Full details of each lot are displayed, except the lot number, estimate and price. You must be a subscriber to view lot numbers, estimates and prices.

Click here to view registration and subscription levels

Auction House:Theodore Bruce Auctioneers & ValuersNumber of lots recorded:624
Sale Title:Emporium, Day 2Lots with images:612
Auction Location:SydneyPrices available:487
Date:1-Dec-2019
***
Jules Pascin, (1885-1930), Le Lever, from album des Peintres 1924, lithograph ed. 50, later impression pr. Atelier Duchatel, Paris, signed lower right in plate, 24 x 19 cm
***
***
***
After Pierre Auguste Renoir, (1841-1919) France, Femes au Cep de Vigne 1904, lithograph ed. 1000, signed in plate, catalogue Raissonne no. 48, folio fine Art Ltd, London, 13.4 x 9.9 cm. Provenance: Purchased folio fine Art London, label verso
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
William Leighton Leitch, (1804-1883) Britain, St Bernard's hill, handcoloured lithograph, signed in plate lower left, titled in plate lower right, 28 x 38.5 cm
***
***
***
***
***
***
James Fittler, (1758-1835), Sydney, New South Wales, with the entrance into Port Jackson, handcoloured engraving pub. Sherwood & Co, August 1 1821, 17 x 22.2 cm sight
***
***
***
Gerard Lehner (b.1932) Papal Remedies and S Martin three Poppies and Peter bowling, the cottage [3], etchings, good condition, framed, 7 x 8 cm, 14 x 11 cm,10 x 14.5 cm
***
***
***
After Rene Vincent four unframed prints: Ranelagh, the wild West, the Meet, Tally HO! [4], laid on cardboard, foxed margins, double sided tape to margins, 35.5 x 40.5 cm overall
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
N Ward, (20th century) Britain, big rock and Cornish coast 1980 [2], colour etching/aquatint ed. 25/100, 34/100, signed & dated lower right, indistinct, 59 x 41 cm
***
***
***
Edward Algernon S Douglas, (c.1850-c.1920) Britain, hare Coursing: see HO, a sharp Turn, Slipped and white Wins [4], handcoloured aquatints eng Cr Stocks pub. Ackermann, London 1887, each 21.5 x 64.5 cm
***
***
***
Sidney Hall, (act.1817-1860) Britain, Colony of New South Wales 1828, map of New South Wales showing counties, description of topography with relief shown by hachures., plate 35 from Hall's, a new general atlas..., London, 1830, handcoloured engraving pub. Longman, Orme & Co. London, 51.2 x 41.2 cm
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
Arthur Merric Bloomfield Boyd, (1920-1999), three Boulders Shoalhaven river, Photolithograph ed. Proof, signed lower right, 68 x 54.5 cm
***
***
***
After Norman Alfred Williams Lindsay, (1879-1969), Defence Tactics and framed Japanese print, Offset print pub. Norman Lindsay gallery, National Trust of Australia, condition, Foxed across surface, age discoloured paper, 70 x 49 cm
***
***
***
***
***
***
***
***
***
***
***
***
Reinis Zusters, (1919-1999), Jamieson creek 1989, oil on canvasboard, signed lower left, titled & dated verso, 35 x 45 cm
***
***
***
***
***
***
***
***
***
***
***
***
Samantha Dulhunty-Field, (20th century), Cactus 1986 and palm 1986, acrylic on paper, signed lower right, dated lower left, 39 x 31 cm
***
***
***
***
***
***
Ray Austin Crooke, (1922-2015), Bluffs, Chillagoe Nq, oil on canvas on board, signed lower left, inscribed & titled verso, 44 x 60 cm.
***
***
***
Greg Krygsman, (act.1980s), summer of 79, oil on board, signed & dated lower left, 62 x 77 cm. Exhibited: Holdsworth Galleries, Paddington, label verso
***
***
***
Alan John Oldfield, (1943-2004), Linacre in ink, 1989 and Ebrington, Gloucestershire, 1988 from the Oxford series [2], ink on paper & pencil on paper, signed & dated lower right, titled, 20 x 25 cm. Provenance: The Estate of the artist, thence by descent. Exhibited: Alan Oldfield: Revelations, Journeys and a place - works 1985-1992, Regional Galleries, NSW & ACT, Tour 1993-1994
***
***
***
Alan John Oldfield, (1943-2004), Ruined arch Wymond Abbey, 1985 and Christ church Cathedral Oxford, 1988 from the Oxford series [2], each: pencil on paper, signed & dated lower right, 20 x 25 cm. Provenance: The Estate of the artist, thence by descent. Exhibited: Alan Oldfield: Revelations, Journeys and a place - works 1985-1992, Regional Galleries, NSW & ACT, Tour 1993-1994
***
***
***
Alan John Oldfield, (1943-2004), University park Oxford, 1989 and Hawthony I & II, 1996, from Oxford series [2], each: pencil on paper, one: signed & dated lower right, the other: titled lower right, 20 x 25 cm. Provenance: The Estate of the artist, thence by descent. Exhibited: Alan Oldfield: Revelations, Journeys and a place - works 1985-1992, Regional Galleries, NSW & ACT, Tour 1993-1994 cat. No. 8. Label verso, Macquarie Galleries, Sydney, label verso
***
***
***
***
***
***
William Ernest Maurice Fletcher, (1924-1983), Banksia Integrifoila 1971, oil on board, signed lower right, title verso, 65 x 46.5 cm. Provenance: Artarmon Galleries exhibition November 1983 cat. No.12 label verso, Savill Galleries label verso
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
Blake Twigden, (b.1945), Bromiliad, swallow - Tanager Tinalandia, Ecuador 1983, watercolour, signed, titled & dated lower right, 25 x 35 cm
***
***
***
Stephen George Maniatty, (1910-1984) USA, Maple Syrup Harvesting, oil on canvas, signed lower right, artist's label verso, 51 x 76 cm
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
After Clarice Marjoribanks Beckett, (1887-1935), the Boatsheds, silkscreen ed. 46/75, unique Editions embossed seal lower right, Certicate of authenticity verso, 46 x 67 cm
***
***
***
Andreas Nottebohm, (b.1944) Germany/USA, KN931 1987, acrylic on aluminum, signed, titled & dated verso. Provenance: Jill Vickers gallery of fine Art, Colorado, 102 x 123 cm
***
***
***
Takashi Murakami, (b.1962) Japan, time Bokan - red 2001, Offset lithograph ed. 152/300, signed lower right, Martin Lawrence Galleries, certificate of authenticity cat no. GRMUR201224, verso, 49.5 x 49.5 cm
***
***
***
***
***
***
***
***
***
Danny Li Wan Fai, (b.1954) Hong Kong, cottage in a winter landscape, acrylic on canvas, signed lower right, 60 x 91 cm
***
***
***
***
***
***
Alan John Oldfield, (1943-2004), Llanthony May 1996-27 February 2003, 4 panels, oil, acrylic, paintstick on canvas, signed & dated verso 3rd panel, inscribed each panel, 182 x 315 overall. Provenance: The Estate of the artist, thence by descent. Private Collection, Sydney
***
***
***
***
***
***
***
***
***
Ken Searle, (b.1951), Sunday morning and Kentucky flying chicken [2], oil on canvas, each inscribed verso: Ken Searle Watters gallery, 47 x 37 cm 49 x 33 cm
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
Ramon Ward Thompson, (b.1941), the tea party, oil on canvas on board, signed lower right, titled verso, 29 x 21.5 cm
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***
***