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Auction House:Shapiro AuctioneersNumber of lots recorded:287
Sale Title:Traditional Design, Asian Australian and European Decorative Arts and Fine FurnitureLots with images:48
Auction Location:SydneyPrices available:135
Date:21-May-2008
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Victorian 18ct Yellow Gold Open Faced Pocket Watch, c. 1880, with original key, together with a ladies Rolex cased movement c1920
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American Watch Company, Walthum, Mass, Gold Fill Open Faced Pocket Watch, with a white enamelled dial, having roman numerals and a sub dial(Crack to dial)
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William, Lister Newcastle on Tyne, George III 18ct Gold Open Faced Pocket Watch, c. 1815, having roman numerals, original key and fully hallmarked case. Provenance: Private Collection Wagga Wagga
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Diamond Set Pendent, c. 1960, modelled in the form of a flower set, with nine small diamonds apparently set in white gold, on a white metal chain
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19th century 18ct Yellow Gold Push Button Set Chronograph Full Hunter Watch, c. 1880, Retailed Hardy Bros Sydney, together with 18ct yellow gold Albert chain
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Rene Lalique, Art Deco Amber Serpent Pendant, c. 1920, modelled in rectangular form, with a writhing, serpent attached at both ends to the original silk cord
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George I style silver plated loving cup, c. 1870, of waisted baluster form, flanked by twin handles, resting on a circular spreading base, height 23 cm
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James Dixon & Sons, Mahogany cased fruit and fish canteen, c. 1920, comprised as a serving for twelve each knives and forks, each with simulated horn ivorine handle and foliate etched blades, encased in a rectangular boxed strung ebony crossbanded rectangular fitted box. length 67 cm
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Caucasian Kilim Hall Runner, Decorated with a selection of large geo-metric gulls, interspersed with smaller elongated gulls, encased within a multi-panelled border, all on a deep blue ground. (Small tear) length 245 cm
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Tribal Woollen Floor Rug, Decorated with a central lozenge shaped gul, surrounded by a selection of large and small geo-metric and floral motifs, on a tonal ground, length 188 cm
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Pair of Chinese Ivory Figures, c. 1940, modelled as a couple of the imperial court, in full robes each clutching vessels and resting on octagonal stepped bases. (Slight Af).
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Exceptional 19th century Chinese ivory figure of Guan Yin, modelled as the deity in full headdress, jewelled, in tonal dress, clasping her precious vase in one hand, signed to Chien Leong to base. Height 41.5 cm. Provenance: The estate of the late Rita light, Sydney, Private Collection, NSW
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Pair of Cloisonne Enamel Vases, c. 1940, each modelled in the form of waisted tapered vessels, and decorated with sprays of chrysanthemums on a green to white ground.
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Suite of Four Late 19th century Chinese Ivory Export Ware Serviette Rings, c. 1900, each of circular banded form and decorated with exotic birds and leaf and berry motifs.
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Japanese Meiji Period Boxed Garniture of Satsuma Vessels, c. 1920, comprising a lidded koro and a pair of vases, each decorated with scenes of lohan in landscapes and having an applied figure of the dragon chasing the flaming pearl. Each in its original retail travelling case. Provenance: Private Collection, Sydney
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19th century Tibetan Gilt Bronze Figure of Vajrasattva with Consort, modelled with five rising spokes representing the five wisdoms of Buddha or Dyani Buddha's. seated; and presented in yab yam with his consort, on a stepped lotus throne, height 12 cm
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Near Pair of Meijii Period Kutani Porcelain Vases, c. 1880, each modelled with a flared lip, having Greek key motifs, leading to the baluster shaped body having panels of birds in exotic landscapes.
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Shibyama tray, Meiji period, the rectangular florally enamelled rim, leading to the signed tray decorated with a pair of exotics bird in landscape. (Af) length
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19th century Gilt Bronze Standing Rattanakosin Buddha, modelled standing in the 'calming the waters' pose, clad in tradition robes, resting on stepped red stained based, height 56 cm
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Miniature Satsuma Earthenware Vase, c. 1930, modelled as a baluster shaped vase, decorated with panels of children playing with gilt highlights, height 9 cm
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Japanese Tortoiseshell Cigar Case, Meiji Period, c. 1910, decorated with cranes in flight, amid bamboo foliage, the verso with similar decoration. length 12 cm
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19th century Burmese Mandalay Gilt Standing Buddha, modelled standing with both hands in the verada gesture, clad in traditional robes, including a jewelled headdress, resting on a later ebonised base, height 137 cm, overall height 164 cm
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Japanese Ivory Netsuke, Meiji Period, c. 1880, modelled in circular form, and decorated with a carved image of a young boy with his toy swathed, signed below. diameter 5 cm
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After Charles Sykes, the spirit of Ecstasy, modelled as the lady clad only in fluttering robes; resting on a brassed mounting. Height 14 cm, Special Note, the spirit of Ecstasy was designed by Charles Sykes and inspires a story about secret passion between two people at differing ends of the social spectrum, the model for the emblem was Eleanor Velasco Thornton, the secret love of John Walter Edward Douglas-Scott-Montagu for over 10 years
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De la Grange, Art Deco Ivory and Gilt Bronze Figure, c. 1930, modelled as a page in full court dress, with hands in front in a clasping a book, resting on a stepped base, height 34 cm
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After Lorenzl, Art Deco Chromed Figure of a Dancing Girl, c. 1930, modelled as the woman balancing ; naked with her hands up and down as she moves to the music, resting on a plinth base, height 29 cm
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Pair of Late 19th century French bronzes, c.1900, one modelled figure of a scantily clad woman with a wreath headdress, and the other being of Mercury resting on a putti, each on and a mustard toned square plinth
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Directoire Style Cast Metal Lamp, The shade with applied motifs of stars, resting on a single turned pillar leading to three acanthus capped scrolled arms, and a tapering octagonal stem, terminating in scrolled feet, height 90 cm
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Graduated Set of Six Victorian Brass Candlesticks, c. 1870, comprising the King, Queen and Jack of diamonds, so called for the facetted waisted banding to each pillar.
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Art Deco Ladies Parasol, c. 1930, together with leather cased pair of opera glasses, c. 1940. Provenance: The estate of the late F D Garvan, Sydney
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Lenoir Paris 19th century Louis XVI Style Brass Mounted Simulated Tortoiseshell Clock and Matching Bracket, with an two train eight day movement, white porcelain dial with roman numerals, the case having stylised pierced mounts with 'C' scroll and shell motifs., height 85 cm, overall height 128 cm
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19th century White Metal Monstrance, with a gilded sunburst, centred by a well enclosing a sacred relic, and having applied figures of putti and sheaves of wheat; leading to a waisted column and a circular spreading foot. (Slight Af) height 47 cm
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Kugler, Art Deco Gilt Bronze Figure, c. 1930, modelled as a putto, naked, grasping twin bunches of grapes, resting on an elongated plinth base, height 26 cm
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Pair of Regency Style Ormolu Mounted Bronze Figural Candlesticks, c. 1870, each modelled with a central campagna shaped sconce, resting on a pillar mounted with three elephant maskheads and a further three campagna shaped sconces, leading to a reeded pillar an acanthus capped lily pad mounted tri form base, being of paw feet, all resting on a tri-form plinth base, height 45 cm
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After Moreau, Pair of Cast Bronze Figures of Rearing Horses, c. 1920, each modelled with the beast rearing on its hind legs as its handler desperately attempts to contain them, on a rustic plinth.
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Finch Mason & C Welman for Sancovy, The Sandown Racing Game, c. 1930, the pine box enclosing; a selection of playing cards, instructions and the wheel, having printed images of each of the horses, bearing the signature of Finch Mason.
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Victorian Papier Mache Cabinet Plate, c. 1850, with a scalloped rim, leading to a shallow bowl decorated with floral motifs. length 25 cm. Provenance: The estate of the late F D Garvan, Sydney
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Drew & Sons Piccadilly Circus, Cased Picnic Set, c. 1920, fitted with enamel lidded dishes and trays, and silver plated pressed glass drinking vessels, all encased in its original wicker basket. (lacking a carafe)
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Pair of 19th century Gothic revival brass candlesticks, each modelled with central spikes and oval drop in pan drip trays, leading to facetted columns with fielded panels with lobed surmounts and some figural mounts, resting on tri-form stepped plinth bases united by pierced buttress supports.
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Eugene Bauges, Paris 19th century Louis XV style Lyre shaped gilt metal bracket clock, with two train eight day movement, porcelain enamelled dial, painted with swags of roses, modelled with sunburst surmount, with mask head insert, leading to twin supports having inset cast foliate decoration, united by a single floral swag, the dial surmounted by embellished ribbon tie, flanked by twin rampant foliate sprigs, the rectangular plinth base with applied gilt metal panels and rosettes and resting on gilt…
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Late 18th century Italian carved stained oak figure of an angel, modelled as the winged figure, clad only in a toga, one hand raised blowing a mythical horn, as on leg is raised resting on a furled ground and a stepped circular base. (AF). Height 76 cm
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19th century American School. 'Figures on a River Bank', mixed media, 25 x 45 cm, signed lower left. Provenance: The Estate of the late F D Garvan
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19th century Style Brass Architectural Table Light, Modelled with a central Corinthian column, having a selection of four scrolled arms with tubular sconces, resting on a square turned plinth base, height 93 cm
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French Ormolu Octagonal Ceiling Light Fitting, c. 1920, With a central frosted glass shade, enclosed within the shaped case, with beaded decoration and acanthus leaves, width 46 cm
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Westerland Torboda, French 18th century Style Ormolu Mounted Cartel Clock, With an eight day, two train movement, the white enamel dial having both Roman and Arabic numerals, all encased in the wall mounted shaped, pierced fitted case with rose terminals. with original key height 70 cm
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