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Art, Design & Classics — Shapiro Auctioneers

Auction House:Shapiro AuctioneersNumber of lots recorded:242
Sale Title:Art, Design & ClassicsLots with images:242
Auction Location:SydneyPrices available:150
Date:24-Oct-2023
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Regency rosewood sofa table, c. 1825, the rectangular crossbanding top above two supports carved with scrolls and ending in winged lion paw feet, with hexagonal stretcher with ribbed centre section, minor loss to veneer, height 73 cm, width 122.5 cm, depth 53 cm. Provenance: L. J. Cook & Co., Nov 2000, 'Mandalay', an important point Piper Estate
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Ferdinand Barbedienne (French, 1810-1892), ormolu twin-handled comport, the circular bowl cast and chased with female masks flanked by leaves and grapes, above a stem decorated with ram's heads, on a circular base, signed 'F. Barbedienne', on black marble base, height 26 cm. Provenance: 'Mandalay', an important point Piper Estate
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After W. Wolfe (German, 20th century), animalier bronzed metal sculpture, mastiff with two pups, on oval base, inscribed to base 'W. Wolfe', height 17 cm, length 34 cm. Provenance: Private Collection, Melbourne
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Louis XVI style bouillette table, circular marble top, surrounded by brass banding, with decorative metal sunflower motifs, raised on four square tapering legs, height 72 cm, diameter 75 cm. Provenance: Private Collection, Sydney
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Italian neo-classical marble urn, 19th century, white and sienna marble, carved with vitruvian scrolls and floral swags, with lid, minor chips to lid and base (A/F), height 49 cm. Provenance: Private Collection, Sydney
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Victorian giltwood mirror, 20th century, the oval mirror plate within a craved surround of scrolling leaves, flowers, and berries, with six branches, minor losses to carved decoration (A/F), 133.5 x 103 cm. Provenance: Estate from the United Kingdom, private collection, Sydney
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Flemish tapestry, c. 1680, with woven wool in blue, yellow, and cream, depicting a mythical scene of Neptune rising out of the water, within a brocade border, height 305 cm, width 233 cm. Provenance: purchased from Clive Brans Antiques, Mosman park, Western Australia, private collection, Sydney
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Pair of French gilt bronze candelabra, 19th century, with four foliate cast candle arms above a fluted column and a circular base cast with floral motifs (2), height 47.5 cm. Provenance: Private Collection, Sydney
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After Sandro Botticelli, 'Madonna of the rose garden', 19th century, a limoges-type enamel plaque of Madonna and Child with young St. John the Baptist, in ebony frame, 11.8 x 7.3 cm, (excl. Frame). Provenance: Private Collection, Melbourne
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Pair of Louis XVI style armchairs, 19th century, carved walnut frames, with padded back, seat upholstered in Rubelli silk velvet, raised on four fluted tapering legs (2), height 105 cm. Provenance: Private Collection, Sydney
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Sevres style ormolu mounted porcelain urn, painted in the manner of Jean-Honore Fragonard, with figures in landscape on a blue ground, with lid, height 35 cm. Provenance: Private Collection, Sydney
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Pair of Empire style Porcelaine de Paris urns, with an emerald ground, the body decorated with winged griffins and angels, and decorative scrollwork and wreaths, with winged caryatid handles, factory marks to base, minor wear to one urn (A/F) (2), height 37 cm. Provenance: Private Collection, Sydney
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Napoloen III console table, inset rouge marble, square tapered legs, with pharaohic busts, gilt and painted wood (A/F), height 85 cm, width 101 cm, depth 54 cm. Provenance: Contrasts Gallery, Hong Kong
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After Faberge, depicting an owl, with an enameled feathers, on timbered pedestal, height 22 cm. Provenance: Private Collection, Melbourne
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Two Italian micro mosaic photo frames, blue, and pink tiles, height 7 cm, (blue) height 5 cm, (pink). Provenance: Private Collection, Melbourne
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Pair of neo-classical malachite obelisks, with applied metal decorative floral motifs, and raised metal feet, one set of feet detached, one minor chip to base (A/F) (2), height 51 cm. Provenance: Private Collection, Sydney
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After Benedetto Boschetti (Italian, 1820-1879), 'Mercury' bronzed sculpture, bronzed cast, with black marble base, height 55 cm. Provenance: Private Collection, Sydney
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R. D. Wandler, bronze sculpture, c. 1930, two bronze racing horse heads, on a Belgian black marble base, signed on base R. De Wandler, height 25 cm, length 50 cm. Provenance: Private Collection, Melbourne
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Arts & Crafts trinket box, 19th century, exterior covered brown leather and beaten copper with floral design, and applied semi-precious stones, fitted interior with two compartments, lined with green fabric, four stepped feet, height 18 cm, width 35 cm. Provenance: Private Collection, Melbourne
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Royal Doulton, vase, c. 1900, of baluster form, with portrait of Nicolas Poussin, signed to underside 'Doulton', height 31.5 cm, diameter 19 cm. Provenance: Private Collection, Melbourne
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P. Loiseau-Rousseau, mounted jockey, c. 1900, bronze cast, signed to base 'E. Loiseau', 30 cm, x 30 cm. Provenance: Private Collection, Melbourne
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Victorian sterling silver desk set, mark of John Grinsell & Sons, London, 1897, with a container flanked by two cut crystal ink wells, on a rectangular tray with gadroon border, raised on four claw and ball feet, hallmarked (3), weight 1018 grams height 10 cm, width 29.5 cm, depth 20.5 cm. Provenance: Private Collection, Sydney
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Victorian silver cigar case, mark of George Unite, Birmingham, 1896, a military gift from British general, Sir Ian Hamilton, the rectangular hinged case, with holder gate, and engraved 'Brig - Genl Ian Hamilton to Surgeon Captain W. Beyts 15 - 10 - 97', hallmarked, weight 182 grams 12.2 x 7.4 cm. Provenance: Private Collection, Sydney
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Hand form caddy spoon, mark of Francis Howard Ltd. Sheffield, sterling silver, hallmarked, weight 15 grams. Provenance: Private Collection, Sydney
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Georgian silver coffee and tea service, mark of Jonathan Hayne, London, 1833, comprising one coffee pot, one tea pot, one cream jug, and one sugar bowl, chased with scrolls and florals, on circular feet, all hallmarked (4), total weight 2490 grams. Provenance: Private Collection, Sydney
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Victorian silver coffee and tea service, mark of Joseph Angell, London, 1851 & 1852, comprising of one coffee pot, one tea pot, one cream jug, and one sugar bowl, chased with studded detail and foliage, and engraved with scrolls and flowers, on circular feet, all hallmarked (4), total weight 2406 grams. Provenance: Private Collection, Sydney
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Christian Ronberg (Danish, 1914-1937), early 20th century, nephrite and silver mounted trinket box, oval shape, with a high relief carved cherub riding a dolphin, stamped and numbered 'Cpr', '826S', height 7 cm, length 9.5 cm. Provenance: Private Collection, London, purchased from the family who owned the store, Halberg in Sweden. Hallberg sold Galle and Daum glass
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Two Chinese carved, Buddhas hardstone, one of hardstone, and one rose quartz, wooden stands (2), approx. Height 10 cm, (tallest). Provenance: Private Collection, Melbourne
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Attributed toThomas Webb & Son England, scent bottle, with frosted blue glass and white floral overlay, with sterling silver and clear glass stopper, together with Japanese carved jade lidded scent bottle, Bakelite oval shaped box, carved lily of the valley flowers, with turquoise lozenge on lid, and a porcelain Asian man holding baby, stamped and dated, 'Ers' '1987', numbered, '32' (4), height 7 cm, (trinket box). Provenance: Private Collection, Melbourne
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Horn ointment jar, encased in silver threading, with enamel decoration of an under the sea motif, on wooden base, height 7 cm, (including base). Provenance: Private Collection, Melbourne
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Three gilded bronze Tsubas, Japanese, late Edo period, 19th century, comprising a gilded bronze, in naga maru gata form, decorated with a crane in flight, and on the reverse side a devil, signature on crane side, by Sano Naoyoshi, one in hira kaku gata form, decorated with two figures and a lion's head, and on the reserve side a sword and hat, and the other in mokko gata form, decorated with flowers on both sides, both with unidentified makers marks (3), 7 x 7 cm; 8 x 7.5 cm; 7.5 x 7 cm. Provenance:…
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Pair of Japanese cloisonne vases, red ground, decorated with white chrysanthemums and butterflies, metal rim to mouth and base (2), height 18 cm. Provenance: Private Collection, Melbourne
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Japanese cloisonne vase, Meiji period (1868-1912), black and blue ground with six alternating panels of blossoms and birds, surrounded with decorative scrolls, silver wire, and silver foot and rim, stamped marks to underside, height 16 cm. Provenance: Private Collection, Melbourne
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Pair of Japanese cloisonne vases, each with blue ground, decorated with dragons, florals, and bronze metallic inclusions (2), height 12.5 cm. Provenance: Private Collection, Melbourne
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Pair of Chinese cloisonne ginger jars, c. 1880, the ceramic ovoid forms, decorated with multi-coloured lotus and floral blooms surrounded by foliate scrolls, on a yellow ground, seal marks to underside of one, height 26.5 cm, diameter 10 cm. Provenance: Private Collection, Melbourne
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Assorted Japanese cloisonne vases, comprising of a six-sided black ground vase with birds, a yellow ground vase, with decorative scrolls and florals, and a elongated vase, with a dark green ground with white and pink flowers (3), height 24 cm, (tallest). Provenance: Private Collection, Melbourne
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Charles Noke and Harry Nixon for Royal Doulton, 'Chang' baluster vase, c. 1930, with mottled, lava overglaze in white, ochre, gold, and red, over multi-tonal yellow ground, and decorative lily pods, factory marks and signature to underside 'Noke', and 'Hn' monogram, height 22 cm, diameter 12 cm. Provenance: Private Collection, Melbourne
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Pair of Japanese cloisonne vases, navy ground, with floral motifs, unidentified makers marks (2), height 12.5 cm. Provenance: Private Collection, Melbourne
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Pair of lacquer Hibachis, ribbed red, gold, black, and green, with metal inset (2), height 40 cm, diameter 17 cm. Provenance: Private Collection, Melbourne
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Assorted Japanese lacquer lidded bowls, comprising a brown lidded bowl with chrysanthemum motif on the lid, a red lidded bowl with a carp motif on the lid, and a black three tiered bento box with cherry blossom design (3), height 18 cm, (tallest). Provenance: Private Collection, Melbourne
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Assorted Japanese lacquer lidded bowls, comprising of three orange lacquered lidded bowls, a two tier red, green and gold Meji period bento box (4), height approx. 20 cm, (tallest). Provenance: Private Collection, Melbourne
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Chinese console table, c. 1930, rectangular red lacquer wooden top, above an intricate bamboo reticulated base, loss of lacquer (A/F), height 89 cm, width 222 cm, depth 33 cm. Provenance: Orient house, private collection, Sydney
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Takeichi Kawai (Japanese, 1908-1989), vase, glazed stoneware, with hexagonal shaped neck and lip, height 24 cm. Provenance: Betty O'Neill's Hungry horse gallery, Paddington, 1964, Goodmans - important Pottery, 1993, private collection, Melbourne
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A Japanese cloisonne vase, Sakura vase, enamel, with decorative blue wrens, the base with Ando Company mark and unidentified artist marks, height 20 cm. Provenance: Private Collection, Melbourne
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Japanese ivory netsuke of Daruma, late 19th century, carved ivory face with protruding eyes and robe, incised and etched are three chrysanthemum flowers on the front and two on the back, with wooden stand, height 2 cm, width 3 cm. Provenance: Private Collection, Sydney
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Kenzo, Japanese, Art Deco vase, of spherical form, multi-tonal shades of brown spherical motifs, signed 'Kenzo' to underside, approx. Height 35 cm. Provenance: Private Collection, Melbourne
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Japanese bronze vase, with inlaid silver, against polished bronze surface, with etched goldfish and waves, stamped marks to underside, height 28 cm. Provenance: Private Collection, Melbourne
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Japanese vase, c. 1960, cast bronze, of baluster form, with carp motif, signed on the side and base, height 38 cm, diameter 26 cm. Provenance: Kazari, Melbourne, private collection, Melbourne
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Ito Tozan I (Japanese, 1846-1920), Japanese ceramic vase, of four-sided flared form, in dark green glazing, with decorative cut out design, on fitted rosewood stand, maker's marks to underside, height 40.5 cm, diameter 28 cm. Provenance: Private Collection, Melbourne
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Carved hardwood Chinese altar table, 19th century, the pierced apron with eight carved jade discs, raised on four legs, height 85 cm, width 130 cm, depth 44 cm. Provenance: Private Collection, Queensland, private collection, Melbourne
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Art Deco silvered bronze sculpture, Diana the huntress with a pair of deer, signed 'Etling Paris' to base, height 71 cm. Provenance: Private Collection, Melbourne
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Art Deco mantel clock and Garnituro, French, c. 1925, movement with outside count wheel striking on a bell, rectangular onyx case surmounted by a chrome reclining nude playing with a goat, white dial with Arabic numerals, pair of urns, pendulum and key (3), height 35 cm, length 50.5 cm, (excluding urns). Provenance: Private Collection, Melbourne
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Bronze fruit bowl, oxidised, dual sided table centrepiece, featuring two women entwined in the centre of the two bowls, inscribed on base 'Jean J Tass' and 'Susse fes edits Paris', height 23 cm, approx. Length 66 cm. Provenance: Private Collection, Melbourne
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Paul Philippe (French, 1870-1930), Le Reveil (the Awakening), c. 1925, nickel plated bronze, of a female figure, with marble base, signature on base, height 82.5 cm. Provenance: Private Collection, Melbourne
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In the style of Emile Jacques Ruhlmann (French, 1879-1933) sideboard, Art Deco sideboard, of macassar ebony veneer, with four doors, nickel plated bronze features, two cutlery drawers, three adjustable shelves, with black base, this version was produced in Melbourne, Australia in 1980s by Colin Bainbridge, surface wear (A/F), height 83.5 cm, width 189.5 cm, depth 48 cm. Provenance: Private Collection, Melbourne
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A. Calendi, female nude standing on a lion skin, nickel plated bronze, signed on side of base 'Calendi', restored arm, minor surface wear (A/F), height 68.5 cm. Provenance: Private Collection, Melbourne
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Figural silver plated Art Deco sculpture, of a woman in flowing robes, holding a sword, on a square marble base, height 42.5 cm. Provenance: Private Collection, Melbourne
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Jules Leleu (French, 1883-1961), pair of inlaid cabinets, c. 1920, manufactured by Leleu, France, Brazilian rosewood, pair of cupboard doors, inlaid with a large bouquet in mother-of-pearl and gilt metal, one with three adjustable shelves, the other with illuminated and fitted mirror interior, each with an ivory plaque on the interior with facsimile signature 'J. Leleu', one restored (A/F) (2), height 130 cm, width 80 cm, depth 37.5 cm. Provenance: Sothebys, Monaco, 1982, Galerie Moderne, London, private…
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Pair of brass Art Deco display cabinets, French, c. 1930, manufactured by Siegel of Paris, with a single glass door, two glass shelves, timber base, with interior plaque, 'Etal Siegel Paris' (2), height 175 cm, width 60 cm, depth 60 cm. Provenance: Private Collection, Melbourne
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Art Deco blonde wood centre table, French, c. 1940, the circular top with sectional shagreen inset, with stepped timber surround, raised on four fluted curved legs, on a circular base, height 70 cm, diameter 122 cm. Provenance: Edward Clark Antiques, Melbourne, private collection, Melbourne
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Gebruder Thonet (Austrian), set of six model 678 chairs, c. 1920, manufactured by Thonet, brentwood, cut out squares on seats, with four tapered legs, retains manufacturer's label (6), height 97 cm. Provenance: Farmer's Department Store, George and market Street, Sydney, private collection, Sydney, reference: state library NSW, original chairs used in the restaurant from 1920-1937, seen in photograph of 2CH Farmer's lunch, women's League, presentation of Trophies 22 October 1937
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Andre Gilbert (French), Art Deco silvered bronze sculpture, a bronze nude woman, flanked by two ivory balls, mounted on an onyx base, signed on base 'A. Gilbert', height 26.5 cm, length 33.5 cm. Provenance: Private Collection, Melbourne
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Royal Doulton, 'Courtship', c. 1982, by Russell Wills, images from the Nature series, white glazed doves, with circular wooden stand, retain factory's printed marks, minor chip to wing (A/F), height 38 cm, (without stand). Provenance: Private Collection, Melbourne
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Hagenauer, dancing figure, c. 1950, carved wood female figure, on brass base, signature to underside, missing one screw (A/F), height 53 cm, width 45 cm. Provenance: Private Collection, Sydney
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Clelia Bertetti (1904-1995), Jungla (woman with rabbit), manufactured by Le Bertetti ceramic studio, Italy, glazed porcelain, signed 'Le Bertetti, Torino, made in Italy, Jungla, N142', retains original label, height 38 cm, length 25 cm. Provenance: Private Collection, Melbourne
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C. I. A Manna, Torino, Italian Art Deco Pottery figure, a reclining nude woman, painted underside 'C. I. A Manna Torino, made in Italy', height 10 cm, length 60 cm. Provenance: Designage Melbourne, private collection, Melbourne
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Luca Barnetti, Torino, Italian Art Deco Pottery figure, a reclining nude male angel, handwith grey wings, painted underside 'Luca Barnetti, 'Icaro', N. 5, Torino, Italy', restored finger (A/F), height 24 cm, length 48 cm. Provenance: Designage Melbourne, private collection, Melbourne
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Clelia Bertetti (1904-1995), La Morte di Diana, 1935, manufactured by Le Bertetti ceramic studio, Italy, figural glazed porcelain, signed 'Le Bertetti, Torino, made in Italy, La Morte Di Diana, 4', height 25 cm, width 39 cm. Provenance: Designage, Melbourne, private collection, Melbourne
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Amphora, porcelain female figure, c. 1900, depicting a female figure in the Art Nouveau style with open arms, stamped 'Imperial Amphora, Turn Austria' with crown mark, no. '775, 35, 23', height 54 cm. Provenance: Private Collection, Melbourne
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Emile Galle, long neck cameo glass vase, acid-etched decoration of eucalypt blossom and gum leaves, acid etched signature to side 'Galle', height 60 cm. Provenance: Private Collection, Melbourne, reference: C. F a similar version found in the Australiana Fund
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Emile Galle, small cameo glass vase, acid-etched decoration of eucalypt blossoms and gum leaves, acid etched signature to side 'Galle', height 22 cm. Provenance: Private Collection, Melbourne, reference: C. F a similar version found in the Australiana Fund
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Two plique-a-jour vases, Japanese, c. 1930, a yellow fluted vase, of baluster form and a matching open necked vase, with floral design, gold wire, and brass rim (2), height 13 cm, (open necked); height 12.5 cm, (fluted). Provenance: Private Collection, Melbourne
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Clarice Cliff, Bizarre vase c. 1930, applique 'Idyll' pattern, baluster shaped, printed factory mark to base 'Hand painted Bizarre by Clarice Cliff Newport Pottery England', height 22.5 cm. Provenance: Private Collection, Sydney
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Clarice Cliff, Fantasque Bizarre vase c. 1930, 'Gibraltar' pattern, with handle and spout, printed factory mark to base 'Fantasque hand painted Bizarre by Clarice Cliff Newport Pottery England' and impressed shape number '42', height 15.5 cm. Provenance: Private Collection, Sydney
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Clarice Cliff, Fantasque Bizarre tea set, 'Red Roofs' pattern, teapot with lid, milk jug, sugar bowl, tea plate, tea cup and saucer, printed factory mark to base 'Fantasque hand painted Bizarre by Clarice Cliff Newport Pottery England' and impressed shape number '31' on tea plate (6) (A/F), height 12 cm, (tallest). Provenance: Private Collection, Sydney
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Clarice Cliff, Bizarre beaker and mustard jar, Honolulu' pattern for bowl, printed factory mark to base 'Hand painted Bizarre by Clarice Cliff Newport Pottery England' and impressed shape number '230', 'Crocus' pattern for lid, 'Grey Leaves' pattern for beaker, with handle, printed factory mark to base 'Hand painted Bizarre by Clarice Cliff Wilkinson Ltd England' (2), height 8 cm, (bowl); height 9.5 cm, (beaker). Provenance: Private Collection, Sydney
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Degue, France, Art Deco vase, c. 1930, of baluster form, with flared rim, on a circular base, multi-layer glass with acid-etched poppies in red and navy blue on a brown background, signed Degue on the base, height 45.5 cm, diameter 24.5 cm. Provenance: Private Collection, Sydney
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Sue et Mare, Art Deco Thuya writing table, French, c. 1920, with red leather surface, carved rounded corners, one long drawer, raised four curved tapering legs, minor wear (A/F), height 75 cm, width 104 cm, depth 66 cm. Provenance: purchased from Mossgreen, private collection, Melbourne
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Art Deco terracotta bust, c. 1930, manufactured by Keramia, with ceramic stylised turquoise glazed hair, stamped 'Keramia', numbered 'No. 1120', height 32 cm. Provenance: Private Collection, Melbourne
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Sessionist ceramic lidded dish, Wienerberger Keramik Co., Austrian, c. 1920, teal glaze, with applied coil handle, stamped 'Wienerberger/10025', height 9 cm. Provenance: Private Collection, Melbourne
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Rene Lalique, Grosses Graines necklace, designed 1920, with twelve green glass beads, threaded through green silk cord, signed 'Lalique' on glass bead, length 37 cm. Provenance: Private Collection, Melbourne
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Lalique, pair of 'Hirondelle' bookends, designed 1928, clear and frosted crystal, signed to underside 'Lalique France' (2), height 16 cm. Provenance: Private Collection, Melbourne
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Lalique, two Parakeets figure together with two Chouette paperweights, clear and frosted crystal, all signed 'Lalique France' (3), height 19 cm, (tallest). Provenance: Private Collection, Sydney
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Lalique, pair of 'Chrysis' bookends, designed 1931, frosted crystal, signed to underside 'Lalique France' (2), height 13 cm, length 19.5 cm. Provenance: Private Collection, Melbourne
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Rene Lalique, 'Victoire' mascot, designed 1928, opalescent moulded glass, signature and number to underside 'Lalique France', 'N031', height 14.5 cm, length 24 cm. Provenance: Private Collection, Melbourne, reference: Felix Marcilhac, Les Editions de l'Amateur, Paris 1994, reference 1147
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Rene Lalique, 'Aras' vase, designed 1924, of ovoid form, blue-stained opalescent glass, signature and number to underside 'R. 'Lalique France', 'N919', approx. Height 24 cm. Provenance: Private Collection, Melbourne
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Lalique, 'Saint Malo' serving tray, clear and frosted crystal, with molded crisscross rope design, double handled, signed 'Lalique R France', height 2.5 cm, width 45 cm, depth 30.5 cm. Provenance: Private Collection, Sydney
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Rene Lalique, 'Six Figurines' decanter and shot glasses c. 1914, clear and sepia inset frosted glass, with female figures in different poses, etched 'R. Lalique' to base (7), height 35 cm, (decanter); 10 cm, (glasses). Provenance: The Estate of olive Croudace, Trangie, NSW
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Assorted Art Deco style stemware, comprising four short stemmed water glasses, with emerald bases, and six hock wine glasses, with light green stems and bases, one chip (A/F) (10), height 9 cm, (short stemmed) height 20.5 cm, (hock). Provenance: Private Collection, Melbourne
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Loredano Rosin (Italian, 1936-1991), Murano glass nude sculpture, the female figure resting with her body arched, head averted, inscribed on base 'Loredano Rosin', height 18 cm, length 36 cm. Provenance: Private Collection, Melbourne
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Murano glass blackamoor figure, coloured glass, gold leaf inclusions on a circular cream glass base, height 38 cm. Provenance: Private Collection, Melbourne
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Dino Rosin (Italian, b. 1948), Calcedonian glass sculpture, 'Aphrodite', c. 2000, Murano glass, coloured and scavo glass, with black glass stand, signed 'Dino Rosin' to base, with applied factory lozenge mark, signed and numbered, 'Dino Rosin, Arte studio s. R. L, Murano - Venezia, 703, made in Italy', approx. Height 33 cm. Provenance: Private Collection, Melbourne
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Claire Colinet (French, 1880-1950), Darling, c. 1920, bronze female figure, wearing slippers and a night bonnet, signed 'Ci. J. R. Colinet', height 48 cm. Provenance: Private Collection, Melbourne
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Art Deco marble centre table, French, c. 1925, in the style of Edgar Brandt, octagonal shaped top with rogue marble inset, four curved wrought iron supports, with decorative floral and scrolling leaves, octagonal sectional pedestal wooden base, minor chip to marble (A/F), height 80 cm, diameter 86.5 cm. Provenance: Capocchi, Melbourne, private collection, Melbourne
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Art Deco wrought iron hall stand, French, c. 1925, after Edgar Brandt, featuring decorative roses, and six hooks, height 190 cm, width 82 cm. Provenance: Private Collection, Melbourne
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Art Deco wrought iron console and mirror, French, c. 1925, after Edgar Brandt, with shaped marble top, and matching mirror (2), 90 x 56 cm, (console); 121 x 60 cm, (mirror). Provenance: Private Collection, Melbourne
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Art Deco wrought iron and glass display cabinet, French, c. 1925, with a single glass door, three glass shelves and mirrored backing, with iron feet, minor crack in glass door (A/F), height 200 cm, width 75 cm, depth 45 cm. Provenance: Private Collection, Melbourne
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Pierre-Luc Feitu (1868-1936), the Thinking woman, c. 1926, patinated bronze sculpture, signed and dated to base, height 93 cm. Provenance: Private Collection, Melbourne
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After Demetre Chiparus (Romanian, 1886-1947), Russian dancer, parcel-gilt bronze, on black marble plinth, signed to base 'D. H. Chiaprus', height 66 cm. Provenance: Private Collection, Melbourne
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Johan Rohde for Georg Jensen, near pair of sterling silver footed bowls, the hammered bowls on a floral pedestal, marked and numbered no. '17/17A', one with warped lip (A/F) (2), total weight 360 grams. Provenance: Private Collection, Sydney
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