| *** | Peter Lely (Atrrib.) (1618-1680) portrait of Miss Margaret Waller, circa 1660 oil on canvas bears inscribed label verso: Marg Daugtr of Sr William Waller and Sister to Ann, Wife to Sr Philip Harcourt knight 125 x 99 cm. Other Notes: printed label verso:… | *** |  |
| *** | Jan Hendrik Scheltema (1861-1941), Droving cattle in the morning light, oil on canvas, signed lower right: J H Scheltema, 52 x 75 cm | *** | N/A |
| *** | The Most Infamous Moment in Naval History: Bligh Cast Adrift, (Bligh) Dodd, Robert., The Mutineers turning Lieutenant Bligh and part of the Officers and Crew adrift from His Majesty's Ship the Bounty, (London, B.B. Evans, 1790.), coloured aquatint… | *** |  |
| *** | A portrait of a Sufi holy man, Mughal, late19th century finely painted in gouache on paper, green, red and white outer borders the painting 26.5 x 16.5 cm, the sheet 33 x 22 cm | *** |  |
| *** | Circle of Pieter Muilier (Dutch, 17th century), figures in a classical wooded landscape, oil on canvas, 76 x 99.5 cm. Provenance: Mossgreen, a private Toorak collection of international Art and Antiques, Melbourne, September 2011, lot 118 | *** |  |
| *** | Carl Brasch (German, (1825-1886), portrait of a gentleman, oil on canvas, signed centre left: C Brasch, 32 x 23 cm | *** |  |
| *** | European School, Portrait of a Young Lady, oil on canvas, 75 x 62.5 cm | *** |  |
| *** | Dutch school (19th century) still life of flowers oil on canvas signed lower left: A.M 104 x 78 cm | *** |  |
| *** | A collection of ten engravings, lithographs, various maps and Cook's Voyage plates, the largest 68 x 57 cm | *** |  |
| *** | After John Linnell, portrait miniature of Helen Rose O'Connell with cockatiel, gouache and watercolour on ivory, 11.5 x 9 cm | *** |  |
| *** | English school, Durham ox, oil on board, signed with initials lower left: T T, 23.5 x 34 cm | *** |  |
| *** | After William Hogarth, 'The Idle Prentice' series, a collection of eleven engravings, published London 1747, each with printed text on margin, each 26.5 x 33.5 cm | *** |  |
| *** | Spanish Colonial school (19th century) Saint Isidore the farmer oil on canvas 76.5 x 57.5 note Saint Isidore, Catholic patron saint of farmers and of Madrid, and of La Ceiba, Honduras | *** |  |
| *** | Val Wenzel (working 1990's) Albarello Maiolica 1539, with Yabby, 1997 oil on board signed and dated lower right: Wenzel '97 49.5 x 59.5 cm Provenance: Libby Edwards Galleries, Melbourne | *** |  |
| *** | John Olsen (born 1928), frog Spawn 2011, screenprint, signed, dated, titled and editioned on margin: John Olsen 011 frog Spawn 100/200, 50 x 41 cm, Provenacnce, acquired from the age in 2013 | *** |  |
| *** | Artist unknown portrait of Vladimir Lenin oil on canvas 271 x 143 cm | *** |  |
| *** | Japanese Maples, by Padma, the two silvered silk ground panels painted in colours with pendant branches of autumn maple leaves, signed and with one seal, framed, 145 cm x 98 cm overall. Provenance: Qdos Arts, Lorne Victoria, 3 March 2004 | *** |  |
| *** | A collection of forty six Victorian steel engravings, depicting scenes of London, the largest 25.5 x 19 cm | *** |  |
| *** | German school 18/19th century, Prince George Karl von Thurn und Taxis (1792-1795), pastel, inscribed verso: Tt mark surmounted with a crown, Schloss St Emmeram cloth inventory label St E 13879, 34 x 28 cm. Provenance: Sotheby's; Thurn und taxi auction,… | *** |  |
| *** | French school, 19th century, Vases of Flowers, two works, both floral arrangements in vases upon consoles, painted in gouache and gilt, and housed in ornate gilded frames, handwritten labels to each 'Vase of flowers' by Le Fevre, Paris, verso, 32 x 26.5… | *** |  |
| *** | A large Cluny silk screen tapestry 'Depart Pour le Chasse', 20th century, after the 16th century original in the Cluny Museum in Paris, 205 x 245 cm | *** |  |
| *** | Beata Jankowska (Polish, 1968-2016) untitled oil on canvas 244 x 77 cm | *** |  |
| *** | Anthony a. Prout (born 1946) market, Rouen and Rouen Cathedral steps two watercolours each signed lower right: a a prout 64 x 48 cm and 64 x 49 cm | *** |  |
| *** | E. Streichler (German active 1900) Farmhouses and farmhouse with well (untitled) oil on canvas (2) each signed lower right: Streickler 49 x 63 cm each | *** |  |
| *** | Two untitled (Lanscapes with Haystacks)A William Scott Myles (ACT. 1850 - 1911) untitled (landscapes with Haystacks) a pair oil on canvas one signed lower left and the other lower right: W. S. Myles 28.5 x 44 cm (each) | *** |  |
| *** | Attributed to Charles Conder, the Conversation, pencil and wash on paper, 11.5 x 19 cm. Provenance: The Dr George and Mrs Ann Geroe collection, Castlemaine | *** |  |
| *** | A set of four hand coloured prints of hunting scenes after the originals by J F Herring, late 19th century 39 x 67 cm | *** |  |
| *** | George Hardy (1822 - 1909) cottage interior (untitled) 18 x 25 cm | *** |  |
| *** | Two oleograph portraits of a gentleman and a lady, English school, half portraits in the early 19th century manner of Mr John England and Mrs John England, housed in matching giltwood frames, 34 cm x 28 cm, 45 cm x37 cm (with frame) | *** |  |
| *** | After Elisabeth Le Brun, portrait, oil on canvas, 22 x 17.5 cm | *** |  |
| *** | Henri Matisse (1869-1954) Femme, 1927 lithograph reduced frum Nu assis dans un fauteuil au decor fleuri printed by Marcel Seheur, published L'Art et La Vie by Jacques Guenne, 1927 (cat Oeuvre gr. Ill. No. 44) 16 x 11 cm (plate size) | *** |  |
| *** | Flemish school, classical still life, oil on canvas, 71.5 x 52 cm | *** |  |
| *** | John Everett Millais, Ravens at Glamis castle 1887, engraving, signed with monogram and dated in plate, published Thomas McLean, London, 1889, 52.5 x 45 cm | *** |  |
| *** | A pair of classical Roman figural studies, oil on canvas, 35 x 100 cm (each) | *** |  |
| *** | Noel Teasdale (born 1941) mechanical village oil on canvas signed lower right: Teasdale 86 x 117 cm | *** |  |
| *** | Kenneth Rowell (1920-1999) Theatre study 1945 gouache signed and dated lower right:Rowell 45 27.5 x 37 cm | *** |  |
| *** | Beata Jankowska (Polish, 1968-2016) untitled 2002 oil on canvas signed and dated verso: Beata Jankowska 2002 254 x 103.5 cm | *** |  |
| *** | European school, harbour Inlet, oil on canvas, signed but illegible lower right, 66 x 95 cm | *** |  |
| *** | Elsie Margaret stones (born 1920) Escallonia Rubra, various Macrantha (crimson Spire) watercolour signed lower right: E. Margaret stones 27 x 20 cm | *** |  |
| *** | C H Percival (1891-1940), the prodigal Son, watercolour and wash, signed upper right C H Percival, 41 x 25 cm | *** |  |
| *** | Scottish school, the young soldier, colour engraving, 57.5 x 47 cm | *** |  |
| *** | Nugent Welsh (New Zealand 1881 - 1970) coastal scene (untitled) watercolour signed lower left: N. Welsh 24 x 35 cm | *** |  |
| *** | A reverse glass painting of a soldier, 19th century, 73 x 46 cm | *** |  |
| *** | Ken Gailer (born 1958) Eclectic Meditations no. 2 2002 oil on canvas signed and dated lower right: Gailer 02 91 x 84 cm | *** |  |
| *** | After Joseph Walter Bristol, the magnificent steam ship the great Western, colour engraving, engraved by Rg & Aw Reeve, London, printed text on margin, housed within a birds eye maple frame, 46.5 x 69.5 cm (image size), 79 x 97 cm (framed) | *** |  |
| *** | Ken Gailer (born 1958) the story of painting, 2001 oil on board signed and dated lower left: Gailer titled and dated verso 36 x 73 cm | *** |  |
| *** | A collection of three pelagic colour engravings, each with printed text in image, 25 x 17.5 cm (image size, each), 43.5 x 35 cm (frame size, each) | *** |  |
| *** | Currier & Ives, Four-In-Hand, colour lithograph, published by Currier & Ives, New York, 44.5 x 70.5 cm | *** |  |
| *** | Gloria Muddle, south West Pygmy Possums, watercolour and gouache, signed lower left: Gloria Muddle, 55 x 75 cm | *** |  |
| *** | After Pancrace Bessa, Quince, a pair of coloured engravings, printed text in image, 53.5 x 37 cm (each). Provenance: Joshua McClelland print room, Melbourne | *** |  |
| *** | After Henry Winkles, Melbourne from the botanical gardens, engraving, with printed text on margin, 12 x 18 cm | *** |  |
| *** | Ken Gailer (born 1958) Eclectic Meditations, 2002 oil on canvas signed and dated lower right: Gailer 02 87 x 79 cm | *** |  |
| *** | Andre Lanskoy (1902-1976) untitled (abstract) screen print signed lower right: Lanskoy and editioned lower left: 68/125 87 x 71 cm | *** |  |
| *** | Cedric Savage (1901 - 1969) Tenements of Villafranca watercolour signed: C. Savage and titled verso 60 x 50.5 cm | *** |  |
| *** | 'Album of the Paris Exhibition 1889 published by Allen & Ginter, Richmond, Virginia' superb colour lithographic publication by the tobacco company usually associated with cigarette cards; also, colour lithographic advertising cards (16), a small… | *** |  |
| *** | British School, Village by a Stream 1928, watercolour, signed but illegible and dated lower left, 23.5 x 35.5 cm | *** |  |
| *** | Geoffrey Ingleton, True Patriots All, published by Angus & Robertson, Limited Edition 16/150, with three original etchings | *** |  |
| *** | AFTER TAMARA DE LEMPICKA Two Models oil on canvas 90 x 60 cm | *** |  |
| *** | AFTER TAMARA DE LEMPICKA The Black Coat oil on canvas 90 x 60 cm | *** |  |
| *** | AFTER TAMARA DE LEMPICKA The Model oil on canvas 90 x 60 cm | *** |  |
| *** | AFTER TAMARA DE LEMPICKA Two Models oil on canvas 59.5 x 49.5 cm | *** |  |
| *** | New South Wales Exhibition Sydney, 1879 engraving on linen with printed text 60 x 58.5 cm | *** |  |
| *** | John Matthew Moore, shells, two giclee prints, each signed and editioned lower right and left: John Matthew Moore 28/295 (both), 48 x 40.5 cm (each) | *** |  |
| *** | The Eiffel Tower and Paris bird's-eye view lithograph Vue Generale de L'Exposition Universelle de Paris 1889' by Servando. 46 x 71 cm. | *** |  |
| *** | The Result of Uncensored Thoughtlessness, colour poster, Mobile Map Printing & Printing Coy, illustrated by Montgomery 1940, 53.5 x 33.5 cm | *** |  |
| *** | A set of three monochrome etchings depicting the busts of Ercole, Vibio Volusiano and Busto Incognito 40 x 29 cm. Provenance: 'The contents of Dysart House', Mossgreen, Melbourne, October 2011, lot 406 | *** |  |
| *** | Edward Warner (1879-1968), West Front, St. Mary's Cathedral 1928, Approaching Storm and Checking the Cart, three etchings, 1. signed, dated, titled and editioned on margin: 112/150, 28 x 23.5 cm, 2. signed, titled and editioned on margin 42/100, 17.5 x 23… | *** |  |
| *** | Carte Des Costes de France Et D'Espagne, Par N Bellin Ingenieur de la marine, colour engraving, 22.5 x 28 cm | *** |  |
| *** | After W J Huggins, the Samuel Enderby, of 422 Tonnes William Isle, Commander, engraving, printed text on margin, published London 1835, 35 x 50 cm | *** |  |
| *** | A colour lithograph of Australische fauna, 20.5 x 25.5 cm | *** |  |
| *** | After W. H. Davis & H. Strafford, Leicester ram and Primrose at 5 Years old, engraving and lithograph, published circa 1840, each with printed text on margin, 12 x 19 cm (each) | *** |  |
| *** | Ken Gailer (born 1958) Rembrandt, Oranges, and two Limes, 2001 oil on board signed and dated lower left: Gailer 2001 titled verso 72 x 82 cm | *** |  |
| *** | Jean Carson gray (1927-2012) flower burst, 1989 oil on canvas signed and dated lower right: Jean Carson gray 89 81 x 71 cm | *** |  |
| *** | Jacques Thevenet (French, 1891-1989) harbour at low Tide, Brittany watercolour and gouache signed illegibly lower left 42 x 57 cm | *** |  |
| *** | Christmas in Australia, colour engraving, engraved by Fred Grosse, printed by Blundell & Ford, 31 x 43.5 cm | *** |  |
| *** | A framed engraving by Arno Durand, 19th century, of a Roman festivae, ink on paper, 24.5 x 25 cm | *** |  |
| *** | An engraving of Pendell court, Bletchingley, the residence of Sir George Macleay K.C.M.G. By Maclure & MacDonald Lithographers London scripted verso: home of Sir George & lady Macleay, printed label verso: Pendell court belonged to Sir George Macleay. On… | *** |  |
| *** | Edward Warner (1879-1968), Cart and Horse, The Wollowdilly Valley and Approaching Storm, three etchings, 1. signed and editioned on margin: 22/50, 18.5 x 23.5 cm, 2. signed, titled and editioned on margin: 24/100, 17 x 24 cm, 3. signed, titled and… | *** |  |
| *** | After J. H. Clark, boats approaching a whale, a whale Brought Alongside a ship, shooting the harpoon at a whale, three colour engravings, with printed text on margin, engraved M Durbouge, published 1813 Edward Orme, London, 13.5 x 18 cm (each) | *** |  |
| *** | Jean Cotte (1931) untitled (abstract) 1965 signed and dated lower left: J Cotte 65 oil on canvas 96 x 130 cm | *** |  |
| *** | John Skinner prout (1805 - 1876) the house in Newport watercolour | *** |  |
| *** | Alexander Bejean, French Villa, acrylic on board, signed lower left: Bejean, 50 x 71.5 cm | *** |  |
| *** | French school (19th century) red and green Perroquet, circa 1845 watercolour 12.5 x 16 cm | *** |  |
| *** | Daryl Carnahan, the dance 1998, linocut, signed, dated and inscribed on margin: Daryl Carnahan 1998 proof, 111 x 87.5 cm (image size) | *** |  |
| *** | Airlines of Australia Limited, Winged Messengers of Commerce and Industry, colour lithograph (advertising poster), produced Charles Smith Co., Sydney, 48.5 x 37.5 cm | *** |  |
| *** | Celia Rosser (born 1930), botanical study, lithograph, signed with printed text in image, 59 x 35 cm | *** |  |
| *** | Van Diemen's Island or Tasmania, John Tallis Co, London & New York, colour engraving, The Illustrations by H. Warren & Engraved by J. Rogers, 35.5 x 25.5 cm image size | *** |  |
| *** | William Daniell, Liverpool Taken from the Opposite Side of the River, colour engraving, published by Longman & Co, London 1815, with printed text on margin, 16 x 23.5 cm | *** |  |
| *** | Normana Wight (born 1936) four lithographs and a print framed as one the largest 16 x 12 cm | *** |  |
| *** | J P Redoute 1790, Banksia Nivea, colour engraving, atlas du voyage a la recherce de la Perouse, plate 24, 42.5 x 27 cm | *** |  |
| *** | Pates Baroni, colour lithograph poster, 75 x 55 cm | *** |  |
| *** | Edward Warner (1879-1968), Circular Quay West, Hauling Wool and The Homestead, three etchings, 1. signed, titled and editioned on margin:19/75, 14.5 x 22 cm, 2. signed on margin, 11.5 x 23 cm, 3. signed on margin, 11.5 x 23 cm | *** |  |
| *** | Geological Survey of Victoria, colour engraving, printed in colours from Stone at the Crown Lands Office Melbourne, 38.5 x 51.5 cm | *** |  |
| *** | Edward Warner (1879-1968), Bonnie Yvonne and M.L.C, two etchings, 1. signed and titled in plate, 21 x 24 cm, 2. signed and titled on margin, 15 x 10 cm | *** |  |
| *** | C Hick, rocky outcrop, oil on board, signed lower right: C Hick, 37 x 34.5 cm | *** |  |
| *** | After S T Gill, The Melbourne Club, The University Of Melbourne, The Wilson Hall - University of Melbourne, three engravings, published Sands & Kenny, Melbourne and Sydney 1857, 16.5 x 25.5 cm (average, each) | *** |  |
