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Decorative Arts & Asian Art — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:182
Sale Title:Decorative Arts & Asian ArtLots with images:182
Auction Location:MelbournePrices available:143
Date:29-Apr-2024
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A George III elm and oak low dresser, last quarter 18th century, the rectangular top with a low back above three deep frieze drawers and a shaped apron, on square supports, 89 cm high, 175 cm wide, 40 cm deep
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Johann Weinmann (1683-1741), three plates from Weinmann's Phytanthoza Iconographia (1735-1745), hand coloured engravings, in hand-painted moulded frames, 44 x 34 cm (frames overall)
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An antique Continental carved and polychrome pine figure, 18th century, a male religious figure modelled standing and wearing long robes, looking upwards, retaining some of the original gesso and polychrome decoration (lacking the lower parts of both arms), together with a recent wooden plinth of cube shape and painted to simulate marble, the figure alone 79 cm high
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A small pier mirror in an antique parcel-gilt polychrome frame, the frame second quarter 18th century, French or Italian, the rectangular plate in a shaped, moulded, and carved frame with a crest of a classical urn amidst flowers and otherwise adorned with flowers and rocaille details, 86 cm high, 55 cm wide
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Basilius Besler (1561-1629), two plates from Besler's Hortus Eystettensis (1613, or subsequent 17th century edition), engravings on laid paper, each 47 x 39 cm (plate), 72 x 63 cm (frames overall)
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A George III elm high dresser, early 19th century, the open plate rack with a moulded cornice above two shelves, the lower part with three frieze drawers raised on turned front supports, the sides panelled, 193 cm high, 176 cm wide, 50 cm deep
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An antique Longchamp glazed earthenware asparagus service, late 19th century, twelve plates, a serving cradle on feet, and an ornamental bunch of asparagus, the wells of the plates formed with cradles modelled as asparagus spears within the moulded borders, the serving cradle also modelled as asparagus spears, the plates impressed 'Longchamp Terre de Fer' and with pattern numbers underside, the ornamental bunch probably later, the plates each 26 cm in diameter. The cradle 9 cm high, 24 cm wide, 17 cm deep
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An antique provincial French oak long or 'Refectory' table, second half 18th century, the rectangular cleated two plank top and simply moulded frieze raised on chamfered square supports united by low H-form stretchers, 79 cm high, 236 cm long, 77 cm deep
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An Assembled set of eight antique Lancashire elm and beech spindle-back chairs, late 19th century, a pair of elbow chairs and six side chairs, of typical form, the back of each with a shaped toprail above tiers of spindles and a rush seat, the the turned front supports with pad and hoof feet united by a knopped stretcher, the elbow chairs 108 cm high, 59 cm wide, 55 cm deep, the side chairs smaller (with some minor variations in dimensions)
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An antique Spanish chestnut and walnut centre or side table, 18th century and later, the rectangular single-plank top with cleated ends raised on splayed bobbin-turned supports with scrolling wrought iron braces, 73 cm high, 155 cm wide, 48 cm deep
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A pair of George I-Style walnut and upholstered side chairs, late 19th century, each with a high arched upholstered back above the drop-in seat and shaped seat rails, on cabriole supports united with a curving H-form stretcher, the front supports with scrolls to the top, the upholstery covered in needlepoint and velvet, each 107 cm high, 58 cm wide, 60 cm deep
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A George I figured walnut bureau book-case, circa 1720, the upper part with a moulded cornice above a pair of moulded and glazed doors enclosing adjustable shelves and small compartments, the lower part with a sloping fall enclosing a fitted interior of drawers, compartments, and a well above two short and two long drawers, on bun feet, the fall and drawer fronts veneered in panels and cross-banded within double-bead mouldings, the two parts being of the same period but probably associated, the interior of…
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An antique overmantel mirror, French or English, last quarter 19th century, the plate within a frame with an arched and moulded cornice above a pair of fluted half-columns, various carved decorative details throughout, 160 cm high, 146 cm wide
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Attributed to Claude-Louis Desrais (1746-1816), a pair: young men and women playing blind man's bluff in a landscape, and women and a man playing with children in a landscape, each with decorative borders, pen and grey ink and watercolour on laid paper cut to a fan shape, laid down to mounts with line and wash borders, each signed or inscribed on the mount lower right: C.L. Desrais, each 26 x 50 cm (the mounts overall)
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An antique English oak side table, late 17th century, the rectangular top with moulded edge above a frieze drawer moulded with two panels, on bobbin-turned supports with conforming mid height H-form stretchers and plain low stretchers to the sides, 73 cm high, 77 cm wide, 57 cm deep
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Two antique Continental carved, gilt, and polychrome wood figures, 18th century, a reliquary bust of a saint or religious figure on a moulded plinth base with indistinct inscription, the patterns in the garments finely drawn in gold (lacking the arms and the cover to the reliquary receptacle), together with a standing female figure, possibly St Lucy, modelled wearing long robes and holding a sheaf of wheat and a pitcher, 40 cm and 52 cm high respectively
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A small George II gilt-framed pier mirror, the frame second quarter 18th century, the (later) rectangular plate in a carved frame in French manner with a crest of flowers within C scrolls and otherwise adorned with shell centres, foliage, and flowers, 100 cm high, 64 cm wide
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A George I figured walnut chest-on-stand, 1720s, the chest with a moulded cornice above three short and three graduated long drawers, the stand with an arrangement of four short drawers raised on cabriole supports to the front, the drawer fronts and the sides cross-banded, 155 cm high, 114 cm wide, 60 cm deep
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A George II walnut side table, circa 1740, the rectangular top above a frieze drawer and shaped aprons to the front and sides, on turned supports with club feet, 71 cm high, 76 cm wide, 46 cm deep
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Crispijn de Passe (circa 1594-1670), ten plates from Antoine de Pluvinel, L'instruction du Roy en l'exercice de monter a cheval (1625, or subsequent 17th century edition), engravings on laid paper, Uniformly framed in ebonised and gilt 'Hogarth' frames, each 31 x 40 cm (plate), 41 x 50 cm (frames overall)
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A Louis XIV walnut and upholstered stool, circa 1700, with some later elements, the square seat raised on turned supports united by a conforming H-form stretcher, the seat later covered in a fragment of verdure tapestry of the same period, 52 cm high, 51 cm wide, 49 cm deep
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A George III oak bureau on stand, last quarter 18th century, the sloping fall enclosing a fitted interior of small drawers and compartments above two long drawers and the shaped apron, on square supports united by low H-form stretchers, 92 cm high, 60 cm wide, 48 cm deep
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A William and Mary Britannia silver porringer or 'Bleeding Bowl', William Andrews, London, 1698, of typical circular form with a straight rim above the swelling sides and flat shaped and pierced handle, a hammered finish to the exterior and interior, the handle engraved with initial 'B. / R.M', 5 cm high, 14.5 cm diameter (19.5 cm wide including the handle), 200g
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A small William and Mary Britannia silver tazza, unidentified maker (mark rubbed), London, 1699, circular, the top with low raised sides with reeded rim raised on a short waisted stem and plain flat foot, 2.5 cm high, 11.5 cm wide, 110g
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A Queen Anne Britannia silver tankard, John Elston, Exeter, 1710, of spreading cylindrical form with a reeded loop handle, the moulded rim above variously engraved, moulded, and reeded bands down to the collet foot, 8.5 cm high, 130g
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Two Charles II sterling silver trefid table spoons, one by Adam King, London, 1683, the other by an unidentified Welsh maker, circa 1679, both of typical form, the King spoon with a more rounded bowl with lace back and conforming terminal, the underside of its terminal with initials Ae and Ec, the other with a more elongated bowl and entirely plain, its shaft struck four times with circular maker's mark of a swan, the back of its terminal with initials Eh and Sh and date 1679, respectively 19 cm and 21 cm…
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An Irish George II / III sterling silver wax Jack and snuffer, George hill, Dublin, circa 1760, the scissor action wax holder with suspended conical snuffer raised on a shaft with a turned finial, the centre of the circular foot perhaps a stylised four-leaf clover design, 15.5 cm high, 216g
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A George III sterling silver sauce tureen, the body with maker's mark 'I.C' or 'I.G' (rubbed), London, 1773, the cover with the mark of 'Ws', London, 1793, of oval outline, the slightly bulbous body wth a beaded rim, handes to the ends, and standing on foliate feet, the domed cover with a reeded and foliate ring handle finial, the cover and body engraved with a crest of a cat with a rat in its mouth beneath the motto 'Be just and generous', 12.5 cm high, 22 cm wide, 10.5 cm deep, 542g
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A suite of Victorian sterling silver fiddle pattern flatware, John stone, Exeter, 1848, Forty-six pieces, comprising twelve each of entree and table forks, six dessert spoons, ten tea spoons, and six table spoons, the terminals uniformly engraved with a crest of a seated hound' and anchor, together with another dessert spoon of matching pattern and the same period by another maker and engraved with a different crest, 2,406g in total
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An impressive pair of George III sterling silver sauce tureens, William fountain, London, 1804, each oval in outline, the moulded body with gadrooned rim standing on four paw feet, a pair of bifurcated foliate loop handles to the ends, the domed and moulded cover with a foliate loop finial on a gadrooned base, the bodies engraved to both sides with a heraldic archievement and motto, the covers with a crest, 16 cm high, 23.5 cm wide, 13.5 cm deep, 2,372g in total
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An Edwardian sterling silver banquet lamp, Goldsmiths &, Silversmiths Co. Ltd, London, 1910, of Corinthian column form on a gadrooned and foliate spreading square foot, mounted with a cut glass reservoir (lacking burner and shade), the foot engraved with a presentation inscription to Captain C.H. Lyon from 'His brother officers on the occasion of his wedding', 51 cm high
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A late Victorian sterling silver wine cooler, R. &, S. Garrard, London, 1900, in Arts & Crafts manner, the banded cylindrical body with a rounded base on a low foot, the three loop handles mounted on heart and shield-shaped bases, the handles and body decorated with domed studs and cabochons, 19.5 cm high, 1,300g
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An Austro-Hungarian 800 standard silver dish, maker's mark 'Es', late 19th century, of elongated quatrefoil outline with moulded sides surmounted with a pierced gallery, a pierced handle of scrolling design centred on a classical mask to each end, on four foliate feet, 7 cm high, 35 cm wide, 24 cm deep, 536g
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An Austro-Hungarian 800 standard silver flatware service, maker's mark Ka, Pest, early 20th century, in a stylish early modern pattern with flaring flat terminals to the chamfered shafts, basically a service for twelve, one hundred and twenty-seven pieces, comprising twelve each of entree knives and forks (one knife with a broken blade), table knives and forks, fruit knives and forks, and small dessert spoons, nine tea spoons and eleven coffee spoons (these originally being sets of twelve), together with…
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An antique Austrian 800 standard silver tureen, late 19th century, circular with swelling sides on a waisted foot, a pair of foliate handles to the sides, the rim and foot with a leaf and berry border, the domed cover with a large cabbage finial, 17.5 cm high, 30 cm wide (across the handles), 1520g
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A Victorian sterling silver tea and coffee service, Martin, Hall, &, Co., London 1884, a tea pot, coffee pot, covered cream jug, and covered two-handled sugar basin, the body of each of classical vase shape on a circular foot, the covers with raised centres with pine cone finals, each body with engraved decoration of a ruyi-head border above an arcade design with pendants of fruit and foliage, the covers and feet modelled with acanthus leaf borders, the interiors of the smaller vessels gilt, the coffee…
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A Victorian sterling silver tray, Martin, Hall, &, Co., Sheffield, 1887, oval with a swept and pierced gallery, the plain cartouche to the centre within a field and border of floral and foliate designs in Eastern manner, 3.5 cm high, 52 cm wide, 41 cm deep, 2,710g
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A suite of Victorian sterling silver French-Style fiddle thread pattern flatware, Chawner &, Co. (mark of George Adams), London, various 1840s-1870s dates, forty pieces, comprising twelve each of entree forks, table forks, and dessert spoons, and four tea spoons, 2,424g in total
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A George III sterling silver wine funnel, Peter, Ann, and William Bateman, London, 1802, of typical form, the funnel and removable strainer with reeded rims, otherwise plain, 14.5 cm high, 150g
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An antique silver plate wine bottle carriage by Christofle, late 19th century, an adjustable bottle cradle in the form of a tricycle carriage, the frame and wheels modelled as fruiting grape vine, impressed factory marks to the underside of the axle including number 954357, 20 cm high (with adjustable parts not extended), 33 cm long, 20 cm deep
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A set of six parcel-gilt sterling silver wine goblets by Stuart Devlin, London, 1973, each with a rounded funnel-shaped bowl with planished exterior on a tall gilt stem modelled with an irregular wrapped thread texture tapering towards the planished foot, the interiors gilt, each 18 cm high, 1,186g in total
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A sterling silver dish by Stuart Devlin, London, 1977, circular, the planished well within a gilt border modelled with an irregular thread texture, 17.5 cm diameter, 304g
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A Georg Jensen sterling silver 'Bernadotte' pattern flatware service for eight, post 1945 manufacture to Sigvard Bernadotte's 1936, sixty pieces, comprising eight each of entree knives and forks, table knives and forks, soup spoons, dessert spoons, and tea spoons, a pair of salad servers, a butter knife, and a cheese knife, 1,990g in total (not including the knives and salad servers with their polished steel blades and bowls)
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A pair of Georg Jensen sterling silver candlesticks, design 923, post 1945 manufacture to Sigvard Bernadotte's 1930s design, each with a narrow cylindrical shaft with flat rim on a circular dish base, each 8 cm high, 328g in total
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A pair of Georg Jensen sterling silver candlesticks, design 855E, post 1945 manufacture to Sigvard Bernadotte's 1930s design, each with a narrow reeded cylindrical shaft with flat rim on a broad circular base, each 18 cm high, 632g in total
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A Queen Elizabeth II sterling silver flatware service for twelve, Arthur price Ltd, Sheffield, 2002, in Price's 'Royal Pearl' pattern, one hundred and twenty three pieces, comprising twelve each of fish knives and forks, entree knives and forks, table knives and forks, and soup spoons, eleven each of dessert spoons, tea spoons, and coffee spoons (these being sets of twelve each lacking one of their number), four table spoons, a butter knife, and a ladle, fitted in its original hardwood case, 5,062g in…
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An Austrian enamelled 800 silver miniature ewer and Underplate, Vienna, second half 19th century, each decorated with mythological scenes, hallmarked with a hound' head flanked by number 3 and letter a, the ewer 10.5 cm high, the underplate 12.5 cm diameter
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A Lalique 'Cygne Tete Droite' sculpture, model introduced 1943, second half 20th century, in clear and frosted glass, modelled naturalistically as a seated swan with raised wings, etched 'Lalique France', together with partial paper label numbered 11616 to base, 25 cm high, 32 cm wide. Literature: Felix Marcilhac, Rene Lalique, 1860-1945, maitre-verrier - Analyse de l'oeuvre et catalogue raisonne (1994), p. 495, no. 1242. This is a late reissue of the same sculpture
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A Rene Lalique 'Languedoc' vase, 1930s or early 1940s, the model introduced 1929, in uncoloured opalescent glass, stencilled 'R. Lalique' and incised in script 'France NR 1021' underside, 22 cm high. Literature: Felix Marcilhac, Rene Lalique, 1860-1945, maitre-verrier - Analyse de l'oeuvre et catalogue raisonne(1994), p. 443, no. 1021
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A Rene Lalique 'Rampillon' vase, 1930s or early 1940s, the model introduced 1927, tapering with a moulded design of raised lozenges against a ground of flowers and leaves, the recesses of the design stained blue, stencilled 'R. Lalique France' underside, 11.5 cm high. Literature: Felix Marcilhac, Rene Lalique, 1860-1945, maitre-verrier - Analyse de l'oeuvre et catalogue raisonne (1994), p. 437, no. 991
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A set of four Rene Lalique 'Dampierre' glass candleholders, model introduced 1935, each in two parts, circular with a moulded border of a repeating design of birds and flowers, the recesses of the design stained green, stencilled 'R. Lalique France' underside, each 4.5 cm high (the two parts together), 13 cm diameter. Literature: Felix Marcilhac, R. Lalique, catalogue Raisonne de L'Oeuvre de verre, Editions de l'Amateur, Paris, 1994, no. 2125, p. 611 (illustrated)
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A pair of Baccarat 'Dauphin' crystal Three-Branch candelabra, mid 20th century, each with central spire above a frosted glass stem in the form of a stylized dolphin on shaped foot, three arms each holding an etched storm shade and adorned with crystal lustre drops Baccarat stamp and original sticker to base, together with original assembly paperwork, 69 cm high
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A Royal Worcester porcelain table lamp, body shape 1240, modelled by James Hadley, date cipher for 1892, the base modelled as an eighteenth century boy and girl playing beneath a tree, in blush ivory with coloured and gilt details and highlights, the conformingly coloured shade modelled as woven cane, impressed signature 'Hadley' to the reverse of the base, puce printed factory marks underside, later electrified with two lights, 54 cm high
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Two similar early Worcester porcelain two-handled sauce boats, second half 18th century, each of elliptical outline with a spout at each end and a central pair of shaped loop handles, the exteriors variously moulded, both decorated in blue and white with the 'Two-handled sauce boat landscape' pattern with the main design to the centre of the interior and complimentary decoration to the interior and exterior, factory, underglazed factory marks underside, each 8.5 cm high and 18.5 cm wide, one 18 cm deep,…
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A Louis XV Marseille faience tea set, manufacture Robert, circa 1760, a teapot, sucrier and, cream jug, each decorated with a Meissen-style harbour scene on a cream glaze with gilt highlights to edges and handles, iron red fleur-de-lys above P mark underside, the teapot 9 cm high
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A fine large tin glazed earthenware panel by Cantagalli, Manifattura Figli di Giuseppe Cantagalli, Florence, circa 1890, formed of three abutting tiles, decorated with a scene of a procession through a landscape adapted from Benozzo Gozzoli's Journey of the Magi in the Palazzo Medici Riccardi, Florence, the reverse of the central tile inscribed in underglaze blue 'Benozzo Gozzoli - Palazzo Riccardi - Firenze' above a sketch of a standing and singing cockerel, mounted in the original sixteenth century-style…
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A pair of Chinese famille rose Ormolu-Mounted vases, Qing Dynasty (1644-1912), 19th century, of baluster form, decorated with birds and flowers against a pale blue enamel ground, with a dragon in relief around the neck, each mounted with a European gilt-bronze mouth and stand in Chinese style, each 42 cm high, 19 cm wide
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A Herend porcelain 'Coronation' pattern part dinner service, approximately sixty-five pieces, generally a service for ten places with larger or smaller numbers of some pieces, comprising soup plates (11), dinner plates (12), side plates (10), smaller side plates or dishes (9), tea cups and saucers (7), five larger serving pieces of various types including a pair of platters, a sauce boat, coffee pot, covered sugar basin, and cream jug, the coffee pot 23 cm high, the sandwich platter 50 cm long
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A pair of antique Austrian coloured Terra Cotta busts, after Jean Rordorf, last quarter 19th century, portraits of a mid-sixteenth century Royal or noble couple, each modelled in fine dress, the male figure wearing a medal of the order of the Garter, each on a moulded square socle, each signed 'J. Rordorf', impressed factory mark and numbers 234 and 233 respectively underside, 45 cm and 43 cm high
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A carved oak hall bench seat by Treede &, Prenzel, dated 1897, in Northern Renaissance manner, the panelled back with open screen arms above the hard seat raised on scrolling trestle supports united by a low stretcher, the panel to the back carved with gryphon's heads and foliage centred on a shield incised with the date 1897, the arms with grotesque lion's head terminal, the supports carved in relief as strapwork, impressed to the underside of the seat 'Treede &, Prenzel / Sturt St. S. Melb.', 68 cm…
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A carved hardwood picture frame firmly attributed to John Kendrick Blogg, circa 1910, carved from a single piece of wood, the inner frame set amidst finely carved and undercut sprays of eucalyptus leaves against the sunken pitted ground rising at its edges to the outer border, containing an etching by Dora Wilson (1883--1946), 'Princes Bridge', inscribed as title by the artist and signed in ink in the lower margin, with fragments of further ink inscriptions by Wilson pasted to the reverse of the frame, 43…
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An antique French bronze-mounted mahogany bijouterie table, late 19th century, in Lous XV manner, the hinged rectangular top with brass-bound serpentine edge above the frieze with shaped apron, on slender cabriole supports, the top and all sides of the frieze glazed within bronze borders, bronze mounts to the knees and feet, 78 cm high, 59 cm wide, 41 cm deep
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An Italian crystal Marie Therese Twenty-Four globe chandelier, 1960s, the chandelier 120 cm high, 110 cm wide, the chain length 50 cm
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An Italian crystal Marie Therese Twenty-Four globe chandelier, 1960s, the chandelier 120 cm high, 110 cm wide, the chain length 50 cm
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A small Milanese Bone-Inlaid walnut desk in the manner of Adriano Brambilla, last quarter 19th century, of English davenport desk form, the top with a spindle gallery to the rear (detached and incomplete) and an inlaid rectangular panel to the centre in bone, stained wood, and nacre depicting a classical figure travelling across the sky in a chariot acompanied by attendants, the keyholes to the front and sides with winged mask escutcheons in bone, otherwise densely inlaid throughout with geometrical…
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An antique provincial French oak side table, 18th century, the thick rectangular top (probably a well-matched replacement) above three frieze drawers and a shaped apron to the front, raised on square supports united by a peripheral low stretchers, the central drawer with a secret compartment to its base, 69 cm high, 159 cm wide, 55 cm deep
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A Commonwealth or Charles II oak press cupboard, third quarter 17th century, the upper part with a moulded cornice and frieze above a pair of baluster supports flanking recessed doors and a central panel, the lower part with a pair of cupboard doors enclosing an open interior, on stile feet, variously panelled and moulded throughout, the frieze and front of the upper part carved in relief with a lunette and foliage design, the upper panel of the lower doors with a stylised floral design, 164 cm high, 151…
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A fallow deer antler chandelier, mid 20th century, circular, the twelve electric candle-style lights with brass pans arranged on the main tier of evenly interwined and overlapping antlers around the rising central crown, 92 cm high, 137 cm diameter (approximately)
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A George III Mahogany-Banded oak chest of drawers, circa 1780, rectangular, the top with moulded edge above two short and three graduated long drawers, on shaped bracket feet, the top and drawer fronts cross-banded in mahogany, 88.5 cm high, 109 cm wide, 54 cm deep
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A Mid-Georgian oak high dresser, third quarter 18th century, the plate rack with a moulded cornice above three shelves, the lower part with three drawers raised on columnar supports with a potboard below, 191 cm high, 163 cm wide, 44 cm deep
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A Charles II oak double gate-leg table, circa 1680, the oval top (when extended) above a plain frieze raised on bobbin-turned supports with two gate-legs each side, the end supports resting on sled feet, the lower rails of the gate-legs on one side decoratively carved in relief, 73 cm high, 136 cm wide, 66 cm deep not extended), 176 cm deep (extended)
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A George II oak settle, mid 18th century, the rectangular back with four fielded panels above the open arms and later-upholstered seat, on cabriole supports to the front, 112 cm high, 146 cm wide, 66 cm deep
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An antique Louis XV style gilt-framed pier or overmantel mirror, second half 19th century, the shaped rectanguar plate in a moulded frame crested with an elaborate shaped cornice and mirror-backed lattice frieze centred on a winged putto mask above a printed panel depicting a putto and his female companion, carved foliate details throughout, the frame later regilt, 207 cm high, 93 cm wide
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An ormolu-mounted rosewood vitrine in Louis XV manner, mid 20th century, of typical form and serpentine outline, with a shaped and moulded cornice above the glazed door and sides enclosing a green damask-lined interior with removable glass shelves, on cabriole feet, the lower part of the door and sides with vernis Martin-style decoration of figures in pastoral settings, the central frieze also decorated, ormolu mounts and mouldings throughout, 239 cm high, 154 cm wide, 54 cm deep
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An Art Deco Murano glass Six-Globe chandelier, by Alfredo Barbini, 85 cm high, 50 cm wide
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A Napoleon III rosewood and marquetry poudreuse in Louis XV style, third quarter 19th century, the top and frieze rectangular with bowed sides, the hinged top with a mirror to its uunderside above a frieze drawer and compartments to the sides, on turned and fluted tapering supports united by curving crossed stretchers, the top inlaid in various woods with a classical design of a vase on pedestal surrounded by scrolls and sprays of foliage and other motifs, all sides of the frieze inlaid conformingly, gilt…
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A George II oak enclosed low dresser, mid 18th century, rectangular, the top with moulded edge above three frieze drawers and three doors enclosing a single full-width interior with a shelf, on stile feet, the drawer fronts and doors with fielded panels, the sides panelled in four, 87 cm high, 185 cm wide, 45 cm deep
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A George II oak high dresser, second quarter 18th century, the plate rack with a moulded cornice above three shelves, the lower part with three drawers raised on flat baluster supports united by low peripheral stretchers, 185 cm high, 169 cm wide, 44 cm deep
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A provincial George III burr elm and oak chest of drawers, 1770s, rectangular, the top with moulded edge above two short and three graduated long drawers, on shaped bracket feet, the drawer fronts mirror-veneered in burr elm bordered with cross-banding in elm, the sides each with a single fielded panel, the gilt brasses apparently original, 107 cm high, 100 cm wide, 52 cm deep
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A set of ten stained beech chairs in provincial George III style, late 20th century, a pair of elbow chairs and eight side chairs, each with a ladder-back of wavy cross-rails above a rush seat, the turned front supports with pad feet, the elbow chairs with outswept open arms, the elbow chairs 105 cm high, 58 cm wide, 53 cm deep, the side chairs a little smaller
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An oak long or 'Refectory' table in late 17th century English style, late 20th century, the rectangular cleated three-plank top and plain frieze raised on turned supports united by peripheral low stretchers, 75 cm high, 243 cm long, 79 cm wide
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An antique English oak chest, first quarter 18th century, the hinged top enclosing an open interior, on low bracket feet, the top and front panelled to an unusual design with moulded muntins, the sides plain but for the exposed ends of through dovetails at the corners, 52 cm high, 146 cm wide, 61 cm deep
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A Carlos II oak long or 'Refectory' table, late 17th century, the rectangular thick single-plank top with cleated ends and sides raised on a pair of trestle supports with substantial moulded sled feet united by a mid height stretcher, 76 cm high, 246 cm long, 85 cm deep (along the feet - the top 77 cm deep)
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A George III-style oak enclosed low dresser, Robert brown, Melbourne, late 20th century, rectangular, the top with moulded edge above seven drawers arranged around a pair of doors enclosing a cupboard, fluted quarter columns to the front corners, on ogee bracket feet, the drawer fronts cross-banded in mahogany, the cupboard doors with fielded panels, retaining Robert Brown's label to the back, 80 cm high, 205 cm wide, 56 cm deep
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A Louis XV walnut commode, mid 18th century, of tombeau shape, the rectangular top with moulded edge above three long drawers, on scrolling feet flanking carved and shaped aprons, the sides each moulded with three raised panels, 84 cm high, 129 cm wide, 63 cm deep
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An antique French cherry wood and oak farmhouse table, second half 18th century, the rectangular plank top above a plain frieze with three drawers to one side, raised on chamfered square supports united by low H-form stretchers, 77 cm high, 168 cm long, 78 cm deep
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An antique verde antico serpentine pedestal, second half 19th century, the swivelling circular top and stop-fluted shaft on a vase shaped base with octagonal foot, 108 cm high, the main flat surface of the top 28 cm in diameter
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An antique verde antico serpentine pedestal, second half 19th century, the swivelling circular top and fluted shaft on a moulded base with octagonal foot, 105 cm high, the main flat surface of the top 26 cm in diameter
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A Czech crystal Marie Therese Sixteen-Globe chandelier with rose Murano droplets, 1960s, 110 cm high, 100 cm wide, chain length 40 cm
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A wall mirror in an Italian Baroque-Style carved and silvered wood frame, late 20th century, the octagonal plate within a frame of scrolling acanthus foliage in simulated aged finish with prominent parts silvered and others in worn red bole, 125 cm high, 90 cm wide
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A pair of Napoleon III ormolu mounted figured walnut pier cabinets, third quarter 19th century, in Louis XVI manner, each with a receding moulded top and frieze above a glazed door enclosing a mirrored and velvet lined interior with a shelf, on a shaped plinth base, the top, front, and sides cross-banded in kingwood or other rosewood, gilt bronze mounts and mouldigs throughout, 116 cm high, 77 cm wide, 34 cm
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A late Georgian gilt-framed convex mirror, circa 1830, the circular plate in a frame moulded with a torus with foliate centres surmounted with a crest of a hippocampus and foliage, a conforming tail-piece below, 87 cm high, 50 cm wide
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A Carlos II walnut centre or side table, last quarter 17th century, the thick rectangular single-slab top raised on splayed shaped and foliate-carved trestles with wrought iron braces, 75 cm high, 138 cm wide, 73 cm deep
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An antique provincial French oak commode, second half 18th century, the front of arbalete outline, the top with moulded edge above three long drawers, on shaped feet and apron, the drawer fronts and side moulded with raised panels, 95 cm high, 137 cm wide, 64 cm deep
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A William and Mary oak chest of drawers, late 17th century, rectangular, the top with moulded edge above four long drawers of various depths, on stile feet, the drawer fronts moulded with panels within half-round mouldings to the carcase front, the sides plainly panelled, 90 cm high, 96 cm wide, 59 cm deep
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An oak side table in late 17th century English style, 20th century, the rectangular top with moulded edge above a frieze drawer, on bobbin-turned supports with conforming mid height and low stretchers, 71.5 cm high, 69 cm wide, 47 cm deep
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A large antique Australian pine kitchen table, third quarter 19th century, the thick rectangular kauri pine top above a six drawers, three to each of the long sides, raised on square supports with end stretchers, 77 cm high, 244 cm long, 100 cm deep
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An antique French of Flemish verdure tapestry, early 18th century, depicting a fisherman in a small boat on a river drawing in his net amidst overhanging flowering trees, retaining the original border, the inner border of a continuous spiral design, the outer of stylised shells and foliage, recently backed with linen, 267 cm high, 256 cm wide
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A George II Chinoiserie decorated Long-Case clock, the dial signed Thomas Rayment, London, mid 18th century, eight day movement with bell strike. Oak-cased, the glazed hood of arched architectural design enclosing the brass Roman numeral dial with sanded centre and applied decorative spandrels, the trunk of typical form with an arched and moulded door and tall plinth base, the case black-japanned throughout, the door of the trunk decorated in raised lacquer with a Chinese style scene of figures in a…
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A Scottish George III mahogany Long-Case clock, the dial signed a. Paterson, Leith, early 19th century, eight day movement, anchor escapement, weight driven with bell strike. The black and white enamelled Roman dial with subsidiary dials behind a glazed cover with brass bezel in a case with an arched top with brass ball finial above the trunk with fluted quarter-columns on a tall plinth base with bracket feet, the front of the case inlaid with contrasting panels of figured mahogany, holly stringing…
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