| *** | American Orpheum tenor banjo, by Rettberg & Lange, no. 3 special model, New York, circa 1915, the fingerboard intricately inlaid with abalone shell along with the Company logo to the headstock, with an open back, the label to interior of rim, 78 cm long | *** |  |
| *** | French violin, Chanot model, circa 1830, elegantly crafted with rounded bouts featuring ivory inlay to edges, and with a shield shaped scroll, 62 cm long | *** |  |
| *** | French guitar, by Claude Aubert, Troyes, circa 1770, ten strings, 'Aubert a Troyes' marked to the interior and verso of the body, rings of ebony inlay to the sound hole and edges of the body, the bridge terminating in delicately cut scrolling vines, 91 cm… | *** |  |
| *** | English guitar, by Louis Panormo, serial number 1952, London, 1849, fine string inlay to edges and around sound hole, paper label to interior, 'Baker' tuning keys, 93 cm long | *** |  |
| *** | A 'Flamenca Negra', David Macias, U.S.A., 2000, the soundboard of spruce, the back and sides of Indian rosewood, fitted with a 'B-Band' pickup system, the tuning keys by Alessi, the label bearing the maker's signature, accompanied by a 'Hiscox' rigid case… | *** |  |
| *** | Australian harp guitar, by Giovanni Cera, Melbourne, circa 1923, the edge detailed with a parquetry border, and the fingerboard inlaid with mother-of-pearl geometric designs, 'Rinogera/ Fecit/ 2.7.1923' marked to the interior, 113 cm long | *** |  |
| *** | American guitar, by William B. Tilton, New York, circa 1880, the steel tailpiece engraved overall and mounted with two circular plaques and a third set within the sound hole reading 'Wm B. Tilton's/ Improvement /New York /Patented March 4 1856/ Zogbaum &… | *** |  |
| *** | English cittern, by Michael Rauche, London, circa 1760, signed verso to the upper back, the headstock crested with an inlaid star motif, the decorative fretwork sound hole also inlaid with a star motif, repairer labels to interior, 76 cm long | *** |  |
| *** | English harp lute, by Edward light, London, circa 1820, the whole ebonised with scrolling gilded classical motifs overall, 84 cm long | *** |  |
| *** | American guitar, by C. F. Martin & Co, Nazareth, circa 1896, with herringbone inlay around soundhole and to back seam, and string inlaid to front edges, maker's mark impressed to interior, 94 cm long | *** |  |
| *** | American twelve string acoustic guitar, by C. F. Martin & Company, model D12-35, Nazareth, circa 1972, 'Martin & Co. Est. 1833' decal to headstock, factory mark, model and serial numbers to interior, inlay to the all edges and around the sound hole, 105… | *** |  |
| *** | French guitar, by Roudhloff, Paris, circa 1830, mother-of-pearl herringbone inlay to edges and around sound hole. With polychrome design surrounding the bridge comprising two dolphins and garland designs, maker's mark to interior, 94 cm long | *** |  |
| *** | English guitar, by D & A Roudhloff, London, circa 1840, fine string inlay to edges and mother-of-pearl inlay around sound hole in geometric designs, paper label to interior, with 'V.R.' tuning keys, 96 cm long | *** |  |
| *** | An early 19th century mahogany and rosewood Spinet piano maker's mark William Stodart & Son, Makers to His Majesty of the Royal Family, golden square, London, rectangular, with a hinged lid opening to ivory and ebony keys, raised on turned supports;… | *** |  |
| *** | An Estonian violin by Meeme Malgi, signed 'Meeme Malgi, Estonia, AD 1941-2. Complete with bow, inlaid with mother of pearl and hard case. | *** |  |
| *** | Hawaiian ukelele, by Kamaka, serial no. 2704, circa 1930s, parquetry inlay to edges and sound hole. Decal to the headstock and pineapple motif to lower body, 55 cm long | *** |  |
| *** | Bow, 1920's violin bow by 'W.E. Hill & Son' silver mounted and ebony frog. Approx 61 Grams | *** |  |
| *** | American pumpkin top mandolin, by Gibson, model A1, serial number 6987, Kalamazoo, circa 1915, painted decal to headstock and impressed mark to tailpiece, paper label to interior, 68 cm long | *** |  |
| *** | American archtop tenor hollow body guitar, by Gibson, Kalamazoo, circa 1950s, the spruce front in a sunburst finish, the sides and back crafted from rosewood. Gibson decal to headstock, 102 cm long | *** |  |
| *** | French melophone, by Pierre Charles Leclerc brown, Paris, circa 1889, the body inlaid with ebony, with a scrolled head, 82 cm long, 35 cm wide | *** |  |
| *** | French guitar, by Charles Jacquot, circa 1840, the interestingly shaped guitar, with fine string inlay to edges and around the oval sound hole, label to interior, 90 cm long | *** |  |
| *** | French lyre-guitar, by Aldric, Paris, circa 1830, Nicely detailed with ebonised borders, and the bridge terminating in delicately cut scrolling vines. With gilded finials in the form of two eagles' heads. In wood case, 78 cm long, 33.5 cm wide | *** |  |
| *** | A J.M. Schweighofers & Son walnut baby Grand piano, the walnut case having 50 ivory keys and 35 ebony keys, raised and faceted legs, brass castors, 179 cm long | *** |  |
| *** | English two horn stroviols, circa 1920, featuring two horns, large and small. Bearing the maker's decal to front, 60 cm long | *** |  |
| *** | German Terz guitar, by Sprenger, Nuremberg, circa 1840, with ebonised string inlay to edges. Incised maker's mark to headstock, 79 cm long | *** |  |
| *** | A 19th century maple violin, the two piece back embossed with the head of a man in profile and inscribed beneath 'Cleveland', spurious label to the interior Laurentius Guadagnini Pater & alumnus Antoni Straduari, fecit lacentie Anno 1743, together with a… | *** |  |
| *** | American flat top tenor guitar, by Gibson, model Tg-25N, serial number 159705, Kalamazoo, circa 1964, the Gibson decal to headstock with the serial number stamped to verso, paper label to interior, 96 cm long | *** |  |
| *** | American baritone ukulele, by C. F. Martin & Company, Nazareth, circa 1940s, 'C. F. Martin & Co. Est. 1833' decal to headstock, 78 cm long | *** |  |
| *** | An early 1920s German violin by Georg Watter Gutter, in case with bow | *** |  |
| *** | Italian bowl-back mandolin, by Stridente, Naples, circa 1920, Intricately inlaid overall in mother-of-pearl, with tortoiseshell to fingerboard, pick guard and headstock, 62 cm long | *** |  |
| *** | English guitar, by John Preston, London, 1800, with parquetry banding to edges and around sound hole. Painted trim to ribs and back, 91 cm long | *** |  |
| *** | French guitar, by Roudhloff, Paris, circa 1820, marked 'C. Roudhloff' to the interior, the repeating pattern of marquetry following the front edge of body and around the sound hole, the bridge terminating with foliate motifs, 91 cm long | *** |  |
| *** | French harp guitar, by Levien, Paris, circa 1810, fine string inlay to borders, with a classical style female plaque to headstock. Makers plaque 'Levien/ Inventeur & Brevete' in mother-of-pearl inlay to fingerboard, 83 cm long | *** |  |
| *** | American cylinder-back mandolin, by Vega Company, Boston, circa 1915, etched 'Made by the Vega Company / 155 Columbus Ave / Boston' to verso of headstock. Decorative abalone and mother-of-pearl inlaid around sound hole, fingerboard and pick guard, 163 cm… | *** |  |
| *** | German violin, circa 1800, crafted with a pine front and maple rest, repaired by Devereux Melbourne. Housed in leather case, 60 cm long | *** |  |
| *** | English stroviols, popular model, circa 1920, of typical form with single horn. Bearing the maker's decal to front, 60 cm long | *** |  |
| *** | A 19th century violin labelled Jean Baptiste Vuillaume Paris possibly by Honore Derazey together with a fitted mahogany case length of back 37.5 cm | *** |  |
| *** | Flute, early 19th century African blackwood flute by 'Rudall and Rose', comes with original case | *** |  |
| *** | American style 20 mandolin, by C. F Martin & Co, Pennsylvania, circa 1929, the body crafted from Spruce and flame maple wood. Impressed factory stamp to verso of headstock, 66 cm long | *** |  |
| *** | American tenor acoustic guitar, by Gibson, Kalamazoo, circa 1950s, the spruce front in a sunburst finish, the sides and back crafted from rosewood. Gibson decal to headstock, 108 cm long | *** |  |
| *** | American guitar, circa 1900, the ebonised fingerboard and headstock elegantly inlaid with classical motifs in mother-of-pearl along with fine floriate inlay to the tuning keys, in a coffin case, 96 cm long | *** |  |
| *** | An unusual patriotic American violin, circa 1900, floral mother-of-pearl inlay to neck. The verso decorated with transfer printed scene of an eagle in flight holding an American flag, beneath a lakeside scene and basket of flowers, Stradivarius label to… | *** |  |
| *** | English cittern, by Preston, London, circa 1780, the headstock terminating with a flattened finial covered in tortoiseshell and mother-of-pearl, the fingerboard veneered in tortoiseshell and mother-of-pearl, the sound hole rose is an intricately pierced… | *** |  |
| *** | Three violin Bows, each inlaid with silver mounts and papua shell detail. One bow stamped A. P Bilstein. | *** |  |
| *** | Italian bowl-back mandolin, by Vinaccia, Naples, circa 1922, the headstock emanating a classical style female head, 64 cm long | *** |  |
| *** | French guitar, by Simon Beau, Mirecourt, circa 1840, Nicely inlaid with mother-of-pearl to table edges and around sound hole in repeating floriate motifs, 'Beau' imprinted to interior, 96 cm long | *** |  |
| *** | A classical guitar, model 120, Rafael Romero, 2017, the soundboard of spruce, the back and sides of Indian rosewood, the label bearing the model number and year, accompanied by a case, 99.5 cm long, 37.2 cm wide, 10.2 cm deep | *** |  |
| *** | A model 55-Fce Negra, 'Slimline', Cordoba, fitted with a fully adjustable 'Fishman' pickup system, the label bearing the model number and 'Limited edition', accompanied by a special slim 'Humidor' rigid case, 97 cm long, 36.8 cm wide, 6.7 cm deep | *** |  |
| *** | American bowl-back mandolin, by C. F Martin & Co, serial number 4002, Pennsylvania, circa 1900, decorative abalone shell inlay to edge, fingerboard, tortoiseshell pick guard and headstock, and string inlay to the bowl-back, 63 cm long | *** |  |
| *** | American ukulele, by Gibson, Michigan, circa 1930s, parquetry inlaid around the sound hole. Mother-of-pearl inlay to fingerboard, 53 cm long | *** |  |
| *** | German guitar, circa 1900, the edges finely inlaid with mother-of-pearl detail, with a scrolled peghead modelled in the Stauffer style. The verso finely painted depicting ships at a French port, titled 'Vue de Calais', 95 cm long | *** |  |
| *** | Syrian oud, by Ali Khalifeh & Sons, Damascas, circa 1970s, of typical form, with three bands of inlay to the back of the body, Unplayed, 81 cm long | *** |  |
| *** | Guitar, Sting Mini Signature Edition Guitar by C.F.Martin. Limited edition of 100, signed by Sting, comes with hard case. | *** |  |
| *** | American ukulele, by C. F. Martin & Company, style O model, Nazareth, circa 1930s, impressed factory stamp to verso of headstock, 53 cm long | *** |  |
| *** | American stainless steel cased ukelele, by National Resophonic Guitars, San Luis Obispo, circa 2000, the outer body cased in stainless steel. The National logo inlaid to headstock, 55 cm long | *** |  |
| *** | English flute, by William Henry potter, London, 1815, in original box, crafted from boxwood, with ivory ferrules, inscribed 'Willm.Heny/ Potter/ Johnson's Court/ Fleet Street/ London', 'Patent' inscribed on the ivory band above, 67.5 cm long | *** |  |
| *** | English miniature concertina, by C. Wheatstone & Co., number 31027, London, 12 keys, in case, the lid's interior with the maker's label, manufacturer's marks and production numbers located on the decoratively pierced nickel plated ends. In leather case,… | *** |  |
| *** | Iranian qanun, circa 1900s, partial paper label toward the top, three decoratively carved sound holes, the sound board framed in marquetry inlay, 96 cm high, 39 cm wide | *** |  |
| *** | A classical guitar, model Jk-90, Enrique Keller, 2004, the label bearing the model number, year, and maker's signature, accompanied by a 'Hiscox' rigid case, 98.8 cm long, 37.7 cm wide, 10.3 cm deep | *** |  |
| *** | American ukulele, by C. F. Martin & Company, style O model, Nazareth, circa 1930s, 'C. F. Martin & Co. Est. 1833' decal to headstock and 'Made in the Us' stamped to verso of headstock | *** |  |
| *** | American tiple, by C. F. Martin & Company, Nazareth, circa 1960, 'C. F. Martin & Co. Est. 1833' decal to headstock, 70 cm long | *** |  |
| *** | French guitar, by Barbara, Aurelianum, circa 1830, fine string inlay to edges and around sound hole. The sound hole in a spider web formed pierced motif. The bridge terminating with two mirrored swans, paper label to interior reads 'Barbara/ Aurelianum… | *** |  |
| *** | German guitar, model W1318, circa 1890, Nicely decorated with repeated bands of marquetry in mother-of-pearl and abalone shell following the edges of the table, around the sound hole, and detailed in places on the fingerboard. The bridge terminating in a… | *** |  |
| *** | Guitar, 1930's acoustic steel string resonator Guitar by Dobro., comes with original case. | *** |  |
| *** | A 19th century violin together with a single horse hair bow, presented in a lacquered wooden case | *** |  |
| *** | American tenor ukulele, by C. F. Martin & Company, Nazareth, circa 1940s, 'C. F. Martin & Co. Est. 1833' decal to headstock, and 'C.F. Martin & Co/ Nazareth. Pa/ made in U.S.A.' impressed to the interior, 67 cm high | *** |  |
| *** | French guitar, by Larousse, circa 1825, of typical design with an ebonized neck and fingerboard, friction tuning pegs inlaid with mother-of-pearl, moustache bridge, string inlay banding to the edge of the soundboard and sound hole. Stamped Larousse to… | *** |  |
| *** | English miniature concertina, by C. Wheatstone & Co., number 25272, London, 16 keys, in case, manufacturer's marks and production numbers located on the decoratively pierced nickel plated ends. In leather case, 11.5 cm long | *** |  |
| *** | English square piano, by John Broadwood and Son, London,19th century, rounded rectangular case in mahogany, comprising six octaves and a sustain pedal, decorated in cut brass inlay and fretting, raised on four fluted legs on castors, 86 cm high, 177 cm… | *** |  |
| *** | Continental violin, Russian model, circa 1880, crafted with a pine front and maple rest, 60 cm long | *** |  |
| *** | English pochette, circa 1900, of typical violin form, however of compact proportions, 42 cm long | *** |  |
| *** | English banjo, circa 1870, the fingerboard and resonator decorated in Tunbridge ware, 89 cm long | *** |  |
| *** | Scottish square piano, by Andrew Rockhead, Edinburgh, circa 1800, the rectangular case in mahogany and satinwood, comprising five octaves, raised on five square tapered legs with spade feet on castors, 86 cm high, 159.5 cm wide, 56.5 cm deep | *** |  |
| *** | Rolf Harris Wobble board rectangular brown masonite board 2 x indented handles at each end and yellow printed indigenous design to both sides showing kangaroos, koalas and boomerangs and wording 'Masonite | *** |  |
| *** | American bowl-back mandolin, by Washburn, circa 1900, etched 'Washburn' with bird motifs to verso of headstock. Nicely inlaid with herringbone inlay to front edge, and decorated with mother-of-pearl inlay to fingerboard and tortoiseshell pick guard, 61 cm… | *** |  |
| *** | American ukulele banjo, by Gibson, Ub-1 model, Michigan, circa 1920s, 'The Gibson' decal to headstock, 49 cm long | *** |  |
| *** | A Karl Niedt German violin, circa 1924 with original case | *** |  |
| *** | American arch top guitar, by Mario Maccaferri, New York, circa mid 1950s, Uniquely crafted from plastic, makers logo to headstock and tailpiece, 93 cm long | *** |  |
| *** | English clarinet, by Wood & Ivy, London, circa 1840, in boxwood with ivory ferrules and brass keys. The inscription to the bell reads 'Wood & Ivy/ late George e Wood/ 50/ new Compton Strt/ Soho/ London, 59 cm long | *** |  |
| *** | French bowl-back mandolin, circa 1850, the typical bowl-back stylistically crafted in alternating panels of wood. Fine parquetry inlay around sound hole, with an ebonised fingerboard and headstock, 58 cm long | *** |  |
| *** | A William IV rosewood square piano, by Collard & Collard, London, circa 1835, the rounded rectangular case, comprising six and half octaves, fretted decoration, raised on four carved tapered legs, label to interior reads 'Imported and sold by /Joseph… | *** |  |
| *** | German Art Nouveau upright piano, by Eckstein Berlin, Berlin, circa 1900s, in walnut and burr walnut, iron frame, comprising over seven octaves, inset with carved relief Art Nouveau panels, and double brass sconces to the upper front board, 135 cm high,… | *** |  |
| *** | A Cello bearing label Berini Czechoslovakia, Unstrung with two Tuning Pegs missing, in an antique case bearing label W.E.Hills & Sons, London | *** |  |
| *** | A model barrel piano forte, circa 1930, twenty two note format, in an upright mahogany case with a brass 'S' formed crank, 93 cm high, 42 cm wide, and 35 cm deep | *** |  |
| *** | American bowl-back mandolin, by C. F Martin & Company, serial number 9438, Pennsylvania, circa 1910, impressed factory stamp to verso of headstock, with string inlay to the bowl-back, 63 cm long | *** |  |
| *** | A Spanish piano music box on cart 106 cm high | *** |  |
| *** | Australian made Hawaiian 24 string guitar, by Kealoha, circa 1970, 'Kealoha' logo to headstock, mother-of-pearl inlay to fingerboard, housed in original hard case, 114 cm long | *** |  |
| *** | American Cylinder- back mandolin, by Vega Company, Boston, circa 1913, with bone inlay to edges, and herringbone inlay around soundhole. Paper label to interior, 65 cm long | *** |  |
| *** | American flat top guitar, by Mario Maccaferri, New York, circa mid 1950s, Uniquely crafted from plastic, makers logo to headstock, 94 cm long. Other Notes: for a similar example please see the David Gilmour guitar collection, Christies, New York, June… | *** |  |
| *** | American arch top guitar, by Mario Maccaferri, New York, circa 1950s, Uniquely crafted from plastic, makers logo to headstock and tailpiece, 95 cm long | *** |  |
| *** | English flute, by Rudall, Carte & Co, London, circa 1880, crafted from cocus wood, inscribed 'Rudall/ Carte & Co/ 23 Berners St/ Oxford Street/ London/ 2409/ 1867 patent. Housed in case, approximately 66 cm long | *** |  |
| *** | English mandolin banjo, by Windsor, model 3, circa 1920, the engraved tailpiece bearing '94 Newhall St B'Ham/ Eng/ Windsor', 60 cm long | *** |  |
| *** | French guitar, circa 1800, bone inlay to the headstock, fingerboard, sound hole and edges. The bridge terminating in delicately cut scrolling vines, in a coffin case, 94 cm long | *** |  |
| *** | German guitar, by Harms, circa 1830, fine string inlay to edges and around sound hole with repeating circular polychrome motif. The bridge terminating in delicately cut scrolling vines. 'Harms' stamped on table below bridge, 91 cm long | *** |  |
| *** | English square piano, by John Broadwood and Sons, London, circa 1820, the rectangular case with rounded edges, in rosewood and satinwood, comprising five and a half octaves and a sustain pedal, decorated with brass fretwork, string inlay to the rounded… | *** |  |
| *** | Russian balalaika, by Taco, 20th century, the sound box of typical triangular form, 'Taco' decal to the headstock, with bands of inlay to the edges, 69 cm long | *** |  |
