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Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:402
Sale Title:Classic Furniture, Objects & Design AuctionLots with images:373
Auction Location:MelbournePrices available:233
Date:3-Jun-2012
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A pair of Moore Brothers figural comports, circa 1890, each on an ovoid base with gilt trim, a winged cherub drags a cornucopia behind, pink factory mark to base and impressed Moore, 17 cm tall.
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A Royal Worcester porcelain coffee set, circa 1864, comprising a lobed rectangular tray, a coffee pot, a lidded sugar bowl with cover, a milk jug and two cups with saucers, each individually painted with birds and floral sprays edged with turquoise and gilt bands, green factory mark with first crown, 64 below and with further impressed marks to bases, the tray 39 cm wide.
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A large Victorian two handled potpourri with cover raised on a pedestal base, ovoid with a trumpet neck and looped handles decorated with large hand painted floral posies on a deep bordeaux ground included with internal lid and pierced cover, 74 cm high.
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A Royal Worcester lidded tureen and tray signed G. (George) Johnson, circa 1902, the tureen ovoid with small handles and domed cover hand painted with grouse, the ovoid tray hand painted with lapwings, green and blue factory marks to base, the tray 23 cm wide.
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A Vienna style porcelain plaque within a giltwood frame, circular, with a central figural vignette within a green and gilt cavetto the whole mounted within a carved giltwood frame, 47 cm diameter.
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A pair of Sevres style porcelain lidded urns signed A. Gilbert, baluster on squared base with domed cover, each displaying an alternative figural vignette within olive green and gilt borders, one signed lower right and each marked Peint Et Decore Main to base with factory mark, 47 cm high.
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A pair of Empire Porcelain & Co porcelain urns, circa 1930, of amphora shape, raised on a footed base and flanked by gilt handles, the body each with a hand tinted figurative decal cartouche within a cobalt and gilt printed reserve, entitled 'the prodigals return' and 'Kaufmann' respectively, 41 cm high.
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An ornate Continenetal porcelain lidded urn in the style of Carl Thieme, baluster, with applied figural terminals the body decorated with a classical figural scene and further applied floral blooms surmounted by a bombe cover with whimsical finial together with a complimentary square footed tray, blue factory mark to base, 57 cm high. (3)
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A Moore Brothers painted and gilded comport, circa 1905, on a scrolled and gilded foot, a double trunk styled standard supports a shell shaped basin with moulded and painted flowers, flanked by winged cherubs, orange factory mark to base, hairlines to base and standard, 35 cm wide.
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A small Wedgwood Fairyland lustre bowl, circa 1920, circular, with an everted rim decorated throughout with winged characters, externally a lime green and dark purple lustre ground, stamped Wedgwood England to base, 12 cm diameter.
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A good pair of 19th century French carved giltwood and gesso armchairs, each with a tablet back and a foliate carved crest, above padded arms and a fitted seat, upholstered in blue and gold brocade fabric, raised on cabriole legs.
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A Victorian flame mahogany sideboard, the shaped leaf carved back above a rectangular top, the breakfront lower section with four frieze drawers and four panelled doors, raised on a plinth base, 184.5 x 160 x 61 cm.
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A good quality Victorian mahogany extension dining table, the rounded rectangular top above a band apron, raised on fluted baluster legs, brass caps and porcelain castors, four leaves, 365 x 75 x 147.5 cm; together with a mahogany leaf holder.
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A good set of ten Victorian mahogany Baloon back dining chairs, each with a bowed balloon back, above a leaf carved horizontal splat and a fitted leather seat, raised on fluted legs.
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A Victorian walnut framed gentleman's chair, with a medallion back, above bowed arms and a fitted seat, upholstered in green velvet, raised on cabriole supports.
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A Victorian gentleman's chair, with a bowed back and arms, above a fitted seat, upholstered in green velvet, raised on cabriole supports.
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An impressive 19th century burr walnut bookcase cabinet, the leaf carved stepped pediment, above four rounded rectangular glazed doors, the projecting lower section with a further four glazed panelled doors, flanked by pierced and scroll carved corbels, all doors fitted with Bramah locks stamped 'J Bramah 124 Piccadilly ', all raised on a plinth base, 254 x 243.5 x 62 cm.
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A Louis XV style giltwood salon suite, comprising a settee and three fauteuils, each with a solid rectangular back above open arms, upholstered in pale blue brocade fabric, raised on cabriole legs, the settee 124 cm length of back.
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A 19th century mahogany music stand, the music stand pierced with a lyre motif, above a telescopic brass standard, the base carved with leaf tips, raised on reeded scroll legs, 145 cm high (extended).
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A Louis XV style rosewood and marquetry wine cooler, the rectangular top with a lift-out central section enclosing a lead lined interior, within ogee moulded sides, raised on cabriole supports, the whole inlaid with foliate panels and applied with gilt metal mounts and sabots, 68 x 80 x 44.5 cm.
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A pair of Louis XV style gilt wood Consoles and pier mirrors, each table with a rectangular marble inset top above a panelled apron carved with egg and dart borders and patera, raised on fluted supports united by a concave stretcher, together with a matching rectangular mirror, carved with classical vignettes and floral motifs, each table 77.5 x 77 x 42 cm; each mirror 151 x 60 cm.
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A French gilt metal mounted kingwood side cabinet, the rectangular marble top with rounded corners, above a panelled door with a central projecting porcelain medallion, the whole with string inlay and gilt metal mounts, 88.5 x 103 x 44 cm.
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A pair of French gilt metal mounted kingwood jardinieres, rectangular, centred to each side with a painted porcelain medallion within foliate cast borders, surmounted by pine cone finials, 20 x 26 x 19.5 cm.
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A pair of Chippendale style gilt wood wall mirrors, each with a rectangular plate, housed within an ornate foliate pierced surround,134.5 cm high.
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A mid 19th century mahogany campaign chest, the two sectional rectangular body with brass capped corners and an arrangement of five drawers, each with flush brass handles, flanked by iron loop handles, raised on turned feet, 99 x 112 x 47.5 cm.
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A mid 19th century mahogany campaign chest, the two sectional rectangular body with brass capped corners and an arrangement of five drawers, each with flush brass handles, flanked by iron loop handles, raised on turned feet, 89 x 99.5 x 44 cm.
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A French patinated bronze tazza on stand first quarter 20th century, with a shallow circular top cast with lion mask heads, above a fluted standard and a foliate pierced tripod base, 46.5 cm diameter x 80.5 cm high.
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A fine pair of French walnut framed bergeres, each with a solid back above padded arms and a fitted seat, upholstered in Burgundy velvet, raised on foliate carved supports united by cross stretchers.
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A fine Victorian burr walnut and marquetry bookcase, the ogee moulded cornice above two rounded rectangular glazed panelled doors, the lower section with a further two solid panelled doors, the whole finely inlaid with foliate marquetry and Tunbridge Wells borders, raised on a plinth base, 137.5 x 215.5 x 44.5 cm.
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A blackamoor calling card holder 19th century, the Nubian figure dressed in Turkish attire, carved and decorated with hand painted gesso embellishments holding a tray in one hand, 64 cm high
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A Victorian cast iron gueridon, with a circular black marble top, above a reeded standard, raised on a tripartite base cast with dragon mask heads, 79.5 cm high.
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A pair of late 19th century painted mahogany settees, each with a caned back and curved sides, inset to one end with a painted mahogany medallion, above a caned seat and a loose fitted cushion, raised on square tapering supports, 122.5 cm length of back.
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A Victorian hand painted satinwood cellarette, circa 1870, ovoid, with a central figural cartouche interspersed by floral bands and garlands, raised on four tapered legs on castors, 52.5 x 59 x 39 cm.
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A Biedermeier style birch dining table and twelve French Empire style mahogany dining chairs 20th century, the table with a one-piece rounded rectangular top, above two facetted baluster pedestals, each with a concave quadripartite platform base; each dining chair with a curved back and arms upholstered in green velvet, raised on reeded sabre legs, the table 303 x 74 x 107 cm.
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A Regency mahogany fold-over tea table, the rounded rectangular top above a string inlaid apron, raised on turned legs with brass caps and castors, 90 x 42.5 x 76.5 cm.
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An Assembled late 19th century satinwood salon suite in the manner of Shoolbred, comprising a side cabinet, an occasional table, a card table, four salon chairs and three armchairs of different designs, each piece finely painted and inlaid with classical floral designs, the table 76.5 x 72 x 76.5 cm.
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A 19th century Continental pollard oak chiffonier, with an open display shelf, the lower section with a gilt metal mounted frieze drawer above two glazed panelled doors within columns, plinth base, 103 x 103 x 45 cm.
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A Regency style mahogany extension dining table, the rounded rectangular top with an ebonised Greek key border, raised on two pedestals with reeded out swept legs, brass caps and castors, two leaves, 294.5 x 75 x 112 cm.
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A set of eight Regency mahogany dining chairs, comprising six chairs and two carvers, each with a bowed spade back above a horizontal splat and a fitted seat, raised on turned supports.
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A George III style mahogany sideboard, the serpentine rectangular top with crossbanded edges, above a central frieze drawer and a tambour fronted storage compartment flanked by a cellarette drawer and a cupboard, raised on tapering square legs, 179 x 92 x 71 cm.
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A George IV brass inlaid rosewood teapoy, the finely figured body, with an ogee sided rectangular top opening to reveal four lidded containers and two apertures for mixing bowls (the bowls now missing), raised on a baluster standard and scroll supports, the whole with brass string inlay, brass caps and castors, 39 x 78.5 x 31 cm.
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A Victorian Mahogay dumbwaiter impressed Manufacturer's stamp for A. Solomon, with three tiers united by turned supports, the lower section with a single drawer, raised on bun feet with brass castors, 68 x 114 x 48 cm.
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A George III mahogany secretaire bookcase of compact Proportions, the stepped cornice above astragal glazed doors with arched glazing bars, the lower section with a fall front writing surface enclosing pigeon holes, drawers and storage compartments, above three full-length and two short drawers with brass handles, raised on bracket supports, 96 x 209 x 57.5 cm.
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A William IV brass inlaid rosewood card table, the rounded rectangular top opening to a baize interior, raised on a tapering square standard and a platform base with four scroll supports, brass caps and castors, 91.5 x 72.5 x 45.5 cm.
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A fine pair of 19th century giltwood girandoles, each with an oval plate within a rope edge surround, surmounted by a looped and tasselled pierced crest, the conforming base emanating three rope arms terminating in sconces, 136 x 82 cm.
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A fine quality Louis XV style scarlet tortoiseshell and cut brass inlaid foldover card table, the serpentine top opening to a baize interior, the whole richly inlaid with foliate cut brass and tortoiseshell panels and applied with gilt metal mounts, raised on cabriole legs, 90 x 77 x 47 cm.
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A 19th century Louis XV style scarlet tortoiseshell and cut brass inlaid ebonised planter or jardiniere, the rectangular top with a lift-out central section enclosing a lead lined interior, within ogee moulded sides, raised on cabriole supports, the whole with Berainesque foliate marquetry panels, gilt metal mounts and sabots, 68 x 77.5 x 44 cm.
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A set of six teak side chairs 20th century, each with an open, bowed back, above a fitted velvet upholstered seat, raised on sabre legs.
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A good William IV mahogany canterbury Retail Lable for W. Mewton, 89 James Street Devonport, the openwork body with multiple divisions for storage carved to the front, centre and reverse with a floral wreath, above a single frieze drawer, raised on turned legs with brass caps and castors, 48.5 x 52 x 37 cm.
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An early 19th century mahogany and rosewood Spinet piano maker's mark William Stodart & Son, Makers to His Majesty of the Royal Family, golden square, London, rectangular, with a hinged lid opening to ivory and ebony keys, raised on turned supports; together with a modern brass framed tripod piano stool, the spinet 171 cm wide.
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A late 18th century oak foldover tea table, the rectangular foldover top supported by a gate leg, raised on tapering supports with pad feet, 79 x 71 x 42.5 cm.
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An associated 19th century mahogany side cabinet, with a stepped corner above astragal glazed doors, the lower section with two solid panelled doors, raised on bracket supports, 121.5 x 227 x 57 cm.
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A George II oak bureau fall front opening to interior fitted with pigeon holes and a small cupboard, above four long drawers with cockbeading, bracket feet, 104 x 106 x 52 cm.
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A Louis XV style gilt metal mounted painted kingwood vitrine, the shaped cornice above two glazed panelled doors, the bombe lower section painted with Romantic scenes, the whole with foliate cast gilt metal mounts, raised on cabriole supports, 120 x 201 x 48 cm.
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A 19th century mahogany side table, with a rounded rectangular top, above two frieze drawers, raised on turned legs, 101 x 72 x 77 cm.
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A Louis XVI style gilt metal mounted mahogany vitrine, the shaped rectangular top above a glazed panelled door and sides, the lower section painted with Romantic scenes, raised on cabriole legs, 80 x 173 x 35 cm.
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A velvet upholstered settee 20th century, with a rectangular back, above loose fitted cushions, upholstered in pale grey velvet, raised on tapering rectangular supports, 172.5 cm length of back.
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A pair of late 19th century cut brass inlaid ebonised fold over card tables, each with a serpentine rectangular top inlaid with foliate cut brass panels, opening to a baize interior, above an apron inlaid with brass string borders and applied mask heads, raised on cabriole legs, 85 x 79 x 42.
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A Napolean III cut brass inlaid ebonised bureau Plat, rounded rectangular, the top inlaid with a central foliate brass cartouche, the whole with brass strapwork and gilt metal mounts, above fluted legs and a concave stretcher, brass toupie feet, 135 x 77.5 x 71.5 cm.
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A late Victorian ebonised and amboyna sideboard, the rectangular back with multiple mirrored panels and shelves, above a projecting base two glazed compartments to either side and further open and panelled storage compartments to the centre, the whole with amboyna banding, string inlay, gilt metal mounts and painted porcelain medallions, raised on a plinth base, 183.5 x 246 x 48 cm.
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A 19th century Continental walnut side cabinet, the rectangular marble inset top with lobed corners, above a glazed door inset with a tapestry depicting a hound, within a columnar and fretwork surround, raised on lobed toupie feet, (crack to marble top), 99.5 x 91 x 38 cm.
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A Louis XV style gilt metal mounted kingwood and marquetry vitrine, the ogee moulded top above a shaped glazed panelled door and sides, the lower section with foliate marquetry inlay, raised on cabriole supports, 84 x 165.5 x 39 cm.
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A William IV mahogany library bookcase, with a stepped rectangular cornice, above four glazed pointillated rectangular doors, the lower section with two short and two full-length central drawers, flanked by panelled cupboard doors, raised on turned feet, 240 x 213 x 45 cm.
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A Victorian majolica jardiniere on stand, the columnar stand with a tripartite rim enclosing above a bombe body, each with moulded flourishes and geometric motifs all glazed in a viridian green, 99 cm total height.
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A Queen Anne style figured walnut sideboard, circa 1920, the reverse breakfront top with a feather banded border, above two frieze drawers and a shaped apron, flanked by solid arched panelled doors, raised on cabriole legs with pad feet, 314 x 94.5 x 63 cm.
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A 19th century painted English oak coffer, the planked rectangular top painted with a central monogrammed cartouche flanked by cherubs, the lower section painted with fruit panels, raised on rectangular supports, 171 x 75 x 61 cm. History: reputedly previously owned by John Perceval.
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A pair of cut brass inlaid ebonised etageres, each of shaped rectangular outline with a gallery edged top, above a further two tiers, raised on out swept supports, 35 x 79 x 28 cm.
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A Louis XVI style gilt wood vitrine, the rectangular top with a gadrooned border, above a glazed door and sides, the door with a floral painted cartouche and patera to the lower section, raised on fluted supports, 77 x 170.5 x 39.5 cm.
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A Louis XVI style marquetry inlaid bonheur du jour, the gallery edged rectangular top above a shaped drop front writing surface enclosing drawers, raised on a cabriole legs, the whole inlaid with foliate marquetry panels, gilt metal mounts, 73 x 93 x 45 cm.
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