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Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:830
Sale Title:Asian Art, Classic Furniture & ObjectsLots with images:402
Auction Location:MelbournePrices available:482
Date:16-Oct-2016
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Two rare Doulton Lambeth Art Nouveau vases by Eliza Simmance, 'Blackberries & Roses' and 'Wild Roses', both of slender ovoid shape with a flared rim, decoration of foliage to body against pink & cream round, incised signature and date code to each base, tallest 35 cm high
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A pair of Doulton Lambeth vases by Eliza Simmance, 1885, of an impressive size in baluster form with broad flared rims, decorated with Nouveau flowing floral design to body & contrasting geometric floral collar, incised signature & date stamp to each, 33.5 cm high
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Two Doulton Lambeth Art Nouveau vases by Eliza Simmance, both in elongated baluster form with flared foot & rim, each decorated with slip glaze floral arrangements against profusely moulded and stippled backgrounds, tallest 31 cm high
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Two large and impressive Doulton Lambeth stoneware vases by Frank Butler 'Foliate' and 'Stylised Tulip & Geometric', circa 1890, each design on a midnight blue glaze ground, 40 and 37.5 cm high (2)
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A pair of Doulton Lambeth Art Nouveau vases by Frank Butler, each of elongated baluster form with flared rim and foot, decorated with repeated Art Nouveau design in relief, each with incised signature & code to base, 33 cm high
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Two Doulton Lambeth floral vases by Frank Butler, each of baluster form with applies Arts & Crafts floral designs, both with flared rim and intricate impressed or raised background, tallest 34 cm high
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Two Douton Lambeth stoneware jugs by Frank Butler, the shorter with silver mount and heart form thumb piece, the other with beaded foliate and flower motif in high relief, 23 and 23.5 cm high (2)
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Three Douton Lambeth stoneware jugs by Arthur Barlow, the tallest in foliate design, one with sterling silver mount and cover, the other with flower motif in high relief, 24.5, 21 and 14.5 cm high (3)
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Two Douton Lambeth stoneware jugs by Eliza Simmance, the tallest with sterling silver mount, the other with beaded foliate design, 24.5 and 22 cm high (2)
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Two Douton Lambeth stoneware jugs by Florence Barlow and Francis Lee, the shorter with silver anthemion foliate design, the other with beaded foliate and flower motif in relief, 22 and 21 cm high (2)
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A pair of Doulton Lambeth vases and a pair of ewers by Eliza Simmance, the vases of foliate design and the ewers of stylised Art Nouveau floral design, tallest 21 cm (4)
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A Doulton Lambeth vase by Emily Stormer for the Art Union of London, together with another pair by the Same Artist, the smaller vase of bottle form with floral and beaded decoration, the pair with flowers, 20 and 27 cm high (3)
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Two Doulton Lambeth vases by William Parker and Elizabeth Fisher, one in seaweed design the other in foliate, 20 and 20.5 cm high (2)
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A collection of Doutlon Lambeth stoneware vases, circa 1890, including a tall baluster form vase by Eliza Simmance with foliate rim, a pair of bottle form vase with flared rim by Louisa Wakeley, & a pair of spill vases by Eliza Simmance, vase 40 cm high
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Two pairs of Doulton Lambeth stoneware vases by Ethel Beard and Florrie Jones, the larger silicon Ware with flower motifs, the other pair with stylised satin glaze, 31 and 21 cm high (4)
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A group of Douton Lambeth stoneware vases by mark V Marshall, circa 1890, the tallest in 'Foliate and Flower' high relief design, the pair in geometric foliate design, tallest 28.5 cm (4)
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A rare Doulton Lambeth 'Beaded Thistle' vase by Francis Pope and 'Floral Slip' vase by Louisa Russell, together with Frank V Marshall 'Foliate' vase, 23, 29.5 and 33 cm high, (3)
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A pair of Doulton Lambeth stoneware & brass candlesticks by Frank Butler, with pair of 'Brandy & Gin' decanters, decorated with repeated geometric floral & Nouveau designs with a wide flared rim, each with incised artist monogram, decanters with holly design and pewter stoppers (4)
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A large suite of Lalique 'Barsac' stemware and decanter, comprising, 11 x flutes, 11 x red, 7 x white, 4 x port, 6 x liqueur glasses
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A pair of Waterford cut crystal Hurricane lamps, together with other cut crystal, comprising, two Baccarat decanters and two others, set of six 'Sorcy' shot glasses by Daum
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A Haviland Limoges 'Imperatrice Euginie' porcelain dinner service, embellished with violets within gilded borders, comprising, 12 x dinner side and bread plates, 8 x coffee cups coffee pot sugar bowl, eight bowls
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A Georgian silver coffee Biggin pot by John Wakelin & Robert Garrard, London 1800, of restrained tapered form with sycamore handle, cup and cover knop, laurel moulded rim fluted detail on spout, 21.5 cm high 481 grams
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A group of Georgian and later silver, including, berry spoons by Peter & Ann Bateman, London 1798, silver embossed bowl by the Atkin Brothers, Sheffield 1904, early Victorian card case Birmingham, Georgian silver milk jug and a Continental silver patch box, (6 components) 675 grams
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An early Victorian blue glass lined mustard pot by Charles Reily & George Storer, London 1846 and others, comprising pair of Mappin & Webb silver collared crystal dishes and two cruets by the Adie Brothers Birmingham (5)
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A silver group, comprising, ladle by Norsk Monster Norway, enamel sterling silver Mushroom salt pepper by Ela Denmark, silver quaich and mounted tumblers, each hallmarked and stamped (6 components)
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An Austrian silver repousse box, late 19th century, maker K.T, embellished with frolicking putti, the sides with lion and Minerva masks on profuse ground, solid silver no lining, 1002 grams
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A Continental silver repousse box, late 19th century, possibly Russian marks, embellished profusely with tavern scene, leather base and cedar lined, marks rubbed, 17.5 x 13 x 6.5 cm
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A Victorian walnut and ormolu mounted pier cabinet, with satinwood inlay, the glazed door enclosing two shelves, 80 width x 34 depth x 104 cm height
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A French Napolean III bronze mounted and marble topped vitrine, in the manner of Paul Sormani, in kingwood, the frieze with bronze mounts and oval central 'Classical' plaque to the apron, enclosing two glass shelves
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A pair of good quality French Empire style vitrine cabinets, 20th century, each with stepped frieze and bevelled glass astragal doors below and single drawer
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A Continental walnut display cabinet, early 20th century, with oval central astragal cabinet surmounted by shield, ribbon and laurel moulded carving, flanked by open shelves and open platform base, gilded stringing throughout
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A Victorian burl and ormolu mounted centre table, by Thomas Richardson & Sons, Bond Street 1871, of shaped oval form with feather banding on tapered legs, with ormolu mounts, makers label to underside
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An important pair of Victorian ebony, amboyna and marquetry display cabinets by Lamb of Manchester, of exhibition quality, circa 1860's, each with galleried shelf mirrored back above concave mirrored sides with open shelves and central cupboard doors, with ivory marquetry and stringing and ormolu mounts, raised on turned and reeded legs, stamped 31995 Lamb Manchester
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A fine Russian icon, Archangel Michael, Florus, Lauzus, Modestus, Blaise & Laurus of Iiiyria, Russian school of Novgorod, Archangel centrally depicted holding aloft the shroud, surrounded by the various saints and three on horseback within landscape, tempera and gilt on wood, 42.5 x 53.5 cm. Provenance: Purchased from the Icon Gallery 101 N. Union Street 2, Alexandria, Va 22314
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An interesting Polish icon depicting the Annunciation of holy Archangel Gabriel and the most holy Mary Virgin mother of God, together with a Greek icon depicting the Visitation, both painted in tempera on timber panels, 22 x 27 cm and 19 x 25 cm (2)
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A group of three Colonial Santos figures, 18th/19th century, one depicting the Virgin Mary, the other Saint Thomas, the other a saint, tallest 33.5 cm (3)
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A pair of Italian Polichrome painted angels, late 17th/18th century, each depicted in flight, remnants of original polychrome paint and gilding, 40 cm
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Two Chinese Foo dog figures, in bronze, the other with Pup in carved painted stone, the bronze example in typical form on stand, the other painted in red and gilt with loose ball in its mouth, 14 and 16 cm high (2)
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A Chinese bronze of a guardian holding a small Buddha, Ming Dynasty, depicted in robes with peacock headdress, holding Buddha in one hand and stem in the other, mounted on stand, remnants of polychrome paint in places, 34 cm high
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A George III silver standish Inkstand by Robert Hennell I, London 1787 & silver skewer by William Eley William Fearn, London 1781, of rectangular form with canted corners and wells, the octagonal bottles with silver mounts, 26 cm width
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A pair of early Victorian silver twin handled wine bottle coolers by Smith & Sissons, circa 1848, of campana form with C scroll cartouche, 31.5 cm high
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A Georg Jensen sterling Acorn cutlery set, comprising, 8 x fork, knife starter, main & dessert spoons, 9 x soup spoons, 6 x tea spoon, 1 x slice bread knife, butter knife, serving spoon and a scope (60 pieces)
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Two Danish silver tea Strainers by Christian F.Heise, worked 1904-1932, one planished with leaf moulded handle, the other with thread and shell design, together with set of six Art Deco silver plate tea spoons (8)
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A set of three silver servers & a bottle opener by Carl M.Cohr of Fredericia, Makers mark of Johannes Siggaard, each with grape and vine moulded handle, (4)
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A Stuart Crystal vase by John Luxton, together with Holmegaard decanter, one other and four tumblers, the named pieces with etched marks, (7)
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A collection of cufflinks, gold chains and a cigarette holder, comprising, nine pair of cufflinks including: 14ct yellow gold, 9ct yellow gold, Danish silver (19th-20th century), sterling silver cufflinks, three different cufflinks in silver and 9ct yellow gold. Two 18ct gold chains, one pearl stud earring and a cigarette holder set with a 9ct yellow gold band
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Three sterling silver frames, a Siskiandu knife and a Hamilton & Co silver pocket watch, the silver frames all marked 'Sterling Silver', the Siskiandu with a Bakelite handle and the silver pocket watch by Hamilton & Co, patent lever, Bombay and Simla, circa 1850. Originally made for Indian state Railway workers.
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A French brass Renaissance revival mantle clock, circa 1910, with architrave domed top, pierced rackets and ring handled sides and platform base, marked D.C.Co, 35 cm high
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A fine pair of French Aesthetic Barbotine pottery brass mounted lamps, possibly Limoges, circa 1900, each pottery lamp decorated with raised slip flowers, mounted with Greek key pierced brass mounts, base 42 cm high and 80 cm with shade (2)
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A Bent Anderson bronze paperweight desk ornament, signed Bent 89, of naturalistic seedpod form, 12.5 x 9 cm
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A French brass Carridge clock, first half 20th century, a small brass cased carriage clock, of typical form with carry handle and column open case, 15 cm high
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A good William IV rosewood teapoy, the hinged top enclosing two tea caddies and vacant wells for bowls, with gadrooned edge and body supported by beaded and fluted baluster base with acanthus mouldings on quatreform platform base with lion paw feet, 78 cm high
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Hishikawa Moronobu (Japanese, 1624-1694), Untitled 1682, under drawing, 22.5 x 33 cm. Provenance: The Town gallery, Brisbane, other notes, certificate of authenticity from the Japan room attached verso
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A fine pair of Japanese floor vases, Taisho period, signed Komura, possibly early Noritake ware, profusely painted with cartouche of birds and blossoms in pale blue and grey on a geometric patterned ground, marked to base, 78 cm high (2)
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Jacques Barraband (French, 1767-1809), Le Toco no.6, colour engraving, printed by Rousset, engraved by Peree, 61.5 x 42 cm
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A pair of Corinthian silver candlesticks by Britton, Gould & Co, Birmingham 1930, of typical form on beaded and stepped bases, weighted, 31 cm high
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A pair Continental silver figural candlesticks, first half 20th century, depicting knight and chevaliere in armour wheedling broadswords, 28 cm high, 722 grams
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An eight piece cruet set on a silverplate stand, comprising a mustard pot, a sugar castor, a pepperette and five bottles, some with sterling mounts, the stand 23 cm high
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