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Fine and Decorative Arts — Philips Auctions Australia

Articles on this Sale

Auction House:Philips Auctions AustraliaNumber of lots recorded:351
Sale Title:Fine and Decorative ArtsLots with images:350
Auction Location:MelbournePrices available:219
Date:20-Oct-2019
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A Georgian sterling silver basting spoon, 1802 York date letter, assayed in London, with maker's mark for Hampston, Prince & Cattles (Hp & C were York makers, no York assay mark; note an additional small 'E' adjacent to the date letter), the spoon in Old English pattern, crisp; hallmarked underside to terminal, silver weight 91gr, length 29.5 cm
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An Edwardian sterling silver tea strainer, 1901 Chester, with maker's mark for Samuel Boyce (or Boaz) Landeck, a heavy gauge strainer embossed with rococo elements and trophies; hallmarked to side, silver weight 92gr, length 15.5 cm, width 9.5 cm
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A pair of Edwardian sterling silver Pillar candlesticks, 1912 Birmingham, with maker's mark for Henry Clifford Davis, of elegant plain form with trumpet sconces and concentric ribs above a spreading and stepped circular base, weighted; hallmarks to foot, total weight 987gr, height 21 cm
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A George I sterling silver Irish creamer, 1726 Dublin, pear-shaped with a central girdle, reeded scroll handle and raised on a trio of stepped hoof feet, embossed and repousse floral and scroll work to the body, hallmarked underside, silver weight 164gr, height 13 cm
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A mid Victorian tankard-shaped Christening mug, 1861 London, with maker's mark for John Kilpatrick, finely engraved with knotted formal ribbons and acanthus, with a vacant cartouche medallion, and a double scroll leafy handle with thumb spur; hallmarked near upper handle mount, silver weight 147gr, height 8.5 cm
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A Victorian four piece sterling silver tea and coffee service, 1838 & 1839 London, with maker's marks for J Wrangham & William Moulson, a teapot, coffee pot, sugar basin and creamer of compressed form, scroll handles to the pots with insulators, double scrolls to the creamer and sugar basin, richly embossed and chased throughout in the rococo revival manner, applied rose finials to the pots, hallmarked underside and to lids, total weight 2186gr height 24.5 cm, and smaller
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A seventy-two piece Polish .800 silver flatware service, an additional set of twelve .800 silver forks, other, post 1920, Warsaw, maker's marks Smm, plus .800 standard to fork set, a setting for twelve with bead and husk borders to the handles, comprising main knives, forks, spoons, teaspoons and demitasse spoons, cake forks; a set of dessert forks with reed and ribbon borders; a plated fish service for twelve, silver weight 3552gr (silver items only) length 21 cm, (knife)
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Seven sterling silver table wares: a serving fork, five apostle demitasse spoons and matching sugar tongs, 1901 Birmingham, with maker's mark for E.S Barnsley & Co., and; 1896 Birmingham, with maker's marks for J J Stockall & Sons, the fork with a rococo hollow twist handle; shell shaped spoons with barley twist handles and apostle terminals, the tongs conforming, hallmarked to all, total weight 141gr, length 22 cm, (fork) length 10 cm, (spoons)
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A Georgian sterling silver caster, 1776 London, with maker's mark for S.W, the elegant pillar caster with alternate decorative panels to the cap, ribbed girdles to the carinate body above a pedestal base; hallmarked underside, silver weight 147gr, height 15 cm
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A four piece Georgian sterling silver armorial tea service, 1803 & 1804 London, with maker's mark for John Emes, comprising a boat shaped teapot with stand, sugar basin and creamer, the teapot with a fruitwood handle and knop, fine bright cut neoclassical borders to all elements, thread edges, gilt washed to the basin and creamer, hallmarked underside or to shoulder borders, total weight 1044gr, height 15 cm, width 28 cm, (tea pot)
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A pair of Victorian sterling silver mounted claret jugs, 1886 Sheffield, with maker's marks for W & G Sissons, ovoid jugs etched with little stars, having broad silver collars embossed with floral and acanthus scrolls, conforming flat domed lids with pierced thumb spurs, scroll handles with bifurcated terminals; hallmarked to collar, height 25 cm
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A sterling silver three light candelabrum, 1940 Birmingham, with maker's mark for Hawkesworth, Eyre & Co, the elegant weighted candelabrum with a faceted knopped stem upon a shaped spreading base with well, twin curvaceous arms with sconces and dishes, the removable top section enabling use as a single candle stick; hallmarked to foot and other components, total weight 2119gr height 44 cm, width 40 cm
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A three piece sterling silver condiment set, 1958 Birmingham, with maker's marks for Barker Bros. Silver Ltd, an octagonal pedestal setting of plain form, comprising a salt and a mustard pot with Bristol blue liners, and a pepper pot, with two associated condiment spoons, silver weight 133gr without liners, height 9 cm
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Two reticulated silver dishes: one sterling, one Continental, post 1896 German, with maker's mark for Lutz & Weiss, no standard mark, with lion punch; 1949 Birmingham, with maker's mark for William Suckling Ltd, an oval boat with a pierced rococo style rim, and a small pedestal bon bon dish with pierced designs and twin handles; hallmarked to both, silver weight 280gr, height 7.5 cm, length 21 cm, width 12 cm
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A sterling silver sugar basin with a Bristol blue liner, 1960 Birmingham, with maker's mark for Hardy Bros, in the Victorian style with pierced floral lattice to the body, rope twist edging and twin handles, raised on four feet with vegetal mounts, hallmarked to body, silver weight 181gr, height 7.5 cm, diameter: 11.5 cm
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A pair of Georgian sterling silver table spoons and a cased set of six sterling silver cake forks, 1802 London, with maker's marks for Thomas Wallis (spoons); 1947 Sheffield, with maker's marks for Viner's Ltd, Old English pattern table spoons, with contemporary engraved initials to the terminals, crisply hallmarked underside, and; Old English cake forks, hallmarked, silver weight 228gr lengths: 23 cm, and 12.5 cm
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A pair of Georgian sterling silver gravy boats with ladles, 1767 London, rubbed maker's marks; ladles: 1789 London, with maker's marks for Hester Bateman, elegant boats with armorials, gadroon edges, double scroll handles with acanthus thumb spurs and raised on pedestal bases; hallmarked below pouring spout; the Old English ladles hallmarked underside to stems, silver weight 774gr height 13 cm, width 20 cm, (boat) length 18.5 cm, (spoon)
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An Edwardian sterling silver reticulated basket, 1912 London, with maker's mark for D & J Wellby Ltd, a bright cut lattice weave basket of straight-sided form with twin reeded and vegetal handles, and a frieze of formal floral designs; hallmarked to body, silver weight 350gr, height 7 cm, length 25 cm, width 12 cm
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A small Victorian sterling silver ewer, 1873 London, with maker's mark for Daniel & Charles Houle, an elegant carinate shaped ewer of plain form with bead borders, the scroll handle with thumb spur and a rococo embellished cabochon decoration below the spout; hallmarked to neck, silver weight 315gr, height 19.5 cm
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An Austrian .812 silver pierced bon bon basket, 1860 Vienna, with 13 loth mark, maker's mark Ab, a boat shaped basket pierced throughout with a geometric cross design, the undulating rim in the form of a grape vine branch with applied leaves and grapes, the twisted swing handle with conforming decorations; hallmarked to the interior, silver weight 270gr, height 8 cm, length 20.5 cm, width 16 cm
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Two circular sterling silver boxes, post 1904 London import mark, Hanau pseudo marks; and 1910 Birmingham, with maker's mark for Smith & Bartlam, a large compressed box the embossed lid with soldiers on horseback, rocaille forms to the body, hallmarked underside, import mark to the lid; and a small compressed box decorated with bright cut flowers; twice hallmarked, silver weight 295gr height 5.5 cm, diameter: 11 cm, and smaller
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A sterling silver three piece garniture, 1889 London, with maker's mark for Frederick Elkington, comprising a large footed bowl and two conforming smaller bowls all gilt washed to the interior, finely cast in the rococo revival manner with applied scrolling rims, baskets of fruits and raised on lavish scroll feet with acanthus and mascaron mounts; hallmarked underside, silver weight 1732gr height 15.5 cm, length 23 cm, width 23 cm, and smaller
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An early Victorian silver dish with Welsh family crest, 1842 London, with maker's marks for Charles Reily & George Storer, a pierced dish with six scrolling cartouches surrounded by florid rococo engraving, an applied scroll rim and centred with the armorial, 'Auspice Numine', (under Divine Direction); hallmarked underside, silver weight 539gr, height 7 cm, diameter: 27.5 cm
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A striking 'Feuilles de Tabac' glass vase by Le verre Francais, circa 1922, (Schneider), the tall vase of elegant tapering form to a waisted base, with bold cameo tobacco leaf motifs in orange modulating to darker colours upon a matte yellow ground, a polished pontil, etched mark of Le verre Francais to foot, height 54.5 cm
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A set of vintage Waterford stemware in Maureen pattern, 1968-2017 period of manufacture, Irish made, eighteen pieces comprising ten hock glasses and eight 'Old fashioned' whiskey tumblers with long and short cuts, the hock glasses with tapering faceted stems, stencil marks to all, height 19 cm, and 8.5 cm
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A set of vintage Waterford stemware in Sheila pattern, 1958-2017 period of manufacture, Irish made, seventeen pieces comprising eight red wine glasses and nine sherry glasses, each panel cut above an hexagonal waisted and tapering stem to a circular foot, stencil mark to all, height 16.5 cm, and 14 cm
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A pair of red Venetian glass figural candlesticks, second half 20th century, the male and female figures each holding a single sconce, the lady's skirt in a spiral decor with complete white threading, embellished with 'Gold dust' aventurine inclusions and raised on upon spreading domed bases, height 32.5 cm, and smaller
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A Lalique crystal 'Honfleurs' dish, post 1978, mark of Lalique France with registration mark of period, the plate with a broad moulded geranium leaf rim, etched mark of Lalique France with registration mark underside, diameter: 21 cm
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A Georg Jensen wine carafe by Ole Palsby (1935-2010), the carafe of bottle vase profile with a sterling silver collar and glass stopper, marks of Georg Jensen 925S and design Ole Palsby to mount, height 22 cm
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An acid etched and enamelled cameo vase, circa 1900, the cushion profile solifleur type vase in iced teal colours decorated with a fine arrangement of purple violets and foliage; unmarked, height 32.5 cm
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A rectangular Lalique basin and a small Lalique pin dish, pre 1945 and post 1978, the heavy gauge basin with lobed and gadrooned extended rims, as found, and; a small pin dish with a border of birds in low relief, both signed, height 5 cm, length 20 cm, width 9.5 cm, and smaller
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A large orange glass vase by Charles Schneider, circa 1927, ovoid with a waisted neck and having a mottled decor throughout, a polished pontil and etched signature, Schneider, to lower body, height 33.5 cm
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A pair of floral decorated Art Deco ceramic vases, circa 1920s, hexagonal tapering vases decorated with pendant foliage in olive colours upon a pale olive ground and having a floral frieze with bold stylised flower heads in mauve and tangerine colours, unmarked, height 40 cm
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A large French burnt orange porcelain three handled urn vase, early 20th century, unmarked, in the manner of Jaget et Pinon of Tours, with a long tapering neck to a broad carinate collar and tapering body with three bold buttress type handles, decorated in gilt and bronze colours with a laurel and griffin border and vegetal sprigs, height 58 cm
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An elegant pair of French cobalt bottle vases by Jaget Et Pinon, early 20th century, gilded tower mark, initials Jp (Jaget et Pinon of Tours), in rich saturated colour with long tapering necks to compressed bases, decorated in gilt and bronze colours with neoclassical festoon motifs and floral sprigs; stamped trademarks underside, height 42.5 cm
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A Moorcroft vase in wisteria pattern, 1918-1929 period, the baluster vase with tube lining, decorated with a continuous deep frieze in rich plum, purple blue and lemon glazes upon an inky ground, with impressed Cobridge mark and painted signature underside, height 20.5 cm
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A Boch Freres La Louviere ceramic vase, circa 1930, Belgium, pattern 994, the bottle style vase with small handles to the shoulder and neck decorated with flowers in a basket, in orange, saffron, turquoise and cobalt colours, backstamp, incised and painted numbers underside, height 26 cm
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A group of five vintage porcelain apothecary jars, late 19th century to mid 20th century, a pair of jars, one with old staple repairs to the lid, incised marks underside, a plain apothecary jar, and two Limoges porcelain jars, one lid absent, variously decorated, printed marks underside to the Limoges items, height 29.5 cm, and smaller
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A pair of Empire style urn vases in blue and gold colours, circa 1900, the vases each with deep blue friezes decorated with trophies and formal elements between stiff leaf, swan and lion's head borders, unmarked, height 22 cm
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A vintage covered cobalt blue porcelain vase, mid 20th century, France, probably Jaget et Pinon, Tours, the large conical pedestal vase with domed cover and button style knop, gilt decorated in the neoclassical manner upon a rich cobalt ground, marked France underside, height 31 cm, diameter: 23 cm
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A King Street Derby blanc de chine vase, probably 1860s, 1859-1935 Hancock & Stevenson mark in blue, a small bottle vase encrusted with flora, with small repair; blue backstamp underside; bearing British antique Dealers' Association label, height 15 cm
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A Royal Doulton dog of Fo, 1982, exclusively for the Collectors Club, designed by William K. Harper, the traditional Chinese lion dog with its front paw mounted upon a ball, the legs and ball in flecked navy and olive colours, backstamp underside and facsimile signature, height 12.5 cm
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A Keramis Pottery vase, circa 1925, Belgium, designed by Charles Catteau, pattern D110, boldly wavy chevrons enclosing stylised flora and scrolls in teal, cobalt and saffron colours upon a pale grey crackleware ground, with blue band to rim, mark of Keramis Belgium underside and painted pattern number; small repair, height 24 cm
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A Fieldings Crown Devon lustre Ware vase, circa 1930, design 2764, shape 255, of slightly waisted profile, with stylised arrangements of cottage garden flowers, hollyhocks and others, in bright enamel colours with gilt enhancements upon a mottled blue ground, a cloud shaped black enamel lower register and a footed base, backstamps, impressed and painted numerals, height 15.5 cm
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A Lladro figural group of two Nuns, issued 1977 - 2000, number 12075, sculptor Fulgencio Garcia, the elongated figures in white glaze with pastel coloured trims and facial features, backstamp underside and various incised ciphers, height 33.5 cm
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A Boch Freres La Louviere ceramic vase, circa 1923, Belgium, the ovoid vase decorated with black outlined sgraffito in a typical bright enamel palette with yellow and orange fruits and turquoise ribbons upon a cream ground, cobalt blue to the neck, pattern number underside and backstamp of period, height 30 cm
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Two Moorcroft flambe Pottery vases, 1950s, with Royal warrant labels for the late Queen Mary, a small ovoid vase, and a compressed vase, both tubelined with anemone flowers in rich and colourful flambe tones upon a modulating burnt orange to dark ground, labels underside, Heights: 7 cm, and 9 cm
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A fine ninety two piece R. Leclair Limoges dinner service, mid 20th century, pattern LEL37, a complete service for twelve in deep cream with floral sprigs and chevron gilt borders, comprising: dinner, entree, side plates, soup or dessert bowls, cups and associated saucers, three vegetable tureens, three various platters, a serving bowl, a gravy boat and two smaller dishes; backstamps to all, diameter 30.5 cm, (large round platter)
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Two Royal Copenhagen vases, 1957 and similar, a deep blue baluster vase with orchid sprays, and a smaller rectangular flask type vase with a narrow neck in modulating pale blue colours, decorated with bramble fruits and flowers, with green backstamps, wavy blue lines, and painted marks underside, height 18 cm, and 14.5 cm
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A pair of Continental Jugendstil Majolica vases, circa 1900, pattern 1176, slender waisted vases with bulb form shoulders issuing pierced and moulded buttress style handles, the body dotted with cabochons and dashes in green and lemon yellow colours upon a rich dark green ground, a moulded matt frieze of fruits and leaves in autumnal colours; impressed numerals underside, height 34 cm
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Two English Pottery wares: a Staffordshire figure of Elijah and a lead glazed harvest Allegory figure, circa early 19th century, Elijah in mauve robes and cape seated upon a tree trunk support and raised upon a faux marble square base, and; a lead glazed female allegorical harvest figure emblematic of summer with a wheat sheaf and scythe; repaired, height 25 cm, and 19 cm
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A Derby bocage candlestick pair, circa 1760, patch period, the kneeling opposite cupids in pastel colours each draped with flowing capes and garlands with quivers at their feet, before flowering bocages and branches supporting leafy dishes and floral sconces, raised on pierced rococo bases picked out in gilt, patch marks to feet, height 18.5 cm
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A bow cherub candlestick, circa 1760-70, a flower adorned cherub carrying a basket of flowers before an elaborate, vivid green bocage, with a floriform nozzle and dish surmount and raised on a pierced rococo base picked out in gilt; see G. Godden, '...British Pottery and Porcelain', (1974)', plate 70, height 22 cm, height 22.5 cm
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A Royal Doulton figure of spring, 1952-1959,HN2085, designer Peggy Davies, series two of the Seasons, a country maiden carrying flowers in her skirt with a lamb by her side, her dress in modulating lavender colours and upon a green grassy base; green backstamp underside, various registration numbers, painted design number, decorator's initials, height 20 cm
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An Art Deco Rosenthal porcelain tea service, late 1920s, Madeleine shape, a setting for eight comprising tea cups and associated saucers, large side plates, a sandwich tray and a covered dish, in a white stepped pattern decorated with iron red chevron borders, narrow blue bands and gilded edges, the tray handles and dish knop with geometric patterns; green backstamps underside, diameter: 28.5 cm, (round platter)
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Two Royal Doulton items: a Cavalier figure and a character jug, mid 20th century, and; 1975 pattern DH 2716, a Dick Turpin moulded character jug with a pistol style handle, impressed title to rear, green backstamp underside, and; the dashing figure of a cavalier in a green and orange cloak, pantaloons and black boots; green backstamps underside, height 26 cm, and smaller
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An elegant Edwardian hand decorated Royal Doulton vase, early 20th century, signed C.B. Brough (1903-1911 period), a slender baluster vase with a moulded scroll and pointed rim raised on a shaped base, a gilt rococo cartouche enclosing a fruit and floral arrangement upon a cream ground decorated with posies amidst a lattice of trailing ribbons and laurel chains; green backstamp underside, height 30.5 cm
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A Clarice Cliff Bizarre bowl, circa 1930, 'Fantasque', Newport Pottery, England; shape 381, the conical bowl upon a stepped circular base, hand decorated in 'Melon' pattern (pastel), the exterior with bold concentric bands in blue, watermelon and light green colours; backstamp underside, relief shape numerals, height 11.5 cm, diameter: 18.5 cm
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A miscellany of seven Limoges table and vanity wares, late 19th to 20th century, variously marked: Coronet, PHL, Elite, Haviland, floral wares comprising: a tray, shaped pin dish, an unmarked rococo style hand mirror, an unmarked compressed dish with rounded lid, a moulded creamer, lidded pot and a milk jug, backstamps to five items, length 28.5 cm, width 26 cm
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A Hadley Worcester lidded pot pourri, circa pattern 165B/LQ, of compressed tapering form with a pierced neck and moulded foot, twin handles with foliate mounts, the moulded and pierced lid with pointed finial, decorated to the body with flora upon a deep blush ground, tan and teal trims; the base marked Hadley Worcester with numerals; lid also marked, height 19 cm, width 20 cm, diameter: 15.5 cm
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A large David Oswald Pottery bowl, circa 1990s, a striking bowl with a tooled gold border to the interior, and finely glazed throughout with a lustrous gingko type crystalline effect in modulating light to medium blue colours upon an ochre yellow ground, typically signed in relief underside, Oz, with impressed numerals, height 13 cm, diameter: 51.5 cm
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Three Royal Worcester Chinoiserie pattern tureens, 1905, pattern 5969, a pair of oval lidded tureens with vegetal handles and pedestal bases, and a small tureen (with old staple repair) on stand, all decorated in a trailing floral Chinoiserie design with Qianlong style patterned borders, puce backstamps to all and painted pattern numbers to some, length 34 cm, width 20 cm, and smaller
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A reticulated porcelain Corbeille or centrepiece tazze, late 19th century, Sevres type mark, but probably other factory, a circular centrepiece with a lattice style shallow bowl in white and gold colours, the interior with mid green and trailing gilded border of flora, raised on a gilt metal neoclassical style base, painted blue crossed marks underside, height 12 cm, diameter: 24 cm
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A group of Limoges porcelain: a tray, and various dishes, early to mid 20th century, a Jean Pouyat Limoges floral tray on a lemon ground; an Art Nouveau style avocado dish, also Jpl; a W.G & C dish with a floral transferware design, and; an F & F Limoges lustre and bright gold leaf shaped sauce dish with two smaller dishes, a gold coloured butter knife and miniature spoons; backstamps to all, length 34 cm, width 30 cm, and smaller
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A collection of six violet themed Limoges table and vanity wares, late 19th to 20th century, variously marked, comprising a dresser tray and a matching cologne bottle, two sugar basins or bon bon dishes, a small lidded sucrier with matching creamer, all decorated with purple violet flowers and foliage upon pale grounds, backstamps to all, length 29.5 cm, width 23 cm, and smaller
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A fine group of six vintage Limoges plates, late 19th to 20th century, variously marked: T & V, Flambeau, MG, AKCD, plates all with moulded and gilded edging, variously decorated with floral themes, backstamps to all items, diameter: 24 cm, and smaller
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A fine Kashmiri silk carpet, in rich brown, mocha and cream colours upon a inky field and depicting a vigorous hunting scene with figures on horseback and myriad wild animals, surrounded by a main border enclosing twelve cartouches with script, length 212 cm, width 122 cm
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An antique Heriz wool carpet, of typical village design profusely decorated with all over complex geometric patterns, with a central star form lozenge in red grey and blue colours upon a red field, with complementary patterned borders, length 357 cm, width 238 cm
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A Persian Kashan wool carpet, of classical Kashan design with a central medallion and a profusion of floral motifs in red cream and blue tones upon a red field, navy spandrels and a main border with a repeat floral design, length 300 cm, width 197 cm
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An antique Serapi hand spun wool carpet, the carpet with a bold all over formal floral design in russet, tangerine and teal colours upon a navy ground, the main border of undulating vegetal design, hand knotted with natural dyes, length 300 cm, width 239 cm
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A Persian wool runner, profusely decorated throughout with formal floral vases and sprays in teal, red, navy and white colours upon a watermelon russet field, enclosed by conforming borders, length 530 cm, width 81 cm
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A Turkish Kars wool runner, of geometric design with a series of medallions in mid blue, cream, green and salmon pink colours upon a salmon field, enclosed by geometric borders in complementary colours, length 393 cm, width 100 cm
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A Persian Sarough wool carpet, the carpet with a central medallion in watermelon colours upon a cream field with tendrils and floral motifs in navy and pastel teal colours, with spandrels and a bright main formal floral border also in watermelon colours, length 310 cm, width 197 cm
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An Art Deco frosted glass nickel bronze chandelier, circa 1925, four slender tapering stems supporting stylised and floral moulded clam shells with handkerchief points, four floral arms suspending moulded bell shaped shades, length 90 cm, diameter: 60 cm
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A fine signed Art Deco frosted glass chandelier, circa 1920s, with marks for Muller Freres, Luneville, with four splayed stems supporting a squared frame with stepped dish and arched and scalloped side pieces, decorated with geometric and floral motifs, length 90 cm, length 60 cm, width 60 cm
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An Empire style four branch gilt bronze chandelier, early 20th century, of torchere style with foliate scrolling arms supporting dishes and electric candles, length 47 cm, diameter: 38 cm
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A fine six branch Napoleon III chandelier, 19th century, the lavish chandelier with a central stem issuing delicate pierced and cast decorations, the dish issuing six curvaceous arms supporting large etched and frosted globe shades, length 88 cm, diameter: 100 cm
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A vintage brass and glass hall lantern, of typical cylindrical form with textured vertical ribs and scrolling supports to a chain and cup, with provision for three electric candles, length 55 cm, diameter: 25 cm
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A large Mazarin style eight branch bronze chandelier, circa 1890, finely cast with an ornate stem to a shaped incense style dish issuing square section 'S' scroll arms supporting bold dishes and sconces with electric candles, embellished with acanthus leaves, mascarons and formal Baroque ornaments, height 116 cm, width 96 cm
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An Empire influenced Mazarin eight branch bronze chandelier, later 19th century, an elegant chandelier with a reeded stem surmounted by four decorations issuing pendant prisms to a carinate shaped dish issuing superbly cast scroll and cornucopia arms, and supporting electric candles, height 90 cm, width 70 cm
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A large antique crystal chandelier, later 19th century, fully restored and rewired, the sixteen light multi tiered chandelier hung to slender curvaceous arms with cut pear shaped drops and prisms, length 90 cm, diameter: 70 cm
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A small Louis XV style three light bronze chandelier, early 20th century, a shaped floral decorated stem issuing three acanthus decorated 'S' scroll arms with electric lights, length 25 cm, diameter: 35 cm
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A rococo style cast bronze and opaline glass chandelier, 19th century, with an open bell shaped frame decorated with cast and trailing foliate elements enclosing a large domed white glass shade, issuing two curvaceous arms with upturned sconces supporting frilled dishes and glass chimneys, length 120 cm, width 100 cm
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A vintage brass and glass hall lantern, of typical cylindrical form with a plain frame and scrolling supports to a chain and cup, with provision for three electric candles, length 53 cm, diameter: 26 cm
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A gilt bronze Empire style six branch chandelier, 19th century, with a tapering beaded stem with globe motif to rope twist and acanthus embellished 'S' scroll arms supporting electric candles, the cast dish issuing abundant fruits, length 97 cm, diameter: 77 cm
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A giltwood rococo style wall mirror, circa 1930s, of waisted form with a carved pierced crest and vegetal flourishes to the moulded frame, length 84 cm, width 52 cm
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An Art Deco rosewood and palisander mantle mirror, circa 1930s, a shaped bevelled glass within triangular framed supports with bold palisander feature above a long base, length 128 cm, width 93 cm
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A reproduction giltwood mantle mirror, a bevelled glass within a channel groove frame with a shell and floral crest, pierced ornaments to the lower sides, length 140 cm, width 131 cm
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A Louis XVI inspired palisander display cabinet, circa 1940s, the strictly plain three door glazed cabinet in well figured palisander veneer, raised on a base of curved profile with trim above conical legs with neoclassical details, height 160 cm, width 159 cm, depth 40 cm
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A pot stand and a folding chair, early 20th century, a Regency style mahogany pot stand upon splayed and reeded legs, and; a hardwood pierced back folding chair with turned stretchers and a green canvas seat, height 88 cm, (chair) height 100 cm, (pot stand)
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A marquetry etagere, factory of Emile Galle, circa 1930, the rectangular table with rounded corners inlaid with a dragonfly and lily pads in exotic timbers upon a vigorously figured tulipwood ground, with shaped walnut legs united by an undertier, bearing the inlaid signature of Galle, height 77 cm, width 61 cm, depth 33 cm
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A large Dutch oak cabinet with Renaissance style decoration, 20th century, in honey oak colours and of typical Dutch profile with an exaggerated cornice above a deep relief carved frieze, three mask heads and two multi-framed cupboards centred with high relief figural scenes flanked by fluted Ionic columns, the lower register conforming and raised on monumental bun feet, height 213 cm, width 167 cm, depth 70 cm
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An Art Deco wrought iron hall stand, circa 1930, with signed glass panel by Degus, with a central mirror surmounted by a frosted glass fan shaped panel, finely worked throughout with slender textured splats with scrolling terminals and sprays of roses, with a small marble shelf and drip trays, height 193 cm, width 70 cm, depth 19 cm
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A Louis XV style oak bedside table, early 20th century, in dark stained oak, the shaped top with thumbnail edges, a small drawer above a cupboard with a shaped recessed panel, fielded panels to the sides, a shaped apron with drop and raised on cabriole legs, height 71 cm, width 50 cm, depth 36 cm
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A Louis XV style inlaid tulipwood commode, circa 1930s, with a serpentine yellow breche marble top above two drawers with floral inlay to strung veneer panels, a pronounced drop, hipped edges and cabriole legs, with cast foliate handles, trims and sabots, height 81 cm, width 85 cm, depth 46 cm
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An Art Deco wrought iron and glass coat stand with lamp, circa 1930s, a basket style cage with four scrolls above a four stemmed pedestal with a series of cascading crimped decorations, two frosted and moulded upturned lanterns and raised upon a squared base, height 180 cm, width 46 cm
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A brass three light standard lamp, circa 1930s, the slender lamp with a stiff leaf motif to the upper stem, moulded to the lower register with overlapping fan shapes to a globular motif above an onyx and brass circular base, with a fringed apricot shaped conical shade, height 176 cm
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A transitional style tulipwood dressing table, circa 1930s, with a shaped profile, the top with three hinged quarter veneer reserved panels, the central panel with an internal mirror, the outer panels opening to compartments, with two small drawers and matching faux drawers to the facade and a writing slide, raised on knife edge cabriole legs, with restrained gilt bronze mounts, height 75 cm, width 78 cm, depth 45 cm, extended height 114 cm
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A transitional style walnut marble topped cabinet, circa 1900, with a breche d'alep marble top, twin cupboards of vertical slat design above a pair of quarter veneer panelled cupboards, both with shelving, the rounded edges with cast mounts, small hipped cabriole legs with sabots, height 117 cm, width 58 cm, depth 40 cm
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An Aesthetic movement mirror backed walnut display cabinet, later 19th century, of delicate classical inspiration, with a central raised canopy flanked by twin astragal glazed cabinets with spindle galleries and finials, the lower register with two tiers of open galleried compartments, a central drawer and glazed cupboard, with turned supports, engraved decorations, pierced brass hinges, escutcheons, height 195 cm, width 100 cm, depth 38 cm
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