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Spring Auction, 2007 Seasonal Sale — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:642
Sale Title:Spring Auction, 2007 Seasonal SaleLots with images:637
Auction Location:MelbournePrices available:372
Date:13-Nov-2007
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An Italian Gold Necklace and Bracelet The large 18ct yellow gold reed links intertwined with a white gold rope twist chain terminating to a bar, slide and safety clasp, hallmarked, total length 42.8 cm, total weight 78.65gms, the bracelet of conforming design, total length 19.8 cm, total weight 40.30gms
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A Pave Diamond Ring The 18ct white gold domed ring with yellow gold scroll detail pave set with thirty six single cut diamonds weighing 0.60cts, to a half round band
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A cocktail pendant/brooch and earrings by Tiffany & Co., circa 1940, the large 18ct yellow gold stylised floral brooch with textured leaves and petals scatter set with eight rubies, having a pendant hook and pin fitting, together with a pair of 18ct gold floral earrings set with three rubies, to clip fittings, both signed Tiffany & Co., total weight 56.80gms
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A Black Opal and Diamond Cluster Ring The 18ct white gold ring set with an oval solid black opal weighing 6.90cts cut en cabochon and surrounded by sixteen tapered baguette cut diamonds totalling 2.0cts, with split shoulders and flat band
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An Edwardian bangle and two brooches, circa 1910, the Australian 9ct gold hinged bangle set with an oval cut solid white opal, with applied filigree and engraved decoration, hallmarked H. Newman, Melbourne, the pair of swallows in flight brooch set in 9ct gold set with red paste and bright cut engraved detail set with seed pearls, together with a 9ct gold crescent brooch set with graduated seed pearls
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Georg Jensen hallmarked sterling silver fancy link necklace with a large heart shaped pendant and its original box, designed by Astrid Fog, style reference 126
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A Georg Jensen moonstone and onyx Carnival ring, the sterling silver ring duo each set with an oval moonstone and an onyx cut en cabochon, designed by Regitze Overgaard, style reference 263, hallmarked, boxed
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A Georg Jensen sterling silver bracelet, the sterling silver bracelet of continuous linked seedpods designed by Bent Gabrielsen, style reference 115, hallmarked, with additional links, total length 20 cm, boxed
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A pair of Georg Jensen sterling silver earrings, the long tapered tear drop earrings suspended on belcher link chain with floral terminals, to post and butterfly fittings, designed by Georg Jensen, style reference 18, hallmarked, boxed
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A Boulder Opal and Mabe Pearl Pendant and Chain Handcrafted By Barbara Gambin The sterling silver free form pendant collet set with a solid boulder opal displaying red, green and blue spectral colours, set with two white South Sea mabe pearls within a scrolled silver wirework and bead frame, having a curved bale and fancy link chain, signed, retailed by Makers Mark, total length 74 cm
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A pearl, green quartz, gold and silver bracelet, the three rectangular step cut green quartz set in silver mounts and interspaced with alternating peach and grey collet set mabe pearls, having granulated mounts and 18ct yellow gold spacers, with silver and gold t-bar and bolt ring clasp, stamped
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A coral turquoise and sterling silver necklace handcrafted by Barbara Gambin, the handcrafted necklace comprising thirty nine graduated turned coral beads and six tumbled turquoise beads arranged in alternating sections linked on sterling silver chain, featuring a large turquoise plaque set in sterling silver with two coral and silver drops, one set with blue enamel, signed, retailed by Makers mark, total length 72 cm
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A pink sapphire and diamond necklace, the cushion cut pink sapphire of 5.70cts collet set beneath a baguette cut diamond, suspended from an 18ct white gold bar link chain, handcrafted by Michael Wilson, total length 44.5 cm
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A loose tanzanite, the fine intense violet blue cushion cut tanzanite weighing 1.83cts
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An Australian antique gold coin charm bangle, circa 1890, the 15ct gold hinged bangle with seven assorted engraved gold coin charms and safety chain, unascribed Australian hallmarks, emu 15 fleece, total weight 36.60gms
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An antique diamond snowflake pendant, circa 1880, the round cluster pendant set in silver with an old European cut diamond and surrounded by a five point star and fleur de lys all set with graduated old European cut diamonds, mounted to a 15ct gold frame with a diamond set bale
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A Diamond Solitaire Ring The oval old cut diamond weighing 0.95cts collet set in white gold to an 18ct gold upswept half round band
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An Early Victorian Mourning Brooch Circa 1840 The glazed rectangular panel of woven hair encircled by a row of twenty half pearls and mounted in a crimped 9ct gold surround, inscribed to the reverse, with a 9ct gold safety chain
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An Australian Antique Gold Locket Circa 1880 The 15ct rose gold oval polished locket with two picture compartments, stamped, with pendant fitting
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Cufflink suite with oval aubergine coloured, mother-of-pearl plaques, old cut diamonds, double sides, chain fittings, together with three associated round mother of pearl dress buttons each framed in 9ct white gold to 14ct rose gold sliding fittings, hallmarked krementz
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A Pair of Ruby and Emerald Earrings The 18ct white gold earrings set with an emerald cut ruby above diamond foliate work and suspended with a marquise cut emerald, total ruby weight 1.0cts, total emerald weight 3.35cts
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An antique diamond brooch and pair of earrings, circa 1870, the 18ct yellow gold Etruscan style brooch of two circular panels set to the centre with patera and a rose cut diamond, edged with rope borders, suspended below with graduated fringing, the complimentary earrings to shepherd hook fittings
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A Coral Ring The large oval angel skin coral cut en cabochon, set above a diagonally ribbed and tapered 14ct gold band
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A Rose Quartz Bead Necklace The rhomb shaped pink quartz beads enhanced by an 18ct white gold chequerboard clasp set with rubies and diamonds, total length 54 cm. See illlustration
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A Rene Lalique 'Sirene' opalescent glass figurine, model introduced 1920, moulded mark R. Lalique, 10 cm high
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A Rene Lalique Domremy Pattern Opalescent Glass Vase Model introduced 1926 Baluster, moulded with entwined thistles, moulded mark R. Lalique, 21.5 cm high
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A Rene Lalique Oeillets pattern platter, model introduced 1936, of rectangular shape, moulded with dandelions, blue stain, wheel-cut R. Lalique, France signature
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A Crystal Lalique Statuette Modelled as a standing female with her left arm raised to her head, in frosted and clear glass, inscribed Lalique France, 24 cm high
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Two Daum glass cars signed Daum, France, each modelled as an American sports car in clear and opaque glass
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A French Cameo Glass Vase Signed D'Aurys Of tall baluster form carved with a flowering anemone in orange, brown and red tones on an opaque white ground, 31 cm high
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A Gabriel Argy-Rousseau Pate De Cristal Lamp Tapering cylindrical, mottled purple with shell moulded decoration, wrought iron base, 21 cm total height
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Two Italian art glass Lamps Circa 1960 Each of stylised mushroom form with burgundy and white ribbed decoration, the tallest 35 cm high
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A Rene Lalique Calypso opalescent glass bowl, the model introduced 1930 shallow ovoid, moulded with mermaids, wheel-cut R. Lalique France
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A Rene Lalique Jaffa Pattern Plate Model introduced 1932 Circular, the underside moulded with a radiating stylised pattern, blue stain, wheel-cut R. Lalique France, 26 cm diameter
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A Schneider Art Deco Lamp Signed Le Verre Francais, Circa 1930 Conical, overlaid in blue on a grey ground and etched with stylised flowers, wrought iron base, 15 cm high. Note: for a similar example see Bertrand, G., Schneider - Maitre Verrier, Editions Faton, Dijon, 1995, page 76
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A Gabriel Argy-Rousseau Lamp Circa 1928 The fanned body relief decorated with two stalking tigers in a jungle background, graduated green ground, bronze base, moulded G. Argy-Rousseau, 21 cm high
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A Galle Art Nouveau Cameo Glass Lamp Base Signed Galle, Circa 1910 Baluster, cameo cut with wildflowers in shades of mauve on a pale yellow ground, cameo cut signature, 16.5 cm high
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A Small Tiffany Favrile Glass Vase Early 20th Century Waisted ovoid, the lower section with relief moulded foliate decoration, amber irridescent ground, inscribed L.C.T and indistinct, 10 cm high
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An Art Deco Daum Nancy vase, designed by Louis Majorelle, fluted cylindrical, crimson with silver foil inclusions, housed within wrought iron armature, etched signature L. Majorelle, Daum Nancy and cross of Lorraine to base, 26.5 cm high
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A Schneider Art Deco Glass and Wrought Iron Lamp French, Circa 1935 The ovoid shade cameo cut with stylised foliate decoration on a mottled yellow and brown acid etched ground, wrought iron base, incised Le Verre Francais, 18 cm high
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Two Holmgaard amber glass vases, Danish, baluster, each with a slender flared neck, paper label to both, the largest 50 cm high
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Murano glass chandelier in colours of blue, yellow and pink with a central corona emanating six flower stems, six scrolling arms terminating and petal moulded shades
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A Clarice Cliff Fantasque lily pattern jardiniere, circa 1930, of compressed cylindrical form with moulded geometric feet, black stamp. Height 15 cm
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Clarice Cliff Fantasque 'Umbrellas and rain' part supper set comprising six octagonal cake plates and a canted rectangular sandwich plate in the Broth pattern, black factory stamp, the sandwich plate. (7)
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A Moorcroft Pansy pattern vase, circa 1916, waisted cylindrical, with a floriate design on a blue ground, facsimile signature and impressed Moorcroft Burslem. Height 27.5 cm
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A Moorcroft Dawn pattern vase, circa 1930, ovoid, showing a stylised landscape within geometric borders, painted and impressed marks. Height 24 cm
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Royal Doulton flambe, ovoid shaped vase featuring gnomes seated amongst a cluster of toadstools, with a mottled iridescent blue glaze on a red ground, a black stamp and marked 'Flambe'
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A French Art Deco Bronze Figure Group Signed H. Verdier, Paris Modelled as two leaping deer, on an oval green onyx marble base and black stepped marble plinth, 28 cm high
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Art Deco spelter and ivorine figure of Diana and her hounds with the face and hands in moulded ivorine, a flowing patinated dress, a leash in each hand, two hounds, a rectangular green and brown onyx base and an inscribed signature on the base, 'G. Gori'
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A Spelter Figure Group of Bounding Greyhounds Signed Francisque, Circa 1930 Moulded as two hounds running amongst reeds, inscribed signature, 62 cm long
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Wedgwood lustre glazed, shallow ovoid bowl with a continuous painted design of carp on a mottled blue ground, gilt highlights and a gold printed mark
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A Fine Pair of Hagenauer Chromium Plated Masks Austrian, Circa 1935 Modelled as stylised male and female heads, factory stamp to underside, 39 cm high
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A Patinated and Silvered Bronze and Ivory Figure Nude with High Ball, after the original by A. Gory The female figure kneeling with her right arm raised, clutching a ball of carved ivory, inscribed signature, 42.6 cm high. Note: for an example of this model see Berman, H., Bronzes, Sculptors and Founders 1800-1930, Volume IV, Abage, Chicago, 1980, p. 1152 (fig. 4604)
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A Collection of Danish and Swedish Teak Bowls and Utensils Circa 1970 and later Including pieces by Georg Jensen
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A large collection of Danish stainless steel and later, comprising pieces by Georg Jensen, Lundtoft, Cromargan and WMF, including jugs, platters, pots, condiments and trays
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Two Bucciarelli enamelled lamp bases Italian, circa 1955 cylindrical, each decorated with classical designs on a cream ground, retail label Bucciarelli, Milano, made in Italy to base, the tallest. Height 50 cm
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Set of Piero Fornasetti lounge room accessories comprising a magazine rack, a basket, two occasional tables and a cylindrical lamp base, all decorated with a repeating key design in gold and black on cream backgrounds
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An Artemide Nesso Table Lamp Circa 1967, after the original by Giancarlo Mattioli Moulded cream plastic mushroom shade and matching base, moulded marks to base, 36 cm high. Note: The Nesso table lamp is included in the design collection of the Museum of Modern Art, New York
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An Artemide Umbrella Stand and Telephone Table Circa 1970 The domed umbrella stand in black moulded resin, after the original design by Emma Gismondi Schweinberger; the circular telephone table in red plastic, the umbrella stand 34 cm high, the telephone table 40 cm high
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Set of six Wedgwood Art Deco mugs of tapering cylindrical shape with incised banding to the lower sections, matt straw ground, facsimile signatures and printed and impressed marks, designed by Keith Murray
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An Italian Earthenware Bull Circa 1970 Modelled in aggressive stance with metal horns, green and orange decoration, stamped Italy, 18 cm high
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A set of four beech Arne Jacobsen 3105 chairs model introduced 1955, manufactured by Fritz Hansen, Denmark, each with a waisted back and seat, raised on tubular steel legs, stamped Fh Denmark
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A Piero Fornasetti Black and White Mouth Chair Lacquered and screen printed moulded plywood seat on painted, tapering tubular wooden legs, labelled Fornasetti - Milano, Made in Italy, 94 cm high. Note: For a similar example see Fornasetti - La Follia Pratica, exhibition catalogue, March 2003 Institute of Italian Culture, Washington DC, Fornasetti, 2003, Milan
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A Piero Fornasetti Black and White Demi-Lune Eyes Cabinet Lacquered and screen printed moulded plywood on painted, tapering tubular wooden legs, labelled Fornasetti - Milano, Made in Italy, 66 x 97.5 x 33 cm. Note: For a similar example see Fornasetti - La Follia Pratica, exhibition catalogue, March 2003 Institute of Italian Culture, Washington DC, Fornasetti, 2003, Milan
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A set of three Viennese wine glasses designed by Otto Prutscher for the Wiener Werkstatte, each with a faceted bowl in clear glass cased in blue, above square cut stems and a circular clear glass foot
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An Arne Jacobsen egg chair and ottoman models 3317 and 3127 introduced 1957-1958, manufactured by Fritz Hansen, Denmark with a concave wing back and seat of moulded fibreglass, upholstered in green fabric, with a matching stool, each raised on a facetted brushed aluminium swivel base, the chair with painted mark
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An Arne Jacobsen Swan Chair Model 3320 introduced 1957-1958, manufactured by Fritz Hansen The curved back and seat of moulded fibreglass, upholstered in red cloth, facetted brushed aluminium base, stamped beneath seat Fh Made in Denmark
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Set of three Charles and Ray Eames 'Time-life lobby chairs' with buttoned black leather backs and seats, padded arms and brushed aluminium swivel bases, introduced in 1960 and manufactured by Herman Miller furniture Co
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A Charles and Ray Eames desk chair manufactured by Herman Miller furniture Co, the vinyl upholstered back of moulded fibreglass, above a brushed aluminium swivel base, castors, moulded mark Herman Miller
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A Jean Gillon Leather and Jacaranda Armchair Brazil, Circa 1960 With a black buttoned leather upholstered seat, raised on block supports, foil label Jean Gillon Wood Art to underside
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Armchair manufactured by Mobler, with a leather upholstered back and seat, rosewood arms, chromed tubular supports and a metal stamp for 'Dokka Mobler'
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Two Charles & Ray Eames, Time-life Executive desk chairs, model introduced 1960, manufactured by Herman Miller furniture Co, each with a buttoned black leather back and seat flanked by padded arms, brushed aluminium swivel base with tilt mechanism, plastic castors
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A Danish Teak Sideboard Manufactured by Mobler, Norway, Circa 1960 Rectangular, with two sliding cupboard doors, tapering cylindrical legs, factory stamp to back, 200 x 79 x 49 cm
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A Pair of France and Son Teak Chairs Danish, Circa 1960 Each with a bowed rectangular crest rail above a yellow cloth seat, square supports, brass stamp France & Son Denmark, monogram and Made in Denmark
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A Charles and Ray Eames Time-life Executive desk chair model introduced 1960, manufactured by Herman Miller furniture Co, with a buttoned beige leather back and seat flanked by padded arms, brushed aluminium swivel base with swivel mechanism, factory label designed by Charles Eames, Herman Miller (Aust.) P/L
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A Fritz Hansen Rosewood and Aluminium Breakfast Table Danish, Circa 1960 With a circular rosewood top, raised on a faceted brushed aluminium swivel base, stamped Fh Made in Denmark, 110 x 47 cm
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A France and Son Teak Occasional Table Danish, Circa 1960 The rounded rectangular top above a slatted shelf, raised on tapering rectangular supports, xylonite label France & Son, Denmark, 75 x 58 x 51 cm
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A Danish Teak Pedestal Desk Circa 1960's The rectangular top above two pedestals, each with three drawers, raised on square supports, 160 x 70 x 70 cm
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A Danish Fall Front Secretaire Dressing Chest Circa 1960's The hinged fall front opening to a fitted interior with a mirror slide, above three further drawers, raised on circular supports, 90 x 94 x 48 cm
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A Danish rosewood fall front secretaire chest of drawers, circa 1960's rectangular, with a hinged fall front above an arrangement of three short and two long drawers, raised on circular supports, 90 x 94 x 48 cm
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A pair of Italian rosewood cabinets stamped Bernini, Italy, each having a white marble top above an arrangement of two short and three long drawers, raised on circular supports, 70 x 52 x 50 cm
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A Hans Wegner style teak elbow chair with a bowed crest rail and arms, above a caned seat, tapering square supports
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Teak armchair possibly designed by Finn Juhl, manufactured by France & Son, with a rectangular back and seat, striped upholstery, rounded rectangular arms and tapering legs
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A Charles and Ray Eames marble and aluminium centre table with a circular marble top, raised on a brushed aluminium base, 91 cm diameter x 41 cm high
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A Danish Teak Day Bed By France & Son, Denmark, Circa 1960 The rectangular back and seat with upholstered cushions, raised on an openwork frame, tapering cylindrical legs, xylonite factory label France & Son, Denmark, 190 cm length of back
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A Tecno P40 Lounge Chair Italian, designed by Osvaldo Borsani for Tecno, model introduced 1954 The latex and cloth upholstered reclining back, seat and foot rest raised on a brushed aluminium base, rubber arms, manufacturer's label to underside
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An Italian T-Line Couch Circa 1985, after the original design by Burkhard Vogther The two seater couch upholstered in dark blue cotton, black tubular steel frame, 165 cm long
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A steel mesh chair by Harry Bertoia model No. 420C, manufactured by Knoll Associates New York, model introduced 1953 constructed from vinyl-coated bent and welded steel, with a vinyl upholstered seat
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A Royal Worcester Porcelain Pot Pourri Vase Signed K. Blake, Circa 1936 Lobed ovoid, painted with berries and leaves, pierced cover, puce mark and model no. H169, 18.5 cm high
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A fine Royal Worcester ivory porcelain vase and cover, circa 1880, ovoid, painted with storks wading in a pond amongst waterlillies, rising to scroll handles, surmounted by a finely pierced cover with a spire finial, gilt highlights, green factory mark and impressed V2 877. Height 38 cm
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Pair of Grainger Worcester porcelain vases with globular bodies, slender necks, ornate foliate pierced panels and rims, raised gilt highlights, a printed mark and model No. 251G
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A Royal Worcester Porcelain Vase Signed A Shuck, Circa 1940 Baluster, painted with fruit, puce factory mark and model no. 2491, 10.5 cm high
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A Royal Worcester porcelain pedestal vase signed H. Chair, circa 1904, ovoid, painted with a cartouche depicting roses within a gilt border, flanked by loop handles, (restoration to rim), green factory mark, registration number and model No. 2063. Height 44.5 cm
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A Royal Worcester porcelain vase signed S. Drysdale, circa 1975, cylindrical, painted with fruit, scroll feet, black factory mark. Height 14 cm
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A Fine Quality Royal Worcester Pedestal Vase Signed F. Roberts, Circa 1889 Campana, painted with orchids within a gilt border on a bleu celeste ground, raised on a pierced square pedestal base, black factory mark, 22 cm high
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A Royal Worcester Limited Edition Porcelain Plaque Signed E. Townsend, 1974, from the red start bird series Rectangular, finely painted with two red starts perched amongst flowering gorse, within an ornately carved giltwood frame, no. 12 of 25, subject 12 of 15, gilt factory stamp, the panel 35.5 x 23 cm
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A Royal Worcester Limited Edition Porcelain Plaque Signed E. Townsend, 1974, from the bullfinch bird series Rectangular, finely painted with a bullfinch perched amongst flowering blackthorn branches, within an ornately carved giltwood frame, no. 12 of 25, subject 14 of 15, gilt factory stamp, the panel 35.5 x 23 cm
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A Hadley's Royal Worcester vase signed W. Powell, circa 1904, ovoid, finely painted with sweet peas on a dusty yellow ground, green factory marks. Height 26 cm
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A Royal Worcester Porcelain Plate Signed R. Rushton, Circa 1940 Circular, painted with a view of Sandringham Gardens, reserved on a gilt border, puce factory mark, 27 cm diameter
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A Royal Worcester porcelain vase signed H. Martin, circa 1909, ovoid, painted with roses, flanked by scroll handles, raised on a square foot, puce factory mark. Height 31 cm
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