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Articles on this Sale

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:335
Sale Title:The National Trust (Victoria) Collection of Historic Maritime Objects and Fine Furniture; Australian and European 20th century designLots with images:322
Auction Location:MelbournePrices available:202
Date:21-Nov-2010
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An impressive French Kingwood and mahogany vitrine Louis Majorelle, circa 1910 The arched pediment with nasturtiums and leaf carving above a central bevelled glass door and single frieze drawer flanked by two further shaped doors, raised on a conforming plinth base, 182 x 246 x 49 cm
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A Rene Lalique Volutes pattern opalescent glass bowl model introduced 1934 cylindrical, moulded with a spiraling beaded pattern, engraved mark, R, Lalique France. Diameter 20.3 cm
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A Lalique Bouchon Eucalyptus pattern glass scent bottle model introduced 1919, the tapering faceted bottle, surmounted by a gum blossom moulded stopper emanating Eucalyptus leaves, moulded mark Lalique, chip to edge of one leaf. Height 13.5 cm
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A Rene Lalique Laurier pattern glass vase Model introduced 1922 Cylindrical, moulded with berries and leaves wheel-cut R. Lalique and No. 947 17.5 cm high
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A Lalique glass paperweight, the shield shaped base applied with a black glass mythological mask head, engraved Lalique France, printed paper label made in France. Width 11.5 cm
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A Rene Lalique Pigeons pattern glass cachet model introduced 1913, modelled as two intertwined pigeons raised on a tapering foliate moulded base, engraved R, Lalique. Height 9.5 cm
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A Rene Lalique Sirenes pattern glass table lighter model introduced 1920 cylindrical, moulded with a continuous pattern of sirens, etched R. Lalique, engraved Lalique. Height 15 cm
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A pair of Lalique Pavot pattern glass goblets Model introduced 1922, apparently unmarked Each with a flared cylindrical body, moulded with stylised leaves, the base with an incised pattern and a black stain, 7.5 cm high. Reference: Felix Marcilhac, Rene Lalique 1860-1945, page 769 reference no. 3407
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A Rene Lalique Formose opalescent glass vase model introduced 1924 globular, moulded with a continuous pattern of gold fish, etched R, Lalique France. Height 17 cm
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An Almeric Walter pate-de-verre glass pendant Signed A.W, circa 1910 Triangular, relief moulded with a chameleon amongst foliage, on a yellow ground, hung from a gold tassel, incised signature, 6 cm high
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An Alessandro Pianon 'Pulcini' bird figure Produced by Vatreria Vistosi, circa 1962 The stylised bird worked in striped blue glass, raised on gilt metal feet, 22 cm long
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A Daum Nancy vitrified and cameo cut vase circa 1905 Of waisted cylindrical form, cameo cut with an autumnal foliate design on a mottled, acid etched ground, cameo cut signature Daum Nancy and Cross of Lorraine, 30 cm high
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A Daum Nancy Eucalypt pattern cameo glass vase circa 1915 Cylindrical, etched and cameo cut with flowering gum nuts and leaves on a vitrified, mottled ground, cameo cut mark Daum Nancy, 32 cm high
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An overlaid frosted glass vase In the manner of the Wiener Werkstatte The frosted, flared cylindrical body overlaid with black glass panels and stylised tulips, 31 cm high
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A Le Verre Francais cameo glass lamp Signed Le Verre Francais France, circa 1930 The blue ground ovoid shade came cut with stylised floral motifs, raised on a wrought iron base, 17 cm high
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A rare Moser relief carved glass vase Ovoid, relief cut and engraved with stylised leafage, on an amethyst ground with rutilated inclusions, etched factory mark, 14 cm high
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An Art Nouveau style wrought iron lamp After Edgar Brandt The stem cast in the form of a writhing snake, terminating in a mottled blue and yellow glass shade, the base in the form of the snake's tail, 46 cm high
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A Rene Lalique Dahlias pattern opalescent glass bowl model introduced 1921 circular, moulded with a continuous pattern of dahlias and foliage, moulded mark R. Lalique, France, engraved No. 3210. Diameter 23.5 cm
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A pair of Murano glass candlesticks circa 1950, each with a ruffled sconce and drip pan above a green glass frond standard, raised on a circular base applied with pastel coloured fruit, the whole with gold inclusions, printed paper manufactures label, 24 cm high
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A Gabriel Argy Rousseau, Pate-De-Verre Lamp circa 1925 The domed shade moulded with pendant decoration, on a mottled mauve and green ground, raised on a wrought iron base, the shade signed G.Argy-Rousseau, France, (hairline to shade), 21.5 cm high
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An Art Deco walnut bedroom suite Attributed to the atelier of Paul Follot The armoire with central recessed mirrored door flanked by bowed paneled doors with carved stylised floral decoration, raised on fluted tapering bun feet, together with conforming bed ends and a marble top pot cupboard, the armoire 160 x 197 x 52 cm
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A gilt bronze and ivory female figure Signed Omerth Modelled as a standing female in period dress cradling a dove, ivory head and hands, raised on a shaped Basque Jaspe marble base, 25.5 cm high
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Rene-Paul Marquet (1875-1939) A gilt bronze and ivory figure, Dacia, circa 1920 Finely modelled as an exotic female dancer with arms raised balanced on one foot draped in decorative metal chain work, ivory arms legs and bust, raised on an onyx plinth base, signed Rene Marquet, 49 cm high
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A gilt bronze and ivory Russian Dancer figure Cast and carved from the original by Paul Philippe (1870-1930), signed The standing figure with head, neck and arms of carved ivory, balanced en pointe in a dancing pose, her right leg arched and her arms out streched, her clothing of cast bronze with gilt patination and enamelled highlights, raised on an onyx and slate base, signed Philippe to the base, 50 cm high
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A Art Deco bronze figure group depicting bounding deer Signed L. Alliot The deer modelled in motion, leaping through rushes, raised on a canted rectangular base, incised signature to bronze base, 65 cm wide
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Romain De Tiroff 'Erte' (1892-1990) Ocean Bowl II patinated bronze, edition 103/300 incised signature, stamped edition number and copyright 33 cm wide
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An Art Nouveau pewter ink stand in the form of a racing car Manufacturer's mark for J.P Kayser and Sohn, circa 1900, the car with driver and passenger having a hinged bonnet and boot lid (now detached), above a pin tray and frieze cast with foliate designs, 35 cm wide
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A pair of Rosenthal Art Deco porcelain lamp bases, each decorated in the Japanesque taste, with stylised foliate decoration etched in gilt to imitate cloisonne, in colours of blue, yellow and black on an orange ground, printed factory marks, 37 cm high including brass fitting
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A Wedgwood Art Deco earthenware lemonade set Designed by Keith Murray, circa 1930 Comprising a lemonade jug and six mugs, each of tapering cylindrical form with banded decoration to the lower section, the jug 21 cm high
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A Wedgwood Art Deco stoneware vase designed by Keith Murray, circa 1930, the pale grey ground ovoid body moulded with banded decoration, impressed and stamped factory marks. Height 23 cm
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A Royal Doulton Sung flambe vase by Charles Noke and Arthur Eaton, circa 1930, baluster, painted with a phoenix in flight on a red ground, printed factory mark and painted signatures. Height 22 cm
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A Susie Cooper Art Deco porcelain jug ovoid, with black and orange banded decoration, flanked by a loop handle, stamped factory mark. Height 13 cm
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A Japanese art glass vase Fujimori Collection, Kato Kogi, Japan Of compressed ovoid form, with a continuous diagonal band in colours of turquoise, pink, black and white on a grey ground, retail mark to base, 20 cm high
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A set of four Clarice Cliff Bignou pattern trios with angular handles, painted with stylised sunburst decoration, in colours of orange blue, yellow and purple, black factory mark. (12)
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A Clarice Cliff Bizarre My garden pattern vase circa 1935, a Clarice Cliff Bizarre My garden pattern vase circa 1935, tapering cylindrical supported by embossed flowers in colours of red brown green and yellow black factory mark. Height 26.5 cm
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A Clarice Cliff Bizarre Secrets pattern bowl circa 1933 Conical, painted with a stylised cottage scene, in tones of green, brown and yellow, black factory mark (restored) 15 cm diameter
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A Moorcroft Orchid pattern vase circa 1916, baluster with a flared base, decorated with a continuous pattern of orchids on a mottled blue ground, impressed factory marks and painted signature. Height 23 cm
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A Moorcroft Fresia pattern vase circa 1945, baluster, painted with fresia on a green and blue ground, flanked by handles, impressed factory marks, blue painted signature and printed paper Royal Warrant. Height 21 cm
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A Moorcroft leaf and fruit pattern plate circa 1930 Circular decorated with a continuous pattern of leaves and fruit, green ground, impressed factory marks and signature, painted signature, 24 cm wide
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A Moorcroft Wisteria pattern vase circa 1925 Tapering cylindrical, with a continuous pattern of wisteria on a mottled navy ground, impressed factory marks, painted signature, 19 cm high
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A Moorcroft Clematis pattern vase circa 1945 Baluster, with a continuous pattern of Clematis, impressed factory marks, painted signature and printed paper label, 22 cm high
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A Moorcroft Honesty pattern Vase circa 1903 Flared cylindrical flanked by loop handles, decorated with honesty flowers on a pale blue stippled ground, Florian Ware printed factory mark, painted signature, restoration to the rim, 20.5 cm high
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A Carlton Ware Art Deco Stellata pattern ceramic vase circa 1930, of waisted form, painted in vibrant colours with a profusion of flowers on a blue ground, stamped Carlton Ware handcraft, model 3326. Height 24.5 cm
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A George Jensen Danish sterling silver acorn pattern flatware suite from the original acorn pattern by John Rohde, 1915 a part setting for six including main, entree, knives and forks, dessert spoons and forks, soup, cream and demitasse spoons a boullion and sugar spoon, bottle opener and small ladle, together with a small English ladle and a butter knife, 60 pieces of George Jensen in total
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An Australian silver comport maker's mark Hendrik Forster, Victoria, circa 1970, the beaten body of shallow ovoid form, flanked by loop handles, raised on a faceted stem and foot, together with a fitted presentation case, 1282 grs. Total weight of silver, 28.5 cm wide across the handles
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An Australian silver goblet Maker's mark Gary Bradley, 20th century Cylindrical, the lower section with pierced decoration, hallmarked Gary Bradley sterling, 504 grs. total weight of silver, 16 cm high
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A Stuart Devlin sterling silver tray maker's mark Stuart Devlin, London circa 1976, circular, hammered metal finish with a silver gilt ribbed and broken border, 736 grs. Total weight of silver. Diameter 30.5 cm
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A pair of Stuart Devlin sterling silver salt & pepper cruets Maker's mark Stuart Devlin, London circa 1974 Each cylindrical with a brushed and irregular wire silver gilt band, 150 grs total weight of silver, 7.3 cm high
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A pair of Stuart Devlin sterling silver candle sticks Maker's mark Stuart Devlin, London circa 1974 Each fluted with an irregular faceted silver gilt stem, circular foot, 378 grs. total weight of silver, 25 cm high
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A pair of Stuart Devlin sterling silver salt cellars Maker's mark Stuart Devlin, London circa 1974 Each tapering with a silver gilt bowl and brushed irregular band, 130 grs total weight of silver, 4.1 cm high
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A Stuart Devlin sterling silver wine coaster Maker's mark Stuart Devlin, London circa 1971 Circular, with a silver gilt rim and pierced irregular wire band, raised on a turned rosewood base, 11.4 cm diameter
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Eight Stuart Devlin sterling silver wine flutes maker's mark Stuart Devlin, London circa 1972, and later, each tapering with a hammered finish, silver gilt stippled stem and bowl, circular foot, 1700 grs. Total weight of silver. Height 21 cm
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Six Stuart Devlin sterling silver goblets maker's mark Stuart Devlin, London circa 1971, and later, each tapering with a brushed and irregular wire silver gilt band, gilt interior, 1266 grs total weight of silver. Height 11 cm
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A Stuart Devlin twelve days of Christmas Seven Swans A-Swimming surprise box Maker's mark Stuart Devlin, London circa 1976 Modelled in the form of a silver gilt gift box opening to a swan and cygnets on a blue guilloche enamel, stamped no. 9, 8.5 cm wide
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A Stuart Devlin twelve days of Christmas Six Geese A-Laying surprise box Maker's mark Stuart Devlin, London circa 1975 Modelled in the form of a circular silver gilt gift box opening to a gaggle of nesting geese with eggs, stamped no. 9, 8.4 cm diameter
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A Stuart Devlin twelve days of Christmas Eight Maids A-Milking surprise box Maker's mark Stuart Devlin, London circa 1977 Modelled as a beehive shaped gift box opening to a figure of a cow and eight silver gilt milkmaids, stamped no. 9, 9.2 cm diameter
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