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Auction House:Cordy'sNumber of lots recorded:312
Sale Title:Jewellery, Decorative & Fine ArtsLots with images:294
Auction Location:AucklandPrices available:213
Date:22-Feb-2022
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A quality 20th century Japanese gilded bronze standing buddha, with elaborate headdress, draped robes, holding a lotus flower to the left hand, the right in downwards pose, upon a lotus throne. Height 31.5 cm. In fitted wood box.
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An early Japanese figure of the bodhisattva Avalokite'vara (Kannon), carved and pigmented soft wood, seated cross legged with upturned soles, the forearms placed asymmetrically with hands in apana mudra. Scattered distress to paint surface. 57 x 38 x 80 cm
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A small Japanese wood precious objects chest, lavishly decorated with engraved brass corner plates to all drawers and the top, strapping to the front and with additional brass detail, brass carrying handle to the top. 34.5 x 25 x 24.5 cm.
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Four Japanese Meiji period Imari plates, the centre decorated with a fishing scene, the border with floral panels, ho-ho birds and stylised dragons, the exterior with Japanese motifs, in traditional Imari tones with rich gilt embellishment, scalloped rim, four-character mark to base. Diameter 21 cm.
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A quality Japanese Taisho period bronze hibachi, cast in relief and engraved with extensive mountainous landscapes and buildings, signed Goro Saburo (' '), eventually Gorosaburo XI. The Kanaya family founded their foundry in Kyoto (Kioto) in 1581. The artist here, Kanaya Gorosaburo XI (1870-1928) was from the eleventh generation of the family of artists in Kyoto. The firm's bronze wares are represented in many prestigious collections, including the Rijksmuseum, National Victoria Museum in Melbourne, and…
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A late Victorian silver and marble paperweight, in the form of a tree stump supporting a black smith's anvil, on a square variegated marble base, a later George V penny inset into the tree stump, Birmingham 1898 by Douglas clock Co.
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An early 1900s silver and tortoiseshell dressing table set, mirror, two brushes, two clothes brush and comb, in original fitted case, Birmingham 1917 by Walker & Hall.
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An early 20th century three-piece silver tea set, of fluted oval section, teapot with ebony handle and finial, the creamer and sugar basin with scroll handles. Sheffield 1912. Approx. 694gm.
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A silver cream jug with a rare assay mark, of plain baluster shape raised on a circular spreading foot and with double scroll handle, the spout with drop-finial detail. Chester assay office with the final date letter mark of the office only used from 1 July-24 August 1962. Maker's mark for Robinson & Co. 208gm. Height 10 cm.
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An uncommon Edwardian silver table epergne, the tall central trumpet above four smaller issuing from a central support, flared lobed circular weighted base. Height 38.8 cm. 640gm. Actual silver weight. London 1902 by Henry Wilkinson & Co.
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A Victorian silver fruit basket, pierced decoration to the rim, engraved decoration to the centre, swing handle, raised on shell and hoof feet, handle has been repaired. London 1862 by John Kilpatrick. 26 x 19 x 7.5 cm. 524gm.
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A rare cased set of four George II and III silver gilt apostle spoons, each with fig shaped bowls and finials depicting St Andrew, St Simon, St Luke and St Thomas, each apostle surmounted by a sacred dove nimbus; the first London 1739 attributed to Thomas Wildman, the second London 1767 by Thomas & William Chawner, the third London 1737 obscured maker's mark, the fourth London 1776 by William Collings.
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An early 20th century silver angel of Victory, arms and wings outstretched and on turned wooden base, Sheffield 1918 by Martin Hall & Co. Height 10 cm (not including base).
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A substantial Amboss (Austria) stainless steel cutlery set, principally a ten-place setting excluding fish knives and forks (eight each), nine teaspoons and six serving spoons, plus approximately thirty additional utensils. This pattern 2050 designed by Oswald Haerdtl. Oswald Haerdtl was an important Austrian architect and whose designs have been shown and are in many major Museum collections, including the Museum of modern Art, Metropolitan Museum of Art, and the Cooper Hewitt Smithsonian design Museum.…
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Early 19th century American artist unknown, portrait of Catherine Burton (Nourse) Cooke (1759-1833), oil on canvas on board, unsigned, portrait sitters' details verso. 67 x 57 cm. Note: Catherine was born in London and died in Lexington, Fayette County, Kentucky, United States. Family history notes that this portrait was painted in Kentucky by a noted early portrait artist. Provenance: Inherited by our vendor through Nourse family descent.
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A lady's Omega 18ct yellow gold de Ville wristwatch, white enamel dial with Roman numerals and date aperture, black stitched leather strap. The back # 53690539. With grey leather wallet enclosing warranty card dated 22-02-93.
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An uncommon 19th century American Waterbury banjo player Blinking eye clock, Connecticut, c.1875, cast iron, his eyes move up and down with the beat of the clock, original 30-hour movement, the original paint and dial showing some wear commensurate with age. Working with key . The cases for these clocks were made by the Bradley and Hubbard Manufacturing Company.
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A Victorian gold mourning brooch, oval stepped form with central star framed seed pearl highlighted with blue enamel, tapered bead borders. Tested as 14ct gold. Length 4.5 cm. 9.8gm. In original Morocco leather deep red/purple velvet lined box
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An impressive Art Deco platinum, aquamarine and diamond set brooch, of large oval form with central emerald cut bright toned aquamarine in rub-over mount framed by a pierced geometric design set with 92 rose cut diamonds, two small further aquamarines to each end. 53.8 cm.
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A 14ct rose gold, pink sapphire and diamond, tennis bracelet, nineteen oval cut, medium purplish-pink sapphires (eye clean clarity - slightly included), claw set with two round brilliant cut diamonds between each sapphire, (G-I colour, SI2-I2 clarity), push clasp, with two safety catches, TSW 16.00ct, TDW 1.00ct, length 17.5 cm.
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A 14ct gold sapphire and diamond tennis bracelet, eighteen oval cut Royal Blue sapphires (eye clean clarity), claw set and with three round brilliant cut diamonds set between each sapphire, (H-J colour, SI1-I2 clarity), TSW 26.96ct, TDW 0.60ct, with push clasp and safety catch, length 17 cm.
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A 14ct white gold, sapphire and diamond triple line bracelet, forty-eight marquise cut Royal Blue, sapphires (eye clean clarity), claw set in three rows, alternating with ninety-six round brilliant cut diamonds (H-J colour, SI1-I1 clarity), TSW 9.30ct, TDW 1.75ct, push clasp, with safety catch, length 17 cm.
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An 18ct white gold and diamond tennis bracelet, fifty-nine round brilliant cut diamonds claw set, (colour D-G, clarity Vs- SI2), TDW 5.21ct, push clasp with safety catches.
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An 18ct gold and diamond bracelet, twenty round links each set with an oval brilliant cut fancy yellow diamond, surrounded by a halo of twelve small round brilliant cut fancy yellow diamonds, with an outer halo of eighteen round brilliant cut white diamonds, TDW of white diamonds 2.51ct, TDW of fancy yellow diamonds 6.22ct, push clasp with two safety catches.
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A pair of 14ct rose gold, morganite and diamond halo drop earrings, each earring set with a 1.43 oval cut pink morganite (eye clean clarity), claw set, and surrounded by round brilliant cut diamonds (I-K colour, I1-I2 clarity), suspended from a diamond set bale, hooks for pierced ears, Tmw 2.86ct, TDW 0.48ct.
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A pair of 14ct rose gold and diamond halo stud earrings, each earring set with a 0.61ct round brilliant cut diamond (I-J colour, SI1-SI2 clarity), claw set and surrounded by a halo of sixteen round brilliant cut diamonds (I-K colour, SI1-I1 clarity), TDW 1.47ct, posts for pierced ears.
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A 14ct white gold, green Ceylon sapphire and diamond flower design stud earrings, each earring set with seven round brilliant cut diamonds set as a cluster (J-K colour, SI1-I1 clarity), and surrounded by six oval cut, green sapphires representing the petals, TSW 5.74ct, TDW 0.15ct, posts for pierced ears.
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A pair of 14ct white gold, heliodor and diamond double halo earrings, each set with a 1.85ct round cut, medium-dark yellow heliodor (eye clean-slightly included), claw set and surrounded by a double halo of fifty round brilliant cut diamonds (I-K colour, SI1-I2 clarity), Thw 3.70ct, TDW 0.89ct, earrings have posts for pierced ears.
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A pair of 14ct white gold South Sea cultured pearl and diamond drop earrings, each set with a Baroque, white with green, pink and silver overtones, cultured South Sea pearl (10.0 cm-10.1 cm size, good lustre, slightly blemished), suspended from a bale set with four round brilliant cut diamonds (I-K colour, S12-P2 clarity), TDW 0.50ct, hooks for pierced ears.
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A 14ct rose gold, cultured pearl, sapphire and diamond drop earrings, each set with a near round, pink with silver overtones, cultured pearl (11.9 cm-12.0.6 cm size), suspended from a pink sapphire and diamond set bale, TSW 0.64ct, TDW 0.18ct (J-L colour, SI2-I1 clarity), posts for pierced ears.
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A pair of 18ct white gold, diamond and ruby chandelier drop earrings, each set with a floral cluster of six pear shaped rubies (slightly included) enhanced by scrolls of small round brilliant cut diamonds (colour G-I, clarity Si-I1), with three drops of pear-shaped rubies and brilliant cut diamonds suspended from the flower, Trw 6.97ct, TDW 1.12ct, posts for pierced ears with safety clip.
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A 22ct gold cross on chain, the cross with fine notched border, the chain testing as 14ct, the clasp gold plate. Cross height 4 cm and 9.7gm. The chain length 52 cm and 3.1gm.
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A stylish early 20th century silver and large opal pendant on chain, the oval milk opal of 2.8 x 2 cm claw set and suspended from a smaller opal, silver rope twist chain. Length 600m
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A retro Jorgen Jensen pewter necklace, three rectangular panels set with glass lapis lazuli cabochons set to the centre of each, suspended from a single bar, stamped with the full Jorgen Jensen mark, together with a silver chain.
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A 14ct gold sapphire and diamond flower pendant, four pear cut very light bluish-purple sapphires (eye clean clarity), claw set with five round brilliant cut diamonds (H-J colour, S12-I2 clarity), TSW 0.06ct, TDW 1.51ct.
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A pearl necklace, a single strand of graduated natural pearls (2.8 cm to 7.6 cm), of deep cream lustre, the 9ct rose gold clasp set with nine small round brilliant cut diamonds surrounding a single pearl, together with a pair of pearl earrings with screw fittings for non-pierced ears.
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A cultured Tahitian black pearl necklace, a single strand of thirty-seven near round pearls, dark grey with green overtones, (11.4.4 cm-13.8.9 cm size, medium lustre, slightly blemished-blemished), the 14ct black gold filigree ball clasp set with four small round brilliant cut diamonds (H-I colour, SI1 clarity), length 49 cm.
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A 14ct white gold, Australian opal and diamond halo pendant, a 3.05ct free-form cut, Australian opal (green-yellow-orange-violet moderate colour play), claw set and surrounded by a halo of thirty-one round brilliant cut diamonds (H-J colour, SI2-I3 clarity), the pendant is suspended on a 14K white gold chain.
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An 18ct white gold and diamond necklace, eighty-four graduating diamond set clusters, each comprising five round brilliant cut diamonds, (colour G-J, clarity Si-I2), TDW 19.76ct, push clasp with safety catch.
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A vintage 14ct gold and coral cameo ring, the coral cameo in the form of a classical woman, set in a rub over mount, decorated shoulders and plain shank.
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