*** | Ann Newmarch (B.1945 Australian) Sunrise coloured screenprint signed and entitled in pencil lower margin 50 x 64 cm | *** | |
*** | George Barbier (1882-1932), Deux Heures du Matin, Gazette du Bon Ton, original colour lithograph fashion plate, 1923, plate: 16.5 x 13.5 cm, backing 50 x 33 cm | *** | |
*** | A Ralph Middleton Todd, (1891-1966) English, Portrait of a Gentleman +, Study of Three Fiddle Players (2), Etchings, each signed lower right, 11.5 x 8.5 cm, 17 x 14.5 cm | *** | |
*** | Joan Cole 10 Lindrum Terrace 27 January 1976 colour linocut ed. 3/8, signed & dated lower right together with BE Hancocks Annemonies 1977 colour linocut ed. 2/8, signed & dated lower right, 34.5 x 27 cm, 30 x 23 cm | *** | |
*** | David van Nunen (b1952). Groucho 1. Silkscreen ed. 7/40. Signed lower right. 58 x 40.5 cm | *** | |
*** | Christine Cordero, (c.1940), Transendental Journey 2001, colour etching/aquatint ed. 9/9, signed & dated lower right, 26.5 x 28.5 cm | *** | |
*** | Neroli weaver, (b.1965), Wildflowers near Window 1995, handcoloured linocut, signed & dated lower right, 111.5 x 77 cm | *** | |
*** | A Pears print, Young Sweetheart | *** | |
*** | A French framed black and white steel engraving, figures in landscape 35 x 42 cm | *** | |
*** | Andre Brasilier (b.1929), (woman Picking roses) colour lithograph ed. 95/140, signed lower right, 64.5 x 48 cm | *** | |
*** | Norman Alfred Williams Lindsay, (1879-1969) After, The Duke gives a Party + Old Paris (2), offset lithographs, 28 x 19 cm approx. | *** | |
*** | A pair of 19th century gilt & gesso oval frames, with engravings + two others (4) 20 x 18 cm | *** | |
*** | An early 19th century birds eye maple veneer frame, including a handcoloured lithograph of field Marshal Arthur Duke of Wellington KG (1769-1852) 18 x 16.5 cm, overall | *** | |
*** | Charles George Bannon, (1919-1993), horses on a beach, Linocut ed. 4/20, signed lower right, 25 x 31 cm | *** | |
*** | John Charles Goodchild, (1898-1980) Britain, Australia, Adelphi Arches, lithograph ed. 3/18, signed lower right, 26 x 35.5 cm | *** | |
*** | Malcolm Helsby, (1900-), the Railway station from Bank Street, Adelaide 1929 + Lamb Building, Inner temple London 1926 (2), each etching ed. 8/60, 12/55, each signed & dated lower right, 31 x 18 cm, 20 x 9.5 cm | *** | |
*** | John C Gould + Herbert Davis Richter, (1804-1881) + (1874-1955), Astur Radiatus (Radiated Goshawk) c.1848, hand coloured lithograph, imp. C Hullmandel, 51 x 33.5 cm | *** | |
*** | George Baxter, (1804-1867) English', Madelle Jenny Lind + Madelle Jetty Treffz (2), Baxter prints, stamp lower left, printed in oil colours by G Baxter, stamped, Baxter's patent oil Printing, 11 Northampton square, 35 x 27 cm overall | *** | |
*** | An Edwardian engraving plate, 'The fox Hunt' by George Routledge in an oak frame | *** | |
*** | Jacqui Henwood (1946-2013) True Blue View I & II (2), silkscreen ed. A/P, 21/90, each signed lower right, each 120 x 77 cm | *** | |
*** | Cedric Raymond Emanuel, (1906-1995), Fishermen's Co op, etching ed. 4/9, signed lower right, 30 x 45 cm | *** | |
*** | A four panel Japanese silk screen decorated with blossoms and birds signed with chops | *** | |
*** | Jeffrey Makin, (b.1943), cedar Creek Falls I + II 1988(2), Silkscreen ed. 17/65, 54/65, each signed and dated lower right, each 83.5 x 59 cm | *** | |
*** | John Barclay Godson (1882-1957), Botanic steps etching ed. 19/40, signed lower right, 12.5 x 15 cm | *** | |
*** | Will Martyr travelling light Silkscreen, Ed 55/100. Will Martyr travelling light Silkscreen, Ed 55/100 signed lower right 58 x 83.5 cm | *** | |
*** | Rigobert Bonne (1727-1794) Nlle Galles Merid. Le Ou Cote Orientale de la Nouvelle Hollande Hancoloured copper engraving signed in plate 36.5 x 25 cm (plate). Literature: R.Bonne & N Desmarest. Atlas Encyclopedique, Paris 1788, vol 2, plate 137 | *** | |
*** | John Charles Goodchild (1898-1980 British/Australian) Westminster Abby black and white etching 20 x 9 cm | *** | |
*** | William Hodges, (1744-1797) English, After, The Fleet of Otaheite (Tahiti) assembled at Oparee 1777, copper engraving eng. W Woollett, 25.5 x 39.5 cm | *** | |
*** | John Charles Goodchild, (1898-1980) Britain, Australia, the Spit, Sydney 1922, etching, 26.8 x 31 cm | *** | |
*** | Annelise Wiebkin, Rockhopper Penguin on Kelp 2011, Handcoloured linocut ed. 3/10, signed & dated lower right, 15 x 15 cm | *** | |
*** | Joseph Fowles, (1810-1878) after, Sydney Street views: George Street, King Street, York Street, Pitt Street c.1882 + Wesleyan Centenary Chapel + the post office + folio of National Trust prints, engravings, some handcoloured + prints, 26 x 26 cm (4),18 x… | *** | |
*** | James Wyld, (1812-1887), New South Wales (& part of Victoria,) engraving, handcoloured 56.5 x 42 cm | *** | |
*** | Jo Sabey (b.1947) Eastern Horizon I 1987 Silkscreen ed 2/95 signed & dated lower right, 76 x 121 cm | *** | |
*** | After Clarice Marjoribanks Beckett, (1887-1935), the Boatsheds, silkscreen ed. 46/75, unique Editions embossed seal lower right, Certicate of authenticity verso, 46 x 67 cm | *** | |
*** | Pamela Anne Griffith, (b.1943), Siny ant Eater & native iris, colour etching/aquatint ed. A/P, signed lower right, 60.5 x 45 cm | *** | |
*** | A framed Pears print, Christmas comes but once a year | *** | |
*** | A framed Pears print A Winters Morning | *** | |
*** | Pamela Anne Griffith, (b.1943), Bush harvest, etching ed. 21/40, signed lower right, 50.5 x 60 cm | *** | |
*** | Pamela Anne Griffith, (b.1943), first of August - Wattle day, Handcoloured etching ed. 24/40, signed lower right, 61.5 x 45 cm | *** | |
*** | Livingstone (Hop) Hopkins, (1846-1927), Self portrait (head study) 1894 + Self portrait (full figure) + one other Excodus 34:20 (3), etchings late impressions ed. 1/25, one signed and dated in plate, 15 x 10 cm (2) 5 x 4 cm | *** | |
*** | Gilbert Thomas Meredith Roach, (1895 -1972), the white Road + seven Poplars (2), each etching ed. 18/25, 10/25, each signed lower right, 12.5 x 17 cm, 10 x 13.5 cm | *** | |
*** | After Picasso, mother and child 1963, colour lithograph, signed and dated upper left, in plate, 51 x 38 cm | *** | |
*** | John Charles Goodchild, (1898 - 1980) Britain, Australia, St Peters Cathedral, Adelaide + St Peter's Cathedral, Adelaide (interior) (2), each etching ed. No.20/50, 22/40, each signed lower right, 15 x 18 cm, 18 x 16.3 cm | *** | |
*** | Graeme Townsend (b.1954) Sturdle Maus 1979, handcoloured etching ed. Xxiv/xxv, signed & dated lower right, 690 x 49 cm | *** | |
*** | John Firth Smith Myth 1990 colour etching ed. 21/50, signed & dated lower right (unframed), 31 x 52.5 cm | *** | |
*** | Celia Rosser (b.1930), after Banksia verticillata R Br Offset print signed lower right 53 x 74 cm | *** | |
*** | Hugh David Sawrey, (1923-1999), first Time round 1976, Silkscreen ed. 158/200, signed & dated lower right, 47 x 56.5 cm | *** | |
*** | William Hodges, (1744-1797) English, after, woman of Sta. Christina + Chief of Sta. Christina c.1777 (2), copper engravings eng. J hall, pub. Wm. Strahan new Streeet, etc. London, 29 x 22.8 cm, 28.5 x 24 cm | *** | |
*** | William Lionel Wyllie, (1851-1931) English, Fleet Heading out, etching, signed lower left, 19.5 x 24.5 cm | *** | |
*** | Kendal Murray. Tete 1984. Silkscreen ed. 2/18. Signed & dated lower right. 48 x 54 cm | *** | |
*** | Ian Pearson. Wet Sunday 1981. Silkscreen ed. 22/80. Signed lower left, dated lower right. 100 x 70 cm | *** | |
*** | David Schluss (b.1943), Dancing the Music, embossed silkscreen ed. 249/350, signed lower right 43.5 x 44 cm | *** | |
*** | Artist Unknown, (JP), Untitled mythical scenes (9), each linocut Monogrammed, each: 19 x 18.5 cm | *** | |
*** | A Japanese carved ivory seal surmounted by a rat and with stained engraving of blossom and birds to one side, the other with scholar seated in mountain scape, both with text 6.5 cm | *** | |
*** | Greg Irvine (b.1947) still life I 1994 Silkscreen ed. 35/75 signed & dated lower right 50 x 37.5 cm | *** | |
*** | F Sidney Walker (act. 1920s) mountain Gums 1923 etching ed. No.7/50 Proofs signed and dated lower right, 12.5 x 15 cm | *** | |
*** | James Fittler, (1758-1835), Sydney, New South Wales, with the entrance into Port Jackson, handcoloured engraving pub. Sherwood & Co, August 1 1821, 17 x 22.2 cm sight | *** | |
*** | Michael Kempson, (b.1961), Absense of Stellar Paralax' 1987, colour etching/aquatint ed. 2/30, signed & dated lower right, 50 x 37 cm | *** | |
*** | A Pears print, 1905 Sweethearts | *** | |
*** | An etching by George Whinnen (1891-1950 Australia) and an oil of Palawlunga by J C Neate | *** | |
*** | A carved framed oak Pears print | *** | |
*** | A Piot, (19th century), after, Witchery, Pears' Annual 1901, Pears' print, 62 x 45.5 cm | *** | |
*** | Alexander Francis Lydon, (1836-1897) English, after, Lesser lemon crested cockatoo, colour wood engraving by Benjamin Fawcett, 22 x 15 cm | *** | |
*** | Capt. James Cook c.1822, engraving, pub. William Darton, 58 Holborne Hill, London, 12.5 x 8 cm | *** | |
*** | John Charles Goodchild, (1898-1980) Britain, Australia, portrait of James Ashton, etching ed. No. 16/80, signed lower right, 20.5 x 16.5 cm | *** | |
*** | Maxwell Christopher Richard Ragless, (1901-1981), Adelaide Observatory, etching ed. 5/25, signed lower centre, 16 x 11.5 cm | *** | |
*** | George Marler, (1879-1960), the Conservatorium, etching, signed lower right, 15.5 x 22.7 cm | *** | |
*** | Malcolm bell Untitled June 1978 Silkscreen ed. 1/6, signed lower right, 65 x 51 cm | *** | |
*** | Thomas Whitcombe, (1752/3-1824) English, after, Sir Robt Calder's action, July 22nd 1805 + the Capture of the Maria Riggersbergen, Oct 18th 1806 (2), tinted engravings eng. Thomas Sutherland (c.1785-c.1820), each 17.5 x 26 cm | *** | |
*** | Roy Churcher (b1933). Still Life II 1984. Lithograph ed. A/P 4/5. Signed & dated lower right. 64 x 81 cm | *** | |
*** | Jorg Schmeisser (1942-2012) gourd 1989 + cane fire 1986 + cane fire 1980 (3), each colour etching ed. 8/50, AP V/XX, 8/80, each signed & dated lower right 18 x 20 cm, 24 x 20 cm, 18 x 18 cm | *** | |
*** | Cedric Emanuel, (1906-1995) Berowra Boatshed, etching ed. 35/90, signed lower right 30.5 x 45.5 cm | *** | |
*** | Bronwyn Bancroft (b.1958), This Land, Your Land, Our Land 1994 Silkscreen ed.80/99 signed and dated lower right, 28.2 x 42.2 cm | *** | |
*** | Sherer, John (ed) English and American Art gallery, London. John G.Murdoch (1870), steel engravings with tissue guards, folio, full leather, blind-stamped gilt, gilt edges, foxing & some wear. Provenance: the Badgery family, 42.5 x 32 cm | *** | |
*** | Artist Unknown, (c.1970s) Powerstation 1971 photo Silkscreen ed. 12/75 signed & dated lower right indistinct 38 x 63.5 cm | *** | |
*** | N Ward, (20th century) Britain, big rock and Cornish coast 1980 [2], colour etching/aquatint ed. 25/100, 34/100, signed & dated lower right, indistinct, 59 x 41 cm | *** | |
*** | Neroli weaver, (b.1965), Wildflowers near Window 1995, handcoloured linocut, signed, titled & dated lower right, 111.5 x 77 cm | *** | |
*** | Four handcoloured steel engravings Australian interest including port Jackson NSW etc. 15 x 19 cm, 33 x 35 cm framed | *** | |
*** | A framed Pears print, Temptation | *** | |
*** | After Fragonard La Bonne mere reproduction engraving, coloured, framed, 46 x 34 cm | *** | |
*** | Roy Delgarno (1910-2001) the miners 1984 lithograph ed. 6/6, signed & dated lower right 22 x 31 cm | *** | |
*** | Richard hook (b.1945) Fremantle no. I 1976 Silkscreen ed. 16/20. Richard hook (b.1945) Fremantle no. I 1976 Silkscreen ed. 16/20, signed & dated lower right, 67 x 83.5 cm | *** | |
*** | Robert Wilkinson pub, after, map of China 1809 hand-coloured engraving 24 x 29.5 cm | *** | |
*** | Les Kossatz (1943-2011) Homage tank I 1978 colour lithograph ed. 15/40 signed & dated lower right 74 x 54.5 cm | *** | |
*** | A framed Pears print, Bubbles | *** | |
*** | Henry Weclawowicz, Femina, France, original colour lithograph magazine cover, c.1930, image: 31 x 24 cm, backing 65.5 x 50 cm | *** | |
*** | John Alcock, Founder of Jesus College, Jesus College, from the Close (2) & Ante Chapel of Jesus College: four handcoloured stipple engravings, after W Westail, sculp. J Stadler, pub. R Ackermann's history of Cambridge 1814, plate 23 x 28 cm, framed: 42.5… | *** | |
*** | Charles Loupot (1892-1962), Femina February, France, original colour lithograph magazine cover, c.1930, image: 31 x 22 cm, backing 65.5 x 50 cm | *** | |
*** | Frederick B Schell, (c.1838-1905), Lake George 1888, engraving, 17 x 13 cm | *** | |
*** | Edith Cowlishaw, (1924-), Stepping Stones 1993, hand coloured etching ed. 1/20, signed & dated lower right, 45 x 60.2 cm. Exhibitions: Edith Cowlishaw, Gallery 460 1993, original catalogue & invoice | *** | |
*** | John Winch (1944-2010) ancient game series VI, game for two Players 1984 etching ed. Xvii/xxv signed lower right 63 x 45 cm | *** | |
*** | C a Lesueur del., Chombard sculp. Nouvelle Hollande: Ile King Le Wombat plate XXVIII, handcoloured engraving, 24 x 32 cm | *** | |
*** | John Winch (1944-2010) Enigma IV 1986 etching ed. XXV/XXXV signed & dated lower right 45 x 60 cm | *** | |
*** | Gracius Joseph Broinowski, (1837-1913), Sula Cyanops (Sundervall) Masked Gannet Vol. 1 Pl. VII + Sula Australis (Gould) Australian Gannet Vol I Pl VIII (2), each colour lithograph, 23.5 x 34 cm | *** | |
*** | Douglas Fieldew Pratt, (1900-1972), the Roadside Pool, etching ed. 38/75, signed lower right, 18 x 25 cm | *** | |
*** | Roy Churcher (b.1933) morning 1984 lithograph ed. AP 3/3 signed & dated lower right 76 x 57 cm overall | *** | |