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Ceramics — Bonhams & Goodman
 $27,485 |  $22,800 |  $19,120 |  $17,925 |
| Lot | Description | Price | Image |
|---|---|---|---|
| *** | A fine pair of Sevres style urns with lids, circa 1860 | *** | |
| *** | John Castle Harris (1893-1967) A fine rare Australian Studio pottery vase, circa 1930 of museum quality and exhibition proportions, the ovoid vase with narrow waisted neck well potted and featuring a finely modelled mythical dragon applied in coils about the body, the whole richly glazed in striated tones of green/blue/yellow and brown, inscribed signature to base, 39 cm high | *** | |
| *** | An exceptional Royal Crown Derby cabinet plate, painted by Désiré Leroy, dated 1906, of royal gadroon shape, the richly decorated border with cobalt blue ground, gilt details and turquoise and white jewelling, containing six cartouches painted with various summer fruits, the centre painted with exotic birds, signed, red and impressed marks and bearing the Royal Warrant, three minor losses to jewelling, 22 | *** | |
| *** | A large pair of Sévres style turquoise ground vases and covers, French, late 19th century, the covers with a gilt bronze acorn finial and gilt band above an open cast frieze and a pair of applied female bust handles, with 18th century style painted panels depicting couples in rural landscapes signed 'A. Dadet' to the front and detailed floral sprays and bocages to the reverse within gilt borders, marked with intertwined 'L's' of Sévres (2), 70 cm high | *** | |
| *** | A large Royal Worcester twin-handled vase and matched cover, dated 1911, painted by John Stinton, with two Highland cattle grazing beside a loch, the neck and foot with moulded acanthus leaf and scrollwork picked out in gilt, the handles with acanthus leaf moulding terminating in lion masks, signed, puce mark, shape 1722, 50 cm high | *** |  |
| *** | A Royal Worcester vase and cover, dated 1910, of globular shape with twin handles and a domed cover surmounted by a pointed finial, the neck finely pierced with scrollwork and applied with neoclassical ornament, painted by John Stinton, with three Highland cattle, the reverse with a seascape vignette, signed, puce mark, shape 1428, chip to one ribbon, finial to cover restored and some rubbing to gilding, 30 cm high | *** |  |
| *** | An impressive Royal Doulton Sung jardiniere, by Charles Noke, Circa 1920-28, of oval form, decorated with firebird on a rich mottled gold and cobalt ground flashed in sang de boeuf, the interior in sang de boeuf lustre, printed and painted marks, model no. 746, 44 cm wide, 24.5 cm deep, 27.2 cm high, Provenance: Included in the Courier Post New Zealand Royal Doulton Exhibition 1992-93, item B125. | *** |  |
| *** | A William Moorcroft 'Waratah' vase Circa 1932, of slightly waisted ovoid form, the cobalt blue ground with a band of waratahs in soft tones of red, coral and green, signed in blue, impressed mark, 24 cm high | *** |  |
| *** | A fine Royal Crown Derby cabinet plate, painted by Désiré Leroy, dated 1906, of royal gadroon shape, the border with green ground, gilding and turquoise and white jewelling, the cavetto reserves painted with summer flowers, the centre painted with symbols of the arts midst flowers, signed, red marks and bearing the Royal Warrant, 22.5 cm diam. Two restored and over gilded chips to foot rim | *** |  |
| *** | A Royal Worcester vase and cover, painted by Charley Baldwyn, dated 1901, with scrolling acanthus handles, highlighted with gilding and coral, painted with swans swimming amongst waterlilies, against a matt, pale blue ground, a swallow in flight to the reverse, signed, green marks and no.1937, slight rubbing to gilt, 25.5 cm high. Small chip to acanthus leaf moulding to foot, restoration to cover | *** |  |
| *** | A Royal Crown Derby exhibition vase and cover, painted by Albert Gregory, dated 1903, with two foliate form gilded handles, supported on a pedestal mounted with scrolling brackets, in turn supported on an ovoid spreading foot, extensively painted with English flowers on a gilt ground, signed, puce marks, 29.5 cm high. Restoration to finial | *** |  |
| *** | A large Royal Doulton double gourd crystalline vase, Circa 1904-5, decorated with white crystal clusters on an off-white ground, black printed and impressed factory marks, impressed 7121, some damage, 40 cm high, Provenance: Included in the Courier Post New Zealand Royal Doulton Exhibition 1992-93, item B137. | *** |  |
| *** | An Australian pottery vase by Marian Munday (1850-1935), of ovoid form decorated with soaring Waratahs in high relief, on a mottled blue/green and yellow ground, incised signature to base 'M. Munday' and dated 1912, some damage, 28 cm high. Note: Marian Munday's pottery was the first to be purchased by an Australian gallery. Represented in the AGNSW. Refer: Australian Art Pottery 1900-1950. | *** |  |
| *** | A Royal Doulton exhibition quality vase, by Arthur Eaton, dated 3 March 1929, richly painted to each side with a harv | *** |  |
| *** | A rare original conceptual Doulton model for St. George and the Dragon, by Charles Noke and Harry Tittensor, Circa 1920, with St. George carrying his shield on his left arm and his sword in his right hand, richly decorated in striated tones of sang de boeuf, cobalt, buff and green, artist's signatures to base, inscribed to the interior in pencil 'original model presented to A.S. by C.J Noke at the Stoke-on-Trent and dated 1939', damage to right ear of horse, 36.5 cm long, 35.5 cm high | *** |  |
| *** | A pair of William Moorcroft 'Poppy' blue ground vases Circa 1925, of shouldered tapering form with everted rim, decorated with a band of flowers on a blue/green ground, signed in blue, impressed mark, 18 cm and 18.5 cm high (2) | *** |  |