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Auction House:Cordy'sNumber of lots recorded:525
Sale Title:January Antique & Art AuctionLots with images:137
Auction Location:AucklandPrices available:388
Date:21-Jan-2014
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A Chinese pottery fish form jug, underglaze red highlights to the top, blue scrolling underglaze highlights to the wave base. Height 9.8 cm.
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A Chinese fine porcelain small bowl, overglaze red dragon decoration chasing the mystic pearl, underglaze blue highlights and borders, six underglaze blue character marks to foot. Diameter 7.5 cm.
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A Chinese large baluster underglaze red decorated vase, the main band to the swollen body of curved linear leaf and floral scrolls, stiff leaf and lappet bands framing, inverted rim, a faint incised mark to the base, in the Ming style. Height 26.5 cm.
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A stem cup in the manner of the Dawenkou culture (4300 B.C. - 2500 B.C.), with bell shaped bowl raised on a hollow stem pierced with three columns of perforations and raised on a circular spreading foot, black burnished earthenware. Height 19 cm.
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A large Japanese 'Nippon' porcelain vase, tapered panelled section, painted decoration of swans on a lake, raised jewelled type decoration with gilt highlights and handles. Printed mark. Height 36 cm.
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A small fine quality Japanese Kutani baluster vase, painted with figures and a pine tree, the borders gilded. Painted marks on base. Height 15 cm.
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Framed handprint and calligraphic signature of Hawaiian born sumo wrestler Konishiki, three time Ozeki champion. He debuted in 1982, retired in 1997 and was the heaviest wrestler of all-time at around 260kgs.
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Three Japanese Satsuma earthenware plates painted with figures by Kinkozan, each plate painted with three groups of figures performing tasks from daily life of the Meiji period, including a Shinto ceremony, a tea ceremony, winnowing rice, etc., each plate framed by a millefiore border, each marked to the back. Diameter 19 cm.
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A Japanese Meiji Satsuma koro, with finely painted and gilded panels of figures and landscapes, raised on three feet, two character signature under base, height 120; along with a small dish with scalloped rim, painted with a scene of Mt Fujiyama, reeds, storks, etc., signature to the base, diameter 14.5 cm.
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A pair of c.1900 Japanese Satsuma baluster vases, painted with multiple figures, religious seated gents to one panel, standing woman to the other, ornate gilt enrichments, elephant's head handles, frilled top rims, gilt painted marks to base on black including the Satsuma mon. Height 17.5 cm.
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An early/mid-20th century Japanese Satsuma bowl, the interior decorated with a mountainous stream landscape with flowers in the foreground, restrained florals to the exterior, traditional colours with gilt highlights. Diameter 21.2 cm, height 8.5 cm.
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A Japanese Meiji period Satsuma vase, the ovoid body finely painted with numerous women in traditional robes, one panel as a market type scene, the reverse with figures in boats, traditional tones, richly gilded, cobalt ground, elephant mask handles, gilded character marks on black to base. Height 25 cm.
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A large Japanese circular Imari charger, late Meiji period, decorated in typical colours along with green and yellow, with three monkeys amongst flowering tendrils. Hairline crack to rim. Diameter 45 cm.
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Seven early 20th century Japanese Imari plates, circular fluted form, traditional panelled decoration and palette, one damaged. Diameter 21.5 cm.
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A Japanese Zitan wood box, square section, dovetailed corners, panelled base, open oval cut-out handles to the sides. 17.5 cm x 17.5 cm x 8.5 cm.
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A Japanese Zitan wood box, square section, dovetailed corners, panelled base, open cut-out handles to the sides with scroll detailed carving. 16.5 cm x 16.5 cm x 8.5 cm.
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An Edwardian 9ct. yellow gold and seed pearl pendant/brooch of open scrolling flowerhead form, the central flowerhead set with seven seed pearls framed by six further smaller scrolling forms.
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An amethyst and diamond pendant, the pear shaped amethyst of approx. 5.65ct., set with seven small brilliant cut diamonds at the top, with loop suspension, set in 14ct. yellow gold.
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An Edwardian 9ct. gold and seed pearl starburst brooch, the six pointed star with leaf and floral highlights, entirely set with seed pearls, brooch pin and pendant loop support to reverse.
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An 18ct. yellow gold pearl set chain with pendant, the nine small gold leaves forming one large leaf set with facet cut multi-coloured natural gemstones, with an additional gemstone suspended to the centre, the chain with three freshwater pearls. Weight 9.1gms.
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Two Annie Glazier bead necklaces, one of oval graduated carnelian beads, the other mother-of-pearl of graduating lozenge beads with similar silver clasp. Length 50 and 3.5 cm.
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An early 20th century 14ct. gold, red stone(ruby) and seed pearl small pendant on chain, the open work shield form pendant with scroll wire detail, small blister pearl pendant drop, the fine neck chain marked '14K'.
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A George III 15ct. gold and ivory mourning pendant, of oval form, the panel finely painted with a woman standing before a monumental urn, the base engraved 'Follow Virtue And Smile On Death', all within a landscape, original glazed panel, the enclosed gold back with script initials and suspension loop.
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An Edwardian 9ct. gold pendant necklace, the rose gold open scrolling pendant with a single facet cut garnet drop and further garnet mount, a single textured leaf and flower set with seed pearl, all on a fine link yellow gold neck chain.
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An early 20th century 9ct. yellow gold on silver Masonic ball fob opening in a cross form, the pyramid form faces engraved with various Masonic emblems.
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A c.1900 15ct. yellow gold estate lady's muff chain of uniform curved links, single 'dog-clip' clasp. Length 13.8 cm, marked 15ct., weight 31.7gms.
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A 9ct. rose gold propelling pencil/expanding ruler, extending to 6 inches on one scale and 15 cm. the other, square section stem, stamped '9ct.' and maker's mark. Total weight 20gms.
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A 19th century 9ct. yellow gold fancy fob watch key, the flattened oval body as a peacock, its tail forming the rounded form, swivel handle. Weight 4.4gms.
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A pair of amethyst and diamond earrings, the two pear shaped amethysts totalling approx. 10.60cts., surrounded by 42 brilliant cut diamonds, set in 14ct. yellow gold
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A 14ct. yellow gold lady's handmade diamond bangle, the top with three tapered bands set with a total of 35 channel set modern brilliant cut diamonds of 2.25ct. total weight, clarity VS to SI-1, colour G-I, hinged and secured by a push-in concealed clasp with one safety clip. Total weight 16gms
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A 19th century 18ct. yellow gold and diamond Russian Imperial double-headed eagle brooch, finely worked with textured finish, set with 36 old mine cut diamonds. Unmarked, the quality of the workmanship suggests the Faberge workshop was the likely origin. Weight 4.6gms, 2.8 cm x 2.2 cm.
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A c.1900 15ct. gold, emerald and diamond bar brooch, centrally mounted with two linked horse-shoe forms, channel set with primitive facet cut small emeralds and diamonds, in vintage box.
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A Victorian silver and agate brooch, the large oval cabochon banded agate stone set in a scrolling silver frame; together with a Georgian agate and rock crystal mourning brooch, the unmarked gold frame set with small cabochon agate pebbles, the rock crystal centre opens for insertion of hair or miniature, clasp broken.
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A Victorian 18ct. gold mourning brooch, the round target form brooch with a black enamel Greek key pattern to the exterior, the central panel of hair with glass cover, the base also set with photo and glazed, the name and date of death engraved to the exterior frame.
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A World War I 18ct. gold framed portrait miniature brooch, hand painted with a young soldier in military uniform, under glass on mother-of-pearl, in an 18ct. yellow gold mount with black enamel decoration, minor losses. Total weight 8gms.
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An 18ct. gold and multi-ruby set bird brooch modelled as an eagle with wings spread, fine wire filigree highlighted with 61 small cabochon rubies, one absent. Total weight 3gms.
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A 9ct. gilded yellow gold colonial boar tusk brooch, nearly forming an entire circle, engraved cap mounts and shield central strap. Approx. diameter 9 cm.
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A Victorian silver fancy hinged bangle, the top with two rows of fine raised rectangular bars, fine bead and scroll decoration. Birmingham 1876 by Robert James Dick.
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A Balinese chrysoprase and silver ring, once the property of the artist Theo Schoon, the tall domed cabochon stone in a rub-over mount with decorative fine bead and scroll work to the frame and shoulders, stamped '900' to the base panel.
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An 18ct. yellow gold and emerald lady's fancy dress ring, modelled as a grape bunch, the 11 facet cut circular emeralds as the grapes, the band stamped 18K.
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A pair of 18ct. yellow gold, pearl and diamond lady's earrings, the large half mabe pearls in an ovoid frame, the triangular section with fine textured detail set with three small diamonds, mounted for pierced ears. Total weight 10.2gms.
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A late Victorian silver cased fusee pocket watch by John Forrest, London, the large engraved silver open faced case supporting the movement with silvered dial with gilded Roman numerals, subsidiary seconds dial and decorative floral enrichments, working, the case hallmarked Chester 1900 by H.G.
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A George III silver fusee pocket watch, radiating machine engraved back, open face, showing the decorative silvered dial with a radiating zig-zag central panel framed by gold Roman numerals, the gilded movement named H. Browning '35 Years', #22276, working. The case hallmarked London 1817 by Stephen Bryan, a specialist watch case maker.
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A c.1900 'Baystate Imperial' large 'coin' silver open face pocket watch, plain shield cartouche to the back, the enamel dial with Roman numerals and subsidiary seconds dial, the movement named and numbered 299895, also with details 'Chalmers Pat. 12.19.82', working.
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A George III silver Benjamin Barber pair cased pocket watch, made for the Turkish market with a tortoiseshell and silver plate outer case with studded detail, the push-button release revealing the matching pair cased watch with a white enamel dial named by the maker, the fusee verge decorative gilded movement, also with maker's details, working order. Both cases hallmarked London 1792 by James Richards, a specialist watch case maker.
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A c.1920s Art Deco Vacheron & Constantin Swiss 14ct. rose gold pocket watch, the open face with silvered dial and baton and Arabic numerals, subsidiary dial, maker's mark included, wide plain rim, flat back, stem wind.
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A good 19th century Australian G.A. Smith of Sydney silver cased full hunter pocket watch, the chain fusee movement with engraved maker's name and 'Sydney' and serial no. 29144, the white enamel dial with maker's name and address, Roman numerals and subsidiary seconds dial, the interior back cover with presentation inscription 'Presented to Joseph Samuel by G.A. Smith Esq. at the Expiration of His Apprenticeship June 1st 1881'. The case hallmarked London 1879 and made by Charles Harris. Working, with key.
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