour Bernaldo (1900-1988), Allan Thomas Signed 60 x 75 cm | *** | |
*** | Pen and ink wash portrait of Francesco Rosa pen, by Donald friend, signed, titled and dated '84' to the upper right. Provenance: Australian Galleries 1987 | *** | |
*** | (Attributed to the 'Bush Artist') Two Australian landscapes Oil on gum leaves Eustace, Alfred William 14 x 15 cm 14 x 15 cm and 11 x 15 cm (approx) Note labels verso marked 'Evelyn Browne Cave'. Evelyn Cave was the wife of the rector of St. Thomas's… | *** | |
*** | Landscape with figures, oil on board, Rees, Lloyd, signed L. Rees, lower right, 29 x 43.5 cm | *** | |
*** | Chen Wen Hsi (1906-1991). A pair of squirrels climbing amongst vines. ink and colour on paper, signed with two seals. 56 x 70 cm | *** | |
*** | Regatta Day Forcett, Tiger Head Bay, Tasmania Oil on canvas Holmes, Edith Signed lower right 55 x 81 cm. Provenance: The Estate of the Late Ian Alstergren, Tasmania | *** | |
*** | Calton Bluff & Spectacle Head, Tasmania, oil on canvas on board Holmes, Edith Signed on reverse 39 x 50 cm. Provenance: The Estate of the Late Ian Alstergren, Tasmania | *** | |
*** | Louis Icart, French, circa 1920, four dry point etchings, signed in pencil to margin. Height 46 cm x. Width 36 cm. Provenance: from the Estate of Sir Eugene Gorman and Dr Pierre Gorman | *** | |
*** | Ernest Buckmaster (1897-1968) Australian school landscape, Oil on canvas, signed lower left 78 x 59 cm | *** | N/A |
*** | A painting of a winged angel, Spanish Colonial 18th/19th century, 80 cm high, 54 cm wide | *** | |
*** | A set of six coloured prints of exotic birds, 26.5 x 35.5 cm (each). Provenance: Ros Palmer Antiques, Sydney | *** | |
*** | Allen Douglas Davidson (1873-1932), Nude, oil on board, signed Allen Davidson top left, 23 x 15 cm | *** | |
*** | Conrad Martens, British/Australia (1801-1878), Shipping at sea, watercolour with body colour, signed lower right, 40 x 60 cm. Provenance: Lady Massy-Greene, NSW | *** | |
*** | Arthur A Davis, (British, 19th century), The chase, oil on canvas, signed and dated ’91 lower right, 89 x 59 cm | *** | |
*** | Attributed to Catherine Da Costa: Classical Scene, Dec 5, 1723, hand-touched engraving, 39.5 x 49 cm | *** | |
*** | Anne Montgomery (1908-1991), A collection of seven drypoint etchings, various scenes and landscapes each signed and some dated, together with a photograph of Anne Montgomery in her studio, the largest etching 25 x 19 cm | *** | |
*** | A hand with the Etruscans, artist signed etching, by John Brack 67 x 49 cm | *** | |
*** | 19th century school, crimson Rosella, watercolour 31 x 23 cm, unsigned | *** | |
*** | 'Three Panoramic Views of Port Jackson, in New South Wales, with the town of Sydney, and the adjacent scenery. Engraved by R. Havell & Son, After original drawings by Major Taylor between 1817 & 1822', limited edition 64/100, three plates from the… | *** | |
*** | H. Gibbs portrait of Viscount Nelson and the Duke of Wellington, oil on panel (2) 34 x 28.5 cm (irregular) Provenance: The Hon. Mrs George Keppel | *** | |
*** | Reginald Arthur Borstel (Australian, 1875-1922), Zanita, oil on canvas, inscribed Adelaide Photo Co lower left, 50 x 69.5 cm, in an original and highly unique gilt rope and painted frame. Provenance: Cheffins Auctions, Cambridge, UK, 19-20/09/12 lot 430 | *** | |