| *** | Gould, John. The birds of Asia. London, The author, 1850-83. Seven volumes large folio, with 530 fine hand-coloured lithographed plates by Gould, H. C. Richter, William Hart and Joseph Wolf, contemporary dark green morocco, sides with wide gilt borders,… | *** |  |
| *** | An important folio of botanical paintings by Miss Eliza Blyth (1820-1894) bearing Inter-Colonial Exhibition label, Tasmania 1866 No. 560 exhibited by Miss Blyth, residence Hobart Town, comprising; 1. Epactis Impressa, initialed Eb Sept, 24 x 14.5 cm 2.… | *** |  |
| *** | Andy Warhol Mick Jagger, 1975 one plate (F. & S. II.147) colour screen print on Arches Aquarelle signed in pencil by the artist and in felt-tip pen by Mick Jagger numbered 136/250 published by Seabird Editions, London, ink stamp to verso 110.5 x 73.3 cm | *** |  |
| *** | Louis Icart, French, circa 1920. Promenade a Versailles and Untitled, Young Ladies With Greyhounds in Landscape, a pair of oils on board. Height 49 cm x. Width 60.5 cm | *** |  |
| *** | Ulverstone Beach-30, oil on canvas on board, Roberts, Tom, signed lower right: Tom Roberts 18 x 56 cm. Provenance: The Estate of the late Ian Alstergren, Tasmania | *** |  |
| *** | After Guido Reni, Temptation of youth, oil on black slate panel 40 x 32 cm | *** |  |
| *** | Giovanni Battista Lampi (1751-1830), (Attributed) Portrait of a Noblewoman, oil on canvas signed middle right: Chavalier de Lampi, pinxit anno 1807 76 x 61 cm | *** |  |
| *** | Henry John Yeend King, (1855-1924), The Trespassers, oil on canvas, signed lower right, 140 x 100 cm. Exhibited Royal Academy Pictures exhibition of 1904 and illustrated in the catalogue at p.36 | *** |  |
| *** | English School, Follower of Sir Peter Lely or Studio, English, 17th century, Portrait of James Duke of York, Later James II, oil on canvas, 125 x 100 cm | *** |  |
| *** | Charles Collins (Circa 1680-1744) landscape with ducks oil on canvas signed 'C-Collins 1742' 91 x 65 cm. Provenance: William M. Sabin, London, 1971 Martyn Cook Antiques, the K R Bernard-Smith collection | *** |  |
| *** | A fine and decorative Pre-Raphaelite mother-of pearl, hardstone, glass and parcel-gilt mosaic panel of St George and the Dragon, English, late 19th century, Inscribed: In memory of her grandfather, father and brother. This tablet is erected my Camilla. A… | *** |  |
| *** | A pair of Chinese export paintings, circa 1854, Chinese school, Macau, each one in oil on canvas, 'Pira Grande from the South', 56 x 45 cm | *** |  |
| *** | Untitled, Young Boy on a Pony, oil on canvas, attributed to Charles Rodius, 30 x 40 cm. Provenance: Gavin Graham gallery, London Joseph brown gallery, Melbourne Private Collection, Melbourne Charles Rodius was born in Cologne in 1802 and arrived in Sydney… | *** |  |
| *** | Hsu Pei-Hung, Chinese, 20th century, Eagles, watercolour 64 x 46 cm. Provenance: A Professor Wang gifted this work to Australia's last surviving World War II war correspondent, Tony Raft the present vendor | *** |  |
| *** | After Peter Lely, Portrait of 'Miss Grimstone afterward Lady Halifax, oil on canvas, bears artist's name, title and cat. no. 57 on label verso, 95 x 130 cm. Provenance: The Estate of the Late Annie Coogan | *** |  |
| *** | European School: Classical Figure Studies, oil on canvas on board, 62.5 cm diameter | *** |  |
| *** | Still Life with Game and Fish Oil on canvas Gould, William Buelow 75 x 61.5 cm Unsigned 75 x 61.5 cm. Provenance: Australian Paintings, Christie's, Melbourne, 6 October 1976, lot 295, illus. pl. 5 Private collection Sotheby's Australian and International… | *** |  |
| *** | The death of Acteon. This panel was part of a series of works painted for a villa near Milan. | *** |  |
| *** | Pink tulips. Provenance: Gould Galleries, Melbourne. 65 x 54.5 cm | *** |  |
| *** | Hermann David Salomon Corrodi (Italian 1844-1905), Cairo from the Nile River, oil on canvas, signed lower right, 49 x 100.5 cm | *** |  |
| *** | Paul Emile Chabas (French 1869-1937), Untitled - Two Naked Girls Bathing, oil on canvas, signed lower right, 111 x 79 cm, in antique gilt frame | *** |  |
| *** | Untitled, vase of flowers on a ledge with the harbour beyond, signed lower left | *** |  |
| *** | Australian School October 19, 1861, watercolour Moyle, T. G. 47 x 74 cm, The Wills Tragedy; the arrival of the neighbouring squatters and Mon collecting and burying the dead, after the attack by the blacks on H.R Wills Esq. Stationed Leichardt district,… | *** |  |
| *** | John Skinner Prout, Corroberee dance of the natives (NSW) (sic), watercolour, circa 1840-43 26 x 36.5 cm | *** |  |
| *** | 'Banks of the Adige Verona' and 'Schiedam' oil on canvas Meadows, Arthur Joseph A pair. Both signed and dated 1881, both signed and inscribed with titles on labels attached to the stretchers. Each 34 x 59 cm. Provenance: Arthur Ackermann and Peter Johnson | *** |  |
| *** | Gathering Wild Flowers oil on canvas Aumonier, James 59 x 90 cm Signed | *** |  |
| *** | English School (19th century), Portraits of Officer George Thomas Scott and Eva Constance Scott, oil on canvas (2), 101 x 85.5 cm (each). Provenance: Property originally of Thomas Scott (1800-1855) Mt Morriston Tasmania | *** |  |
| *** | Eretan. Watercolour on paper. Affandi. Signed and initialed lower left and in pencil lower right. 51.5 x 72 cm | *** |  |
| *** | George Edwards Peacock (1806-1890), Point Piper From Shark Island, New South Wales, 20 x 27.5 cm. Provenance: Private collection, United Kingdom, Menzies, Sydney, 24 June, 2010, lot 13, Private collection, Sydney, Menzies, Sydney, 22 March, 2012, lot 97,… | *** |  |
| *** | John H. Glover, British/Australian (1769-1849) View of Chester, watercolour over pencil heightened with gum Arabic 40.5 x 60.5 cm. This watercolour presents a view of Chester looking south-East, the river Dee can be seen meandering around the city and in… | *** |  |
| *** | S. R. Robertson (1922 -) A hard feathered show Bantam, in landscape oil on canvas signed and dated lower right, 'S. Robinson, 1922' also inscribed lower left 'Robert, Owned By C. Thompson' Now fully mounted together with assorted medals dated 1924-48… | *** |  |
| *** | Studio of Sir Peter Lely, English, 17th century, Elizabeth Wriothsley, Countess of Northhampton and later Countess of Montague, oil on canvas, inscribed and with labels to verso, 125 x 100 cm. Provenance: Prior to 1949 Duke of Manchester, Kimbolton Castle… | *** |  |
| *** | Wintjiya Napaltjarri Untitled Australia 2000 122 x 61 cm. Provenance: Utopia Art, Sydney | *** |  |
| *** | Untitled, 213 x 132 cm | *** |  |
| *** | The William Mitcalfe, 447 tons, E Philipson Esq Commander, Underway out of Darling harbour Sydney, NSW, 1846, watercolour Garling, Frederick, unsigned. Provenance: by descent within the Robb family, ship owners of Newcastle | *** |  |
| *** | Italian school, 19th century, a pair of peacocks in classical landscapes, oil on canvas laid down on board, inscribed to verso no.111/ 112 1896 the other 'Villenino D'Este Illambria' and other label Villeno d'Este Allantova / aut Sigla Hd in gilt frames,… | *** |  |
| *** | Thomas Woolner, plaster relief plaque of Dr. Godfrey Howitt renowned early Melbourne public identity who emigrated to Melbourne in 1840. Howitt formed a close relationship with Woolner who also did a plaque of Mrs Howitt & other Melbourne dignitaries… | *** |  |
| *** | English School (in the 17th century Style), Portrait of a Young Girl, oil on canvas, 75 x 62 cm. Provenance: The Estate of the Late Annie Coogan. Purchased at the sale of Sir James Horlick | *** |  |
| *** | Artist Unknown, (signed Gurschenner), Winter village scene in snow, oil on board, signed ‘Gurschenner’ lower right, Purchased at Leonard Joel Auctions, Melbourne, circa 1965 | *** |  |
| *** | The Alexander, Captain Phillipson Getting under Way off Macquarie Fort Sydney New South Wales1847, watercolour, Garling, Frederick 33 x 44 cm. Provenance: by descent within the Robb family, ship owners of Newcastle | *** |  |
| *** | A Chinese export painting, Qing Dynasty, 1837, Oil on canvas, English school, inscribed 'The Indiana, 420 tons D.O.Brien Commander' at Whampoa Reach, China, dated 15 th, 10, 1837, 64 x 48 cm | *** |  |
| *** | Kaapa Mbitjana Tjampitjinpa, Anmatyerre/Areente/Walpiri Untitled, 1973 synthetic polymer paint on canvas board 103 cm high, 71 cm wide. Provenance: The vendor resided in Papunya community from 1973-1975. This work was purchased from the artist in 1973,… | *** |  |
| *** | English School, 17th century, Follower of Sir Peter Lely, Mrs Trenchard Sister of General Erle, oil on canvas, Inscribed with sitters name and indistinctly signed in red paint lower left, with stencil mark 709 VE to stretcher, 125 x 100 cm. Provenance:… | *** |  |
| *** | Spanish School, 17th/18th century, oil on canvas. 137 cm high, 93 cm wide | *** |  |
| *** | English School, Portrait of a nobleman 18th/19th century, enamel on porcelain, 26 x 20 cm | *** |  |
| *** | John Barr Clarke Hoyte, New Zealand (1835-1913) Auckland harbour, NZ, watercolour signed lower left 25 x 45 cm. Provenance: lady Massy-Greene, NSW | *** |  |
| *** | A large Chinese landscape scroll, ink and colour on silk, Painted with a mountainous landscape in classical Song dynasty style, inscribed and sealed, 163 x 94.5 cm. Together with a Chinese hanging scroll, ink and colour on paper, depicting an Arhat… | *** |  |
| *** | The Capture of the Kelly Gang, Glenrowan, 1880s, being the central illustration and theme of a very rare poster issued for Murrell Brothers, Tea Merchants, Importers of High Class Teas, 498 George Street, Sydney. Lithographed in colours, circa 1880s,… | *** |  |
| *** | A. Loutenbacher. Cubist still life, 20th century. oil on canvas. 46 x 55 cm. signed and dated '56 lower right | *** |  |
| *** | After Luini Bernardino, Italian, 15/16th century, Adoration of the Magi, 18/19th century, oil on panel. 108 cm high, 68 cm wide. 'Andina fe in Como' to verso, after the original in the nave of the Como Cathedral, Italy | *** |  |
| *** | South Head Light House, New South Wales. Australia second quarter of the 19th century Watercolour Bennett, John John 21 x 16 cm Signed Jno Bennett lower right and titled in ink to margin Original cedar frame 21 x 16 cm Reference Joan Kerr, The Dictionary… | *** |  |
| *** | Italian school, 17th century, in the manner of the cardossi family, Ruins and figures, oil on canvas, 73 cm x 102 cm | *** |  |
| *** | George Frederick Gregory (1821-1887) (Attrib.), Geelong Hunt Club Meeting at The Wallington Hotel, circa 1861, watercolour, 34 x 65 cm, Inscribed verso to an old document fragment: 'Meeting of hounds at Wallington Hotel - period about 1854. Provenance:… | *** |  |
| *** | English School, 18th century, Portrait of a Gentleman Wearing a Curled Wig, oil on canvas, 122 x 100 cm | *** |  |
| *** | James Haughton Forrest (1826-1925), Tasmanian River Scene with Sailing Boats, oil on board, 29 x 44 cm | *** |  |
| *** | Charles Ephraim Smith Tindall (Scotland, Australia 1863-1951): The S.S. Wyreema, oil on canvas, signed and dated 1909 lower right, 151 x 273 cm | *** |  |
| *** | Cathleen Edkins (Born 1922), (Grazing Horses), oil on canvas, signed lower right: C. E. Edkins, 75.5 x 90.5 cm | *** |  |
| *** | Buffalo in rice field, watercolour on paper. Affandi, signed and initialed lower left and in pencil lower right. 53 x 74 cm | *** |  |
| *** | A hand coloured engraving, 'South West View of Sydney in New South Wales', published 1st January 1814 by James Whittle & Richard Holmes, Laurie No. 53 Fleet Street London, 42 x 28 cm | *** |  |
| *** | Gallipoli: Set of 3 oil paintings by Petty Officer Royal Navy J.Heffer who witnessed the landings. Each one titled. 'Landing of Troops, Gallipoli, April 25th 1915', 'H.M.S. Eurayalus Smyrna. Mar 6th 1915', & ' H.M.S. Euryalus Forcing the Dardenelles 25th… | *** |  |
| *** | After Guido Cagnaci, Italian School, 17th century, David with Head of Goliath, oil on canvas, 105 x 82 cm | *** |  |
| *** | Le village de Jussy au Bord du Lac Leman, oil on panel, signed and dated 1910 42 x 57 cm. Provenance: Waterhouse & Dodd, London | *** |  |
| *** | Geese Under The Pear Tree, late 1960's, oil on canvas on board, Holmes, Edith, signed lower right 56 x 43.5 cm. | *** |  |
| *** | JAN HENDRIK SCHELTEMA(1861-1941), At Ivanhoe, oil on canvas, signed lower right: J H Scheltema, titled verso, 45 x 76 cm | *** |  |
| *** | Gerald Leslie Brockhurst (1890-1978) Edward Alexander Partington, 1936 oil on canvas signed and dated lower right 'Brockhurst 1936' 90 cm x 70.5 cm. Provenance: Baroness Doverdale to her father Mr Arthur Pointing, Darling point, Sydney | *** |  |
| *** | Arie Smit (Indonesian, Born 1916), Painitng, Bali, 1960, oil on canvas, signed, titled and dated lower left: arie, Bali '60, 35 x 47 cm. Provenance: Acquired directly from the artist, c.1960, Private Collection, Queensland | *** |  |
| *** | Old Mick Tjakamarra (Warlpiri tribe): acrylic on canvas board. Title verso 'Intalkangu. Located north west of Papunya. This site is an important womens......(?) area. Shown are women sitting....'. Papunya Tula number (OM850414). 50 x 40 cm | *** |  |
| *** | A large painted Advance Australia coat of arms cedar panel, signed 'E Bryrant Writer & Artist 1894, Sydney', 64 cm high, 94 cm wide | *** |  |
| *** | AFTER MELCHIOR DE HOENDECOETER. (DUTCH 1636-1695). A White Peacock with Pheasant, Monkey and other Animals in an Arcadian setting. Oil on canvas, 141 x 178 cm | *** |  |
| *** | Lawrence M.Daws ?(born 1927) Family on the Beach, oil and mixed media on board Signed and dated '64 Lower Right 99 X 99 cm. Provenance: South Yarra Gallery 1964 As No. 5, Sold For 180 Guineas with Accompanying Exhibition Brochure Attached to Verso | *** |  |
| *** | Manner of Thomas Gainsborough (British), The Rev. Dudley Bate c. 1788, oil on canvas, within an 18th century carved giltwood frame, 75 x 62 cm, Note, plate attached to the base of the frame inscribed, Thomas Gainsborough R.A., 1727 - 1788, The Rev. Dudley… | *** |  |
| *** | Alfred Herbert Cook (1907-1970), Portrait of Albert Namatjira, oil on board, signed lower right: Alfred H Cook, 34 x 44 cm, Related Works, Bonhams, The Owston Collection - Day 1, Sydney (Art Only), Sydney, 25/06/2010, Lot No. 636, sold for $13,200 (Ibp) | *** |  |
| *** | Baron Ferd. Von Mueller portrait lithograph in an impressive Australian native timber frame by A. Schramm, cabinet maker, 60 Westgarth Street Fitzroy. Frame size 76 x 90 cm | *** |  |
| *** | John Saint-Helier Lander (Jersey 1868-1944 Surrey) Lilita oil on canvas signed verso - 'John St Helier Lander'-'Lilita' 132 x 82 cm. Provenance: Born in St Helier in 1868 to the Son of a boot maker, Lander showed promise as a painter from an early age and… | *** |  |
| *** | COLONIAL SCHOOL, 19th CENTURY The Tiger Hunt Oil on canvas 76 x 125 cm | *** |  |
| *** | Attributed To Enoch Seeman Portrait of William Shippen Esquire MP oil on canvas bears inscription upper right 'William Shippen/Esquire. MP./ Pope's 'Downright Shippen', Born 1672/M.P. for Bramber 1707/A Leader of the Jacobite Party,/committed to the Tower… | *** |  |
| *** | Artist Unknown (British School) Henry Grey Duke of Kent oil on canvas inscribed 'Henry Grey of Kent Father of Annabell Lady Glenorchy 126 x 100 cm Paper Label to the reverse Inscription reads Brought to Taymouth Castle from the Marquis of Breadalbanes… | *** |  |
| *** | Style of Richard Reid, Australian school first quarter of nineteenth century, watercolour, unsigned 35 x 29 cm, untitled,full portrait of a Colonial uniformed officer with tents in background. Private collection similar portrait painting of Colonel George… | *** |  |
| *** | Pair portraits of a gentleman and lady 1844 Watercolour Nicholas, William Michael Signed and dated 1844 lower right 25 x 19 cm Notation Verso: John and Caroline Barnett Portraits of the Barnetts/Parents of Amelia Holmes, wife of James Williams Holmes… | *** |  |
| *** | John James Audubon (American, 1785-1851), 'Mallard Egret', chromolithograph by J Bien, visible paper size, 63 cm high, 91 cm wide. Provenance: The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 64 | *** |  |
| *** | Thomas Hamilton Lyttleton (Australia 1826-1876): 'The Barb', oil on board, signed and dated 1869 lower left. 21 x 29 cm. The Barb is famed for winning the Melbourne Cup in 1866, and the Sydney cup twice, in 1868 & 1869 | *** |  |
| *** | European School. Portrait of a Young Woman circa 1780, unsigned, 110 x 100 cm | *** |  |
| *** | Follower of Tiziano Vecellio, called Titian, Italian School, 16/17th century, Venus and Adonis, oil on canvas, 140 x 124 cm | *** |  |
| *** | EUROPEAN SCHOOL, 20TH CENTURY Reclining female nude Oil on canvas signed lower left 73 x 133 cm | *** |  |
| *** | Ida Rentoul Outhwaite (1888-1960), A. Scandal in High Life, ink and wash, signed, titled and date 15.03.1904, 15.5 x 21 cm | *** |  |
| *** | Tree and Sunset, Bally Park Tasmania 1967, oil on canvas on board Holmes, Edith Signed lower right 75 x 62 cm. Provenance: The Estate of the Late Ian Alstergren, Tasmania | *** |  |
| *** | Silver Sea & Mt Wellington - Meadow in Foreground, oil on canvas on board Holmes, Edith Signed lower left 76 x 58 cm. Provenance: The Estate of the Late Ian Alstergren, Tasmania | *** |  |
| *** | William Wackenbarth Short (Senior), Australia (1833-1917) Lake Scene, oil on canvas, signed and dated 1860 lower left, 45 x 90 cm. Provenance: Private Collection Melbourne | *** |  |
| *** | After Zoffany, Portrait of Mozart, oil on panel, bears artist's name, title and cat. no. 19 on label verso, 16 x 14 cm. Provenance: The Estate of the Late Annie Coogan | *** |  |
| *** | Ernest Buckmaster (1897-1968), Sydney Harbour, oil on canvas laid on board, signed 'E Buckmaster' lower left, 60 x 80 cm | *** |  |
| *** | British School, circa 1930. Feeding the Chickens, watercolour, signed lower right Gibson, 40 x 50 cm | *** |  |
| *** | Monument at Botany Bay to the memory of La Perouse second quarter of the 19th century Watercolour Bennett, John John 21 x 16 cm Signed Jno Bennett lower right and titled in ink to margin Original cedar frame 21 x 16 cm This previously undocumented… | *** |  |
| *** | Currawongs Feeding 1954 Oil on canvas Edwards, Mary Signed lower right and dated '54 50 x 60 cm | *** |  |
| *** | Brancusi. Portrait-face, ink drawing, signed. 32 x 19 cm | *** |  |
| *** | William Huggins (1781-1845), Swan River 50 Miles up, The view represents the Bivouac of Capt. Stirling In their exploring Party March, 1827, from an original drawing in possession of F.R. Clause, Esqr. Surgeon, R.N. to whom this Engraving Is dedicated by… | *** |  |
| *** | John James Audubon (American, 1785-1851), 'Mallard Duck', chromolithograph by J Bien, visible paper size, 63 cm high, 94 cm wide. Provenance: The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 33 | *** |  |