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Auction House:Dunbar Sloane Ltd.Number of lots recorded:201
Sale Title:Maori & Oceanic Art, Day 2Lots with images:190
Auction Location:WellingtonPrices available:155
Date:5-Oct-2022
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Solomon Islands bow with nine fish arrows, palmwood, bark string, palm leaf arrows. Provenance: Owen Mapp collection, 153 cm length
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Three Aboriginal spears, made from Tecoma vine. Two with attached wooden barbs, one with an ochre pigmented wooden blade. All over 200 cm in height.
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An old Aboriginal spear, palmwood, barbed. Discovered in a swamp 1920s in north Queensland, Australia. Provenance: Owen Mapp collection, 270 cm length
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Three Aboriginal spears, one bone tip, all palm wood. Found in Darwin area 1960, Australia. Provenance: Owen Mapp collection, 282 cm, 214 cm, 168 cm in length
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A 19th century Fijian paddle shaped war club ( Culucula), the board blade with serrations to the outside rim. The blade surface with incised notching and with stylized floral rondels. Some losses evident. This broad-bladed club is of the form known as culacula, a name which May be an allusion to the resemblance between the club's projecting wings and serrated edges and the sharp, spiked protuberances of the culacula, a kind of sea crab (Clunie, Fijian Weapons and warfare, Suva, 1977, p. 55). The culacula…
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A good 19th century Fijian ceremonial dance club (kiakavo), the heavy robust club carved from casuarina wood, the head section with abrased stippled pattern to the underside. Inscribed in Fijian 'Atunaisa' and 'Uto Vea', 95 cm length. Provenance: Private Collection Hawkes bay
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A large and impressive 19th century Fijian tabua (ceremonial whales tooth), inscribed Dravo in old script. Pierced for suspension, Dravo is a locality in Fiji. It is situated west of Naisogovau, and southeast of Mokani. 25 cm length, 10 cm width
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An important early 19th century Fijian Yagona dish from Western Vitlevu, elongated elliptical shape with a pierced tapering handle. Carved from sacred vesi wood which was typically used for religious vessels. This vessel, historically belonged to the cannibal high chief ratu Vuniani Vuki who became Rekotui Vuniani Vuki after colonisation he died in 1918. Mr Edmund Gibson Woolcott, a cane planter at Naikubu-kubu Ba secured the dish in 1912 and it was then passed on by descent until it was sold at Cordys…
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Asante stool from Ghana, stools indicate status, power and succession of chiefs and Kings. Carved from single blocks, Asante (or Ashanti) stools traditionally have crescent-shaped seats, flat bases and complex support structures, which exist in many designs with symbolic meaning. Most had specific names and designated users. 37 cm length, 48 cm width
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A pair of Yoruba Ibeji figures, male and female figures, decorated with beads, and tribal cicatrices to the face. Female headdress shows a straight back edge. 30 cm, 28 cm height
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A fine pair of Yoruba Ibeji figures, superbly carved male and female figures with fine, strongly carved bodies and ovoid heads offering strong facial features including large dome-like eyes and outward-pointing ears. The figures are adorned with strands of blue beads. Rich, palm-oiled patina. 27.5 cm, 28.5 cm length
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Bakongo figure, finely carved, heavily bound stanging figure with raised facial features baring teeth, holding a knife and vessel. Mid brown patina with traces of Kaolin. Democratic Republic of Congo. 14 cm height
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African Maasai war shield, lenticular form with hide-bound border and wood grip to rear, decoratively painted with abstract designs in red, black, white and green, 100 cm x 48 cm
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African Maasai war shield, lenticular form with hide-bound border and fur attachments and wood grip to rear, original pigmented paint with abstract designs in red, black and white, 100 cm x 63 cm
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African Maasai war shield, lenticular form with hide-bound border and wood grip to rear, decoratively painted with abstract designs in green, black and white, 110 cm x 52 cm
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Yoruba Shango dance Wand from Nigeria, carved wood and pigments. Used to honor the Yoruba god of thunder, dance wands are carried by Shango priests and devotees during public worship activities and enshrined on the deity's altar. 36 cm height
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Kuba Divination tool, cylindrical tapering head with slip carved eyes, rectangular body with incised design to sides. Reddish brown patina. 27 cm length
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Baule figure, this figure represents a male spirit lover, blolo bian. These are frustrated partners left behind in the world of the spirits when people are born into this world. Each man and woman is believed to have a spirit double or spouse that resides in the other world. If the spirit becomes angry, the human spouse commissions a carving to receive offerings. The Baule believe that beauty helps promote fertility and avoid marital problems so the blolo bian has an elaborate hairstyle with intricate…
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Miniature Dogon ladder from Mali, carved wood 25-step ladder with branching apex. These works replicate the form of the full-size versions, yet their purpose is spiritual rather than utilitarian; the Dogon believe the ladders facilitate a spirit's ability to reach their ancestors. 62 cm height
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Kuba fabric framed wall hanging, in shades of brown, and cream. Kuba cloth is made from the leaf of the raffia tree or palm, which is cut into strips and woven together to create the fabric. 231 cm x 76 cm
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A rare Gabbra tribe 'Akatoom' (water proof container), for carrying water, made with woven fibre and rawhide, 1850s. Provenance: Own Mapp collection, 40 cm height
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Yoruba female figure from Nigeria, standing figure carrying a bowl on her head. Carved wood with blue pigment, bead embellishment, and facial cicatrices. Damage to base. 74 cm height
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A Songye kifwebe mask from the Democratic Republic of Congo, wood, raffia, vegetable fibre, feathers, animal hair, and natural pigments. The high sagittal crest denoting it as a male mask. For the people of the Eastern Songye region of the Democratic Republic of Congo, such masks have been danced from the late nineteenth to early twenty-first centuries. The dances have been continually reinvented for more than a century, with the masks used in both secular and magical-religious performances. Male masks…
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A good Yoruba beaded Crown, the hollowed cylindrical shaped base with raised facial features surmounted by a mythical animal, the crown surface completely embellished with multi coloured beads. Typically worn by Yoruba rulers on state occasions. In good original condition, 23 cm diameter
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An exceptional 19th century sea captain's bureau-cabinet of Danish or Swedish origin, constructed of various hardwoods including Honduras and Cuban mahogany and teak which would have been acquired during voyages in the Caribbean and the Pacific. Extraordinary detailed chip carving with many nautical motifs, anchor, cross flags, compass and Pacific Island patterns and inlaid with red coral, mother of pearl and marine ivory, Owners name carved on the bureau fall I.P.L Hoin and dated 1881
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A 19th century bronze Paravati figure oil lamp, this altar figure represents the Hindu goddess of power, energy, nourishment, love, beauty, devotion, and motherhood. Provenance: Barnes collection. 30 cm height
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Jane Brenkley carved box, the exterior carved and painted with roses, the interior lined with wallpaper, photos and the usual carved verse and picture to the lid, signed and dated 1959. 19 cm height x 29 cm width
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Jane Brenkley carved box, the exterior carved and painted displays two nesting fantails among flowers, the interior lined with wallpaper paper and the usual carved verse and picture to the lid. Includes an original photo of Jane Brenkley and two photocopies with handwritten notes by the artist. Signed and dated 1952. 20 cm height x 36 cm width
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Jane Brenkley carved wahine, holding a mere pounamu with shells at her feet, usual verse inscribed to the base. 19 cm height.
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Jane Brenkley carved wooden sketch book, wheku figure with paua eyes and pikorauru spirals carved to the front, wheku face to the spine and lizard figure on reverse, interior displays a painted landscape scene, wallpaper pages with original artist sketches. Signed and dated 1944. 22 cm width
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Jane Brenkley Maori folk art side table, the rectangular top with highly detailed carving depicting a man, woman and dog in the foreground and a lake scene in the mid-ground, carved figural central column and stepped base. Signed and dated 1944. 60 cm height x 45 cm width
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