| *** | Gould, John. The birds of Asia. London, The author, 1850-83. Seven volumes large folio, with 530 fine hand-coloured lithographed plates by Gould, H. C. Richter, William Hart and Joseph Wolf, contemporary dark green morocco, sides with wide gilt borders,… | *** |  |
| *** | Andy Warhol Mick Jagger, 1975 one plate (F. & S. II.147) colour screen print on Arches Aquarelle signed in pencil by the artist and in felt-tip pen by Mick Jagger numbered 136/250 published by Seabird Editions, London, ink stamp to verso 110.5 x 73.3 cm | *** |  |
| *** | A hand coloured engraving, 'South West View of Sydney in New South Wales', published 1st January 1814 by James Whittle & Richard Holmes, Laurie No. 53 Fleet Street London, 42 x 28 cm | *** |  |
| *** | Baron Ferd. Von Mueller portrait lithograph in an impressive Australian native timber frame by A. Schramm, cabinet maker, 60 Westgarth Street Fitzroy. Frame size 76 x 90 cm | *** |  |
| *** | John James Audubon (American, 1785-1851), 'Mallard Egret', chromolithograph by J Bien, visible paper size, 63 cm high, 91 cm wide. Provenance: The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 64 | *** |  |
| *** | William Huggins (1781-1845), Swan River 50 Miles up, The view represents the Bivouac of Capt. Stirling In their exploring Party March, 1827, from an original drawing in possession of F.R. Clause, Esqr. Surgeon, R.N. to whom this Engraving Is dedicated by… | *** |  |
| *** | John James Audubon (American, 1785-1851), 'Mallard Duck', chromolithograph by J Bien, visible paper size, 63 cm high, 94 cm wide. Provenance: The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 33 | *** |  |
| *** | Sepia print Print Smart, Jeffrey 19 x 80 cm No 77/90 | *** |  |
| *** | W J Lowry, View of Melbourne, Port Phillip, dedicated by permission to the honourable Governor La Trobe, engraving. 17 x 50.5 cm | *** |  |
| *** | A set of 4 decorated portrait etchings in matching set of huon pine frames, circa 1850, Frames 38 x 33 cm each | *** |  |
| *** | Monochrome etching, Williams, Fred 29 x 40 cm @ No. 26/30 | *** |  |
| *** | A set of 18 mezzotints by John Faber after G. Kneller of members of the Kit-Kat Club, circa 1735, 34 x 25 cm, together with another engraving | *** |  |
| *** | 'Resurrection tree' screen print with gold leaf, signed, titled, and dated '78, John Coburn' and numbered '24/50' in pencil to the margin | *** |  |
| *** | Signed and dated 'Silver Phoenix' silkscreen with silver leaf, by John Coburn, '40/40' in pencil to the margin | *** |  |
| *** | Pen and ink wash portrait of Francesco Rosa pen, by Donald friend, signed, titled and dated '84' to the upper right. Provenance: Australian Galleries 1987 | *** |  |
| *** | Louis Icart, French, circa 1920, four dry point etchings, signed in pencil to margin. Height 46 cm x. Width 36 cm. Provenance: from the Estate of Sir Eugene Gorman and Dr Pierre Gorman | *** |  |
| *** | A set of six coloured prints of exotic birds, 26.5 x 35.5 cm (each). Provenance: Ros Palmer Antiques, Sydney | *** |  |
| *** | Attributed to Catherine Da Costa: Classical Scene, Dec 5, 1723, hand-touched engraving, 39.5 x 49 cm | *** |  |
| *** | Anne Montgomery (1908-1991), A collection of seven drypoint etchings, various scenes and landscapes each signed and some dated, together with a photograph of Anne Montgomery in her studio, the largest etching 25 x 19 cm | *** |  |
| *** | A hand with the Etruscans, artist signed etching, by John Brack 67 x 49 cm | *** |  |
| *** | 'Three Panoramic Views of Port Jackson, in New South Wales, with the town of Sydney, and the adjacent scenery. Engraved by R. Havell & Son, After original drawings by Major Taylor between 1817 & 1822', limited edition 64/100, three plates from the… | *** |  |
| *** | Alphonse Mucha (Czech 1860-1939), Art Nouveau Ladies, pair of lithographs on silk, framed, 73 x 32.5 cm, one dated 1900 | *** |  |
| *** | Norman Lindsay (1879-1969), Castle Fanfrolico No.14 etching, pencil signature & title lower margin, c1927. 40 x 25 cm | *** |  |
| *** | Landscape, artist signed etching by Fred Williams, 23 x 17 cm | *** |  |
| *** | After Raphael Sanzio d'Urbino (1483-1520), Ludovico Teseo (intermediate draftsman), Giovanni Volpato (1740-1803) (engraver). A pair of pilaster frescoes, from the Loggia of Raphael in the Vatican, Rome: 1775-76, hand coloured engravings, 110 x 49 cm,… | *** |  |
| *** | View of Sidney in New South Wales, handcoloured engraving, published 12th April 1814 by James Whittle and Rich Holmes Laurie, 53 Fleet Street, London, 29 x 43 cm | *** |  |
| *** | ALPHONSE MUCHA (CZECH 1860-1939). Art Nouveau ladies, one dated 1900. Pair of lithographs on silk, framed, 73 x 32.5 cm | *** |  |
| *** | Van Rin Rembrandt, portrait of an old man sitting on chair wearing a high cap 1630, engraving, faux tortoiseshell Dutch style frame 10.5 x 8.5 cm | *** |  |
| *** | After Francesco Panini, Italian Architectural Scenes (6), engraved by Domenico Montagu, 43.5 x 70 cm | *** |  |
| *** | A pair of gilt framed copperplate engravings, fresco designs for the Vatican, after the originals by Raphael Sanzio d'Urbino (1483-1520) published in Rome between 1772 and 1777, engraver John Ottavini (1738-1808), after drawings by Cai Savorelli (fl… | *** |  |
| *** | Samuel Thomas Gill (1818-1880) and Frederick Charles Terry (1827-1869), a bound collection of engravings and lithographs depicting Sydney and its environs, 16 x 18.5 cm (each) | *** |  |
| *** | Cai Savorelli after Pet Camporesi and the sculptor Johann Octavianni, a pair of coloured steel engravings of friezes from the palazzo of Clementi's XIII, 106 cm x 41 cm | *** |  |
| *** | Thomas Ham (1821-1874), Melbourne 1852, Flagstaff, St Francis Church, Post Office, Cathedral, Hospital, Supreme Court, Customs house, Town Hall, collection of eight lithographs, 9.5 x 15.5 cm (each) | *** |  |
| *** | Norman Alfred Williams Lindsay (1879-1969), Death in the Garden, etching, engraving and stipple edition 18/55, signed and dated 1923, 33 x 26.5 cm. Literature: The Complete Etchings of Norman Lindsay, Lyn Bloomfield, Published by Odana Editions, Sydney… | *** |  |
| *** | N M Remnant, etching, Baldessin, George, signed and dated 73, edition 18/25 83 x 54 cm | *** |  |
| *** | An impressive houn pine framed engraving titled 'Royal Cortege in Windsor Park' by R.B. Davis, 19th century, Frame 74 x 99 cm | *** |  |
| *** | A large huon pine framed etching title 'The Play Ground' by T. Webster R.A. mid 19th century, Frame 75 x 119 cm | *** |  |
| *** | Samuel Douglas Smith Huyghue (1815-1891), The Government Camp, Ballarat 1854, Troops Arriving From Melbourne, Engraving (F.W.Niven & Co.), 13 x 20 cm | *** |  |
| *** | Frog screenprint, Nolan, Sidney, signed Nolan, 61/65, 63 x 52 cm | *** |  |
| *** | A set of four 19th century French lithographs of working horses, each 34 x 44 cm | *** |  |
| *** | A huon pine framed engraving titled 'Fetching The Doctor', 19th century, Frame 73 x 83 cm | *** |  |
| *** | New South Wales 1810, pair of coloured lithographs, View of Sydney from the East Side of the Cove & View of Sydney West Side of the Cove, 1884 facsimile of original by John Clark (after John Eyre), published by William Dymock., Framed & glazed 35 x 98 cm… | *** |  |
| *** | Etching silver foil on paper Baldessin, George 110 x 50 cm | *** |  |
| *** | Louis Icart, French, Sheherezarde, drypoint etching, 33.5 cm x 51 cm, signed in pencil to margin | *** |  |
| *** | A set of twelve hand-coloured steel engravings, English, circa 1845, published in London for 'China Illustrated, frame 40.5 x 47 cm | *** |  |
| *** | (Victoria) 'Visit Portland The First Victorian Settlement during the Centenary Celebrations from 15th to 23rd November 1934', Colour lithograph, artwork by 'F. Mellblom' in image lower left, 63.5 x 100.8 cm. Linen-backed. Printed by Arbuckle, Waddell Pty… | *** |  |
| *** | A collection of twenty-four framed steel engravings of the gardens and fountains of Versailles, French, 19th century, 20 x 31 cm | *** |  |
| *** | Lindley, John. A sketch of the vegetation of the Swan River Colony. London, 1840. Octavo, with 9 hand-coloured lithographed plates (some stained), later calf, spine with gilt ornaments. The first separate monograph on Western Australian plants. | *** |  |
| *** | Set of six German hand-coloured botanical copper engravings of palms, circa 1760, 35 cm x 23 cm, each | *** |  |
| *** | An English Merry-Making In Olden Time, 19th century engraving, houn pine frame, Frame 82 x 114 cm | *** |  |
| *** | Cecil John (John) Brack (1920-99), Nude in Profile 1978, lithograph 37/300, signed, titled, dated and inscribed below image, 64.5 x 47.5 cm | *** |  |
| *** | Grand National Cricket Match NSW v. Vict. 1857 coloured lithograph Gill, Samuel Thomas 35 x 48 cm. | *** |  |
| *** | Field Sports of the Native Inhabitants of NSW Clark, John Heaviside 17 x 21.5 cm 12 coloured engravings framed in sets of three, each plate: 17 x 21.5 cm framed as Triptych. Provenance: Private Collection, NSW | *** |  |
| *** | C Kinzl Le Prage, a set of five hand coloured engravings of monkeys, 19 cm x 24 cm | *** |  |
| *** | After George Stubbs (British, 1724-1806), 'A singular Animal called Kangaroo found on the Coast of New Holland', engraving, titled in plate below image, within a huon pine frame, the print 17.5 x 22 cm, the frame 45.5 x 54 cm. Note: This image, which was… | *** |  |
| *** | Blue tinted landscape, etching Rees, Lloyd, signed and dated 78,37/90 24 x 30 cm | *** |  |
| *** | Style of Dana Gibson. Dame Nellie Melba, hand signed etching, dated 1906, inscription to reverse by Pamela Vestey suggesting the signature to be G. Silzur and further details on provenance. 24.5 x 19 cm | *** |  |
| *** | Huon pine framed engraving titled 'The Frown' by T. Webster R.A. 19th century, Frame 52 x 73 cm | *** |  |
| *** | A pair of gilt framed copperplate engravings, fresco designs for the Vatican, after the originals by Raphael Sanzio d'Urbino (1483-1520) published in Rome between 1772 and 1777, engraver John Ottavini (1738-1808), after drawings by Cai Savorelli (fl… | *** |  |
| *** | Herring's Sketches On The Road, No.3 The Royal Mail Coach, coloured engraving, in fine birdseye huon pine frame with gilt slip, maker's label verso 'R.J.Hood Carver, Gilder & Picture Frame, frame size 81 x 100 cm | *** |  |
| *** | M.L Hatchinson, Melbourne in 1838 from the Yarra (with key), colour lithograph, 37 x 33 cm (overall) | *** |  |
| *** | Mythical figure coloured lithograph, Boyd, Arthur 26 x 20 cm | *** |  |
| *** | Three black and white etchings of Hong Kong harbour drawn by Lt L.J Heath,dated 1846, for the Hydrographic office, 34.7 x 96 cm each | *** |  |
| *** | A large huon pine framed etching titled 'Doctor Johnson Rescuing Oliver Goldsmith From His Landlady', Frame 73 x 82 cm | *** |  |
| *** | The Embarkation of the New South WalesTroops for Suakim lithograph 40 x 54 cm coloured lithograph by Gibbs and Shallard painted by C. H. Hunt originally a supplement to ‘The Illustrated Sydney News' maple frame | *** |  |
| *** | H Robinson and H. Cook, The First, The Last, A pair of engravings, inscribed and titled in text on margin: The First The Last, 15 x 11.5 cm (each) | *** |  |
| *** | A large Colonial musk framed engraving titled 'An English Merry-Making In The Olden Time' by W.B. Frith A.R.A. circa 1860, Frame 80 x 112 cm | *** |  |
| *** | 'Cycloramic View of Canberra Capital Site' View looking from Camp Hill, colour lithograph print. Artwork by R.Chas.G.Coulter (c1911), printed by John Sands Ltd [Syd]. 230 x 24.5 cm | *** |  |
| *** | Landscape, etching Rees, Lloyd 20 x 25 cm, signed and dated 77, 78/90 | *** |  |
| *** | Landscape, etching,Rees, Lloyd 20 x 25 cm, signed and dated 77, 78/90 | *** |  |
| *** | Landscape, etching Rees, Lloyd 20 x 25 cm, signed and dated 77, 78/90 | *** |  |
| *** | The Return of the Soudan contingent in Oxford Street 36 x 52 cm Coloured print by Gibbs and Shallard Painted by C. H. Hunt Originally a supplement to 'The Illustrated Sydney News' Maple frame. Provenance: Private Collection, Nsw | *** |  |
| *** | A pair of tinted engravings after Claude Lorrain engraved by Richard Earlom, European landscape with figure, dated 1777, paper size 21 x 26 cm. Provenance: Lady Mendl | *** |  |
| *** | A folder of thirty seven engravings and lithographs including Samuel Thomas Gill, Frederick Terry and others depicting scenes of Melbourne, Sydney and their environs, 12.5 x 20.5 cm (average size) | *** |  |
| *** | Vrolik, W. Ontleedkundige nasporingen omtrent Dendrolagus inustus. Amsterdam, 1857. Quarto, pp. [ii], 36, with 6 lithographed plates (4 folding), original printed wrappers (a little soiled, backstrip deficient)., Rare monograph on the grizzled… | *** |  |
| *** | John Olsen. Portrait of Lloyd Rees at 93, lithograph 10/40, signed, titled and dated 89 lower right, 77 x 56 cm. Provenance: Property from the collection of the late Margaret (Maggie) Lockwood | *** |  |
| *** | A set of nine steel engravings, views of Stow House, Buckinghamshire, English, 18th century, 26 x 38 cm | *** |  |
| *** | Thomas Bewick (1752-1828) (Attributed), The Spotted Opossum of New South Wales, woodblock engraving, circa 1810, 6 x 8.5 cm | *** |  |
| *** | Frederick Polydore Nodder, (Active 1777-1795), Fish (from the Naturalists Miscellany), Colour engravings, 7.5 x 15 cm (6) | *** |  |
| *** | Charles Blackman (Born 1928), Alice Shadow and Friend, etching 69/90, signed, titled and dated to margin, 52 x 37 cm | *** |  |
| *** | Hobart River scene lithograph Rees, Lloyd, signed and dated '82 and numbered 22/75 lower right 40 x 57 cm. Provenance: The Estate of the Late Ian Alstergren, Tasmania | *** |  |
| *** | A blackwood framed etching titled 'Pity' by H. Le Jeune, 19th century, Frame 78 x 85 cm | *** |  |
| *** | Australia by Edwin Carton Booth, illustrated with Drawings by Skinner Prout & N. Chevalier' published by Virtue & Co (Melbourne), with 57 steel engravings plus Burke and Wills monument title page engraving | *** |  |
| *** | Set of 10 framed 19th century French coloured engravings of catlle. 40 x 33 cm each | *** |  |
| *** | William Francis (Bill) Robinson, Rooster, etching 8/10, signed, titled and editioned to margin, 17.5 x 12.5 cm. Provenance: Ray Hughes Gallery, Sydney | *** |  |
| *** | The Wattles, etching,Gruner, Elioth, signed titled and numbered 19 to margin 18.5 x 21.5 cm | *** |  |
| *** | Het Eyland Amsterdam/ Het Eyland St. Paulo/ Swartte Swaane drift op het Eyland Rottenest', by Valentijn (Amsterdam, 1726), the lower engraving showing two sailing ships and two long boats preparing to row up the Swan River, and the island discovered by… | *** |  |
| *** | Edmund Thomas (1827-1867), 6 coloured engravings of Melbourne and Geelong, 22 x 32 cm each | *** |  |
| *** | A Victorian Huon pine frame, circa 1880, containing a lithograph of Hobart town from the new wharf, 29 x 38 cm | *** |  |
| *** | A cedar framed print 'Songs for Children No.7, The Duck & The Kangaroo', By Edward Lear, 60 x 53 cm | *** |  |
| *** | Geoffrey Brown (1926-2014), Construction Site & Tower Bridge, coloured etchings Nos 18 of 50, signed and dated '60, 40 x 50 cm | *** |  |
| *** | Three hand coloured engravings 17th century Sandys, George 15 x 13 cm Prospect of Constantine, The ruins of Apollos' Temple and Malta. Each image approximately 13 x 15 cm | *** |  |
| *** | William Gerard Hofker, Dutch, Portrait of Ni Kenjoeng (Carpenter 479), signed in pencil in margin W G Hofker lower right and inscribed Epr (euve) d'artiste (Artist's Proof) lower left, soft ground etching or ‘Vernis mou', on Van Gelder Zonen wove paper 35… | *** |  |
| *** | Five small Japanese etchings, by Tanaka Ryokei, each one depcting a genre scene, signed and numbered (5) | *** |  |
| *** | A framed set of seven hand coloured engravings of parrots, Australian and otherwise 15 x 9 cm By E.Lear after Lizars. Each plate approx 15 cm x 9 cm | *** |  |
| *** | Dora Creek, memorial etching, Hilder, Jesse Jewhurst 16 x 22.5 cm Inscribed in pencil Lionel Lindsay to Adolph Altoro with compliments Phyllis Hilder | *** |  |