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Auction House:ArtvisoryNumber of lots recorded:364
Sale Title:Fine Chinese and Asian Arts Part 1 & 2Lots with images:364
Auction Location:MelbournePrices available:249
Date:1-May-2022
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A fine Thai underglazed Brown-Decorated bowl, 16TH-17th century /, 11.9 cm diameter. Provenance: an old private collection, Melbourne.
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Two Japanese stoneware tea bowls, 17TH-19th century including a blue and white crackle-glazed tea bowl by Mokubei Aoki (1767 1833). Signed to base, with a Japanese wood box; and a Japanese Hagi ware brown glazed tea bowl, with an old Japanese wood box. (1767 1833) ( (, both 13 cm diameter. Provenance: an old private collection, Melbourne, Australia, acquired from Katsuragi, Japan in the early 2000s. 2000 Katsuragi
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A Japanese stoneware tea bowl by Shoji Hamada (1894-1978) with red stoneware body, covered with a white and thin reddish- white glaze, with a impressed mark on the base. With a Japanese wood box, inscribed and signed on the cover of the box, Shoji Hamada (1894-1978). (1894-1978), 15.5 cm diameter. Provenance: an old private collection, Melbourne, Australia, acquired from Japan in the early 2000s. 2000
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Three Japanese stoneware tea vessels including a shino ware tea bowl by Yano Keisen (1870 1965), inscribed and signed, and an impressed mark to the lower body above the foot, with an original Japanese wood box, inscribed and signed to the cover of the box; a Japanese shino tea bowl by Shuji Ohashi (1795 1857), a pressed mark on the base; a Bizen ware Ho-Bin from Okayama Prefecture, signed. (1870 1965) (1795 1857), Yano Keisen tea bowl: 12.5 cm diameter, 8.5 cm high. Provenance: an old private collection,…
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A blue enamel silver abstinence plaque, Qing Dynasty (1644-1912) ', 7.5 cm high. Provenance: mark Walberg fine Art and Antiques, New York, USA. Mark Walberg
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A Beijing-Enamel 'European Subject' belt buckle Qing Dynasty, Qing Dynasty, 18th-19th century, 9 cm long. Provenance: mark Walberg fine Art and Antiques, New York, USA. Mark Walberg
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A blue and white Kraak bowl, Wanli period, late 16th century, 14.5 cm diameter. Provenance: Phillips London, 1992. Andrew Stuart Robertson, 1/4/1998. A private collection, ACT, Australia.
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A large blue Adn white plate, Qing Dynasty, Kangxi period (1662-1722), 39.4 cm diameter. Provenance: a private collection, Sydney, Australia.
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A square famille-rose Bursh pot, Guangxu mark and of the period, dated to 1886 1886, 11.8 cm high. Provenance: a private collection, NSW, Australia.
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Two blue and white dishes, Qing Dynasty, Kangxi period (1622-1772), 20 cm & 23.5 cm diameter. Provenance: an old private collection, Melbourne, Australia.
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A blue and white box and cover, Wanli six-character underglazed blue mark the cover decorated with a dragon and phoenix, 10 x 7.5 x 4.8 cm. Provenance: a private collection, Melbourne, Australia, acquired from Oi Ling fine Chinese Antiques, Hong Kong, 28/5/17. (invoice no. 2486)
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A blue and white circular box and cover, Kangxi period (1662-1722), 10.4 cm diameter. Provenance: Mossgreen Melbourne, 16/11/2015. A private collection, ACT, Australia.
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A blue and white Meiping vase, Ming style, possibly 20th century, 34 cm high. Provenance: a private collection, Sydney, Australia.
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A turquoise glazed Buddhist lion dog, Qing Dynasty (1644-1912) with original fitted wood stand, 10 cm high. Provenance: a private collection, Sydney, Australia.
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A pair of Chinese famille-rose armorial plates, Qianlong period (1736-1795) each dish is decorated with an armorial badge to the interior centre with a 'Toujours Le Meme' mark, gilt inner border and outer rim; coat of arms are entitled 'Giles Impailing Despayne' ordered by the giles family in 1745, 23.3 cm and 23 cm diameter. Provenance: Private Collection, Melbourne, Australia. Mossgreen Melbourne, 1/8/2016, lot 182.
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A Sancai-glazed dish, Qing Dynasty, Guangxu period (1875-1908) with a Japanese wood box and a wood stand, 21.5 cm diameter. Provenance: a private collection Melbourne, Australia.
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A sang de boeuf glazed vase, Qing Dynasty, 19th century with fitted carved wood stand, 36 cm high. Provenance: Chinese warehouse, Hewett & Co, 59, Baker St, London, label to the base of the wood stand. Hewett & Co, 59 Baker St, London
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A red glazed Yuhuchun vase, Qianlong six-character underglazed blue mark, late Qing -Early Republic period, 19th-20th century of pear shape with waisted neck and flaring mouth rising from a slightly flaring base, the exterior all covered in a good even bubble-suffused rich liver-red glaze stopping neatly around the foot, the interior and base glazed white,with a fitted stand and a fitted box, 29.6 cm high. Provenance: Mossgreen Melbourne, 1/8/2016, lot 142.
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A Peach-Blossom glazed washer, Guangxu period, early 20th century, 3.5 cm high. Provenance: Poly Beijing (label).
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A Yijun stoneware vase, Ge Ming Xiang Zao mark, Qing Dynasty, 18th century ', 27.6 cm high. Provenance: a private collection, NSW, Australia.
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An unusual carved large opaque pink glass bowl, Qianlong four-character incised mark within Double-Squares, Qing Dynasty (1644-1911) the exterior carved in relief with a boy on a pomegranate, an old man on a peach, and an official on a persimmon. ', 14.7 cm diameter
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A Roman glass goblet, 3rd century AD, 10 cm high. Provenance: from a north of England musem collection, acquired by the previous owner when the Museum was closing down after the second World War. A private collection, Melbourne, Australia, acquired from ArtAncient Ltd, London, 3/6/2016 (original receipt).
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Attributed to Yuan Jiang ink and colour on silk, framed. Inscribed, signed and a red seal of the artist, 101 x 46 cm. Provenance: collection of dirk Eysbertse, Melbourne, Australia. Mossgreen Melbourne, 17/4/2017, lot 33.
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Zhang Shoucheng (1918-) eagle (1983). Ink and colour on paper, hanging scroll. Inscribed, signed, and a red seal of the artist. 1918- 1983, 95.5 x 34 cm. Provenance: a private collection, Melbourne, Australia.
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Zhang Shoucheng (1918-) mountain landscape (1986). Ink and colour on paper, hanging scroll. Inscribed, signed, and a red seal of the artist. 1918- 2000, 93.5 x 50 cm. Provenance: a private collection, Melbourne, Australia.
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Zhang Shoucheng (1918-) mountain river landscape (2000). Ink and colour on paper, hanging scroll. Inscribed, signed, and a red seal of the artist. 1918- 2000, 63.6 x 45.4 cm. Provenance: a private collection, Melbourne, Australia.
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Attributed to Cheng Shifa (1921-2007) Nian Feng Chang Le. Calligraphy in seal script, ink on red paper. Signed and two seals of the artist. () ', 111 x 34 cm. Provenance: a private collectoin, Melbourne, Australia, gift from the artist (by repute).
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Attributed to fan Zeng (1938 -) Buddha. Ink and colour on paper, hanging scroll. Signed and inscribed by the artist, with two seals of the artist. Dated 1995. '1995, 68.8 cm x 137.5 cm. Provenance: a private collection, NSW, Australia.
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Attributed to Lu Yanshao (1909-1993) plum blossoms. Ink and colour on paper, hanging scroll. Inscribed and signed Lu Yanshao, with six seals of the artist, and dedicated to Su Yuanlei (1908-1995). Dated March of 1982. ', 1908-1995, 96 x 64 cm
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A Chinese painting of a Luohan, Anonymous, Ming Dynasty (1368-1644) Luohan, ink and colour on paper. ', 66.4 x 35.9 cm. Provenance: Suzy Lebasi, Soo Tze Oriental Antiques, Melbourne, Australia. A private collection, Tasmania, Australia. Suzy Lebasi, Soo Tze
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A pair of Japanese panels of Eagles, Meiji period, ink and colour on paper, framed. Two read seals, one on each panel. ' (, each: 95.5 x 50 cm. Provenance: Raymond & Victoria Tregaskis Oriental Art, Sydney, Australia. An important private collection, Sydney, Australia.
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Two Chen Peiqiu (1922-2020) calligraphy Jia Qu and Ang Xia. Each in running script, ink on paper. Signed and three red seals of the artist. 1922-2020' ', each : 69 x 36.9 cm. Provenance: a private collectoin, Melbourne, Australia, gift from the artist.
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Chen Peiqiu (1922-2020) Gao Tian Chun Shui. Calligraphy in running script, ink on paper. Inscribed, signed and three red seal of the artist. 1922-2020', 97.4 x 35 cm. Provenance: a private collection, Melbourne, Australia, gift from the artist.
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Chen Peiqiu (1922-2020) Hu Zhong Ri Yue. Calligraphy in running script, ink on paper. Inscribed, signed and three red seal of the artist. 1922-2020', 87.7 x 35 cm. Provenance: a private collection, Melbourne, Australia, gift from the artist.
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Chen Peiqiu (1922-2020) Ning Jing Zhi Yuan. Calligraphy in running script, ink on paper. Inscribed, signed and three red seal of the artist. 1922-2020', 106 x 35.5 cm. Provenance: a private collectoin, Melbourne, Australia, gift from the artist.
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Chen Peiqiu (1922-2020) Hua Shu Chun Feng. Calligraphy in running script, ink on paper. Inscribed, signed and three red seal of the artist. 1922-2020', 104.5 x 24.5 cm. Provenance: a private collectoin, Melbourne, Australia, gift from the artist.
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Chen Peiqiu (1922-2020) calligraphy couplet in running script. Ink on paper, inscribed, signed and dated, three red seals of the artist 1922-2020, each: 129 x 23 cm. Provenance: a private collectoin, Melbourne, Australia, gift from the artist.
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Chen Peiqiu (1922-2020) calligraphy couplet in running script. Ink on paper, signed, four red seals of the artist. 1922-2020, each 70 x 16.5 cm. Provenance: a private collection, Melbourne, Australia, gift from the artist.
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A group of 7 Chinese Art reference books including R. Krahl, Chinese ceramics in the Topkapi Saray Museum, Istanbul: a complete catalogue. London: Sotheby's with the Directorate of the Topkapi Saray Museum, 1986. 3 volumes; D. Howard & J. Ayeres, china for the West, 2 volumes; bronze mirrors from ancient china: Donald H. Graham Jr, collection; the world of Khubliai Khan: Chinese Art in the Yuan Dynasty. Provenance: Raymond & Victoria Tregaskis Oriental Art, Sydney, Australia. An important private…
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A group of 4 Chinese Art reference books including H. Moss, by Imperial Command: an introduction to Ch'ing Imperial painted enamels, 1976, Vol.1 & 2 no. 162 of 1000 copies; R.L. Hobson, a catalogue of Chinese pottery and porcelain in the collection of Sir Percival David. London: the Stourton press, 1934, limited edition number 4538 of 650 copies; S. Jenyns, Chinese Art: the minor Arts, 1965. Provenance: Raymond & Victoria Tregaskis Oriental Art, Sydney, Australia. An important private collection, Sydney,…
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The Baur collection, Geneva: 8 volumes including Chinese ceramics, 4 volumes; Japanese sword-fittings, netsuke, Japanese lacquer. Provenance: Raymond & Victoria Tregaskis Oriental Art, Sydney, Australia. An important private collection, Sydney, Australia.
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A group of 14 Japanese and Chinese Art reference books including the Nasser D. Khalili collection of Japanese Art: Treasures of Imperial Japan, 8 volumes; Oriental ceramics, 4 volumes; Imperial silks: Ch'ing Dynasty textiles in the Minneapolis Institute of Arts, 2 volumes. Provenance: Raymond & Victoria Tregaskis Oriental Art, Sydney, Australia. An important private collection, Sydney, Australia.
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A group of 9 Chinese Art reference books including R. Krahl, Chinese ceramics from the Meiyingtang collection, Vol, 3& 4 (4); C. Deydier, Chinese Bronzes from the Meiyingtang collection, Vol. 1& 2 (2); Chinese porcelain: the S.C. Ko Tranminlou collection, I & II (2); the Freer Chinese Bronzes I. Provenance: Raymond & Victoria Tregaskis Oriental Art, Sydney, Australia. An important private collection, Sydney, Australia.
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