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Jewels & Objet D'Art — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:375
Sale Title:Jewels & Objet D'ArtLots with images:373
Auction Location:MelbournePrices available:202
Date:23-Aug-2015
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An early Derby figure of Shakespeare, circa 1780 Typically modelled standing alongside a plinth with applied masks of Richard II, Elizabeth I and Henry V, resting his elbow on books which secure a scroll, on a rocaille scroll base with gilt highlights, restored, 30 cm high.
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A rare Art Deco white Meissen figure of a Stork modelled standing with waterlilies, impressed marks to base W149 and 131, crossed sword mark for post 1924, 21 cm high.
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A Hutschenreuther porcelain 'Freedom' group figure of horses by Max Herman, circa 1946, modelled as galloping horses on naturalistic base, in pale grey toned glaze, 40 cm width x 29 cm high.
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A 19th century German ivory plaque, depicting the Battle of Milvian bridge carved in high relief and framed within an oak 'Baroque' frame, the Battle of Milvian bridge is after the Raphael fresco in the Vatican Palace depicting the victory of the Roman Christian Emperor Constantine I over the Pagan Emperor Maxentius on 28 Oct 312, 33.5 cm x 12 cm within frame.
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A carved ivory bas relief in fitted case, 18th/19th century, depicting Venus with Triton being carried by dolphins through the waves, surrounded by cupids riding dolphins and assisted by subjects, signed Antonio Leoni verso 29 cm x 11 cm.
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A full deck of Indian erotic Kama Sutra painted ivory playing cards, early 20th century fifty four cards, each hand painted with erotic depictions and suits with repeated pattern verso, each card 9 cm x 5.5 cm.
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An American Art Deco ivory and gilt bronze 'Hookah' figure by H. M. White, circa 1900, depicting a seated figure in eastern dress sitting cross legged on a cushion and stool with hookah, engraved signature, 7.5 cm high (including marble plinth).
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A Georges Omerth (French, 1895-1925) gilt bronze and ivory group figure 'Marchand D'esclaves', circa 1915, depicting a slave trader revealing a naked woman from behind a throw, signed G.Omerth, set upon a marble plinth, 18 cm high (including plinth).
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A Demetre H. Chiparus (1886-1947) gilt-bronze and ivory figure, 'The Accordian Player', circa 1920, depicting a boy singing and playing the accordion, set upon a marble plinth, engraved H.Chiparus Etling Paris, 15.5 cm high.
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A rare Eugene Barillot (French, 1841-1900) gilt bronze and ivory 'Pied Piper' figure, circa 1890, depicting the Pied Piper playing a flute perched on a rock with a procession of children below, 26 cm high (including stand).
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A French gilt bronze and ivory figure 'Man in Coat' by Secarel, circa 1930, depicted huddled in a long coat and holding a basket of fruit, engraved signature, 29.5 cm high.
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A French Art Deco cold painted bronze and ivory Ballet butterfly girl, depicted in fifth position ballet stance with up stretched arms, in gilded and painted chemise and trail, set upon a fanned marble plinth, 41 cm high.
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Roland Paris (French 1894-1945) cold painted bronze and ivory 'Columbine', circa 1920 painted in metallic green finish with ivory head, mounted on marble plinth, signed Roland Paris on plinth, 39 cm high.
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A rare Luca Madrassi (Italian, 1848-1919) gilt bronze and ivory 'Theodora' figure, circa 1900, modelled as an Edwardian depiction of theodora wearing a flowing gown and bejewelled with semi precious stones, set upon an integral plinth, 33 cm high.
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Roland Paris (French 1894-1945) cold painted bronze and painted ivory 'Pagliacci', circa 1920, depicting Pierrot in a deep green painted costume with black trim, with finely detailed ivory hands and face with painted detailing, set upon and octagon marble base signed Roland Paris, 37.5 cm high.
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An Art Deco 'Deer Spaniel and Pitcher' cold painted bronze and ivory group, probably Austrian, circa 1920, depicting a deer drinking from a broken pitcher with nestled spaniel at its feet, set upon a black marble base, 39.5 cm x 11 cm x 16.5 cm.
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A bronze figure of 'The Snake Charmer', signed, depicting a semi nude figure in the Art Nouveau manner holding a coiled snake, signed Bolje?, 43 cm high.
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A 20th century bronze group figure 'Au But' (to the Goal), after the original by Alfred Boucher, late 20th century, depicting three athletes in dynamic pose, thrusting forward with outstretched arms, 48 cm high including marble plinth.
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A cold painted bronze figure 'The Arab Falconer', after a model by Pierre-Jules Mene (French, 1810-1879), modelled as a man in traditional Moroccan dress holding aloft a falcon with its catch of a hare below, set upon a naturalistic form base engraved J.P.Mene 10/100 F.Barbedienne, 67 cm high including marble plinth.
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A 19th century bronze figure, huntsman and hounds, signed P.J Mene, depicting a huntsman and hounds, on a naturalistic oval base, 31 cm high including plinth.
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A large early 20th century verdigris patinated bronze figure, 'Le Penseur' 'The Thinker', after Auguste Rodin (1840-1917), depicting a man in meditative seated pose with chin resting on one hand, set upon a marble plinth, 85 cm high including base.
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A large early 20th century American school bronze, 'Buffalo Horse', after Frederic Remington (1861-1909), depicting an Indian on horseback being thrown by an attacking buffalo, signed to the base and with edition number 21/100, 85 cm high, including base.
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Peter Marinus Schipperheyn 1955 'Autumn leaves' 1979 bronze by lost wax method. Edition 3/6 49 cm x 64 cm
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Emmanuel Mane Katz (1894-1962), 'Head of a Rabbi', modeled in plaster, impressed signature,17 cm width x 39 cm depth x 25 cm height.
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Hippolyte Alizone French 19th/20th, cent ury a Winter landscape, 1889 oil on canvas signed dated bottom right 38 x 63 cm
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Hippolyte Omer Ballue (French 1820-1867) two Forest scenes, 1850 oil on canvas signed lower right 55 x 39 cm
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Attributed to Copley Fielding, Ruin in a Lancscape, 1841. Ruin in a landscape, 1841 watercolour, signed dated bottom right 34 x 57 cm
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George Saltes British school, in the Bohemian Alps, 1870 oil on card signed and title on verso 19 x 14 cm
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Italian school (possibly early 19th century) lady with Spaniel oil on canvas unsigned 25 cm x 20 cm
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18th century 'La Divina Pastora' school of Alonso de Tovar, oil on canvas, the canvas on lap strainer, within gilt and gesso frame, 63 cm x 48 cm.
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Robert Edgar Taylor-Ghee (1869-1951) Queen Elizabeth I Signing, the Warrant Condeming Mary Stuart to death oil on canvas signed lower left 55 cm x 67 cm
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Florence Maplestone (working 1880s-1900s) Making Haste watercolour on paper signed lower left 31 cm x 23.5 cm
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William short Jnr (1875-1947) Pastrol scene, 1894 oil on canvas signed and dated lower right 20 x 31 cm
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John H. Hodgson (20th, cent ury) Cronulla beach 1914 watercolour signed bottom right: 'J. H. Hodgson/ '14' 29 X 44 cm
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Ray Crooke (Born 1922) Sydney opera house oil on canvas on masonite signed R Crooke bottom right 29 x 21 cm
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George bell (1878-1966) study of seated figure ink on paper signed lower left 27 x 36 cm
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A pair of WMF Secessionist pewter ewers, circa 1900, each with sunflower form finial, the beaded loop handle with page figure holding geese form mount, the tapered cylindrical form embossed with stylised foliate and floral designs, 38 cm high, (2).
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A flintlock pistol, circa 1800-1810, in brass, steel and hardwood, 40 cm long.
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A Flint Lock Holster pistol, circa, 1750- 1800's, with ornately carved stock and engraved steel mounds, 54 cm long.
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An Italian style Flint Lock Holster pistol, circa 1750-1820, with ornately carved stock, brass and steel mounds, 42 cm long.
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A Flint Lock travelling pistol with folding Trigger, circa 1790- 1820, in harwood and steel, marked 'Liverpool', 19 cm long.
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A pocket pistol converted from a Flint Lock to drum and Nipple, circa 1790-1840, in ebonised timber and steel, 18.5 cm long.
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A repousse silver handled Flogger whip, south East Asian early 20th century, the tapered silver handle depicting a village scene with various figures terminating in leather strands, handle 29 cm long.
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An Art Deco oak longcase clock, British, circa 1930, with square chrome dial within stepped panelled case with scroll carved motif, set upon stylised paw feet, 42 cm width x 32 cm depth x 195 cm height.
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An Art Deco oak bureau, British, circa 1930, the fall front revealing tooled leather panel and inset pigeon holes and drawers above two proud cupboards with central carved floral motif, on stylised paw feet, 76 cm width x 48 cm depth x 106 cm height.
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A mahogany Globe Wernicke stacking sectional bookcase three sections with typically fitted fall front glass doors, 90 cm wide, 31 cm deep, 125 cm high.
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A mahogany Chinese Chippendale revival display cabinet, early 20th century, with mirror plated back, the open sectional shelves with fretted carved sides and galleries, with shaped base frieze and moulded cabriole leg with lion paw feet, 128 cm width x 35 cm depth x 188 cm height.
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A Victorian Lamb of Machester rosewood chiffoniere, circa 1850, the superstructure comprising a brass gallery mounted pediment with fretwork supports above two oval mirrored panelled doors with fretwork frames and inverted canted corners with acanthus scroll moulded carvings, set upon a platform base, stamped Lamb Manchester 26307, 122 cm width x 63 cm depth x 134 cm height.
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An East Anglian beech chair, 19th century with rolled bar back and four fluted horizontal supports separated by four wood balls and decorative bar, with solid wooden seat and tapering legs 100 cm high.
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An English elm treen Dairy bowl, together with a treen string box, circa 1800, the bowl of typical turned form, the string box of cup and cover form and 22 cm high, the bowl 33 cm diameter, (2).
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A George III mahogany wine cooler with serpentine shaped apron terminating in swept feet with brass swan neck handles to side and single drawer, 48 x 33 cm
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An interesting late 16th century English carved oak Alter-back, circa 1580-1600, centrally carved with armorial coat of arms and quarterings for the families Reresby and swift., the central shield carved within acorn moulded laurel with inscription 'Blessed Are, They, the Scripture Doth Say That Hearest Worde, of God a Kepes Talwaye', the central shield depicting the marriage of Lionel Reresby of Thribergh to Ann, elder daughter of Robert swift of Rotherham, 241.5 cm width x 8 cm depth x 83 cm high.
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Consolazione mother of God, with St John the Baptist, Veneto Cretan, 17th century Tempera and gold ground on panel in later velvet mount frame 34 cm x 44 cm within the frame.
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A Spanish 18th century polychrome crucifix, Cristo Y Maria, with remnants of painted gesso, the Christ figure mounted on ebonised cross with figure of Mary at his feet on stepped base, together with another small 17th century figure mounted on contemporary stand, 66 cm and 32 cm high (2).
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A Spanish Colonial carving of a Saint, polychrome decorated, circa 17th/18th century on an integrally carved base, 84.5 cm high.
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An early French polychrome painted Madonna and Child, possibly 13TH/14th century, modelled holding the child in one arm, set upon an integral base, 87.5 cm high.
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A fine Persian silk Qum rug, of central medallion design with sage, black and coral tones, 168 cm x 107 cm., with certificate and receipt for $8,500.
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A fine Persian silk Qum rug, of central medallion design in coral, red, navy and ochre tones with black floral designs, 166 x 106 cm., with certificate and receipt for $8,500.
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A 19th century George II style walnut & parcel gilt wall mirror, second half of the 19th century, with a scroll fret carved frame with parcel gilt eagle surmount, replaced mirror plate, 50 cm height x 51 cm width.
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A pair of Regency ormolu four branch candelabra, circa 1830, modelled with dolphin terminal and set upon a marble base raised on six bun feet, 33 cm high.
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A Notable French late 19th century ormolu and marble mounted mantle clock, stamped Roussel, surmounted with ormolu campana urn and cover above enamel circular dial painted with Roman numerals flanked by fluted columns and step with seated young satyr playing hunting horns, the platform marble base with central ormolu freeze depicting education with putti in various pose, 66 cm width x 20 cm depth x 71 cm height.
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A Victorian figural spelter mystery clock garniture 'L'amour Vainqueur Par Bruchon', modelled as cupid holding aloft a swinging pendulum clock, with two putto spelter figures 'La Source' and 'La Foret', 57 cm and 25 cm high, (3).
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A Victorian miniature long case clock by W.Thornhill & Co.London, circa 1880, with swan neck pediment above enamel dial with Roman numerals and maker, the case with faux panel fronted door on square pedestal and platform base, with satinwood marquetry and stringing throughout, 32 cm high.
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An Edwardian rosewood glass fronted jewellery box, the top with inset brass escutcheon and handle, the bevelled glass fall front revealing two drawers, 30 cm width x 24 cm depth x 19 cm height.
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A Victorian mahogany sewing table, with carved pedestal and platform base with four scroll feet.
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A pair of Art Deco Tsanya Marygold prints, each in Australian Art Deco frames labelled Dimond Brothers, Sydney Newtown verso, 39 cm x 68 cm, including frame.
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A pair of Victorian green glass lustres, each embellished with gilt painted foliate and fruit designs and clear glass lustres, 36 cm high.
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A pair of cut crystal lustres and Victorian enamel painted vase, the lustres of typical form with faceted stems and star cut bases, the vase of squat ovoid form, (3).
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A quantity of Victorian and later ruby glass, comprising; blush enamel painted stem vase, a pair of stem vases, a pair of vases on metal stands by Moser, two trumpet vases, two jugs, three 'Mary Gregory' pieces, pair of salts and three posy vases, tallest 40 cm (17).
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A quantity of Victorian and later ruby glass, comprising; satin ruby biscuit barrel, a pair of frill neck blush stem vases, a vase, a jug, two posy vases, two pairs of salts and a bonbon dish and cover, tallest 32 cm, (12).
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A quantity of Victorian and later ruby and coloured glass, comprising; Bristol blue enamel painted vase and jug, a blue and green vase, green 'Jack in the Pulpit' blush vase, pair of foliate form vases, a green jug, an enamel painted vase, a double stem posy vase, three Mary Gregory pieces (clear jug a green jug and beaker), a blue glass salt, an enamel painted ruby glass silver plate mounted sugar basin, tallest 26 cm (14).
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A Victorian ruby glass and brass kerosene oil banquet lamp, with moulded blush glass font and shade, the brass fluted column with orb terminals on spread circular foot, 70.5 cm high.
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A Victorian ruby glass and brass duplex kerosene oil banquet lamp, with moulded vaseline blush glass font and shade, the pierced brass base with dolphin and star moulded motifs, 70 cm high.
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A matched pair of porcelain dishes, Worcester Grainger, the other possibly Paris, circa 1890, of oval form, painted with gilded scale blue borders and reserves of fancy birds, butterfly and insects, 27.5 cm width.
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A Hadley Worcester porcelain figural group vase, 1884, modelled as a resting boy and girl drinking water from a gilded jug, set upon a naturalistic base, 17 cm high.
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