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Auction House:Mossgreen Auctions (No longer trading)Number of lots recorded:591
Sale Title:The Ray Mitchell and Julian Sterling CollectionsLots with images:524
Auction Location:MelbournePrices available:546
Date:26-Feb-2007
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A wood netsuke of a recumbent ox wearing a halter, the rope over its back and a ring through its nose, signed Masasada, 18th century. Provenance: Barry Davies Oriental Art, Netsuke From the Teddy Hahn Collection, 1996, cat no 81, p 62
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A wood netsuke of two seated puppies facing in opposing direction, ebony inlaid eyes, very good patina, signed Masatoshi, Nagoya school, 18th century
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An ivory netsuke of a wicker-work bird cage, signed Kagetoshi, Kyoto school, mid-19th century, standing on four legs, tied with tassles, opening to reveal a cock and with three chicks. Provenance: Barry Davies Oriental Art, Netsuke Through Three Centuries, 1996, No 104
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An ivory netsuke of a rat on a pod, the eyes inlaid in dark horn, the fur finely detailed, signed Masatami (Shomin, 1854-1928), Nagoya, late 19th century
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An ivory netsuke of a rat on two bean pods, the eyes inlaid in light horn, signed Ranseki, Kyoto School, mid-19th century
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An ivory netsuke of a shi-shi mask, with double-inlaid horn eyes, hinged jaw, signed Tomotoda, 19th century
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A stag antler netsuke of a crab in the bottom of a bowl with a gourd-shaped handle on the top, good dark patina, signed Rensai, Asakusa School, mid-19th century. Provenance: Barry Davies Oriental Art, Netsuke From the Teddy Hahn Collection, 1996, cat no 166, p 115
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An ivory netsuke of a partly opened clam shell, the interior scene depicting mountains and pine trees, signed Kagetoshi on an inlaid dark horn tablet, Kyoto school, mid-19th century. Provenance: Barry Davies, Chicago 1999, cat No 102
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A stag antler obi-hasami netsuke of Ashenaga, possibly Asakusa school, early-mid 19th century, holding his arms to his chest to form a recess for the obi and the himotoshi, unsigned, well patinated, 12.5 cm
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A dark wood seal netsuke of three monkeys holding up a large monkey, signed Miwa, late 18th century, square base with four character seal, highly polished
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A large stained boxwood netsuke of a sumo wrestler with a fierce expression, balancing on one foot, unsigned, mid-18th century, 8.7 cm. Provenance: Barry Davies, The Robert S. Huthart Collection of Non-Iwami Netsuke, 1998, cat no 18
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A well patinated wood netsuke of an old seated man grimacing in pain as he applies moxa (coral inlaid) to his knee, signed Anrakui, mid-19th century. Literature: see Barry Davies, Chicago 1999, cat no. 113 for a similar netsuke
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A stained boxwood netsuke of Okame and an octopus (eyes inlaid) in an embrace, signed Shugetsu, Edo School, mid-late 18th century, 5.7 cm. Provenance: Barry Davies Oriental Art, Netsuke From the Teddy Hahn Collection, 1996, cat no 54, p 44
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A very fine animated ivory and wood netsuke of a Sambaso dancer, signed in red ink, Kaigyokusai,Masatsugu, Osaka school, late 19th century, holding a fan in one hand, a cluster of bells in the other, the tassles from his peaked hat flying across his body, wearing a mask of dark wood with ivory inlays, his costume very finely detailed, 5.1 cm
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A fine and well patinated ivory netsuke of an eagle gripping a terrified monkey in its talons, signed Kaigyoku Masatsugu, Osaka school, mid-19th century, the eagle's eyes inlaid in dark horn, the eye of the monkey with light horn, 4.5 cm
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A very fine ivory netsuke of a goat, signed Masanao in an oval reserve, 18th century, seated with one leg raised, scratching his eye, long shaggy coat and beard, the eyes inlaid in dark horn, 4.5 cm. Literature: see Barry Davies, The Robert S. Huthart Collection of Non-Iwami Netsuke, 1998, cat No. 95 for another ivory goat signed Masanao
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A fine patinated ivory netsuke of a thwarted rat catcher crouching over an empty box, Masaka, born 1868, Osaka, late 19th century, a large club in one hand and a rat climbing on his back, dark horn inlaid eyes, 5.7 cm. Literature: see: Joe Earle, an Introduction to netsuke, (in the Victoria and Albert Museum), No. 46 for a similar example
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An exceptional white ivory study of six rats crawling over and inside Daikoku's mallet,signed Masaka, one having gnawed its way into the mallet, the mallet having simulated wood grain, the rats eyes inlaid in dark horn, 6.3 cm
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A glazed porcelain netsuke of a seated Daruma, probably Hirado, two more porcelain netsuke, two painted wood netsuke and two wood netsuke, 19th century
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A stained ivory netsuke of fish and nuts, inlaid eyes, signed Gyokuhosai, late 19th century and six other ivory netsuke, 19th century
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A fine and large ivory netsuke of a Sennin, with a coiled dragon, holding a sack, unsigned, early 19th century
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A black lacquered persimmon wood netsuke of a shi-shi, silver clasp, three lacquered netsuke and two wood netsuke, 19th century
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A stained ivory netsuke of a biwa fruit, 19th century; a wood netsuke of a dragon in a tangerine, signed Shunga, circa 1850; a wood netsuke of a chestnut, signed Minko, circa 1800, two other wood netsuke
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A wood netsuke of Benkei carrying the bell of Midera, signed Sanko, Osaka school, circa 1810. Provenance: Barry Davies, 'The Robert S. Huthert collection of Non Iwami netsuke', p 256, no.193
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An inlaid Katabori walnut netsuke of a warrior slaying a dragon, inlays of stained ivory, coral, ebony, shibuichi and gilt, signed Seimin, Edo School, mid-19th century. Provenance: Barry Davies Oriental Art, Netsuke From the Teddy Hahn Collection, 1996, cat No 155
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A good articulated wood netsuke of a Samboso dancer wearing a tall ebony hat and a mask, his mask and feet in ivory, moving tongue, 19th century
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An ivory netsuke depicting a monkey seated on a withered pine stump, holding a peach in one hand, unsigned, early 19th century
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A stag antler netsuke of a rat on an awabi shell, inlaid ebony eyes, unsigned, 19th century. Provenance: The S. Wohlthat collection
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A wood and ivory netsuke of a peach, opening to reveal the Sennin Seiobo amongst rockwork and peonies, signed Kagetoshi, Kyoto school, mid-19th century. Provenance: Barry Davies, Chicago 1999, cat no 104
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An ebony netsuke of two monkeys wrestling on a rectangular base, in a sumo hold, unsigned, late 18th/early 19th century. Provenance: Charles A. Greenfield Collection
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An ivory netsuke of five frogs on a lotus leaf, signed Seimin, circa 1860. Literature: see Barry Davies, netsuke from the Teddy Hahn collection, 1996, cat no 111, for another example of the artists work, Davies writes, Seimen is a rare and skilful artist who specialised in walnut carvings and groups of frogs
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