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Articles on this Sale

Auction House:Philips Auctions AustraliaNumber of lots recorded:417
Sale Title:Fine and Decorative ArtsLots with images:417
Auction Location:MelbournePrices available:278
Date:28-Oct-2018
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A Moorcroft plate, post 1950 period, decorated with a broad border of maroon and blue plum coloured flowers with, pale green and teal foliage upon a washed blue ground, impressed marks, facsimile signature and remnant Royal warrant label underside, diameter 26 cm
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A hand decorated Flambeau Limoges rose plate, circa 1900, the large dish with gilded scrolling rims, decorated throughout with full, blown pink and yellow roses on a green ground, signed Rene to image, two, green banner wrapped torch backstamps underside, height 4.5 cm, diameter 30 cm
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A French hand decorated portrait plate, 1903, painted by B. Adcock, a portrait of 'Madame Elizabeth - apres Vigee Le Brun', an exact copy of the self portrait by the Revolutionary artist and surrounded by a patterned, maroon border, green backstamp underside, artist's name and title, diameter 22 cm
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Two small trumpet vases, W & R Carlton Ware 'Temple' and Carlton Ware, Mikado, mid to late 1920s, patterns 2929 and 2881, both with oriental designs in enamel colours, 'Temple' in mid blue with a cracked ice black and gold rim, 'Mikado' in matt black with an iron red and gold cracked ice rim, backstamps and pattern numbers underside, height 7.5 cm
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A pair of signed Royal Worcester neoclassical covered vases, 1959, signed Freeman to bodies (John H. Freeman, noted fruit painter), baluster vases with gilded domed covers with finials, simulated bronze key, pattern handles and husk pendants and raised on gilt socles and bases, finely, decorated with apples, peaches, grapes and other fruits upon a naturalistic, leafy ground, signed to main reserve, black backstamps, shape 2713 underside, height 21 cm
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A Royal Vienna neoclassical covered urn, late 19th century, with shield or beehive mark, baluster shaped with a pedestal base and small bracket handles, decorated, with two oval reserves, one depicting Mars and Venus with cupids, a trio of figures in a landscape to the reverse, with lavish formal gilt and enamel, borders and jewelling to taupe and green bands on a red brown ground, underglaze blue mark underside, height 22 cm
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A signed Royal Vienna neoclassical covered urn, late 19th century, with shield or beehive mark, baluster shaped having a cover with finial, sweeping bracket handles and raised on a socle and stepped pedestal base, reserved with a classical, mythological narrative, signed Dressl, upon a maroon ground with formal, gilded borders, arabesques and pink bands, blue backstamp underside, rubbed, script, height 32 cm
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A Wedgwood caneware game pie dish with insert, 1866, with impressed cipher Bcu, shaped as a high sided oval pie, well decorated in relief with hanging game, birds and grapevine garlands to the body, the lid with pairs of birds and hares and a crouching rabbit handle, with the glazed original insert, impressed Wedgwood mark underside and impressed date cipher, other, height 14 cm, length 23 cm, width 17 cm
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A pair of porcelain shepherd and shepherdess figural candlesticks, later 19th century, probably Samson Edme et Cie, Paris, after Derby models, in the 18th century manner, brightly coloured hard paste figures, she playing, a lute and accompanied by a sheep, and he playing a bagpipe, a dog at his, side, with flower encrusted bocages issuing twin candlesticks and raised on rocaille moulded bases picked out in gilt and puce, mock 'Bow' factory marks, verso, height 28 cm, width 25.5 cm, depth 15 cm
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Three porcelain ornaments, Sitzendorf, Royal Doulton, Nao, early to later 20th century, an early 20th century German figure of a male flower seller in 18th century, attire with a basket of flowers and seated on a trunk on a moulded and encrusted base, a vintage Royal Doulton 'Old lavender Seller' figure pattern, HN1571, and a Nao group of two spaniel puppies, backstamps to all, height 16 cm, and smaller
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A French Majolica gravy boat by Orchies, circa 1900, number 23, the moulded boat with shell and scroll forms in teal and brown washed colours, upon an integral conforming tray, incised numerals underside, height 12 cm, length 28 cm, width 17 cm
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A vintage 'Napoleon' porcelain decanter, 1930s, with maker's mark for Robj of Paris, modelled as Napoleon Bonaparte, his hat serving as the stopper, blue stencil, mark underside, height 25.5 cm
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A French Majolica asparagus and artichoke plate by Fives-Lilles, circa 1900, pattern 1305, a moulded dish in emerald colours on a cream ground, painted mark underside, height 3 cm, diameter 23.5 cm
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A French Majolica asparagus plate by St Clement, circa 1900, a moulded and incised plate with asparagus tips and flora in maroon, lemon, and pale green colours on a cream ground, backstamp underside and K&G, mark for Keller & Guerin, height 2 cm, diameter 26 cm
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A group of four Lladro Bather figures, 2002-2008, sculptor Alfredo Lorens, decorator Juan Ruiz, in biscuit porcelain, the nude female bathers, three seated and one standing, all with drapery and headscarfs in pale tints, each posing on an ebonised, stand or against a plinth, backstamps underside and individually numbered, plaques with details of modeller and decorator, height 40.5 cm, and smaller
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A pair of W & R Carlton Ware 'Mikado' candlesticks, 1924-1927 period, pattern 2881, design attributed to Enoch Bolton, shaped pillar sticks with cup shaped sconces and wells, decorated with, oriental figures, pavilions and landscapes in enamel colours upon a matt, black ground with terracotta borders, black backstamp, painted pattern, underside, height 18 cm
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A Crown Devon 'Eton boating Song' musical jug, circa 1930s, of ovoid form with a figural handle moulded as an Eton pupil with boater hat, with relief decoration of the school clock tower and a rowing eight scene, crossed oars below the wide spout accompanied by the song lyrics, height 24 cm
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A Crown Devon porcelain music box, circa 1930s, rectangular with relief moulding depicting a young couple on a tandem bicycle, in the countryside, playing 'Daisy Bell', with song lyrics to one long side, and mark of Crown Devon and registration mark to the other, as found, height 10.5 cm, length 21 cm, width 12 cm
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A T&V Limoges hand decorated covered bowl, early 20th century, signed M Marshall '07 to lid and bowl, a waisted twin handled bowl with low domed lid decorated with purple violets, green backstamp underside T&V Depose Touraine, height 12.5 cm, diameter 17.5 cm
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Two Continental figural porcelain candlesticks, late 19th to early 20th century, German, with crossed 'Hockey sticks, enclosing letter B mark to one, faux Augustus Rex type mark to other, a bright polychrome 18th century dressed boy figure and a bucolic female, figure holding a rose, both with twin flower encrusted candle branches, and moulded bases, marks underside, height 29.5 cm, and smaller
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A large French floral blue ground vase, circa 1900, of baluster form with a trumpet neck and lobed rim, extravagant looping gilt, handles with floral mounts, and a finely painted floral medallion with an abundance of spring flowers upon a cobalt ground embellished with gilt, patterns and sprigs, unmarked, height 44 cm
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An impressive blue and gold Grand Tour style urn vase, late 19th century, the urn vase with high set leafy handles, a turned short pedestal to a socle, and square base, with a matte brown border with leaf and berry designs in gilt, the body with cornucopia, laurel and festooned trophies, marked France, with castle stamp underside, height 42 cm
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A pair of signed Royal Vienna pedestal vases on stands, 19th - early 20th century, signed both a. And F. Heer, neoclassical urns with high set brilliantly gilded handles and raised on a spreading circular base with moulded zoomorphic feet, decorated to the body, with pairs of medallions depicting mythological figural scenes after Angelica, Kauffman upon a bright cobalt blue ground, with formal gilded decorations, the stands similarly decorated, shield or beehive mark underside, height 37 cm
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A Moorcroft anemone vase, post 1950 period, of ovoid pot form with a deep frieze of tubelined anemone flowers in maroon, white and blue glazes with green foliage upon a blue and Prussian green, ground, impressed factory mark, facsimile signature underside, height 15.5 cm
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A Moorcroft anemone vase, 1928-1949 period, a pear-shaped vase with a deep frieze of tubelined anemone flowers in creamy, maroon and washed blue glazes and pale green and teal foliage upon an ink, blue ground, impressed marks, William Moorcroft signature and potter to Hm, the Queen stamp underside, height 18.5 cm
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A Moorcroft anemone bowl, post 1950 period, the bowl centred with a maroon anemone flower, and decorated externally with, a continuous frieze of tubelined flowers in washed maroon and blue purple, glazes, including a bud and profile flower image, upon a blue and Prussian, green ground, impressed mark, facsimile signature underside, height 7 cm, diameter 16 cm
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A Caughley blue and white sparrow beak jug, circa 1775-90, the baluster body decorated in the 'Fisherman' pattern with a man and cranes, among foliage and pavilions, having a loop handle and mock Chinese marks, underside, height 11.5 cm
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A first period Worcester blue and white dish, circa 1770, the lobed dish decorated in 'Gilly Flower' pattern with scattered floral, sprays, script 'W' mark underside, with paper label, 'McIlraith collection, height 4.5 cm, length 24 cm, width 17.5 cm
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A Caughley blue and white tea bowl and saucer, circa 1785, the body decorated in 'Bell Toy' pattern with a mother and child among vases, of flowers and tables, crescent and Salopian 'St' marks underside, height 5 cm, (cup) diameter 12 cm, (saucer)
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A first period Worcester blue and white coffee pot, circa 1770, the baluster body in the 'Three Flowers' pattern with butterflies and floral, sprays, the cover with an acorn and leaf finial, crescent mark underside, (repair to finial), height 23.5 cm
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A Caughley blue and white moulded mask head jug, circa 1780, the baluster body decorated in 'Gilly Flower' pattern with scattered floral, sprays on a leaf moulded ground, a double loop handle, open crescent mark, underside, with paper label, 'McIlraith collection, height 15 cm
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A large French architectural copper line engraving, circa 1770, by Jean Striedbeck after the design by Henri Haldenwanger, the well framed, engraving depicting the Episcopal Palace at Strasbourg on the occasion of the arrival Madame La Dauphine on the 7 May, with history of the event and valuation by Sebra prints for $2,600, height 45 cm, width 74 cm, height 44.5 cm, width 74 cm
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An Art Deco plated bronze and pink glass chandelier, circa 1930s, signed P. Meynadier, France, the triple stem light fitting with pierced and moulded floral motifs to a moulded dish and three branches with conforming bell shaped suspended shades, length 85 cm, diameter 70 cm
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An Art Deco glass 'Clam Shell' chandelier, circa 1930s, the stem with ball knop and a lobed trumpet, with five bold moulded shell, shades in frosted apricot colours, length 72 cm, diameter 65 cm
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A French Gothic revival bronze and crystal chandelier, circa 1880s, the five light chandelier with pierced bronze work and superbly cut crystal, egg shaped shades with drops, having four arms and a lower central shade, length 100 cm, diameter 72 cm
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An Art Deco bronze and glass light fitting by Petitot, circa 1930s, a striking light fitting with four gold cylindrical stems to a shaped long, box and a large rectangular gilt bronze frame with a series of sixteen glass, rods to both long sides curving to the underside, with a frosted glass plate, length 80 cm, width 45 cm
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A chrome Art Deco six branch chandelier by Ezan, circa 1930s, with trumpets and pendant glass grape motifs to the stem, six shaped branches, supporting upturned bowl shades with basket weave designs and grape bunches, to the sides, length 88 cm, diameter 75 cm
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An Art Deco glass light fitting by Ejg France, circa 1930s, with pattern number 10819, an amber coloured moulded dish with stylised rose decoration supported by three decorative white metal chains, marked Ejg and pattern number in relief, to rim, with small repair, length 56 cm, diameter 37 cm
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An Art Deco wrought iron and frosted glass chandelier, circa 1920s, the fitting with a six branch silvered stem in a textured finish, to a lobed, moulded dish, three scrolling arms with a scale pattern finish suspending, conforming bell shaped shades, length 80 cm, diameter 75 cm
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A gilded wall mirror, the egg shaped mirror with a moulded frame with pierced decorative motifs to, the frame and a flourish to the crest, height 105 cm, width 73 cm
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A fine Qum silk carpet, very finely knotted at over 70 knots per square centimetre and embellished, with scattered boteh and trailing leafy strands in a pistachio palette with, red, tan, black and teal colours upon a deep cream field, the main border, between narrow bands of conforming design, length 122 cm, width 75 cm
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A Kashan style silk carpet, with a star medallion issuing arabesques, lotus and other flora in tan, coffee, orange and blue grey on a cream field, a conforming main border, between narrow bands, length 134 cm, width 80 cm
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A Kashan style silk carpet, with a quatrefoil medallion issuing arabesques, lotus and other flora in tan, orange red, teal and soft green on a cream field, with floral spandrels and a matching main border, length 160 cm, width 94 cm
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A Pakistani wool carpet, an all over formal arrangement of daisies and star forms in a variation of a Mina-Khani design in a tan, sage and brick red palette upon a wheat gold, field, with a wide border alternating tree of life and peony stem, embellishments, length 330 cm, width 250 cm
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A fine quality wool Maymeh Persian rug, of typical regional, tribal design with a central diamond and profusely, decorated with a diamond tile arrangement of flower clusters, stars, fountains, and tree of life motifs in colours upon a bright red field, enclosed by patterned borders, length 313 cm, width 215 cm
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A classic Ziegler wool carpet, Scattered with arabesques, lotus and other flora in a soft sage, brown and beige palette upon a soft brick red field with natural colour variations and enclosed by a conforming main border, length 363 cm, width 270 cm
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A large Persian wool carpet, a richly ornamented floral carpet with an allover design of peony, lotus and arabesques in a tan, saffron, white and cornflower blue palette upon a pleasing soft grey green field, the main border of conforming design upon a slightly deeper field, length 395 cm, width 278 cm
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A Ziegler style wool carpet, Scattered with arabesques, lotus and other flora in a soft blue grey, brown, and beige palette upon a soft brick red field with natural colour variations, and enclosed by a similarly embellished cream main border, length 373 cm, width 266 cm
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A Pakistani wool carpet, decorated with a profusion of arabesques, lotus and peony and other flora in an interesting palette of mushroom, brown, cream and light blue upon a aubergine plum field with natural colour variations and enclosed by a similarly embellished main border in deep cream and narrow bands, length 324 cm, width 245 cm
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A Persian wool runner, with five conjoined lozenges with herati motifs in ink blue, blue grey and salmon colours surrounded by circular motifs on a red field, and enclosed by a striking geometric border, length 270 cm, width 81 cm
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A signed Persian silk carpet, a garden of paradise carpet with a central medallion and a vase surrounded by a profusion of flora and birds in rust, red, cream, pink and teal colours, upon an apricot field, with a meandering inner border, the main border in old, gold with formal floral decoration punctuated by stylised flora and knot, motifs, length 151 cm, width 94 cm
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A finely upholstered Victorian mahogany chaise longue, 19th century, with a serpentine back and finely carved supports and cabriole legs in the rococo manner, well upholstered with French striped fabric in a chocolate, mocha, white and gold stripe to the back and chocolate fabric to the seat, height 92 cm, width 209 cm, depth 90 cm
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A French mahogany inlaid marble top shop display cabinet, early 20th century, with a glazed upper section with a mirrored back and rounded edges, a concave, collar to an extended quarter veneer panelled cupboard with a large medallion, inlaid in various timbers with the scene of a shepherd attending his flock, a shaped apron and small tapering shaped legs, height 152 cm, width 65 cm, depth 37 cm
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A small marquetry Etagere, factory of Emile Galle, circa 1930, the rectangular table with rounded corners inlaid with a dragonfly and lily, pads in exotic timbers upon a vigorously figured tulipwood ground, with, shaped walnut legs united by an undertier, bearing the inlaid signature of Galle, height 77 cm, width 61 cm, depth 33 cm
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A French mahogany tiered tea tray, early 20th century, the circular table with radiating veneer panels and a conforming undertier, united by four fluted supports flowing to channel grooved tapering legs of slightly cabriole profile, height 72 cm, diameter 56 cm
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A German walnut secretaire, early 20th century, in richly figured walnut with a black marble top above a frieze drawer, a fall front opening to a leather writing surface and an arrangement of drawers, and compartments, three long drawers below and raised on extended square form, convex feet, with gilt bronze wreath form handles and floral escutcheons, height 143 cm, width 97 cm, depth 38 cm
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A richly carved Louis XIII style oak display cabinet, late 19th century, profusely carved in the Renaissance revival manner with barley twist columns, fantastic creature and leafy borders, with two glazed cabinets, an open, compartment, two drawers and lower cupboards embellished with dead game, ornaments in high relief, height 242 cm, width 137 cm, depth 64 cm
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A French oak twin pedestal desk, late 19th century, with a solid timber top above two drawers with linen fold carved details, leather covered panels to the pedestal doors with brass stud details and twin, fielded panels to the sides, raised on impressive square section scrolled, feet, originally purchased from house of desks in 1991 with a valuation of $5250, height 68 cm, width 165 cm, depth 74 cm
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A French Louis XVI style tulipwood secretaire, circa 1900, with quarter veneer panelling to the top and fall front with stringing and contrasting timber banding, a blue leather writing surface to the interior, and two drawers with compartments, three long drawers with book end veneers, beaded ring handles and raised on chamfered short sabre legs with sabots, height 95 cm, width 72 cm, depth 49 cm
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A Regence style oak buffet, circa 1930, with key, having a long drawer above twin cupboards with fielded panels and small, relief carved motifs, a shaped apron and raised on whorl feet, with pull, handles and pierced brass escutcheons, height 106 cm, width 80 cm, depth 45 cm
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A transitional style marble topped commode, circa 1930s, of slightly breakfront form with three drawers well ornamented with floral, inlay, perspective cube parquetry and key fret borders, with bronze mounts, and ring handles, curvaceous legs and sabots, height 103 cm, width 15 cm, depth 50 cm
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A Victorian huon pine dressing table, 19th century, with a central mirror with carved crest and side supports, a central drawer, flanked by twin pedestals with three drawers each, a shaped table with drawer, above knopped supports with stud details and a conforming undertier, height 175 cm, width 122 cm, depth 60 cm
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A carved Henry II style walnut court cabinet, late 19th century, well carved and ornamented with floral and patterned motifs, with turned and fluted columns, a raised central section with arching compartment, side, cupboards, an extended base with rear plate rack, twin drawers and cupboards, height 253 cm, width 152 cm, depth 55 cm
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A Victorian walnut dressing table, 19th century, with an arching mirror and pierced carved supports above a pair of pedestals, with twin small drawers, a shaped table with a central drawer with later garlic, shaped glass handles and raised on finely carved bold supports to a shaped, undertier, height 161 cm, width 128 cm, depth 58 cm
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A Victorian mahogany medallion back sofa, 19th century, with a central button back medallion, carved and pierced showframe and rollover buttoned arms with scrolled supports, a serpentine stuffover seat, and raised on turned legs, upholstered in old gold velvet, height 104 cm, width 175 cm, depth 76 cm
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A Louis XV style tulipwood marquetry bombe commode, circa mid 20th century, a purple and ochre shaped marble top above two long drawers, an ornamented, apron, and gilt bronze mounts and sabots, height 86 cm, width 112 cm, depth 48 cm
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A small Georgian elm and oak stretcher based table, 18th to 19th century, the circular country style table with a three plank top with vigorous, figuration and much patina, raised on an oak square section trestle base with, a central 'Y' shaped support, height 70 cm, diameter 90 cm
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An oval inlaid mahogany table, early 20th century, centred with an unusual inlaid shell cartouche, a boxwood and ebony strung, border with penned swag decoration, raised on four slender square section, legs united by a shaped stretchers, height 71 cm, length 77 cm, width 51 cm
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A Victorian walnut music cabinet, 19th century, with a pierced brass gallery above a single glazed door enclosing two, shelves, the edges faced with tooled leather denoting 'Songs' and 'Sacred, the cabinet with canted edges, burr walnut banding, stringing and delicate, cast bronze laurel leaf and berry embellishments, raised on porcelain casters, height 97 cm, width 53 cm, depth 36 cm
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An antique elm side table, 18th century, of plain form having a plank top with canted edges, a single frieze drawer, and raised on tapering square section legs, height 73 cm, length 80 cm, width 47 cm
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A Victorian walnut occasional stretcher-based table, 19th century, the serpentine shaped top with rounded ends, with cross banding, boxwood, stringing and floral inlay to the corners, raised on turned trestle ends with, splayed carved cabriole legs with porcelain casters united by a turned, stretcher with carved knop, height height 70 cm,l 99 cm, width 54 cm
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A mahogany two leaf extension table and eight matching chairs, the oval table with double brass stringing to the edges and twin tripod, bases, with six chairs and two carvers with twist top rails, pierced mid, rails, double brass stringing details to the side rails and legs, upholstered, in russet floral fabric, height 78 cm, length 118 cm, width 116 cm, extended length 208 cm, (table), height 96 cm, (carver)
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An antique rustic oak sword chest/coffer, 17th century, of plain and typical six plank form, of pegged construction with a pin hinged, lid, iron lock, and stile legs, with small geometric element to the short, ends and crimping to the front edges, height 55 cm, width 113 cm, depth 38 cm
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A country style oak hanging cupboard, 19th to early 20th century, the small cupboard with a single rail and stile door with vertical mullion, slightly extended to the cornice and base, height 75 cm, width 62 cm, depth 30 cm
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A Georgian oak chamber pot cupboard, late 18th to early 19th century, with a hinged lid and presenting as a small cupboard with three faux, cockbeaded drawers, with the original pierced brass lock, side turned handles, and globular feet, height 51 cm, width 49 cm, depth 38 cm
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An early Georgian oak gateleg table, circa 1720, of typical form, the drop side oval table with a small drawer with lopers to, one short end, with turned folding legs and a box stretcher base. Provenance: sourced from William Hockley Antiques, West Sussex UK, height 68 cm, length 98 cm, width 80 cm
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Two antique elm plate racks, 18th to 19th century, with plank backs, the larger with a slightly extended cornice and four, shelves, the smaller of plain form with two shelves and an extended lower, platform, height 99 cm, width 117 cm, depth 16 cm, and smaller
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A glazed antique pine corner cabinet, 19th to early 20th century, with a twelve pane mullion door and three shaped shelves, height 106 cm, width 71 cm, depth 37 cm
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A transitional style rosewood, mahogany and marquetry commode, late 19th century, with a coffee coloured marble top above a frieze with trailing ivy leaf, inlay, a ribbon and garland inlaid ornament to the two long drawers, with, cast gilt bronze wreath handles, shaped legs and sabots, height 88 cm, width 88 cm, depth 44 cm
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A Directoire style desk in mixed timbers, circa 1900, with keys, with a tooled black leather top above an inlaid frieze drawer with tassels, flanked by side drawers with burr veneer fronts, blonde stringing throughout, and embellished with gilt bronze mounts and caps to the tapering square, section legs, height 78 cm, width 145 cm, depth 75 cm
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A small Georgian style elm desk, early 20th century, in vigorously figured elm with four drawers, a shaped kneehole and raised on turned legs, height 73 cm, width 81 cm, depth 52 cm
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An antique cast iron marble topped table, later 19th century, maker's medallion for Baxendale & Co, Manchester, the tripod table with 'Britannia' espagnolettes terminating in lion's paw, feet, the apron with pierced and intertwined rose and thistle vegetation, maker's plaque to undertier, with a deep green and white flecked marble top, height 76 cm, diameter 82 cm
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A vintage French wrought iron and glass shelf, circa 1930s, the single wall mounted shelf with scrolling iron work, the frame enclosing a pane of textured glass, height 15 cm, width 95 cm, depth 30 cm
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An vintage roll top desk in Victorian ash, early to mid 20th century, a tambour top desk opening to a baize interior and an arrangement of pigeon, holes, rail and stile side panels and an arched kneehole flanked by pillars, with three drawers, the lower of double depth with rectangular and cupped, pull handles, height 106 cm, width 122 cm, depth 65 cm
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A tripod elm side table, 19th century, in fine honey tones and of planked construction, with a deep apron and raised, on tapering triangular legs, height 72 cm, diameter 71 cm
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A fine Victorian walnut Sutherland table, 19th century, the table with serpentine drop sides supported by fold out turned legs, a finely figured book end veneer surface raised on pierced and shaped trestle, ends with twin outward turned feet with brass casters united by a turned, stretcher, height 73 cm, extended length 104 cm, width 93 cm
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A Victorian walnut What not, later 19th century, a rectangular three tier whatnot with a pierced three-quarter timber gallery, and spindles, turned supports and raised on toupie feet, height 96 cm, width 56 cm, depth 37 cm
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An Edwardian mahogany Sheraton Revival secretaire bookcase, early 20th century, with astragal glazed doors and three shelves, a fall front opening to a writing surface and an arrangement of drawers and pigeon holes, four, graduated drawers with swing handles and raised on ogee bracket feet, with, inlaid swags, vases and ribbons, cross banding and stringing, height 209 cm, width 92 cm, depth 46 cm
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A Swedish fall front neoclassical style commode, circa 1900, maker's label for A.B Axel Beckmans, Mobelfabrik Norrkeping, a grey green marble top above a single drawer and a fall front section with, two shelves, flanked by cupboards and raised on hipped tapering legs, finely, decorated with strung panels of diamond parquetry, an inlaid festoon and cast, ormolu ring handles, guilloche borders, ornaments and sabots, label to drawer, height 83 cm, width 102 cm, depth 47 cm
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An antique German mahogany chest on chest, later 19th century, with well figured book end veneers, both sections having four drawers of graduating depth, the top drawers of ogee profile, with black metal lion's, head and ring handles and raised on waisted bun feet, height 166 cm, width 101 cm, depth 51 cm
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A fine mahogany Edwardian hall stand with tile decoration, early 20th century, with an architectural 'Broken' pediment, central arched and bevelled mirror, six hanging hooks, the extended base with a drawer above turned legs and side, umbrella compartments with drip trays, with 'Winter roses' transferware tiles, and panels with lightly engraved tendril details, height 217 cm, width 93 cm, depth 32 cm
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