| *** | A pair of large Gould prints, Humming Birds | *** |  |
| *** | David Bromley, 'Boy with Lighthouse', a large artists proof screen print | *** |  |
| *** | Jeffrey Smart 'Train Tracks', soft ground etching, (early rare print) | *** |  |
| *** | David Bromley, 'Children with Lighthouse', a large artists proof screen print | *** |  |
| *** | David Bromley 'Young girl with Kite' screenprint, Artist's proof, signed lower right, 73 x 54 cm | *** |  |
| *** | After S. T. Gill, 'Old Colonists Festival Dinner', a black and white print | *** |  |
| *** | Hall Thorpe, 'Still Life' woodblock, unsigned, 50 x 32 cm | *** |  |
| *** | Jacqueline Hick, (1919-2004 Australia) 'Dining Room Politics' etching, signed entitled and numbered 1/30, 22 x 29 cm (unframed) | *** |  |
| *** | George Stubbs, a print of 'Whistlejacket London 1762' framed under glass, total size 115 x 100 cm | *** |  |
| *** | Hans Heysen, 'Swamp Lands' etching, signed lower right 1906, 22 x 32 cm | *** |  |
| *** | Garry Shead 'Springwood I', a coloured etching, 16/50, signed and title lower right, 35 x 27 cm | *** |  |
| *** | Colonel William light, 'A view of the country and of the temporary erections near the site for the proposed town of Adelaide in South Australia' coloured engraving, 38 x 54 cm | *** |  |
| *** | Military engraving, 'Field Marshall Arthur - Duke of Wellington' framed in birds eye maple | *** |  |
| *** | Original Gould print 'White-Backed Crow-Shrike' lithograph | *** |  |
| *** | Salvador Dali 'El Cid' etching, signed upper left, 18 x 15 cm (with certificate of authenticity) | *** |  |
| *** | A genuine hand coloured lithograph 'Red-Capped Lorikeet' by John Gould | *** |  |
| *** | 2 Vols. Deucher's book of etchings C.1803 | *** |  |
| *** | Large 19th century engraving of 'Nelson on board the San Joseph' in maple frame | *** |  |
| *** | John Gould, 'Phalacrocorax Punctatus' spotted cormorant, hand coloured lithograph, framed and glazed 32 x 51 | *** |  |
| *** | Charles Blackman 'Titania and Bottom II' etching 10/20, signed lower right 'C.B.' 20 x 15 cm | *** |  |
| *** | Hans Heysen 'Hahndorf Cottages' etching, Artist's Proof, signed lower right, 21 x 27 cm | *** |  |
| *** | Jacqueline Hick 'Blackout' etching 7/12, signed lower right, 24 x 25 cm | *** |  |
| *** | Jacqueline Hick 'War-Time, London' lithograph, signed in pencil below, 30 x 20 cm | *** |  |
| *** | Clifton Hugh 'Lizard and the Butterflies' 1988 lithograph 26/37, signed lower right 84 x 60 cm | *** |  |
| *** | A rare suite of eight handcoloured engravings of 'The Rake's Progress' after originals by Hogarth | *** |  |
| *** | Ethleen Palmer 'The Fantail' coloured linocut 22/30, signed | *** |  |
| *** | Hans Heysen 'Two Trees' etching 21/50 (authenticity and signed by David Heysen) 17 x 22 cm | *** |  |
| *** | Hall Thorpe, 'Still Life' woodblock, signed lower right, 17 x 16 cm | *** |  |
| *** | Hans Heysen 'The Old Barn' etching, Artist's Proof, signed lower right, 23 x 19 cm | *** |  |
| *** | Sydney Long 'Brisbane Waters' etching 7/30, signed lower right, 32 x 25 cm | *** |  |
| *** | Charles Blackman 'Caryatids' lithograph 21/88 35 x 25 cm | *** |  |
| *** | 'Beware' an original Pears print in oak frame | *** |  |
| *** | George French Angus 'Rapid Bay' lithograph | *** |  |
| *** | Max Ragless 'The Forrest Giant' aquatint 2/15, signed lower right, 57 x 35 cm | *** |  |
| *** | 19th century hand coloured lithograph from a sketch by Colonel William Light, titled 'The First Settlement in South Australia', and dated Jan. 1837 | *** |  |
| *** | Henry Van Raalte 'Bunny' etching 29/35, signed lower right, 20 x 60 | *** |  |
| *** | Lionel Lindsay, 'The Bushrangers Home' soft point etching, signed lower left No.16/50 | *** |  |
| *** | Henri Matisse, (1940) 'Verve' Vol 2 no. 8 folio with cover board lithographs by Matisse, double page lithographs by Pierre Bonnard and other artist including Picasso and Braque | *** |  |
| *** | David Hockney, (1977) 'The blue Guitar' etchings inspired by Wallace Stevens and Picasso. First edition, Petersburg press. 20 images, 51 pages, good condition overall | *** |  |
| *** | David Bromley 'Blue Boy Laughing' artist proof screen print, signed lower left, 27 x 30 cm | *** |  |
| *** | Early lithograph 'Change of the Royal Dragons at Waterloo' | *** |  |
| *** | Max Ragless 'Gums on Willocharra Creek' aquatint 8/20, signed lower right, 36 x 55 cm | *** |  |
| *** | Henry Van Raalte 'Hills of the South' aquatint, signed lower right, 20 x 16 | *** |  |
| *** | Large Pears 'Impudent Hussies' 1902 print | *** |  |
| *** | George French Angus 'Cape Jervis' lithograph | *** |  |
| *** | Pro Hart 'Country Kids' artist proof coloured etching, signed by the artist, 17 x 20 cm | *** |  |
| *** | Hand coloured lithograph, 'Grey Faced Cuckoo Shrike' by William Hart (1830-1908). 50 x 35 cm | *** |  |
| *** | Max Ragless 'Harvest Near Mt. Remarkable, SA' aquatint, 1932, signed lower right, 36 x 50 cm | *** |  |
| *** | David Bromley 'Blue Boy with Bird' artist proof screen print, signed lower left, 27 x 30 cm | *** |  |
| *** | Henry Van Raalte 'The Cliff' coloured aquatint 14/60, signed lower right, 27 x 21 cm | *** |  |
| *** | David Bromley 'Kent Town Brewery' lithograph 6/35, signed below, 46 x 6 6 cm | *** |  |
| *** | Mervyn Smith 'Newcastle' (Artist's Proof) silk screen print, signed lower right, 60 x 85 cm | *** |  |
| *** | Charles Blackman 'Flower Butterfly' colour screen print 40/90, signed, dated, titled and numbered below 1988, 57 x 75 cm | *** |  |
| *** | Louis Kahan 'Portrait of Patrick White' etching 39/40, signed and titled below 1975, 54 x 34 cm. (This etching was the preliminary study for the later portrait which won the Archibald prize) | *** |  |
| *** | LIONEL LINDSAY 'Arbour' etching, signed lower left, 23 x 25 cm (rare large etching) | *** |  |
| *** | Eugene Von Guerard, 'Mount Lofty', hand coloured lithograph | *** |  |
| *** | Pro Hart 'Dragon Fly' a coloured etching 13/100, signed lower right, 17 x 11 cm | *** |  |
| *** | A 19th century engraving, 'Windsor Forest' | *** |  |
| *** | A 19th century engraving, 'The Maid And The Magpie' | *** |  |
| *** | Lisette Cohlhagen 'Spring flowers' linocut, signed with title in pencil lower right, 45 x 35 cm | *** |  |
| *** | John Goodchild 'Sydney from Milson's Point' etching, signed lower right | *** |  |
| *** | George French Angus 'Mount Gambier', hand coloured lithograph | *** |  |
| *** | 19th century hand coloured engraving 'A Good Days Sport' | *** |  |
| *** | Antique family portrait, coloured lithograph framed in giltwood | *** |  |
| *** | David Bromley 'Happiness' lithograph 2/15, signed and titled below, 26 x 30 cm | *** |  |
| *** | Pro Hart 'Back Streets, Broken Hill' handcoloured etching (A/P) signed lower right, 20 x 17 cm | *** |  |
| *** | H.van Raalte 'Evening' etching 2/41 | *** |  |
| *** | Sydney Long 'The Belguy Bruges' etching 26/50, signed lower right, 25 x 15 cm | *** |  |
| *** | Pears print 'A Healthy Appette 1903' in a birds-eye maple frame | *** |  |
| *** | Charles Blackman 'Orpheus - Lovers' lithograph 14/30, signed below, 41 x 33 cm | *** |  |
| *** | Eugene Von Guerard, 'Murray River', hand coloured lithograph | *** |  |
| *** | Sir Lionel Lindsay 'Villefranche' drypoint etching no.75, signed lower left, 19 x 25 cm | *** |  |
| *** | Jacqueline Hick 'Chickens' etching 4/30, signed lower right, 1943, 26 x 35 cm | *** |  |
| *** | John Goodchild 'New Parliament house Adelaide' etching 40/100, signed and titled below, 29 x 440 cm | *** |  |
| *** | B.E. Minns 'Aboriginal Mother and Child' etching, signed lower right, 20 x 13 cm | *** |  |
| *** | A genuine hand coloured lithographical print by John Gould 'Numenius Uropygialis' | *** |  |
| *** | George French Angus, 'Kapunda Copper Mines', hand coloured lithograph | *** |  |
| *** | Lionel Lindsay etching titled 'Snowy River', (No. 50) | *** |  |
| *** | Will Ashton 'Building with Tower' etching, signed lower right, 16 x 21 cm | *** |  |
| *** | Max Ragless 'Bridgewater mill' trial proof etching, signed with title lower centre, 20 x 20 cm | *** |  |
| *** | John Gould, 'Pitta Schwaneri', a hand coloured lithograph | *** |  |
| *** | 19th century engraving, Architecturally designed urns, Italian, framed 74 x 50 cm | *** |  |
| *** | 19th century engraving, Architecturally designed urns, Italian, framed 74 x 50 cm | *** |  |
| *** | Lionel Lindsay 'Dawn' etching 34/75, signed lower left, 15 x 24 cm | *** |  |
| *** | Charles Bannow 'Fighting Cockeral' screen print 2/15, signed lower right 1987, 94 x 60 cm | *** |  |
| *** | Llionel Lindsay 'Woman with Parasol' etching | *** |  |
| *** | Pears print 'Appetsing 1913' in a birds-eye maple frame | *** |  |
| *** | A genuine hand coloured lithographical print by John Gould 'Cook's Petrel' | *** |  |
| *** | A genuine hand coloured lithographical print by John Gould 'Tandorna Radjah' | *** |  |
| *** | A genuine hand coloured lithographical print by John Gould 'Himantopus Novae Zelandiae' | *** |  |
| *** | Henri van Raalte, 'Winter light' 1921, etching, 10/20 | *** |  |
| *** | Original Henn lithograph, Strathalbyn Angas River 1883 with cricket match in the foreground | *** |  |
| *** | Original Henn lithograph, lower North Adelaide 1883 | *** |  |
| *** | 'Venice' a 19th century engraving in maple frame | *** |  |
| *** | John C. Goodhart etching, titled 'Road Meanders, Gippsland' | *** |  |
| *** | Three mountaineering prints, mid 19th century by George Baxter, Swiss Alps | *** |  |