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Auction House:Cordy'sNumber of lots recorded:580
Sale Title:May Art and Antique AuctionLots with images:59
Auction Location:AucklandPrices available:465
Date:24-May-2011
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A 1920’s Newhall toilet jug and basin set comprising a jug and octagonal rimmed basin and a pair of potties, hanging lamp and exotic bird and foliage decoration in tones of soft red, mauve, red and yellow, minor damage
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A squat circular pot by Peter Alger with decorative combing over the body, two small lug handles issue high on the sides, capstan shaped neck and mouth. Signed with artist’s impressed cipher. Height 26.5 cm
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A stoneware vessel by Waistel Cooper, Barbican Pottery, Penzance, U.K. The ovoid shape with an exaggerated trumpet mouth with a mottled glaze to the interior and umber burnished exterior. Painted mark under the foot ‘Waistel’, c.1964. Height 22 cm
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A Cornishware blue and white rolling pin with original blue painted handles, marked T.G. Green & Co. Ltd to one end. Length 45 cm
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A rare set of five Bruce Bainsfather wall plates printed with lithographic cartoons from ‘Fragments from France’: 'Well, if you knows of a better ‘Ole, go to it'; 'I likes me o’rum'; 'What time do they feed the sea lions Alph?'; 'Give it a good ‘ard’un Bert. You can generally ‘ear ‘em fizzing a bit first if they are agoin to explode'; 'Without' the historical touch 'Well Alfred ‘ow are the cakes?'. Each with different Grimwade’s back stamps. Diameter 195 each
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A Bruce Bainsfather butter dish with litho decoration ‘Keeping his hand In’, framed by a sea lion moustache border. Diameter 10.5 cm Along with a small jam dish with litho 'Well, if you knows of a better ‘Ole, go to it'. Diameter 8.5 cm Various Grimwades backstamps
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Two Bruce Bainsfather plates, both with lithos to the centre within sea-lion moustache borders. 'Well, if you knows of a better ‘Ole, go to it' and 'What time do they feed the sea lions Alf?'. Both with ‘A Souvenir of the Great War’, Grimwades Backstamps. Diameter 16 cm
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Two Bruce Bainsfather plates, one with a sea lion moustache border and lithograph Coiffure in the Trenches 'Keep yer ‘ead still, or I’ll ‘ave yer blinkin’ ear off'. The other with 'Where did that one go to?'. Both 23 cm
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Two Bruce Bainsfather ‘When’ shape jugs, each decorated with lithos and Coat of Arms. One 'Gott Strafe this barbed wire', the other 'Well, what sort of a night ‘ave yer ‘ad?'. Height of both 14.5 cm
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A Bruce Bainsfather cereal bowl with litho 'At present we are staying at a farm'. Along with a jug 'Well, if you knows of a better ‘ole.................' Diameter 20.5 cm. Height 11 cm
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Two Bruce Bainsfather jugs. One lithographed in 'Here with a loaf of bread beneath the bough. A muttered curse, but ne’er a wine and thou - beside me. Singing in the wilderness, the wilderness is paradise enow'. Height 11 cm The other - 'Well, if you knows of a better ‘ole..........'. Height 11.5 cm
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A Grimwades Bainsfather basket decorated with the standard and two scenes, the sea lion and the better hole. Width 23.5 cm. Depth 11 cm
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Two Edwardian period Art Nouveau pendants, one scrolling decoration set with two peridots, the other a stylised cross in a double circle set with turquoise and seed pearls, both 9ct. gold, minor damage to both
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An 18ct. gold Victorian mourning pendant, the gilded gold mount set with pearls and coral beads surrounding a polished piece of rock crystal with red and blue enamelled letters A.M., the reverse with a lock of hair and a crystal cover, engraved Ellis Mary Baldry, April 24th 1878. On a fine gold chain and in original jeweller’s box
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A Georgian period 9ct rose gold and pearl mourning brooch, woven hair to top with name, date of death (1809) and age of deceased to back. Glass over hair missing
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An 18ct. gold butterfly brooch, the body and wings profusely set with diamonds, one small round pearl to each wing. Length 3.5 cm
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A cultured pearl necklace, 50' in length, the uniform size pearls of a deep lustrous cream, knotted between each pearl with a 9ct. gold clasp set with a large baroque pearl and diamonds
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A 9ct. gold bracelet set with six oval shaped cabochon semi-precious gemstones, in rub-over gold mounts with scrolling ends, hinged clasp
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An estate 18ct. white gold sapphire and diamond cluster ring, the .50ct. round facet cut sapphire, claw set with six single cut diamonds in a highly decorative mount, upswept shoulders
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An 18ct. white gold diamond ring set, a .35 round brilliant cut diamond (colour H), claw set with a plain tapering shank, together with an eternity ring set with 15 small diamonds (colour G-H)
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A 14ct. white gold and five stone diamond ring, the five round brilliant cut diamonds claw set in a pierced coronet mount, attached to an 18ct. yellow and white gold wedding ring, total diamond weight .85ct.
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An impressive 18ct. yellow gold sapphire and diamond ring, the central large cushion mixed cut sapphire of ‘mid clear blue, visually clear bright appearance’, measuring 8.2 x 7.1 x 5.49, flanked by three diamonds to each side, brilliant cut totalling 0.57ct
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An 18ct. sapphire and diamond cluster ring, approx. 5ct. oval cut sapphire, claw set and surrounded by 14 small round brilliant cut diamonds, approx. diamond weight 1ct
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An antique 18ct. diamond ring, the central old European cut diamond of 1.31cts. claw set with a .90 old European cut diamond set to either side, decorative scalloped sides and fancy loop design shoulders. Total diamond weight 3.11cts, colour of central stone G2H, clarity VS1, colour of side stones S2G, clarity VS1
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A gold and diamond pendant, the pendant a 22ct. South African 1976 one rand coin mounted in an 18ct. gold frame, the top of the coin set with five old cut diamonds with a gold suspension ring attached. Approximate total diamond weight .50ct
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An Edwardian small silver trinket box, rectangular shape with chamfered corners on small feet, engraved Sydney 1909 to the top, decorative rope edge to lid. Birmingham 1908. 9 x 6.5 x 4 cm
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A 20th century silver cigarette case, oblong shape with stepped border, all over machine guilloche engraved. One side inlaid with a border of rose gold. Gilt washed interior. Birmingham 1953 by W.T. Toghill & Co
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A Victorian period Eastern silver trophy goblet ornately embossed with trailing leaves, flowers and scrolls, the shield shaped escutcheon engraved ‘Naval Artillery Trophy won by Gunner F.J. Wall 1888'. Height 20 cm The stem with old repair
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A small silver two handled cup of plain campana style engraved ‘John Puleston de Derniere Smith, December 1895, from Sir John Puleston’. Height 9.5 cm London 1895
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A silver trophy cup ‘ Suttons Cup, Otago A. & P. Association Winter Show 1925, won by Norman Ward, Temuka’, Birmingham 1924. Height on wood stand 21 cm
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A Chinese silver cup and saucer. The square cup with four faces engraved with flowers and figures in garden landscapes, the handle modelled as bamboo, the canted corners engraved with calligraphic inscriptions. The conforming square saucer with scalloped corners, engraved in segmented sections with alternating flowers and auspicious characters. Engraved to the centre ‘Dorothy Mary Bearn 1909’. Impressed four character Shanghai maker’s mark
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A pair of Chinese silver condiments, formed as stupa (pagoda), hexagonal stepped form, screw plug to base of each, makers mark for Wang Hing & Co. c1900. Heights 75 & 7 cm
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A three piece silver condiment set, comprising a circular cauldron salt, raised on a lion mask mount and three paw feet with a blue glass liner, a conforming lidded mustard pot, and a pepper pot. London 1953 by Walker & Hall. Along with a pair of salt spoons, Sheffield 1913
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A silver three piece condiment set comprising a circular cauldron salt with gadrooned rim and a blue glass liner, raised on mask and paw feet along with a similar lidded mustard pot with a conforming pepper pot and salt and mustard spoons. Birmingham 1956 by Barker Ellis Silver Co
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An Edwardian period sugar caster, the cobalt blue flashed body with clear heavy cut decoration, the silver top of classic form, heavily embossed floral decoration, date mark rubbed but Birmingham, by Thomas Hayes. Height 21 cm
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Two pairs of Georgian silver sugar tongs, one fiddle pattern, London 1832, maker John Beauchamp, the other feather edge, London c.1770, maker Philip Batchelor
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Two pairs of antique silver sugar tongs, one Old English, London 1796, maker Solomon Hougham - the other a continental fiddle pattern pair, probably German
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