Full details of each lot are displayed, except the lot number, estimate and price. You must be a subscriber to view lot numbers, estimates and prices.

Click here to view registration and subscription levels

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:613
Sale Title:Asian Art, Classic Furniture & ObjectsLots with images:613
Auction Location:MelbournePrices available:261
Date:25-Oct-2015
***
A collection of three early 19th century woven silver and lace Bonnets, circa 1800, each richly entwined with silvered and gilded thread
***
***
***
***
***
***
A rare 17th century wooden powder flask, probably German, circular in form with pleated leather binding and apertures to house lead balls, with brass chain handle, 17.5 cm high, note: accompanied by a tag affixed with a Sotheby's label and lot number 122, sale date and location unknown
***
***
***
A single draw brass Spyglass, Willson & Dixey, London, mounted on tripod base, engraved 'Willson & Dixey, 35 Piccadilly, London' incomplete, 20 cm at highest point with tripod
***
***
***
A Hunt and Roskell sterling silver mounted trophy plinth, from the Mentmore Towers collection, inscription reads 'Ascot 1867/Won by Jasper', the plinth was made for the Royal Hunt cup, Ascot Races, 1867, silver mounted and silver plated fittings applied to the circular ebonised wooden base, maker's marks for John Hunt & Robert Roskell of Hunt & Roskell, London, 1866, 19.6 cm high. Provenance: Purchased from the Sotheby Parke Bernet & Co. Mentmore Towers collection, lot 1653, Monday 23rd May, 1977.…
***
***
***
Franz Xaver Bergman (1861-1936) Vienna, C 1900, a figural lamp, a cold painted bronze figural lamp base revealing courting scene, signed to the reverse, 'Namgreb', (the inversion of 'Bergman'), also marked with the letter 'B' within an urn cartouche, retailers plaque Nissel & Sikora, Wien' applied to base, 33 cm high
***
***
***
Franz Xaver Bergmann (1861-1936), two cold painted parrots, Vienna C 1900, both naturalistically modelled polychrome bronze figurines, one signed 'Bergman', the other marked with the letter 'B' within an urn cartouche, 7.5 cm and 5 cm high
***
***
***
***
***
***
A French ivory figural triptych, Storming the Bastille, 19th century, a finely carved ivory figure of a standing French lady, dressed in the style of earlier period, holding a closed fan, her skirt hinged to reveal a historical, battle scene, on a wooden base, 20 cm high including base
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
A classical style bronze Discobolus figure, the figure modelled in contrapposto stance leaning against a tree trunk, raised on a rectangular base, together with a metal plinth, the figure 107 cm high, the plinth 83.5 cm high
***
***
***
***
***
***
European school, (19th century), an icon, after Fra Angelico (Italian, 1384-1455), Angelic musician, tempera on gilt wood panel with incising in gothic style architectural frame, 56 cm incl. Frame
***
***
***
***
***
***
James T.A. Osborne (British, 1907-?), Ploughing 1936, oil on canvas, signed and dated 'J.T.A. Osborne May 1936' lower right, 51 x 76 cm
***
***
***
***
***
***
A George III sterling silver cruet stand, maker's mark Samuel wood / London, circa 1775, including six sterling silver mounted glass bottles with covers of varying design, housed within a stand of quatrefoil outline, with shell cast feet, 466grs total weight of silver 20.5 cm high
***
***
***
A 19th century Sheffield plate basket, circular shaped basket with embossed floral, acanthus leaf and scroll border, fluted body, swing-handled, sitting on a pedestal foot with gadrooned rim, total height 22 cm
***
***
***
A pair of 19th century Sheffield plate lidded tureens, both features oval, lobed domed form with scroll border, the lid surmounted by a rococo style floral finial, hallmarked to lower part, 14.5 cm high, (one with oxidations and scratches inside), 33.5 cm long
***
***
***
***
***
***
***
***
***
An Assembled set of five English sterling silver servers, fiddle thread and shell pattern, 19th century, varying dates and makers, comprising fish fork, fish slice, soup ladle and a pair of serving spoons, finely decorated with fiddle thread and shell motif and with some engraved monograms, approx. Total weight of silver 950 grs
***
***
***
A collection of sterling silver flatware by Tiffany & Co., St James pattern, designed by Paulding Farnham, comprising three entree knives, a fruit knife and three dinner forks, total weight 384 gms
***
***
***
Emile Puiforcat (1897-1945), Suffern Patten flatware set, comprising ragu spoon, a pair of salad servers, two ice cream servers, fish slice, soup ladle, dessert ladle, sifting spoon, sugar tongs, berry spoon (54)
***
***
***
A George II sterling silver castor, Hallmarks Rubbed, attributed to Paul de Lamerie, London, circa 1738, with a foliate pierced and cast cover, above a tapering body cast to the centre with mask heads and strap work, on a spreading foot, (solder repairs), 388grs total weight of silver,18 cm high, note: for an example of identical design, see Sotheby's - important silver and Vertu, Olympia, London, 27 November 2001, lot 93
***
***
***
A Norwegian silver and Plique-A-jour enamel Viking long boat, Marius Hammer (1847-1927), Bergen, circa 1900, a salt dish modelled in the Dragenstil style, vibrant polychrome enamel with floral motif and scroll metal work, impressed 930s and markers mark to base, 15 cm at widest point
***
***
***
Stuart Devlin (1931 Australia-), a cased gilt silver Surprise egg, exterior dome designed with striped abstract motif, hinged and opening to reveal a gilt turtle figurine, enamelled sea flower decoration on enamelled yellow like ground, hallmarks for London, maker's mark 'Sd', numbered 252, 7 cm high
***
***
***
Stuart Devlin (Australia 1931-), a cased gilt silver Surprise egg, exterior dome designed with abstract motif, hinged and opening to reveal a gilt bird figurines, enamelled and gilt tree branches decoration on gilt ground (small hairlines) hallmarks for London, maker's mark 'Sd' on the bottom and the top, numbered 153, 7 cm high
***
***
***
Stuart Devlin (Australia 1931-), a gilt silver Surprise egg, gilt exterior dome, hinged and opening to reveal a gilt and painted fantasy figurine sitting on a gilt and silvered mushroom, enamelled flower decoration on gilt and painted leaf moulded ground, hallmarks for London, maker's mark 'Sd', numbered 88, 7 cm high
***
***
***
An associated four piece English sterling silver tea service, including a similar spirit kettle on stand, comprising a tea pot, twin-handled sugar bowl, cream jug, and a kettle on stand with burner, George III style elegant oval oblong shaped, teapot and kettle with a swan neck spout, wooden handle and finial, tea set hallmarked as Mappin & Webb, London, the kettle hallmarked as the Goldsmiths & Silversmiths Co Ltd., approx. Total weight 2286 grs, the tallest 29 cm high
***
***
***
A Rene Lalique sepia painted Flausa scent bottle and stopper for Roger Gallet, a clear and frosted glass depicting an orange patinated crouching female figure motif, bottle moulded Roger & Gallet, stopper moulded Lalique, (chip to stopper), 11.5 cm high
***
***
***
A Rene Lalique frosted glass figure Leda and the swan, after the classical myth depicting a kneeling nude female with swan, etched 'Lalique France' to base, carries its original Lalique paper label, 11.5 cm high
***
***
***
***
***
***
***
***
***
***
***
***
A 19th century millefiori inkwell paperweight, possibly Stourbridge, the base and the mushroom shaped stopper decorated with concentric bands of colourful millefiori canes, (stopper slightly scratched), 10 cm high
***
***
***
***
***
***
A pair of 19th century engraved glasses 'the Battle' & 'the death, the ovoid large bowl engraved with initialled foliate cartouches, fruiting vine leaf motifs and bird scenes, on plain stem and folded foot, 17.8 cm high
***
***
***
***
***
***
***
***
***
A collection of eight etched dwarf ale glasses C 1800, comprising eight slightly different dwarf ale glasses, featuring funnel or trumpet bowl etched with wheat and vine leaf or hop and barley motifs, some with knopped stem, folded foot, the tallest 15.2 cm high
***
***
***
***
***
***
***
***
***
Five 19th century wine or cordial glasses, comprising five slightly different glasses, plain drawn trumpet bowl, raised on plain stem and fluted or plain foot, four with air bubble stem, (one with chips) the tallest 18.2 cm high
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
A collection of six 18th century and later dwarf ale glasses, comprising six slightly different dwarf ale glasses, the bucket or trumpet shaped bowls etched with various motifs, stylised vine leaf and wheat motifs or hops and barley, plain or knopped stems, (minor chips), the tallest 11 cm high
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
Two etched floral decorated glasses, comprising one glass with trumpet bowl engraved with a band of fruiting vine leaf and a central flower motif, tear drop stem (air control bubble), one glass with drawn trumpet bowl engraved stylised floral and foliate motifs, panel moulded stem, the tallest 15.7 cm high
***
***
***
A Moorcroft flambe Eventide Compressed vase, circa 1929, baluster with a continuous pattern of trees in a landscape, red and burnt orange ground impressed factory marks painted signature, to base, 13 cm high, slight crack to rim
***
***
***
***
***
***
A Moorcroft Queens Choice pattern vase, designed by Rachael Bishop, copyright 2000, impressed marks and painted monograms to base, 26 cm high
***
***
***
***
***
***
A Florian Ware vase, tulip design, William Moorcroft (1872-1945), circa 1900-1902, designed by William Moorcroft for MacIntyre, 30 cm high. Reference: illustrated in Moorcroft by Paul Atterbury, page 43
***
***
***
A limited edition Moorcroft 'Tree bark Thief' design vase, designed by Rachael Bishop, limited edition no. 84 of 250, accompanied by certificate signed by William John Moorcroft, 37 cm high. Reference: illustrated in Moorocroft: the phoenix Years by Fraser Street, page 141
***
***
***
A 19th century Majolica Stork flower stand, Joseph Holdcroft, modelled as a stork perched on one leg with an eel in beak, impressed J. Holdcroft to base, (occasional chips), 82 cm high. Reference: illustrated in Majolica: a complete history and illustrated survey, Harry Abrams inc., page103
***
***
***
A pair of Sevres style porcelain and gilt metal bird formed lamps, the gilt stem decorated with applied floral and leaf motifs and hand painted impressive blue porcelain birds, mounted on a gilt metal pierced, scrolling base, each marked to porcelain base, total height 58 cm
***
***
***
A 19th century pair of Sevres style porcelain side plates, decorated with hand painted and gilt ornaments, painted blue mark on glaze at the bottom as R Sevres, 24 cm diameter
***
***
***
A 19th century Sevres style porcelain cup and saucer, enriched with hand painted and gilt decoration, gilt scroll handle, painted blue mark on glaze at the bottom as R Sevres, 7.5 cm high, 13.5 cm diameter
***
***
***
A 19th century Sevres style porcelain cabinet plate, hand painted to the centre with a French romantic scene on blue ground, the border decorated with floral cartouches, impressed model no. At the back, 30.5 cm diameter
***
***
***
A pair of 19th century Sevres style gilt metal mounted porcelain vases and a similar lidded vase, each depicting French romantic scenes, landscapes and putto within gilt floral cartouches on a bleu celeste ground, each gilt metal rococo style scroll twin-handled, the small vase with a glass insert (chipped) and the lid decorated with a bust of lady finial, the tallest 30.5 cm high
***
***
***
A gilt metal mounted porcelain Jewell casket, hand painted porcelain insets with enriched floral and gilded ornaments on blue ground, mounted gilt metal gadrooned, scalloped rims, with a flower basket within a C-scroll and floral cartouche shaped finial on the top, blue silk interior, standing on four knobbed leg, 15 cm high
***
***
***
A 19th century Sevres style three piece porcelain garniture, comprising a lidded sucrier and a pair of ewers, each painted with court scenes and gilt ornaments on a green ground, featuring gilt stylized faunal decorated handles and mask shaped spouts, finial, painted red mark on glaze as M re imp le de Sevres, the tallest 16 cm high
***
***
***
An early 19th century Sevres style porcelain Sucrier and saucer, richly decorated with floral, foliate, gilded ornaments and cobalt blue borders, sucrier cover has a gilt floral motif finial, painted blue mark on glaze at the bottom as Sevres R.F.P, the sucrier 13 cm high, the saucer 15.5 cm diameter
***
***
***
***
***
***
A Bernardaud Limoges 'Artois rose' porcelain dinner service, comprising twenty dinner plates, twenty entree plates, twenty soup bowls, twenty dessert bowls, twenty bread plates, twenty cake plates, twenty tea cups and saucers, two graduated oval platters, a circular tray, sugar pot with lid, two graduated oval tureens and two sauce boats with integral stands. (168 pieces)
***
***
***
A pair of spelter architectural Personifications of the Seasons, each standing figure wearing classical robes, one modelled as a woman holding a net filled with fish, the other depicting a woman holding a bunch of grapes, raised on a rectangular base, together with a painted wooden plinth, each figure, 170 cm high, the plinth, 66. 5 x 40 x 56. 5 cm.
***
***
***
A 19th century Louis XVI style cut brass inlaid and ebonised side cabinet, with a single glazed door, the whole with gilt metal mounts and foliate brass inlay
***
***
***
***
***
***
***
***
***
A late 19th century mahogany pedestal library desk, the leather inset top with four hinged lift-up sections, each pedestal with three drawers to either side and a plinth base, 144 x 83 x 150 cm
***
***
***
***
***
***
A collection of 18th and early 19th century pewter vessels and chargers, comprising a Victorian pumpkin shaped teapot, inscribed HM, R. Broadhead & Co., a French lidded vase, marked Etain fin Garanti, (loss to bottom rim), a larger tankard, marked Crown V.R. (Victoria Regina), labelled by the British antique Dealers Association, a small tankard marked James Yates, a small platter marked Allen bright, a large charger marked John Trapp, the tallest vessel 21.5 cm high, the largest platter 52 cm diameter
***
***
***
***
***
***
A rare Dutch ivory inlaid walnut chair, circa 1740, the central back splat inlaid with an ivory portrait of Willem III, the seat rail inlaid with butterflies and sinuous vines, 99 cm high, 54 cm wide, 48 cm deep
***
***
***
A Louis XV style walnut framed two seat settee, with a shaped crest rail, above a green velvet upholstered buttoned back, arms and two fitted seat cushions, cabriole supports, 141 cm wide
***
***
***
A French provincial style oak secretaire commode, circa 1890, with a shaped rectangular top, above a secretaire drawer enclosing a fitted interior, a further two drawers below, cabriole supports, 110 x 95 x 51 cm
***
***
***
***
***
***
An Italian Renaissance style oak pedestal desk, with a rectangular leather inset top, above three frieze drawers to either side, each pedestal with a single carved panelled door to each side, carved with hunting trophies, mask heads and leaf tip borders, 171 x 74.5 x 113 cm
***
***
***
An early 20th century glazed display case, with a glazed top, sides and a bowed front, a single glazed door to the reverse, within hardwood surrounds, three glass shelves,scroll supports, 72.5 x 183.5 x 58.5 cm
***
***
***
***
***
***
A harlequin set of sixteen Victorian mahogany balloon back dining chairs, each with an arched crest rail, above a horizontal splat and fitted seats upholstered in red floral cloth, turned legs
***
***
***
A large fine quality 19th century Australian cedar extension dining table, rounded rectangular, above turned supports on brass castors, seven leaves, 410 x 75.5 x 120 cm
***
***
***
An Asethetic movement oak framed leadlight four panel screen, circa 1890, each panel inset to the upper section with astragal leadlight glazing and a central figural scene, above a solid panelled lower section, 182 x 168 cm
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
A Louis XVI style parquetry inlaid armoire, with two mirrored doors, with an arched pediment, above two mirrored doors
***
***